<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet href="http://maldini.wetpaint.com/xsl/rss2html.xsl" type="text/xsl" media="screen"?><?xml-stylesheet href="http://maldini.wetpaint.com/scripts/wpcss/wiki/maldini/skin/minimalist/rss" type="text/css" media="screen"?><rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/"><channel><title>m   a   l   d   i   n   i - Recently Updated Pages</title><link>http://maldini.wetpaint.com/pageSearch/updated</link><description>Recently Updated Pages on http://maldini.wetpaint.com</description><language>en-us</language><webMaster>info@wetpaint.com</webMaster><pubDate>Sun, 27 Dec 2009 06:02:07 CST</pubDate><lastBuildDate>Sun, 27 Dec 2009 06:02:07 CST</lastBuildDate><generator>wetpaint.com</generator><ttl>60</ttl><image><title>m   a   l   d   i   n   i</title><url>http://image.wetpaint.com/image/1/xLqj7Uc3hx52gIaviiT8wQ14679/GW289H200</url><link>http://maldini.wetpaint.com</link><description>Slobodan Maldini, Architecture, art, design, painting</description></image><item><title>Home</title><link>http://maldini.wetpaint.com/page/Home</link><author>maldini</author><guid isPermaLink="false">http://maldini.wetpaint.com/page/Home</guid><pubDate>Sun, 27 Dec 2009 06:02:07 CST</pubDate><description>&lt;br&gt;&lt;div&gt;    &lt;div&gt;&lt;font color=&quot;#ff0000&quot; size=&quot;6&quot;&gt;&lt;br&gt;&lt;/font&gt;&lt;/div&gt;&lt;/div&gt;&lt;h2&gt;&lt;a class=&quot;external&quot; href=&quot;http://maldini.wetpaint.comhttp://www.google.com/search?client=firefox-a&amp;rls=org.mozilla%3Aen-US%3Aofficial&amp;channel=s&amp;hl=en&amp;q=++slobodan+maldini+++&amp;btnG=Google+Search&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt; &lt;/a&gt;&lt;/h2&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;a class=&quot;external&quot; href=&quot;http://maldini.wetpaint.comhttp://www.maldini.net16.net/&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;http://www.maldini.net16.net/&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;a class=&quot;external&quot; href=&quot;http://maldini.wetpaint.comhttp://www.scribd.com/maldinislobodan&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;http://www.scribd.com/maldinislobodan&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;br&gt; &lt;/div&gt;&lt;br&gt; &lt;/embed&gt;&lt;/embed&gt;&lt;/embed&gt;&lt;/embed&gt;&lt;/embed&gt;&lt;/embed&gt;&lt;hr size=&quot;1&quot;&gt;&lt;br/&gt;</description></item><item><title>novi talas u galeriji likovni program, skc</title><link>http://maldini.wetpaint.com/page/novi+talas+u+galeriji+likovni+program%2C+skc</link><author>maldini</author><guid isPermaLink="false">http://maldini.wetpaint.com/page/novi+talas+u+galeriji+likovni+program%2C+skc</guid><pubDate>Mon, 21 Dec 2009 07:11:01 CST</pubDate><description>&lt;div&gt;&lt;/div&gt;&lt;br&gt;&lt;div&gt;&lt;div&gt;LIKOVNI PROGRAM U DOBA NOVOG TALASA &lt;/div&gt;&lt;div&gt;HRONOGRAFIJA 1977 - 1989&lt;/div&gt;&lt;div&gt;Urednica: Biljana Tomić; saradnici: Lidija Merenik, Danijela Pure&amp;scaron;ević, Dragica Vuković, Darka Radosavljević...&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;1977 16-29. IV &amp;Scaron;esti Aprilski susret (vidi Velike manifestacije) / 6. V Razgovor sa Momčilom Rajinom i Slobodanom Ilićem&lt;/div&gt;&lt;div&gt;o rok grafci povodom izložbe &amp;ldquo;Omoti ploča rok muzike&amp;rdquo; / 14. VI Nenad Petrović, Beograd: Tamni objekat; ambijentalna&lt;/div&gt;&lt;div&gt;postavka skulpture u tamnom prostoru / 16. VI Miroslav Mi&amp;scaron;a Savić, Beograd: Filmmuzik; Ne&amp;scaron;a Paripović, Beograd: Filmovi&lt;/div&gt;&lt;div&gt;/ 30. IX Mikelanđelo Pistoleto, Maria Piopi i Đorđo Persano, Torino: Razgovor; razgovor vodi: Je&amp;scaron;a Denegri / 2. X 1977&lt;/div&gt;&lt;div&gt;Evelin Vajs, Keln: Dokumenta 6 u Kaselu; predavanje / 24. X Od 24 do 27. oktobra galerija je otvorena; izložba studenata&lt;/div&gt;&lt;div&gt;FLU, Beograd; učestvuju: Gradimir Đerić Đeri, Milanka Blagojević, Zoran Belić / 29. X Razgovor sa učesnicima izložbe&lt;/div&gt;&lt;div&gt;&amp;ldquo;Od 24 do 27. oktobra galerija je otvorena&amp;rdquo; / 7. XI Željko Jerman, Zagreb: Likovna radionica / 11. XI Razgovor sa Željkom&lt;/div&gt;&lt;div&gt;Jermanom / 12. XI Željko Jerman: Otiskivanje u betonu; performans / 15-19. XI Mlada slovenačka kultura (vidi Posebne&lt;/div&gt;&lt;div&gt;programe) / 24. XI - 8. XII Nova muzika: minimalna muzika; koncepcija i realizacija; Miroslav Mi&amp;scaron;a Savić / 24. XI Miroslav&lt;/div&gt;&lt;div&gt;Mi&amp;scaron;a Savić: O minimalnoj muzici; predavanje i preslu&amp;scaron;avanje primera sa ploča / 5. XII Preslu&amp;scaron;avanje ploča: John Cage /&lt;/div&gt;&lt;div&gt;6. XII Preslu&amp;scaron;avanje ploča: LaMont Young, Phil Glass / 7. XII Preslu&amp;scaron;avanje ploča: Terry Riley; Milo&amp;scaron; Raičković, Beograd:&lt;/div&gt;&lt;div&gt;Permutacije i krugovi raslojavanja; koncert kompozicija minimalne muzike / 8. XII Preslu&amp;scaron;avanje ploča: Steve Reich / 6.&lt;/div&gt;&lt;div&gt;XII JuIije Knifer, Zagreb: Izložba crteža / 16. XII Studenti arhitekture i istorije umetnosti iz Beograda govore o arhitekturi i&lt;/div&gt;&lt;div&gt;umetnosti u Parizu / 20. XII Urkom Gergely, London: O slici; izložba slika i foto radova.&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;1978 27. II Slobodan Ilić i Radovan Gajić, Beograd: Pariski novinski plakat; dokumentarno-informativna izložba / 28. II&lt;/div&gt;&lt;div&gt;Razgovor sa Zoranom Belićem i Gradimirom Đerićem o izložbi Đeri/Vajs / 7. III Tomo Podgornik i Andrej Trubentar, Ljubljana:&lt;/div&gt;&lt;div&gt;Slike; izložba; Andrej Trubentar: Koncert; Razgovor sa Tomom Podgornikom i Andrejom Trubentarom / 9. III Slobodan Ilić i&lt;/div&gt;&lt;div&gt;Radovan Gajić: Aukcija pariskog novinskog plakata / 14. III Razgovor povodom koncerta minimalne muzike Miroslava Mi&amp;scaron;e&lt;/div&gt;&lt;div&gt;Savića održanog u Studentskom centru u Zagrebu u okviru Festivala minimalne muzike / / 16-18. III Nevolje stanovanja u&lt;/div&gt;&lt;div&gt;novima naseljima (u saradnji sa Arhitektonskim fakultetom i Dru&amp;scaron;tvom arhitekata Srbije) / 16. III Alternative u kolektivnom&lt;/div&gt;&lt;div&gt;stanovanju; izložba primera iz austrijske arhitekture; uvodna informacija: S. Maurer, Grac / 17. III Arh. D. &amp;Scaron;eler, Grac: Uloga&lt;/div&gt;&lt;div&gt;građana u odlučivanju o problemima vezanim za grad; predavanje; Arh. E. Bramhas, Beč: Agresija grada; predavanje /&lt;/div&gt;&lt;div&gt;18. III Arh. H. Prader, Beč: Prilozi problemu stanovanja u gradu; predavanje; Arh. V. Kajnhart, Beč: Za organizaciju obnove&lt;/div&gt;&lt;div&gt;grada - iskustva sa projektom Plankvart; predavanje / / 28. III Stavros Popčev, Beograd: Intervencija u materijalizovanom&lt;/div&gt;&lt;div&gt;prostoru; ambijent / 4. IV Umetnici iz majstorske radionice u Zagrebu (Marjan Molnar, Antun Maračić, Goran Petercol, Boris&lt;/div&gt;&lt;div&gt;Demur, Željko Kipke, Damir Sokić, Ra&amp;scaron;ić): Radovi na papiru; izložba / 18. IV Vladimir To&amp;scaron;ić, Beograd: Vizuelizacija muzičkih&lt;/div&gt;&lt;div&gt;partitura; izložba, koncert i razgovor / 25. IV Arhitektura Nikole Dobrovića; studijska izložba studenata Arhitektonskog&lt;/div&gt;&lt;div&gt;fakulteta; Razgovor sa autorima izložbe &amp;ldquo;Arhitektura Nikole Dobrovića&amp;rdquo; / 3-8. V Internacionalni performans susret (vidi&lt;/div&gt;&lt;div&gt;Velike manifestacije) / 17. V Ljiljana &amp;Scaron;erbedžija, Beograd: I - Prepone, II - Pokreti, III - Slike; ambijent / 22. V Vlasta Filipović,&lt;/div&gt;&lt;div&gt;Beograd: Depo; izložba-ambijent-akcija / 25. V Razgovor sa Vlastom Filipovićem povodom izložbe Depo i zavr&amp;scaron;etka procesa&lt;/div&gt;&lt;div&gt;pakovanja / 30. V Dalibor IIIinis, Zagreb: Autoegzekucija; foto performans sa fnalnom postavkom / 8-10. VI Realizacija 7.&lt;/div&gt;&lt;div&gt;Jugoslovenskog konkursa za rad iz oblasti pro&amp;scaron;irenih medija (vidi Velike manifestacije) / 16. VI Studenti II i III godine FLU,&lt;/div&gt;&lt;div&gt;Beograd; izložba slika, crteža, grafka, predmeta; učestvuju: Zoran Belić, Gradimir Đerić, Jusuf Hadžifejzović, Slobodan&lt;/div&gt;&lt;div&gt;Ka&amp;scaron;tavarac, Vesna Marković / 21. IX Zvonimir Pliskovac, Rijeka: Bubice i kokice; izložba stripa / 6. X Kosta Bogdanović,&lt;/div&gt;&lt;div&gt;Beograd: Reljef; izložba radova na kartonu i foto-radova / 20. X Kosta Bogdanović: Problem metoda u vizuelnoj kulturi;&lt;/div&gt;&lt;div&gt;predavanje sa projekcijom slajdova / 27. X - 1. XI Drug-ca Žena; žensko pitanje - novi pristip; međunarodni seminar (vidi&lt;/div&gt;&lt;div&gt;Velike manifestacije) / 1. XI Heinz Gappmayr, Jochan Gerz, Siegfried J. Schmidt, Timm Ulrichs: Vizuelna poezija; izložba;&lt;/div&gt;&lt;div&gt;Siegfried J. Schmidt: O vizuelnoj poeziji; predavanje / / 8-11. XI Seminar Grupe 143 / 8. XI Mi&amp;scaron;ko &amp;Scaron;uvaković: Specifčni&lt;/div&gt;&lt;div&gt;karakter modela; predavanje; Boris Demur: Uvjeti za umjetničko djelovanje; predavanje; Paja Stanković: Tekstovi / 9. XI&lt;/div&gt;&lt;div&gt;Marko Pogačnik: Umjetnički rad sa stanovi&amp;scaron;ta strujanja snage; predavanje; Mi&amp;scaron;ko &amp;Scaron;uvaković: Specifčni karakter strukture/&lt;/div&gt;&lt;div&gt;procesa; predavanje; Darko Hohnjec: Kandinski; predavanje /&lt;/div&gt;&lt;div&gt;10. XI Marko Pogačnik: Istorija umjetnosti kao proces &amp;scaron;kolovanja čovječanstva u uvjetima materije; predavanje; Biljana&lt;/div&gt;&lt;div&gt;Tomić: Paralelne realnosti; predavanje; Mi&amp;scaron;ko &amp;Scaron;uvaković: Specifčni karakter značenja; predavanje; Maja Savić: Predavanje;&lt;/div&gt;&lt;div&gt;predavanje; Na&amp;scaron;ko Križnar: Filmovi grupe OHO; projekcija flmova; 11. XI Marko Pogačnik: Umjetnost prirode i umjetnost&lt;/div&gt;&lt;div&gt;čovjeka; predavanje; Bojan Brecelj: Umetnost prirode i umetnost čoveka; slajd projekcija; Jovan Čekić: O nekim problemima&lt;/div&gt;&lt;div&gt;jezika u novijoj umetničkoj praksi; predavanje; Boris Demur: Uvjeti za umjetničko djelovanje; predavanje; Paja Stanković:&lt;/div&gt;&lt;div&gt;Teorija boja u domenu vidljivo-čujnih manifestacija; predavanje / / 21. XI Deca i prostor; izložba Studijske grupe &amp;ldquo;Petar&lt;/div&gt;&lt;div&gt;Dobrović&amp;rdquo; studenata Arhitektonskog fakulteta u Beogradu; učestvuju: Milena Grbović, Ljiljana Janković, Aleksandra Mihajlović, Marina Čuturilo / 7. XII Waingrow, SAD: Slike; izložba / 9-12. XII Smotra umetničkog stvarala&amp;scaron;tva mladih&lt;/div&gt;&lt;div&gt;Jugoslavije; povodom X kongresa SSOJ (vidi Velike manifestacije) / 22. XII Zoran Popović, beograd: Miodrag Popović - o&lt;/div&gt;&lt;div&gt;životu, radu, o slobodnom vremenu grafčkog radnika, tipo-ma&amp;scaron;iniste; audio-vizuelni portret; magnetofonski snimak i slajd&lt;/div&gt;&lt;div&gt;projeklcija.&lt;/div&gt;&lt;div&gt;1979 14. II Joslen van Droffelaar, Amsterdam: Rad galerije &amp;ldquo;De Appel&amp;rdquo;, Amsterdam; predavanje i prikazivanje video radova&lt;/div&gt;&lt;div&gt;umetnika galerije De Appel / 22. II Jovan Čekić, Beograd: Skice 77-79; izložba / 9. III Miroslav Mi&amp;scaron;a Savić, Beograd: Otvorena&lt;/div&gt;&lt;div&gt;knjiga; performans / 15. III Je&amp;scaron;a Denegri, Beograd: Sekvence; izložba primera foto-sekvenci u radovima jugoslovenskih&lt;/div&gt;&lt;div&gt;umetnika; izlažu: Jovan Čekić, Radomir Damnjan, Boris Demur, Tomislav Gotovac, grupa OHO, Željko Kipke, Antun Maračić,&lt;/div&gt;&lt;div&gt;Vlado IIIek, Slavko Matković, Marjan Molnar, Ne&amp;scaron;a Paripović, Goran Petercol, Zoran Popović, Rajko Radovanović, Mi&amp;scaron;a&lt;/div&gt;&lt;div&gt;Savić, Paja Stanković, Mladen Stilinović, Mi&amp;scaron;ko &amp;Scaron;uvaković, Fedor Vučemilović / 30. III Na&amp;scaron; zajednički rad (Na&amp;scaron;e skupno delo);&lt;/div&gt;&lt;div&gt;izložba crteža, tekstova, objekata...; učestvuju: Bojan Bole, Marko Pogačnik, Mirko Radojičić, Maja Savić, Paja Stanković,&lt;/div&gt;&lt;div&gt;Mi&amp;scaron;ko &amp;Scaron;uvaković / 11. IV Zoran Belić, Beograd: Pokret usagla&amp;scaron;avanja sa ishodi&amp;scaron;tem; ambijent; Zoran Belić: Rad dece na&lt;/div&gt;&lt;div&gt;crtežima preko dodira; studijska izložba na temu iskustva u podučavanju dece u crtanju / 4. V Grupa 143 (Mirko Dilberović,&lt;/div&gt;&lt;div&gt;Maja Savić, Paja Stanković, Ne&amp;scaron;a Paripović, Mi&amp;scaron;ko &amp;Scaron;uvaković): Radovi 1978 - 1979; izložba crteža, fotografja, objekata;&lt;/div&gt;&lt;div&gt;Grupa 143: Dijalog; Grupa 143: Jedan zajednički rad / 16. V Vladimir To&amp;scaron;ić, Beograd: Partiture/reljef; izložba (u saradnji&lt;/div&gt;&lt;div&gt;sa Muzičkim programom) / 24. V Nenad Petrović, Beograd: Lebdilica; ambijent / 4. VI Umetnički posteri u SAD; izložba / 9.&lt;/div&gt;&lt;div&gt;VI Vlado IIIek, Zagreb: Elementarni procesi u poeziji - II; izložba radova na papiru, knjiga, tekstova; Razgovor sa Vladom&lt;/div&gt;&lt;div&gt;IIIekom o izložbi / / 23-25. VI Đenova - Beograd: Prostor neograničene geo-grafje; uzvratni program Op&amp;scaron;tine Đenova za&lt;/div&gt;&lt;div&gt;program &amp;ldquo;Beograd - Đenova&amp;rdquo; koji je SKC priredio u okviru izložbe &amp;ldquo;Savremena jugoslovenska umetnost&amp;rdquo; početkom juna ove&lt;/div&gt;&lt;div&gt;godine u Đenovi / 23. VI Angelo i Mario Pretolani: Nebožanska komedija; performans inspirisan delom Kreszinskog; Angelo&lt;/div&gt;&lt;div&gt;Pretolani: Priviđenje, flm, 1977; Rolando Mignani: Modeli odraza, izložba; Beppe Dellepiane: Teatralnost; izložba fotografja;&lt;/div&gt;&lt;div&gt;Beppe Dellepiane: Nađite me c/o, flm, 1974; Giovanni Angelo Bignone: Hiperkubus; ambijent; Razgovor sa Vianom Conti,&lt;/div&gt;&lt;div&gt;umetnicom i autorkom programa Đenova - Beograd / 25. VI Giuliano Galleta: Ambijent proizvodnje, flm; Aurelio Caminati: Telo&lt;/div&gt;&lt;div&gt;telu - pet simboličkih transkripcija; flm, video i slajd projekcija / / 29. VI Pariz - Moskva; razgovor povodom izložbe održane&lt;/div&gt;&lt;div&gt;u Centru Žorž Pompidu, Pariz; učestvuju: Jadranka Vinterhalter, Ljubica Seka Stanivuk, Slobodan Miju&amp;scaron;ković, Bojana Pejić&lt;/div&gt;&lt;div&gt;/ 1. X Rade Marković, Beograd: Strah od belog; izložba stripa / 2. X Rajko Popivoda i Srđan Vukajlović: Skulpture; izložba&lt;/div&gt;&lt;div&gt;/ 12-22. X Nedelja italijanske kulture (vidi Velike manifestacije) / 1-5. XI Video, video-performans (vidi Velike manifestacije)&lt;/div&gt;&lt;div&gt;/ 21. XI Arhitektura konstruktivizma; izložba studijske grupe za savremenu arhitekturu &amp;ldquo;Petar Dobrović&amp;rdquo; pri Arhitektonskom&lt;/div&gt;&lt;div&gt;fakultetu, Beograd (Aleksandar Mihajlović, Želimir Obradović, Zvonimir Tilinger) / 27. XI; Biljana Tomić: Informacija o radu&lt;/div&gt;&lt;div&gt;Internacionalnog udruženja umetnika i kritičara u Kelnu / 4. XII Dejan Ećimović, Beograd:Primarna arhitektura; izložba / 13.&lt;/div&gt;&lt;div&gt;XII Razgovor povodom izložbe &amp;ldquo;Primarna arhitektura&amp;rdquo;; učestvuju: Ranko Radović i Dejan Ećimović / 14. XII David Grinvud,&lt;/div&gt;&lt;div&gt;Njujork: Signal; izložba i performans / 18. XII Bauhaus 1919 - 1935; Paul Klee 1879 - 1940; izložba; koncepcija i realizacija:&lt;/div&gt;&lt;div&gt;Mi&amp;scaron;ko &amp;Scaron;uvaković i Vladimir Nikolić.&lt;/div&gt;&lt;div&gt;1980 6. I Zoran Belić, Beograd: Krug - sedam dana; performans / 11. I Javna rasprava o programu Galerije za 1980-tu&lt;/div&gt;&lt;div&gt;godinu na katederi za Istoriju umetnosti Filozofskog fakulteta, Beograd / 15. I Mi&amp;scaron;ko &amp;Scaron;uvaković, Beograd: Primeri - druga&lt;/div&gt;&lt;div&gt;skulptura 1961-1979 - od Novih tendencija...Minimal arta...Arte povera...Conceptual arta do mentalnih prostora (Ivan&lt;/div&gt;&lt;div&gt;Picelj, Juraj Dobrović, Grupa OHO, Braco Dimitrijević, Mirko Radojičić, Družina u &amp;Scaron;empasu, Marko Pogačnik, Zoran Belić,&lt;/div&gt;&lt;div&gt;Grupa 143, Nenad Petrović); izložba; Mi&amp;scaron;ko &amp;Scaron;uvaković: Minimal art i Post-minimal art; predavanje / 29. I Goran Đorđević,&lt;/div&gt;&lt;div&gt;Beograd: Protiv umetnosti; izložba slika i crteža / 6. II Dragana Jovanović i Paja Stanković, Beograd: Dva; performans /&lt;/div&gt;&lt;div&gt;15. II Dragoljub Ra&amp;scaron;a Todosijević, Beograd: Zlatni i srebrni orgazam; instalacija / 21-22. II Gostovanje Likovnog programa&lt;/div&gt;&lt;div&gt;u galeriji Kolegijum artistikum, Sarajevo; učestvuju: Zoran Belić, Dragana Jovanović. Jusuf Hadžifejzović, Nenad Petrović /&lt;/div&gt;&lt;div&gt;4. III Tanja &amp;Scaron;penko, Bojan Gorenec, Ljubljana i Alojz Konec, Sevnica: Istraživanja u mediju slike, grafke, fotografje, teksta,&lt;/div&gt;&lt;div&gt;objekta. Razgovor sa Tanjom &amp;Scaron;penko, Bojanom Gorencom o Alojzom Konecom / 21. III Gordan Kulić, Beograd: Ogled o&lt;/div&gt;&lt;div&gt;svetlu; izložba fotografja / 27. III Stano Filko, Bratislava: Beli prostor u belom prostoru; dokumentacija, slajdovi; Stano Filko:&lt;/div&gt;&lt;div&gt;Beli prostor u belom prostoru; performans; Razgovor sa Stanom Filkom; razgovor vodi Je&amp;scaron;a Denegri / 4. IV Grupa Galerija,&lt;/div&gt;&lt;div&gt;Beograd: Analiza rada beogradskih galerija, dokumenti istraživanja; izložba (članovi grupe: Lidija Merenik, Marina IIIić,&lt;/div&gt;&lt;div&gt;Feđa Klikovac, Goran Paunović, Aleksandar Adamović, Katarina Golubović...) / 8. IV Tahir Lu&amp;scaron;ić, Beograd: Model/prostor&lt;/div&gt;&lt;div&gt;- modeli prostora; izložba teksta, crteža i fotografje / 18. IV Razgovor grupe Galerija sa studentima istorije umetnosti&lt;/div&gt;&lt;div&gt;povodom izložbe &amp;ldquo;Analiza rada beogradskih galerija&amp;rdquo; / Biljana Tomić: Umetnost, od koga, kome - o internacionalnom&lt;/div&gt;&lt;div&gt;simpozijumu &amp;ldquo;Kritika 1&amp;rdquo; održanom u Montekantiju; predavanje / 23. IV Floris Neus&amp;uuml;ss, Kasel: Fotografja kao umetnost&lt;/div&gt;&lt;div&gt;- umetnost kao fotografja; izložba; Klaus Honef, Bon: Fotografja kao oblik umetnosti i komunikacije; predavanje / 23. V&lt;/div&gt;&lt;div&gt;Arh. Slobodan Maldini, Beograd: Misaoni prostor ili prilog grafčkom istraživanju estetike prostora; izložbu otvara: prof.&lt;/div&gt;&lt;div&gt;Bogdan Bogdanović; Slobodan Maldini: Vile Andrea Paladija; predavanje / 26. V Germano Celant, Đenova: Moje lično iskustvo; predavanje / 2. VI Camere incantate; razgovor povodom izložbe &amp;ldquo;Camere incantate&amp;rdquo;, održane u Milanu, na kojoj&lt;/div&gt;&lt;div&gt;su učstvovali predstavnici četiri internacionalna kulturna centra (Anvers, Buenos Ajers, Ferara, Beograd-SKC); učestvuju:&lt;/div&gt;&lt;div&gt;Gillo Dorfes, Vittorio Fagone, Biljana Tomić / 6. VI Slobodan Maldini: Andrea Paladio i njegov uticaj na koncepciju crkve&lt;/div&gt;&lt;div&gt;ćinkvećenat u Italiji; predavanje / 10. VI Jusuf Hadžifejzović, Prijepolje/Sarajevo: Totalna slika; instalacija / 17. VI Grad Rabut&lt;/div&gt;&lt;div&gt;doline; izložba crteža, fotografja, projekcija slajdova, video radova, flmova, muzike...; rad grupe studenata Arhitektonskog&lt;/div&gt;&lt;div&gt;fakulteta u Beogradu / 24. VI Razgovor sa autorima izložbe &amp;ldquo;Grad Rabut doline&amp;rdquo; / 30. IX - 5. X Program ovodom XXI&lt;/div&gt;&lt;div&gt;Generalne konferencije UNESCO-a (vidi Velike manifestacije) / / 20. X - 26. XI Klaus Rinke, profesor Likovne akademije&lt;/div&gt;&lt;div&gt;u Diseldorfu gostuje sa svojim studentima u SKC-u i vodi radionicu sa svojim studentima i studentima FLU u Beogradu;&lt;/div&gt;&lt;div&gt;učestvuju: Sandro Antal, Harold Klingelholler, Wolfgang Luy, Volker Osenberg, Klaus Simon, J&amp;uuml;rgen Zellerhoff, Ivo Deković,&lt;/div&gt;&lt;div&gt;Aleksandar Gajić, Dragana Jovanović, Boban Krstić, Smilja Kudić, Milovan Marković, Vlasta Mikić, Jelena Mi&amp;scaron;ević, Mileta&lt;/div&gt;&lt;div&gt;Prodanović, Neboj&amp;scaron;a Ružić, Zdravko Santrač, Veso Sovilj, Maja Tanić, Jarmila Ve&amp;scaron;ović, Milorad Vuja&amp;scaron;anin / 20. X Klaus&lt;/div&gt;&lt;div&gt;Rinke: Vodena vaga, performans / 6. XI Dragana Jovanović, Beograd: Ritam; glasovna vežba; muzički performans / 12-13.&lt;/div&gt;&lt;div&gt;XI Prva postavka realizovanih radova likovne radionice; izložba; Razgovori povodom realizovanih radova u okviru likovne&lt;/div&gt;&lt;div&gt;radionice / 24. XI Druga postavka radova realizovanih u likovnoj radionici; izložba; Poseta Georgesa Boudailla, generalnog&lt;/div&gt;&lt;div&gt;sekretara Bijenala mladih u Parizu likovnoj radionici; Georges Boudaill, Pariz: Pariski Bijenale mladih; predavanje; uvodna&lt;/div&gt;&lt;div&gt;reč: Je&amp;scaron;a Denegri / 26. XI Jelena Mi&amp;scaron;ević, Beograd: Zvučni ambijent; performans; Zatvaranje Likovne radionice / / 28.&lt;/div&gt;&lt;div&gt;XI Porodica bistrih potoka, Rudnik: Iz &amp;scaron;ume; Vatra; Pesma hlebu i mleku; izložba radova članova komune; Razgovor sa&lt;/div&gt;&lt;div&gt;članovima Porodice bistrih potoka o njihovom radu, životu / 12. XII Milovan Marković, Beograd: Novi prostori; ambijent/&lt;/div&gt;&lt;div&gt;performans / 23. XII Darko Ristić, Beograd: Metodolo&amp;scaron;ki proces superponiranja boja; izložba.&lt;/div&gt;&lt;div&gt;1981 9. I Zdravko Santrač, Vr&amp;scaron;ac/Beograd: Bele Slike; radovi sa papirom / 21. I Mladen Stilinović, Zagreb: Staviti na javnu&lt;/div&gt;&lt;div&gt;raspravu / 10. II Mileta Prodanović, Beograd: Transformacija - promena; crteži tla / 17. II Veso Sovilj, Prijedor/Beograd:&lt;/div&gt;&lt;div&gt;Uvo&amp;scaron;teno platno (situacija 1, 2, 3, 4, 5), instalacija / 27. II Vlasta Mikić, Beograd: Gaze; izložba / 13. III Maja Tanić, Beograd:&lt;/div&gt;&lt;div&gt;Radionica / 18. III Maja Tanić, Beograd: Otvaranje izložbe; radionica / 24. III Du&amp;scaron;an Mandić, Ljubljana: Izložba i razgovor /&lt;/div&gt;&lt;div&gt;4-15. IV Prvih 10 godina SKC-a (vidi Velike manifestacije) / 16. IV J&amp;uuml;rgen Partenheimer, Diseldorf: Prostor između dve slike;&lt;/div&gt;&lt;div&gt;izložba / 28. IV Nova umetnička praksa; izložba prve generacije umetnika/saradnika Galerije; učestvuju: Marina Abramović/&lt;/div&gt;&lt;div&gt;Ulay, Jovan Čekić, Radomir Damnjan, Goran Đorđević, Slobodan Era Milivojević, Ne&amp;scaron;a Paripović, Zoran Popović, Dragoljub&lt;/div&gt;&lt;div&gt;Ra&amp;scaron;a Todosijević, Urkom Gergelj / 8. V Emil Memon, Ljubljana: Filmovi; projekcija flmova; Zoran Popović, Beograd: I Never&lt;/div&gt;&lt;div&gt;promised You an Avant-garden; projekcija flma / 8. V Slobodan Era Milivojević, Beograd: Slika promena; performans / 12.&lt;/div&gt;&lt;div&gt;V Druga generacija; izložba radova druge generacije umetnika/saradnika Galerije; učestvuju: Mi&amp;scaron;ko &amp;Scaron;uvaković, Paja&lt;/div&gt;&lt;div&gt;Stanković, Maja Savić, Vladimir Nikolić, Nenad Petrović, Zoran Belić, Tahir Lu&amp;scaron;ić, Nada Alavanja, Mirko Dilberović, Jelena&lt;/div&gt;&lt;div&gt;Mi&amp;scaron;ević, Dragana Jovanović / 5. V Razgovor sa učesnicima izložbe &amp;ldquo;Druga generacija&amp;rdquo; / 20. V Ilija &amp;Scaron;o&amp;scaron;kić, Italija: Da i&lt;/div&gt;&lt;div&gt;ne; projekcija S8mm flma iz 1976. godine / 22. V Catherine Millet, Pariz: Moje lično iskustvo; predavanje / 23. V Bliski&lt;/div&gt;&lt;div&gt;susret treće vrste; jednodnevno predstavljanje treće generacije umetnika/saradnika Galerije; učestvuju: Miroslav Đorđević,&lt;/div&gt;&lt;div&gt;Dragoslav Krnjajski, Slobodan Krstić, Smiljana Kudić, Milovan Marković, Vlastimir Mikić, Mileta Prodanović, Darko Ristić,&lt;/div&gt;&lt;div&gt;Neboj&amp;scaron;a Ružić, Zdravko Santrač, Veso Sovilj, Vera Stevanović, Maja Tanić, Milorad Vuja&amp;scaron;anin / 25. V Izložba studenata&lt;/div&gt;&lt;div&gt;FLU, Beograd / 2. VI Bliski susret treće vrste; nastavak programa od 25. maja / 9. VI Beogradski umetnici najmladje&lt;/div&gt;&lt;div&gt;generacije (u saradnji sa Salonom Muzeja savremene umetnosti) / 9. VI Razgovor sa učesnicima izložbe &amp;ldquo;Bliski susret&lt;/div&gt;&lt;div&gt;treće vrste&amp;rdquo; / 11. VI Bazon Brock, Bon: Avangarda i tradicija - osvrt na izložbu Westkunst u Kelnu; predavanje / 16. VI&lt;/div&gt;&lt;div&gt;Izložba studenata FLU, Beograd, drugi put / 17. VI Dragoslav Krnjajski, Beograad: Osvetljavanja; intervencija u prostoru&lt;/div&gt;&lt;div&gt;/24. VI Vera Stevanović, Beograd: Dodirujem, trajem; intervencija u prostoru / 16. IX Arh. Marina Čuturilo: Zaratan, grad-&lt;/div&gt;&lt;div&gt;pozori&amp;scaron;te; izložba diplomskog rada na Arhitektonskom fakultetu u Beogradu; izložbu otvara: prof. Bogdan Bogdanović / 1.&lt;/div&gt;&lt;div&gt;X Marina Čuturilo: Dodatne informacije o projektu &amp;ldquo;Zaratan, grad-pozori&amp;scaron;te&amp;rdquo;; izlaganje, projekcija slajdova, razgovor / 2.&lt;/div&gt;&lt;div&gt;X Emisija o Likovnom BITEF-u; tv-izložba / 5. X Marina Čuturilo: Ona je čekala jesen...(ili: Oti&amp;scaron;la je u jesen); performans&lt;/div&gt;&lt;div&gt;/ 13. X Milan Aleksić, Beograd: Izložba fotografja / 23. X Antonio d&amp;rsquo;Avossa: Vokacije slikarstva; izložba mladih italijanskih&lt;/div&gt;&lt;div&gt;umetnika: Maurizio Cannavacciuolo, Ernesto d&amp;rsquo;Argenio, Daniele degli Angeli, Lino Fiorito, Enrico Luzzi, Roberto Pace,&lt;/div&gt;&lt;div&gt;Enrico Pulsoni, Donatella Scalesse; Razgovor povodom izložbe &amp;ldquo;Vokacija slikarstva&amp;rdquo;; učestvuju: Antonio d&amp;rsquo;Avossa, Enrico&lt;/div&gt;&lt;div&gt;Luzzi, Lino Fiorito, Maurizio Cannavacciuola / 6. XI Z&amp;rsquo;EV, SAD: Catacoustics; zvučni performans / 10. XI Milorad Vuja&amp;scaron;anin,&lt;/div&gt;&lt;div&gt;Kraljevo/Beograd: Ilustrovana Politika; izložba / 16-23. XI Mlada poljska kultura (vidi Velike manifestacije) / 24. XI Likovna&lt;/div&gt;&lt;div&gt;radionica u Diseldorfu; razgovor sa umetnicima koji su učestvovali u radu Likovne radionice u klasi profesora Klausa&lt;/div&gt;&lt;div&gt;Rinkea na Umetničkoj akademiji u Diseldorfu / 25. XI Catherine Millet: Barok 81; razgovor o izložbi u Parizu; učestvuju:&lt;/div&gt;&lt;div&gt;Dunja Blažević, Jadranka Vinterhalter, Biljana Tomić / 26. XI Blagota Pe&amp;scaron;ić i Mileta Prodanović, Beograd: Gradual; izložba&lt;/div&gt;&lt;div&gt;ambijenata / 10. XII Grupa MEČ (Marijan Čehovin, Dejan Ećimović, Slobodan Maldini, Mustafa Musić, Stevan Žutić),&lt;/div&gt;&lt;div&gt;Beograd: Urbana kuća; izložba arhitektonskih projekata; izložbu otvara: prof. Bogdan Bogdanović; Slobodan Maldini: Neki aspekti značenja u arhitekturi; predavanje. Dejan Ećimović: Primarna kuća; predavanje uz projekciju slajdova; Ognjen&lt;/div&gt;&lt;div&gt;Babić: Projektovanje kompjuterom; video / 11. XII Aspekti savremene arhitekture I; okrugli sto; uvodna reč: Nikola Polak;&lt;/div&gt;&lt;div&gt;učestvuju: Bogdan Bogdanović, Ranko Radović, Aleksandar Milenković, Olga Popović, Radomir Vuković, Davor Lončarić,&lt;/div&gt;&lt;div&gt;Ivan Crnković, Du&amp;scaron;an Blaganje, Vojteh Ravnikar, članovi grupe MEČ.&lt;/div&gt;&lt;div&gt;1982 26. I Feđa Klikovac i(?), Beograd: Schweiss; izložba / 2. II Slobodan Ilić, Beograd: Izlaže Silić (Kese); izložba /&lt;/div&gt;&lt;div&gt;5. IV Program studenata Arhitektonskog fakulteta u Beogradu povodom IV kongresa studenata arhitekture Jugoslavije:&lt;/div&gt;&lt;div&gt;Konstruktivni sistemi; radovi studenata iz Beograda; Slobodne forme; radovi studenata iz Beograda; Revitalizacija ulice;&lt;/div&gt;&lt;div&gt;radovi studenata iz Zagreba; Piranska vrata; radovi studenata iz Ljubljane / 16. IV Ponovo u IVu; ad hoc izložba u napu&amp;scaron;tenoj&lt;/div&gt;&lt;div&gt;zgradi u ulici Svetozara Markovića, br. 57; učestvuju: Radomir Damnjan, Braco Dimitrijević, Goran Đorđević, Ne&amp;scaron;a Paripović,&lt;/div&gt;&lt;div&gt;Zoran Popović, Dragoljub Ra&amp;scaron;a Todosijević, Urkom Gergely; inicijator izložbe: Braco Dimitrijević / 20. IV Igor Kordej, Zagreb:&lt;/div&gt;&lt;div&gt;Prvih 100; isložba ilustracija / 24-30. V Grad u re-inkarnaciji (vidi Velike manifestacije) / 23. XI De Stil Marković (Milovan&lt;/div&gt;&lt;div&gt;Marković), Beograd: Fragmenti slike: spomenik; izložba / 15. XII Dejan Ećimović, Beograd: Karlo Boromini - arhitektura, stil&lt;/div&gt;&lt;div&gt;i dru&amp;scaron;tvo; predavanje, I deo / 16. XII&lt;/div&gt;&lt;div&gt;Dejan Ećimović, Beograd: Karlo Boromini - arhitektura, stil i dru&amp;scaron;tvo, predavanje, II deo / 17. XII Govor zemlje; igra realizovana&lt;/div&gt;&lt;div&gt;na Skupu studenata arhitekture Evrope u Delftu, VIIa 1982. godine; učestvuju: Vanja, Zoca, Sanja, Ivan, Ognjen, Mira,&lt;/div&gt;&lt;div&gt;Mihajlo, Darko, Snežana, Beba, Mira / 28. XII Vladimir Radojičić, Beograd: Sve je u redu, veruj mi; izložba fotografja.&lt;/div&gt;&lt;div&gt;1983 7. III Miroslav Mandić, Novi Sad: Put za Ameriku - 8 vekova muzike; performans; izbor muzike; M. L. Pashu;&lt;/div&gt;&lt;div&gt;Nenad Petrović: O strukturi lebdećeg prostora sa osvrtom na probleme praznine Mahayana &amp;scaron;kole; predavanje / 8. III&lt;/div&gt;&lt;div&gt;Zoran Belić, Beograd: Vežba: usredsređivanje 45; performans / 9. III Miodrag Lazarov Pashu, Beograd: Umetnost umesto&lt;/div&gt;&lt;div&gt;umetnosti i flozofje - igra 6 čitanja, performans / 22. III Fausta Squatriti, Italija: Grafke i skulpture 1979 - 1982; izložba /&lt;/div&gt;&lt;div&gt;29. III Lidija Merenik, Beograd: Aktuelnosti; izložba radova beogradskih umetnika mlađe generacije; učestvuju: Slađana&lt;/div&gt;&lt;div&gt;Stanković, Dejan Anđelković, Mrđan Bajić, Radomir Knežević, Srđan Vukčević, Vlada Radojičić / / 11-12. IV Aspekti&lt;/div&gt;&lt;div&gt;savremene aritekture II; Teorija nove arhitekture, seminar / 11. IV Ivan Crnković: Uvodno izlaganje; Dejan Ećimović: Prilozi&lt;/div&gt;&lt;div&gt;razumevanju novih pojava u beogradskoj arhitekturi, predavanje / Nikola Polak: Arhitektura posle arhitekture, predavanje;&lt;/div&gt;&lt;div&gt;Janez Koželj: Zbivanja u Sloveniji, predavanje. Razgovor / 12. IV Ivan Crnković: Domino 2, predavanje; Dejan Ećimović:&lt;/div&gt;&lt;div&gt;Negativna realnost: zid &amp;ndash; zavesa, predavanje; Mustafa Musić: Modernost ili duh vremena - osvrt na Pariski bijenale&lt;/div&gt;&lt;div&gt;arhitekture, predavanje; Biljana Tomić: Refeksije: arhitektura - kraljica umetnosti, predavanje; Zavr&amp;scaron;ni razgovor; učestvuju&lt;/div&gt;&lt;div&gt;autori izlaganja i prof. Bogdan Bogdanović / 18-20. IV Video susret (vidi Velike manifestacije) / 22. IV Razgovor ugodni o&lt;/div&gt;&lt;div&gt;novom Konkursnom pravilniku za arhitekturu; učestvuju mladi arhitekti i urbanisti / 4-6. V Susret u Beogradu; učestvuju:&lt;/div&gt;&lt;div&gt;Tomaž Brejc, Ljubljana, Bruno Cor&amp;agrave;, Rim, Jochen Gerz, Pariz, Alan Johnston, Edinburgh, J&amp;uuml;rgen Partenheimer i Michel&lt;/div&gt;&lt;div&gt;Sauer, D&amp;uuml;sseldorf, Dragoljub Ra&amp;scaron;a Todosijević, Beograd / 9. V Archipress; promocija časopisa za arhitekturu; učestvuju:&lt;/div&gt;&lt;div&gt;Marijan Čehovin, Dejan Ećimović, Vuk Đurović / 17. V De Stl Marković (Milovan), Beograd: Crni prostor, ambijent; Žestoki&lt;/div&gt;&lt;div&gt;press; projekcija slajdova članova grupe (Vlasta Mikić, De Stil Marković) / 23. V Alter Imago (Mileta Prodanović, Tahir&lt;/div&gt;&lt;div&gt;Lu&amp;scaron;ić, Nada Alavanja), Beograd: Assisi traume, izložba / 25-29. V Grad u re-inkarnaciji (vidi Velike manifestacije) / 2. VI&lt;/div&gt;&lt;div&gt;Vlasta Mikić, Beograd: Slepe mrlje u sistemu, izložba slika / 10. VI Aleksandar Sa&amp;scaron;a Bukvić, Sarajevo: Skulpture, izložba /&lt;/div&gt;&lt;div&gt;22. VI Milorad Vuja&amp;scaron;anin, Beograd: Zidne slike: tirkiz-oker/Nebo-Zemlja, ambijent / 12. IX Harald Szeemann, Tegna/Cirih:&lt;/div&gt;&lt;div&gt;Sklonost ka ukupnosti umetničkog dela; predavanje sa projekcijom slajdova / 13. IX Harald Szeemann: Istorija Monte Verit&amp;agrave;;&lt;/div&gt;&lt;div&gt;predavanje uz slajd projekciju / 19. IX Nova arhitektura u starim ambijentima u Nemačkoj; dokumentarna izložba (u saradnji&lt;/div&gt;&lt;div&gt;sa KIC SR Nemačke) / 6. X Zoran Popović, Beograd: Aksiomi 1971 - 1973; izložba grafka, plakata, fotografja, instalacija&lt;/div&gt;&lt;div&gt;i crteža / 11. X Ida Panicelli, Rim: Kryptoniana; izložba i projekcija video radova Gianija Melottija; učestvuju: Felice Levini,&lt;/div&gt;&lt;div&gt;Giani Melotti, Lorenzo Pezzatini. Razgovor povodom izložbe &amp;ldquo;Kryptoniana&amp;rdquo;; učestvuju: Ida Panicelli, Felice Levini, Giani&lt;/div&gt;&lt;div&gt;Melotti, Lorenzo Pezzatini / 12. X Jack Moore, Amsterdam: Videoheads, predstavljanje video radova evropskih umetnika&lt;/div&gt;&lt;div&gt;i muzičkih spotova / 13. X Lorenzo Pezzatini: U početku be&amp;scaron;e nit...; L. Pezzatini govori o svom radu uz projekciju slajdova&lt;/div&gt;&lt;div&gt;(u okviru izložbe &amp;ldquo;Kryptoniana&amp;rdquo;) / 24. X Zoran Popović, Beograd: Aksiomi 1971-1973; izložba crteža / 28. X Mrđan Bajić,&lt;/div&gt;&lt;div&gt;Beograd:Crteži; izložba / 2 - 3. XI Video radionica C. D. 83, Ljubljana; prikazivanje video radova i tv-hronika proizvedenih&lt;/div&gt;&lt;div&gt;u Radionici; produkciju predstavljaju: Miha Vipotnik, Marie Claude Vogrič / 9. XI Beč-Beograd/Beograd-Beč; izložba slika,&lt;/div&gt;&lt;div&gt;fotografja, objekata; učestvuju: Christoph Steinbrener i Rainer Dempf, Beč, i De Stil Marković i Vlasta Mikić, Beograd / 22.&lt;/div&gt;&lt;div&gt;XI Dubravka Đurić, Beograd: &amp;ldquo;Lepo je ono &amp;scaron;to du&amp;scaron;a, koja pripada su&amp;scaron;tini, prepoznaje kao sebi srodno&amp;rdquo;; fotografje, tekstovi,&lt;/div&gt;&lt;div&gt;poesija / 23. XI Ursula Perucchi, Cirih: Video u &amp;Scaron;vajcarskoj; video radovi i komentari / 9. XII Darija Kačić, Beograd: Ostrva&lt;/div&gt;&lt;div&gt;i kože; izložba slika / 9-12. XII AICA - Susret jugoslovenskih kritičara; učestvuju: T. Brejc, B. Kovič, A. Medved, B. Valu&amp;scaron;ek,&lt;/div&gt;&lt;div&gt;M. Susovski, D. Matićević, Ž. Ko&amp;scaron;čević, B. Stipančić, M. Lučić, Z. Maković, T. Marojević, Ž. Kipke, V. Gudac, M. &amp;Scaron;poljar,&lt;/div&gt;&lt;div&gt;V. Kusik, N. Husidžinović, N. Zildžo, V. Vasev-Dimovska, Z. Petrovski, V. Kopicl, S. Stepanov, J. Denegri, J. Tijardović, J.&lt;/div&gt;&lt;div&gt;Vinterhalter, J. Despotović, S. Miju&amp;scaron;ković, D. Blažević, B. Burić, S. Timotijević, D. Vukadinović, B. Pejić, L. Merenik, B. Tomić / 28. XII Ilija &amp;Scaron;o&amp;scaron;kić, Rim: Mlečni put, instalacija; Ilija &amp;Scaron;o&amp;scaron;kić: Italijanske 70-te; I. &amp;Scaron;o&amp;scaron;kić govori o svom radu uz projekciju&lt;/div&gt;&lt;div&gt;slajdova; Walter Storm, Minhen: O galerijskoj praksi; predavanje uz slajd projekciju.&lt;/div&gt;&lt;div&gt;1984 10. I Anne Garde, Francuska: Provincijske vile u Francuskoj; izložba fotografja (u okviru manifestacije &amp;ldquo;Dani Francuske&lt;/div&gt;&lt;div&gt;u SKC-u&amp;rdquo; - vidi IIDP) / 23. I Likovna kolonija Sopoćani 83; izložba; učestvuju: Mrđan Bajić, Breda Beban, Abdyl Berisha,&lt;/div&gt;&lt;div&gt;Aleksandar Sa&amp;scaron;a Bukvić, Bojan Gorenec, Narcis Kantadžić, Dragoslav Krnjajski, De Stil Marković, Vlasta Mikić, Milo&lt;/div&gt;&lt;div&gt;Neradović, Vesna Popržan, Vera Stevanović, Milorad Vuja&amp;scaron;anin, Tanja &amp;Scaron;penko / 26. I Johannes Cladders: Novi Muzej&lt;/div&gt;&lt;div&gt;moderne umetnosti u Monchengladbachu, predavanje / 31. I Zoran Belić Weiss, Beograd: Praznina, izložba / 10. II Veso&lt;/div&gt;&lt;div&gt;Sovilj, Beograd/Prijedor: Instalacija / 15. II Tafl Musović, Beograd: Crteži; izložba / 23. II Slobodan Maldini, Beograd: Utopia,&lt;/div&gt;&lt;div&gt;izložba / 24. II Slobodan Maldini: Kosmopolitski mitovi i teorije o praprostoru; predavanje / 1. III Slobodan Maldini: Znakovi&lt;/div&gt;&lt;div&gt;u arhitekturi; predavanje / 2. III Marija Dragojlović, Beograd: Kolaži; izložba / 9. III Slobodan Maldini: Antropomorfni prostor;&lt;/div&gt;&lt;div&gt;predavanje / 13. III Neboj&amp;scaron;a Ružić, Beograd/Bukovica: Bukovica; izložba fotografja, foto-montaža, projekcija slajdova / 16.&lt;/div&gt;&lt;div&gt;III Slobodan Maldini: O arhitekturalnoj deifkaciji; predavanje / 20. III Marko Pogačnik, &amp;Scaron;empas: Umetnost novopazarskog&lt;/div&gt;&lt;div&gt;kraja, predavanje / 21. III Marko Pogačnik: Mreža prostornih struktura u Vipavskoj dolini; instalacija; Marko Pogačnik:&lt;/div&gt;&lt;div&gt;Inspirativni elementi prostora, predavanje / 23. III Slobodan Maldini: Drvo života i kuća života - dve vizije Univerzuma;&lt;/div&gt;&lt;div&gt;predavanje / 30. III Slobodan Maldini: O praznačenju nekih arhitektonskih elemenata, predavanje / 4. IV Mihailo Alić, Beograd:&lt;/div&gt;&lt;div&gt;Video radovi 1982 - 1984; projekcija video radova, video-instalacija, predavanje / 6. IV Živko Maru&amp;scaron;ić, Kopar: Neka živi soc-&lt;/div&gt;&lt;div&gt;realizam; izložba slika; Slobodan Maldini: Stvaranje prostora, I deo, predavanje / 10. IV Marisa Vescovo, Italija: Slikarstvo&lt;/div&gt;&lt;div&gt;anahronizma i memorije - umetnost 70-tih i 80-tih godina u Italiji, predavanje / 11. IV Jeremy Welch, London: London Video&lt;/div&gt;&lt;div&gt;Arts; projekcija video radova umetnika, video spotova i slajdova, razgovor / 12. IV Slobodan Maldini: Arhitektura - atribucija&lt;/div&gt;&lt;div&gt;superprirodne moći, II deo; predavanje / 13. IV Arhitektura skupine &amp;ldquo;Kras&amp;rdquo;, Ljubljana; izložba; učestvuju: Vojteh Ravnikar,&lt;/div&gt;&lt;div&gt;Janez Koželj, Matjaž Carzzarolli, Damjan Gale, Irena Černič, Ranko Novak, Mladen Mrčina, Marko dekleva, Egon Vatovec /&lt;/div&gt;&lt;div&gt;19. IV Slobodan Maldini: Kosmopolitski urbanizam, predavanje / 21. IV Veso Sovilj, Beograd/Prijedor: Upotreba &amp;ldquo;vrednosti&amp;rdquo;&lt;/div&gt;&lt;div&gt;- transformacija značenja; Arh. Nikola Polak, Zagreb: Pojavljivanje prostorije; predavanje / 23. IV Arh. Nikola Polak, Zagreb:&lt;/div&gt;&lt;div&gt;Pojavljivanje prostorije; predavanje / 27. IV Slobodan Maldini: Krajnji produkt strukture mitolo&amp;scaron;kog mi&amp;scaron;ljenja; predavanje /&lt;/div&gt;&lt;div&gt;4. V Arh. Slobodan Maldini: Krajnji produkt strukture mitolo&amp;scaron;kog mi&amp;scaron;ljenja, II deo; predavanje; Mileta prodanović, Beograd:&lt;/div&gt;&lt;div&gt;Viaggio B; ambijent / 15. V Mihailo Ristić, Beograd: Video projekcija-instalacija-interakcija-performans / 17. V Flavio Caroli,&lt;/div&gt;&lt;div&gt;Milano: Nova internacionalna umetnička situacija i Bijenale u Veneciji; predavanje / 18. V Vesna Viktorija Bulajić, Njujork/&lt;/div&gt;&lt;div&gt;Beograd: Prostor Thunderbolt; video rad / 23. V Slobodan Selinkić, Rim: Ostrvo Tibertina - predlog za sažimanje grada;&lt;/div&gt;&lt;div&gt;predavanje sa projekcijom slajdova / / 25-28. V Komunikacije - konkurs &amp;ldquo;Živeti sa prirodom&amp;rdquo; (SKC, Dru&amp;scaron;tvo arihitekata&lt;/div&gt;&lt;div&gt;Beograda, Arhitektonski fakultet, Umetnički paviljon &amp;ldquo;Cvijeta Zuzorić&amp;rdquo;) / 25. V Aldo Rossi: Aldo Rossi; predavanje (Klub&lt;/div&gt;&lt;div&gt;Dru&amp;scaron;tva arhitekata Beograda) / 26. V Putevi arhitekture danas; okrugli sto; učestvuju arhitekte: Rossi, Purini, Anselmi,&lt;/div&gt;&lt;div&gt;Pasquali, Passeri, Priori, Podreka, Koželj, Vodopivec, Ravnikar, Crnković, Polak, Fabijanić, Silađin, Ugljen, Bogdanović,&lt;/div&gt;&lt;div&gt;Mitrović, Radović, Bobić, Petrović, Musić, Maldini, Ećimović, Popović, Žutić, Popović, Stojkov, Selinkić (Paviljon &amp;ldquo;Cvijeta&lt;/div&gt;&lt;div&gt;Zuzorić&amp;rdquo;) / 26. V Alessandro Anselmi: Na granici arhitekture; predavanje / 28. V Paolo Portoghesi: Arhitektura i memorija;&lt;/div&gt;&lt;div&gt;predavanje; Franco Purini: Tri pejsaža; predavanje / 28. V Kameni brod (La nave di pietra); izložba; koncepcija i realizacija:&lt;/div&gt;&lt;div&gt;Slobodan Selinkić; uvodni osvrti: Paolo Portoghesi, Bogdan Bogdanović i Felice Cipriani / / 12. VI Gligor Stefanov, Skoplje:&lt;/div&gt;&lt;div&gt;Linearni ambijent, ambijent / 18. VI Druženje sa članovima redakcije časopisa &amp;ldquo;3+4&amp;rdquo;, studentima treće i četvrte godine&lt;/div&gt;&lt;div&gt;istorije umetnosti, uz slajdove i muziku / 19. VI Miroslav Jekić, Beograd: Emocija; slajd projekcija / 21. VI Razgovor sa&lt;/div&gt;&lt;div&gt;članovima redakcije časopisa &amp;ldquo;Zarez&amp;rdquo;, studentima flozofje i sociologije / 22. VI Slađana Stanković, Beograd: Crteži - slike;&lt;/div&gt;&lt;div&gt;izložba / 14. IX 41. venecijanski bijenale; razgovor uz projekciju slajdova; govore Je&amp;scaron;a Denegri i Bojana Pejić / 28. IX&lt;/div&gt;&lt;div&gt;Mihajlo Stanić, Beograd: Izložba fotografja / 5. X Selena Vicković, Beograd: Crteži i slike; izložba / 16. X Radomir Damnjan,&lt;/div&gt;&lt;div&gt;Milano: Pasteli; izložba / 25. X Lidija Merenik, Beograd: Umetnici iz Rima: Lim Hooi Hwa i Lanfranco Pascucci; izložba&lt;/div&gt;&lt;div&gt;slika i objekata / 31. X Mauritio Calvesi, Rim (direktor venecijanskog bijenala 1984.g): Savremene tendencije u italijanskoj&lt;/div&gt;&lt;div&gt;umetnosti; predavanje uz projekciju slajdova / 8. XI Mihailo Perović, Beograd: Arhitektura; izložba / 20. XI Michel Battle i&lt;/div&gt;&lt;div&gt;Philippe Hortala, Tuluz: Izložba slika; Axe sud; predavanja uz projekciju slajdova o umetničkoj situaciji u južnoj Francuskoj;&lt;/div&gt;&lt;div&gt;govore: Ph. Hortala, umetnik i M. Batlle, voditelj galerije i urednik časopisa Art Axe Actuel / 21. XI Filiberto Menna, Rim:&lt;/div&gt;&lt;div&gt;Poricanje estetskog dru&amp;scaron;tva; predavanje i promocija knjige u izdanju SIC, Beograd / 11. XII Minhenski umetnici (Albert Hien,&lt;/div&gt;&lt;div&gt;skulptura, Herbert Rometsch, fotografja); izložba; izložbu otvara Helmuth Friedel, kustos Gradske galerije Lenbachhaus&lt;/div&gt;&lt;div&gt;/ 19. XII Anahronisti i slikari memorije; izložba slikara učesnika ovogodi&amp;scaron;njeg Bijenala u Veneciji, prema izboru Maurizia&lt;/div&gt;&lt;div&gt;Calvesia i Marise Vascovo; izlažu: R. Barni, U. Bartolini, O. Galliani, S. di Stasio, M. A. Tanganeli, C. M. Mariani.&lt;/div&gt;&lt;div&gt;1985 7. I Miroslav Hiba, Beograd: Izložba kolaža / 15. I Olivera Savić-Popović, Beograd: SX-70; izložba predmeta i&lt;/div&gt;&lt;div&gt;polaroida / 25. I Du&amp;scaron;an Gerzić, Beograd: Inicijacije: Tatuaži; izložba; Zo-Zajn, 1984, 16mm flm; art: D. Gerzić; koncept:&lt;/div&gt;&lt;div&gt;Marina &amp;Scaron;vabić; kamera: Boža Los; montaža: Zime&amp;scaron;a; muzika: James White &amp;ldquo;Stella Who&amp;rdquo;; Looner Gang I, 1984, 16mm flm; art: D. Gerzić; koncept: D. Gerzić, Marina &amp;Scaron;vabić, Sloba Pe&amp;scaron;ić; režija: S. Pe&amp;scaron;ić; kamera: Milo&amp;scaron; Spasojević, Milo&amp;scaron; Mitrović;&lt;/div&gt;&lt;div&gt;kostim i &amp;scaron;minka: Marina &amp;Scaron;vabić, D. Gerzić; muzika: Cramps; Looner Gang II - dokument, 1984, 16mm flm; muzika: Katarina&lt;/div&gt;&lt;div&gt;II; Bilderi - dokument, 1984, VHS; autor: Mihajlo Alić / 2. II Du&amp;scaron;an Gerzić: video radovi i zatvaranje izložbe tatuaža / 4-9. II&lt;/div&gt;&lt;div&gt;Arhitektura srca / Žestoki Beograd; petodnevni performans urbane potkulture; performansi, video akcije, video flmovi,&lt;/div&gt;&lt;div&gt;grafti, fotografje, crteži, slike, kseroksi, skulpture, tatuaži; učestvuju: Don Parano, Ex Vaganza, Miladin Jeličić, Dea Mitrović,&lt;/div&gt;&lt;div&gt;&amp;Scaron;ilja &amp;Scaron;anker, Sonja Nestorović, Mileta Prodanović, Grupa Brazgotina, Pustinjski pesak, Autopsija, Belis Pojatić, Master&lt;/div&gt;&lt;div&gt;Scratch Band, Bogdan F. Popović, Bomix, Karlo M. &amp;Scaron;Vser, De Stil Marković i Grupa ratnika, Grethen... / 12. II Mi&amp;scaron;ko&lt;/div&gt;&lt;div&gt;&amp;Scaron;uvaković, Beograd: Prelaženje forme: nacrt za istoriju crteža; izložba / 22. II Mi&amp;scaron;ko &amp;Scaron;uvaković: Četiri ideje postmoderne;&lt;/div&gt;&lt;div&gt;predavanje / 26. II Vojteh Ravnikar, Jurij Kobe i Janez Koželj, Ljubljana: Neke tendencije novije slovenačke arhitekture;&lt;/div&gt;&lt;div&gt;izložba; Grupa &amp;ldquo;Kras&amp;rdquo;, Ljubljana: Multivizijska projekcija i razgovor o radu grupe / 5. III Heinrich Klotz, Marburg: Nova obala&lt;/div&gt;&lt;div&gt;Muzeja u Frankfurtu, novi arhitektonski muzej; predavanje / 7. III Jeremy Welsh, London: Novi britanski video radovi&lt;/div&gt;&lt;div&gt;umetnika i muzički spotovi; prikazivanje materijala i razgovor / 8. III Transformacije umetnosti - pojam &amp;ldquo;lepo&amp;rdquo; u novoj&lt;/div&gt;&lt;div&gt;umetnosti; razgovor o zborniku tekstova &amp;ldquo;Mentalni prostor&amp;rdquo; 2/84; učestvuju: Milan Damnjanović, Je&amp;scaron;a Denegri, Darko&lt;/div&gt;&lt;div&gt;Hohnjec, i autori tekstova u Zborniku / 18. III Miomir Grujić i Rajko Vujović, Beograd: Radionica Nighthawk / 9. IV Dejana&lt;/div&gt;&lt;div&gt;Popović i Aleksanadar Todorović, Beograd: Castelo di plastica; izložba arhitektonskih projekata / 19-20. IV Drugi susret&lt;/div&gt;&lt;div&gt;jugoslovenskih kritičara; učestvuju likovni kritičari iz Beograda, Zagreba, Ljubljane, Sarajeva, Skoplja; Predstavljanje&lt;/div&gt;&lt;div&gt;umetnika povodom Drugog susreta jugoslovenskih kritičara;učestvuju: Breda Beban, Vesna Viktorija Bulajić, Željko Kipke,&lt;/div&gt;&lt;div&gt;Milovan De Stil Marković, Marko Pogačnik, Duba Sambolec, Vlasta Mikić / 23. IV Mi&amp;scaron;ko &amp;Scaron;uvaković, Beograd (Zajednica za&lt;/div&gt;&lt;div&gt;istraživanje prostora): Seminar: Stadijum teksta - nacrt za istoriju tekstualne prakse u vizuelnim umetnostima; predavanje&lt;/div&gt;&lt;div&gt;/ 25-27. IV Video susret &amp;ndash; Video meeting (vidi Velike manifestacije) / 7. V Stefan Lupino, Njujork/Zagreb: Izložba fotografja&lt;/div&gt;&lt;div&gt;(u saradnji sa Srećnom galerijom) / 14. V Vlasta Mikić, Beograd: Osmi dan; izložba slika / Vlasta Mikić: Večeras se pržimo&lt;/div&gt;&lt;div&gt;(program za Drugi novi klub) / 18. V Ademir Kenović, Sarajevo: Video radovi: Pop poligon, &amp;Scaron;ou Zdravka Čolića, Film: snovi&lt;/div&gt;&lt;div&gt;jednog pjesnika, &amp;Scaron;ou Bijelog dugmeta, Idoli, D&amp;rsquo;Bojs, Dorijan Grej, Zabranjeno pu&amp;scaron;enje, Denis&amp;amp;Denis, Ricky Anderson, &amp;Scaron;ou&lt;/div&gt;&lt;div&gt;Kornelija Kovača / 21. V Vlasta Mikić: Osmi dan - sv. Sebastijan u Beogradu; performans / 24. V Gordana Ba&amp;scaron;kot i Snežana&lt;/div&gt;&lt;div&gt;Vujović, Beograd: Izložba slika; koncepcija izložbe: Dragica Vuković / 28. V Zoran Belić i Mi&amp;scaron;ko &amp;Scaron;uvaković, Beograd&lt;/div&gt;&lt;div&gt;(Zajednica za istraživanje prostora): Teorija umetnosti - analitička flozofja i semiotika; predavanje / 9-10. VI To Frizure&lt;/div&gt;&lt;div&gt;(Miomir Denić i Goran Dimić), Beograd: Idee Fixe; multimedia &amp;scaron;ou / 11. VI Loredana Parmisani, Milano: Aktuelni pravci&lt;/div&gt;&lt;div&gt;italijanske umetnosti i kritike/Mlada italijanska kritika i umetnost; predavanje / 12. VI Miomir Grujić, Beograd: Crteži i slike;&lt;/div&gt;&lt;div&gt;izložba / 18. VI Lorenzo Mango, Rim: Aktuelni pravci italijanske umetnosti i kritike; predavanje / 19. VI Lorenzo Mango:&lt;/div&gt;&lt;div&gt;Nove pozori&amp;scaron;ne tendencije u Italiji; predavanje / 24. VI Mileta Prodanović, Beograd: In Africisco; ambijentalna izložba / 2.&lt;/div&gt;&lt;div&gt;VII Achile Bonito Oliva, Rim: Novi prepleti u umetnosti - od Bijenala u Parizu do transavangarde i dalje; predavanje (u&lt;/div&gt;&lt;div&gt;saradnji sa Italijanskim institutom za kulturu, Beograd) / 5. VII Michele Perfetti, Ferare: Posle reči, van slike; vizuelna poezija&lt;/div&gt;&lt;div&gt;/ 9. VII Nenad Racković, Beograd: Transfrontum; teatar misterije / 10. VII Grupa Testa di Shakespeare, Novi Sad: La&amp;scaron;ki&lt;/div&gt;&lt;div&gt;Napoleon; izložba/događaj; učestvuju: Tibor Bada, Branislav Ba&amp;scaron;ić, Bela Marja&amp;scaron;, Zoran Pantelić, Miroslav Pavlović, Srboljub&lt;/div&gt;&lt;div&gt;Simić, Tibor Toman / 12. VII Francesco Carboncini, Torino: Disko klubovi u Italiji kao mesta aktuelnih umetničkih događanja;&lt;/div&gt;&lt;div&gt;predavanje sa projekcijom slajdova (u saradnji sa Italijanskim institutom za kulturu) / 3-6. IX Australiana (vidi IIDP) / 19. IX&lt;/div&gt;&lt;div&gt;Mi&amp;scaron;ko &amp;Scaron;uvaković, Dubravka Đurić i Zoran Belić, Beograd (Zajednica za istraživanje prostora): Aktuelni stadijumi konceptualne&lt;/div&gt;&lt;div&gt;umetnosti - Ian Wilson: &amp;ldquo;Konceptualna umetnost&amp;rdquo;; predavanje / 21. IX Ruina Explo; događaj u ru&amp;scaron;evinama fabrike na&lt;/div&gt;&lt;div&gt;Dorćolu, na uglu Dubrovačke i Dunavske ulice: kocert beogradskih rok bendova i izložba Linije ex...; koncepcija i realizacija:&lt;/div&gt;&lt;div&gt;Linija ex... (Miomir Grujić, Milan Atanacković, Katarina Benedetić, Rajko Vujović, Aleksandra &amp;Scaron;aranović) / 23. IX Linija&lt;/div&gt;&lt;div&gt;ex...(svetkovina u ru&amp;scaron;evini fabrike na Dorćolu, izložba, koncert beogradskih rock-bendova), Katarina Benedetić, Milan&lt;/div&gt;&lt;div&gt;Atanacković, Miomir Grujić, Rajko Vujović, Aleksandra &amp;Scaron;aranović / 24. IX Donald Kuspit, Njujork: Aktuelne umetničke&lt;/div&gt;&lt;div&gt;tendencije u Njujorku; predavanje sa projekcijom dijapozitiva (u saradnji sa Informativnom službom američke ambasade u&lt;/div&gt;&lt;div&gt;Beogradu) / / 27-28. IX Video teatar u Italiji; video projekcije i razgovori (u saradnji sa BITEF-om) / 27. IX Video teatar u&lt;/div&gt;&lt;div&gt;Italiji - I program: Ledeni tango, Falso Movemento; Otelo, Falso Movemento; Žuta planina; La Zattera di Babele; Carl&lt;/div&gt;&lt;div&gt;Quartucci, reditelj i Marco Gazzana, kritičar; razgovor / 28 IX Video teatar u Italiji - II program: Nessundove; Mario IIIone;&lt;/div&gt;&lt;div&gt;Lopov du&amp;scaron;a; La gaia Scienca; Pobunjeničko iskrcavanje; Linea Magino; Božanski vetar; Linea Magino; Iznenađene životinje;&lt;/div&gt;&lt;div&gt;G. B. Gorsetti; Disanje talasa; Teatro degli Dei; Evina želja; Teatro della Valdace; Nocturnalis; Hi-Tec Vrtti Opera; Mendeleev&lt;/div&gt;&lt;div&gt;Clip; Teatro Settimo; Genet u Tangeri; Magazzini Criminali; Samoubice i ubice akrobata; Cooperative Coine; Zeleni rubovi;&lt;/div&gt;&lt;div&gt;Padiglione Italia; Romul i Rem; Societa; Rafaello Sanzio; govore: Marco Gazzano i Carlo Zaga; Opera Studio / 1. X Alfred&lt;/div&gt;&lt;div&gt;Klinkan, Beč: Slike; izložba / 12. X Paolo Laudisa, Rim: Slike; izložba; koncepcija: Lidija Merenik; Antonio d&amp;rsquo;Avossa, Rim:&lt;/div&gt;&lt;div&gt;Nova italijanska umetnička situacija i generacijske promene; predavanje sa projekcijom slajdova / 15. X Jane Parish,&lt;/div&gt;&lt;div&gt;London: London Video Arts - novi engleski video; vidoe radovi i razgovor / 22. X Igor Stepančić, Beograd: 10 stolica; objekti i slike / 24. X Mi&amp;scaron;ko &amp;Scaron;uvaković i Zoran Belić (Zajednica za istraživanje prostora): Granično pismo - tekstovi: J&amp;uuml;rgen&lt;/div&gt;&lt;div&gt;Partenheimer, A. R. Penck; predavanje / 31. X Du&amp;scaron;an Gerzić, Beograd: Crteži; izložba / 5. XI Produkcija Video radionice&lt;/div&gt;&lt;div&gt;TV Beograd (S. Pe&amp;scaron;ić: Rianon; B. Miljković: Danilo Ki&amp;scaron;; S. Crnobrnja, S. Pe&amp;scaron;ić, M. P. Nikolić, P. Sinđelić i Z. Popović:&lt;/div&gt;&lt;div&gt;Kaleidoskop 20. veka) / 7-15. XI Redakcija časopisa 3+4 predstavlja zagrebačku umetničku scenu / 7. XI Darka Radosavljević,&lt;/div&gt;&lt;div&gt;Beograd: Ko se boji umetnosti i buke; izložba; učestvuju: Helena Klakočar, Davor Krelja, Miljenko Sekulić, Zagreb. &amp;ldquo;Ple&amp;scaron;i&lt;/div&gt;&lt;div&gt;čudovi&amp;scaron;te uz moju nježnu pjesmu, ili 11 minuta opsjene&amp;rdquo;; projekcija crtanog flma Helene Klakočar, Nina Haramije i Željka&lt;/div&gt;&lt;div&gt;Zorice, Zagreb / 15. XI Zagrebačka scena: kritika, umetnost, muzika... sinteza medija; infromacija; govore: Vladimir Gudac,&lt;/div&gt;&lt;div&gt;Tomislav Majrus, Dejan Kr&amp;scaron;ić; Razgovor sa gostima iz Zagreba uz projekciju flma &amp;ldquo;Ple&amp;scaron;i čudovi&amp;scaron;te uz moju nježnu pjesmu,&lt;/div&gt;&lt;div&gt;ili 11 minuta opsjene&amp;rdquo;; prema zamisli Dragane Popovć / 19. XI Marko Pogačnik, &amp;Scaron;empas: Ponovo o Monte Verit&amp;agrave;; predavanje&lt;/div&gt;&lt;div&gt;/ 20. XI Japanski video; prezentacija sekcije sa CD video festivala u Ljubljani (autori: Sh. Ina, M. Kanasashi, N. Kurotsuka,&lt;/div&gt;&lt;div&gt;o. Nagata, R. Nakajama, M. Saito, K. Taka, H. Terai, N. Tosa); uvodni komentar: Miha Vipotnik / 22. XI 1985 Lorenzo&lt;/div&gt;&lt;div&gt;Bianda, Lokarno: Dekompozicije; izložba fotografja i video radovi / 26. XI Mi&amp;scaron;ko &amp;Scaron;uvaković i Zoran Belić (Zajednica za&lt;/div&gt;&lt;div&gt;istraživanje prostora): H. T. Lehmann - Rihozome i ma&amp;scaron;ina; G. Deleuze, F. Guattari - O liniji; predavanje / 3. XII Đorđe&lt;/div&gt;&lt;div&gt;Perendija, Beograd: Metarefexie; izložba objekata / 5. XII Dubravka Đurić, Mi&amp;scaron;ko &amp;Scaron;uvaković i Zoran Belić (Zajednica za&lt;/div&gt;&lt;div&gt;istraživanje prostora): Poetski tekstovi visoke moderne - R. Long, H. Fulton, M. Nordman, T. Wilson, J. Partenheimer;&lt;/div&gt;&lt;div&gt;predavanje / 7. XII Dobrica Kamparelić, Beograd: Snozo Shinamoto, umetnik iz Japana; predstavljanje umetnika; Snozo&lt;/div&gt;&lt;div&gt;Shinamoto: Umetnost Gutai; predavanje. Snozo Shinamoto: Performans / 13. XII To Frizure; učestvuju: Aleksandar Denić,&lt;/div&gt;&lt;div&gt;Bertold &amp;Scaron;aranović, Goran Dimić, Du&amp;scaron;an Miloćević, Vladimir Perić, Vladimir Spasić, Zuva Ž. Milićević; koncepcija i realizacija:&lt;/div&gt;&lt;div&gt;Dragica Vuković / 17. XII Biljana Tomić, Beograd (Zajednica za istraživanje prostora): Poetski tekstovi - kritika, umetnost,&lt;/div&gt;&lt;div&gt;poezija, muzika, arhitektura...; izložba tekstova i projekcija video radova (Laurie Anderson, Vesna Viktorija Bulajić, Sanja&lt;/div&gt;&lt;div&gt;Iveković&amp;amp;Dalibor IIIinis, De Stil Marković&amp;amp;Vesna Viktorija Bulajić, Bill Seaman, Gianni Totti) / 20. XII Goran Gajić i Zoran&lt;/div&gt;&lt;div&gt;Pezo, Zagreb: VTV (Vesela televizija) Beogradu; video produkcija VTV. Goran Gajić i Zoran Pezo: VTV Beogradu; konferencija&lt;/div&gt;&lt;div&gt;za &amp;scaron;tampu / 25. XII Đorđe Da&amp;scaron;ić, Beograd: Projekti Staro sajmi&amp;scaron;te, PPP-85 i Grand Building (u saradnji sa Dru&amp;scaron;tvom&lt;/div&gt;&lt;div&gt;arhitekata Beograda).&lt;/div&gt;&lt;div&gt;1986 10. I Slobodan Era Milovojević, Beograd: Paleta palete, izložba / 16. I Slobodan Era Milovojević: Umetnost radi&lt;/div&gt;&lt;div&gt;umetnosti; performans / 17. I Dragan Mi&amp;scaron;ković: izložba slika / 23. I Jacqueas Lacan i teorija umetnosti; predavanja i razgovor;&lt;/div&gt;&lt;div&gt;učestvuju: Zoran Belić, Nenad Mi&amp;scaron;čević, Matjaž Potrč, Radoman Kordić i Mi&amp;scaron;ko &amp;Scaron;uvaković (Zajednica za istraživanje&lt;/div&gt;&lt;div&gt;prostora) / 28. I Jelica Ćulafć, Beograd: Crteži i slike; izložba / 10. II Jelica Ćulafć: Humanokvidacija; performans; zatvaranje&lt;/div&gt;&lt;div&gt;izložbe / 11. II Joseph Beuys 1921 1986; In Memoriam; govore: Nena Baljković, Je&amp;scaron;a Denegri, Dunja Blažević, Goran&lt;/div&gt;&lt;div&gt;Đorđević, Zoran Gavrić, Era Milivojević, Jasna Tijardović, Zoran Popović, Ra&amp;scaron;a Todosijević, Biljana Tomić, Bojana Pejić;&lt;/div&gt;&lt;div&gt;projekcija dokumentarnih flmova o Beuysu Zorana Popovića i Gorana Đorđevića / 12. II Breda Beban, Zagreb: Zaboravljeni&lt;/div&gt;&lt;div&gt;jezik; instalacija / 14. II Snežana Litvinović, Darko Delale i Zorica Savičić: Diplomski radovi; izložba diplomskih radova na&lt;/div&gt;&lt;div&gt;Arhitektonskom fakultetu u Beogradu 1985. godine / 20. II Mi&amp;scaron;ko &amp;Scaron;uvaković i Zoran Belić (Zajednica za istraživanje prostora):&lt;/div&gt;&lt;div&gt;Spisi Luisa Canea, Marca Devadea i Daniela Burena; predavanje / 21. II Identitet u arhitekturi; izložba; učestvuju: A. Anselmi,&lt;/div&gt;&lt;div&gt;L. Vacchin, E. S. de Moura, Z. Ugljen, M. Mu&amp;scaron;ić, V. Ravnikar, T. Palena, F. Venezia, B. Podrecca, M. Carzzaroli, B. Siladin,&lt;/div&gt;&lt;div&gt;T. Medev&amp;scaron;ček, L. Semerani, O. Bohigas. Identitet u arhitekturi; razgovor sa Vojtehom Ravnikarom i Matjažom Carzzarolijem&lt;/div&gt;&lt;div&gt;/ 7. III Je&amp;scaron;a Denegri, Beograd: Gorgona i posle (Marijan jev&amp;scaron;ovar, VIIije Knifer, Ivan Kožarić, Đuro Seder, Josip Vani&amp;scaron;ta);&lt;/div&gt;&lt;div&gt;izložba / 12. III Vittorio Boarini, direktor Kinoteke u Bolonji: Video i eksperimentalni flm/Italijanski neorealizam; predavanje&lt;/div&gt;&lt;div&gt;uz video projekciju / 13. III Mi&amp;scaron;ko &amp;Scaron;uvaković i Zoran Belić (Zajednica za istraživanje prostora): Art Language - stavljanje&lt;/div&gt;&lt;div&gt;u mapu i ispunjavanje; predavanje / 21. III Dejan Kr&amp;scaron;ić, Zagreb: Nova Evropa; promocija fanzina - ilustrovane revije nove&lt;/div&gt;&lt;div&gt;svesti / 31. III Nenad Racković, Beograd: Vanum - ka globalnom crnom; instalacija / 11. IV Luča Milica Lapčević Klincov&lt;/div&gt;&lt;div&gt;Dejan: Kameleone HWY, izložba i performans / 1-31. IV Deset + pet godina SKC-a (vidi Velike manifestacije). Video susret&lt;/div&gt;&lt;div&gt;&amp;lsquo;86 (vidi Velike manifestacije) / 9. V Eduardo di Mauro, Torino: Nove tendencije u Italiji; izložba; učstvuju: G. Baragli, M.&lt;/div&gt;&lt;div&gt;Calza, G. Conte, R. Ferazzi, C. Fulone, G. Gianuzzi, M. Mazzocchi, A. pirri, M. Principessa, B. Sacchetto, M. Vetrugano /&lt;/div&gt;&lt;div&gt;26. V Wolfgang Becker, direktor Nove galerije, Ahen: O aktuelnim umetničkim zbivanjima; razgovor / 30. V Spisi Ludwiga&lt;/div&gt;&lt;div&gt;Wittgensteina i diskurs teorije umetnosti; predavanje; govore: Nenad Mi&amp;scaron;čević, Matjaž Potrč, Zoran Belić i Mi&amp;scaron;ko &amp;Scaron;uvaković&lt;/div&gt;&lt;div&gt;(Zajednica za istraživanje prostora) / VII &amp;ndash; XII Radovi na rekonstrukciji zgrade SKC-a.&lt;/div&gt;&lt;div&gt;1987 28. I Arh. Mustafa Musić, arh. Slobodan Maldini: Izložba autorskog projekta rekonstrukcije i adaptacije enterijera&lt;/div&gt;&lt;div&gt;Studentskog kulturnog centra / / 23-26. II Jože Plečnik; predavanja u Crkvi sv. Antuna, Bregalnička 14 (u saradnji sa&lt;/div&gt;&lt;div&gt;Klubom mladih arhitekata Arhitektonskog fakulteta, Ljubljana) / 23. II Damjan Prelov&amp;scaron;ek: Jože Plečnik između tradicije i&lt;/div&gt;&lt;div&gt;moderne; predavanje / 24. II Petar Krečić: Jože Plačnik i postmodernizam; predavanje / 26. II Janko Zlodre: Jože Plečnik&lt;/div&gt;&lt;div&gt;i tetoviranje, ili: o Beču i Adolfu Losu; predavanje // 24. II Getulio Alviani, Italija: Povratak; izložba serigrafja / 5. III Mrđan&lt;/div&gt;&lt;div&gt;Bajić, Beograd: Situacija I; izložba crteža i sklptura / 6. III Dragica Vuković, Beograd: Yves Klein; predavanje sa projekcijom slajdova (diplomski rad na Katedri za istoriju umetnosti Filozofskog fakulteta u Beogradu) / 10. III Mi&amp;scaron;ko &amp;Scaron;uvaković i Zoran&lt;/div&gt;&lt;div&gt;Belić (Zajednica za istraživanje prostora): Njujor&amp;scaron;ka konceptualna umetnost: Kosuth, Barry, Hubler, Weiner; predavanje /&lt;/div&gt;&lt;div&gt;19. III Fabio Sargentini, Rim: predavanje o istoriji i značaju galerije L&amp;rsquo;Attico / 28. III Mrđan Bajić: Situacija II; izložba malih&lt;/div&gt;&lt;div&gt;skulptura; zatvaranje izložbe / 30. III Bojan Gorenec, Ljubljana: Slike i crteži; izložba / 3. IV Dejan Sretenović, Beograd:&lt;/div&gt;&lt;div&gt;Poetika nadrealnog; predavanje (diplomski rad na Katedri za istoriju umetnosti FF, Beograd) / 7. IV Klaus Kumrow, Hamburg:&lt;/div&gt;&lt;div&gt;Skulpture i crteži; izložba. Stephen Schmidt Wulffen, Bon: U potrazi za izgubljenom slikom - slikarstvo postmoderne;&lt;/div&gt;&lt;div&gt;predavanje uz projekciju slajdova (u saradnji sa KIC SR Nemačke) / 14-18. IV Peti video susret (vidi Velike manifestacije)&lt;/div&gt;&lt;div&gt;/ 21. IV Ilija &amp;Scaron;o&amp;scaron;kić, Rim: Kontemplacija; instalacija, performans / 23. IV Od apstraktnog ekspresionizma do konceptualne&lt;/div&gt;&lt;div&gt;umetnosti; predavanje; govore: Mi&amp;scaron;ko &amp;Scaron;uvaković, Zoran Belić i Mirko Radojčić (Zajednica za istraživanje prostora) / 28. IV&lt;/div&gt;&lt;div&gt;Sandy Mairn, London: Ideje i slike 80-tih; &amp;scaron;estočasovni video materijal o umetničkoj sceni osamdesetih godina. Tanja Gertik:&lt;/div&gt;&lt;div&gt;Video program Chanel 4 / 15. V Nunzio, Rim: Skulpture; izložba / 20. V Primeri tekstova u konceptualnoj i postkonceptualnoj&lt;/div&gt;&lt;div&gt;umetnosti; predavanje; govore: Mi&amp;scaron;ko &amp;Scaron;uvaković, Zoran Belić, Marko Pogačnik, Mirko Radojčić, Vladimir Kopicl (Zajednica&lt;/div&gt;&lt;div&gt;za istraživanje prostora) / 4. VI Umetnost i mit; razgovor povodom izlaska iz &amp;scaron;tampe zbornika &amp;ldquo;Umetnost i mit&amp;rdquo;; učestvuju:&lt;/div&gt;&lt;div&gt;dr Milan Damnjanović, Stojan Ćelić, Zoran Belić i Mi&amp;scaron;ko &amp;Scaron;uvaković / 5. VI Feđa Klikovac, Titograd/Beograd: Kraft/Raum;&lt;/div&gt;&lt;div&gt;izložba slika i skulptura / 16. VI Goran Grofelnik i Srđan Marković, Beograd: Radionica/izložba / 23. VI Mi&amp;scaron;ko &amp;Scaron;uvaković i&lt;/div&gt;&lt;div&gt;Zoran Belić (Zajednica za istraživanje prostora): Američka minimalna umetnost: Morris, Judd, Serra; predavanje / 29. VIII&lt;/div&gt;&lt;div&gt;Susret sa umetnicima: Milovan Marković i Sissel Tolaas, Berlin, Vlasta Volcano i Castalia, Njujork; razgovor / 5. X Vlado&lt;/div&gt;&lt;div&gt;IIIek, Zagreb: Očiglednosti; izložba crteža i slika / 12. X Jeremy Welsh, London: Engleska video produkcija; predstavljanje&lt;/div&gt;&lt;div&gt;video radova i razgovor / 13. X Bill Seaman, Boston: Video radovi i razgovor / 23. X Anonimni kolektiv (Dobri Markov, Aldo&lt;/div&gt;&lt;div&gt;Miro&amp;scaron;ević, Denis Berković): Izložba slika, crteža i skulptura / 28. X Mi&amp;scaron;ko &amp;Scaron;uvaković i Zoran Belić (Zajednica za istraživanje&lt;/div&gt;&lt;div&gt;prostora): Dnevnici umetnika Pola Klea i Eve Hese; predavanje / 6. XI Ljubo Gamulin, Dubrovnik: Hannan; izložba fotografja.&lt;/div&gt;&lt;div&gt;Gordan Vuković i Denis Klerić: Varijacije za gitaru i udaraljke; prigodna svirka na otvaranju izložbe Lj. Gamulina / 11. XI&lt;/div&gt;&lt;div&gt;Mi&amp;scaron;ko &amp;Scaron;uvaković i Zoran Belić (Zajednica za istraživanje prostora): Tekstovi Marsela Di&amp;scaron;ana i Mana Reja; predavanje /&lt;/div&gt;&lt;div&gt;13. XI Stevan Žutić, Beograd: U senci; izložba unikatnog name&amp;scaron;taja / 24. XI Dejan Đorić, Beograd: Diskursi fanrastičnog;&lt;/div&gt;&lt;div&gt;slike i objekti Stevana Novakovića, Radovana Hir&amp;scaron;la i Zorana Ivanovića; prigodni program: Dejan Sretenović svira na&lt;/div&gt;&lt;div&gt;citri kompoziciju Katedrala / 26. XI Primena harmonijskih modela u sistemu boje, zvuka, broja...; razgovor; učestvuju: S.&lt;/div&gt;&lt;div&gt;Vlajić, V. Jerotić, B. Milisavljević, I. Vulović, A. Jevtić, M. Radulović, S. Janković, M. Aničić / 3. XII 3+4; promocija novog&lt;/div&gt;&lt;div&gt;broja časopisa studenata III i IV godine istorije umetnosti i razgovor sa članovima redakcije / 8. XII De mortus nihil nisi&lt;/div&gt;&lt;div&gt;bene; izložba arhitekture nadgrobnih spomenika; izlažu: Bogdan Bogdanović, Ivana Filipović, Sergej Nikoljski, Dragan&lt;/div&gt;&lt;div&gt;Protić, Klaudio Cetina / 9. XII Bogdan Bogdanović, Beograd: Kako nastaje nadgrobni spomenik; predavanje / 11. XII&lt;/div&gt;&lt;div&gt;Nikola Dudić, Beograd: Čovek spomenik, simbol; predavanje. Klaudio Cetina, Beograd: Koncept sistematizacije oblika&lt;/div&gt;&lt;div&gt;nadgrobnih spomenika; predavanje. Arhitektura nadgrobnih spomenika; promocija fanzina / 14-17. XII SKUC, Zagreb -&lt;/div&gt;&lt;div&gt;SKC, Beograd (vidi Posebne programe) / 16. XII Mi&amp;scaron;ko &amp;Scaron;uvaković i Zoran Belić (Zajednica za istraživanje prostora): Kazimir&lt;/div&gt;&lt;div&gt;Maljevič; predavanje / 17. XII Isak Aslani, Beograd: Isakova foto-inkarnacija; fotoradionica / 22. XII Isak Aslani: Isakova&lt;/div&gt;&lt;div&gt;foto-inkarnacija; performans spaljivanja fotografja i pravljenje slike iz pepela / 25. XII Miomir Grujić Fleka, Beograd: Veliki&lt;/div&gt;&lt;div&gt;znak; instalacija.&lt;/div&gt;&lt;div&gt;1988 13. I Zoran Belić i Mi&amp;scaron;ko &amp;Scaron;uvaković, Beograd (Zajednica za istraživanje prostora): Pol Kle: Pedago&amp;scaron;ka beležnica;&lt;/div&gt;&lt;div&gt;predavanje / 19. I Aleksandar Mahđik i Dejan Mujičić, Beograd: M M M M; instalacija; na otvaranju muzika grupe Železna&lt;/div&gt;&lt;div&gt;Marija / 30. I Franz West i Heimo Zobering: Instalacija slika i skulptura; predstavljanje Galerije Peter Pakesh, Beč / 20. II&lt;/div&gt;&lt;div&gt;Dragan Srdić, Beograd: Tajna večera; instalacija / 23. II Zoran Belić i Mi&amp;scaron;ko &amp;Scaron;uvaković (Zajednica za istraživanje prostora):&lt;/div&gt;&lt;div&gt;Pit Mondrijan, Teo van Duzburg - tekstovi; predavanje / 4. III Dragan Srdić: Bring the Bottle, party / 8. III Dragan Petković,&lt;/div&gt;&lt;div&gt;Jovan &amp;Scaron;umovski i Blagoje Manevski, Skoplje: Slike, objekti; koncepcija izložbe: Zoran Petrovski / 23. III Zoran Belić i&lt;/div&gt;&lt;div&gt;Mi&amp;scaron;ko &amp;Scaron;uvaković (Zajednica za istraživanje prostora): Rudolf &amp;Scaron;tajner - tekstovi i uticaj na modernu umetnost; predavanje&lt;/div&gt;&lt;div&gt;/ 28. III 10. KSAJ Beograd: Otvaranje X KSAJ-a i kongresnih izložbi, Arhitektonski fakultet /&amp;not; / 29-30. III Arhitektura u&lt;/div&gt;&lt;div&gt;kontekstu; program povodom X kongresa studenata arhitekture / 29. III Arhitektura u kontekstu; tribina. Kuća kao hommage;&lt;/div&gt;&lt;div&gt;arhitektonski projekti; izlažu: M. Fabijanić, D. Ećimović, I. Butorac, N. Kezić, I. Franić, J. Jelavić, K. Rogina, V. Penezić,&lt;/div&gt;&lt;div&gt;B. Ristić, V. Perović, J. Janjić, M. Janjić, O. Đurović / 30. III Vojteh Ravnikar, Ljubljana: Arsenale di Venezia na milanskom&lt;/div&gt;&lt;div&gt;trijenalu; predavanje uz prikazivanje slajdova. Kuća kao hommage; razgovor povodom izložbe; učestvuju: Ranko Radović,&lt;/div&gt;&lt;div&gt;Vojteh Ravnikar, Nenad Fabijanić, Milan &amp;Scaron;ćekić / / 26. IV Edita Schubert, Zagreb: Slike; izložba / 27. IV Mi&amp;scaron;ko &amp;Scaron;uvaković,&lt;/div&gt;&lt;div&gt;Dubravka Đurić i Zoran Belić (Zajednica za istraživanje prostora): Tekstovi Kandinskog, Itena i &amp;Scaron;lemera; predavanje / 13. V&lt;/div&gt;&lt;div&gt;Srđan Apostolović, Beograd: Skulpture; izložba / 17. V Dr Armin Zweite: Gradska galerija Lenbachhaus u Minhenu kao centar&lt;/div&gt;&lt;div&gt;savremene likovne umetnosti; predavanje (u saradnji sa KIC SR Nemačke) / 26. V Du&amp;scaron;an Petrović, Beograd: Skulpture;&lt;/div&gt;&lt;div&gt;izložba / 7. VI Thomas Lehnerer, Minhen: Slike; izložba. Friedmann Malsch, Keln: O radu T. Lehnerera; predavanje (u saradnji sa KIC SR Nemačke) / 10. VI Projekcija video radova beogradskih umetnika i razgovor sa Friedmanom Malschom&lt;/div&gt;&lt;div&gt;/ 18. VI Srđan Marković Đile, Beograd: Freak Show; izložba slika / / 27-30. VIII Letnji susret umetnika / 27. VIII Ilija &amp;Scaron;o&amp;scaron;kić,&lt;/div&gt;&lt;div&gt;Dubrovnik: Kejdž: minut ćutanja; tableau vivant. Milovan Marković, Berlin: Velika Gospoina; performans. Miroslav Mi&amp;scaron;a&lt;/div&gt;&lt;div&gt;Savić, Beograd: Repetitio sensi non sensum est; disflharmonični performans u 35 stavova / 28. VIII Dragana Žarevac,&lt;/div&gt;&lt;div&gt;Beograd: Polje promena; akustički performans. Zoran Belić Weiss, Beograd: Vežba: prostor/kretanje; performans. Milan&lt;/div&gt;&lt;div&gt;Grigar, Prag: Akustički crtež / 29. VIII Radomir Damnjan, Milano: Mrtva priroda; performans. Dragoljub Ra&amp;scaron;a Todosijević,&lt;/div&gt;&lt;div&gt;Beograd: Was ist Kunst; performans. Vlado IIIek, Zagreb: Recital pred-poezije i post-poezije / 30. VIII Marina Abramović,&lt;/div&gt;&lt;div&gt;Amsterdam: Veliki hod; predavanje sa slajd projekcijom o realizaciji projekta Veliki hod izvedeneog na Kineskom zidu&lt;/div&gt;&lt;div&gt;u saradnji sa Ulayem. Vesna Viktorija Bulajić, Njujork: Nekad cigara je samo cigara; video rad. Dragan Srdić, Beograd:&lt;/div&gt;&lt;div&gt;Intervencije u prostoru. Sissel Tolaas, Berlin: Instalacija / / 15. IX Aleksandar Zeković i Srđan Miletić, Beograd: Izložba /&lt;/div&gt;&lt;div&gt;7. X Likovna radionica - skulptura: učestvuju: Srđan Apostolović, Zdravko Joksimović i Du&amp;scaron;an Petrović, Beograd / 21. X&lt;/div&gt;&lt;div&gt;Nenad Bračić, Beograd: Priča o kremzarskom nalazu; fotografja, skulptura, instalacija (u saradnji sa Srećnom galerijom)&lt;/div&gt;&lt;div&gt;/ 28. X Dejan Mujičić, Aleksandar Mahđik i Ljubo Gamulin: Puko je dan; performans, fotografja; muzika: Železna Marija i&lt;/div&gt;&lt;div&gt;Muževi (Miki, Ivan, Cane, Nikola) / 29. X Ilija &amp;Scaron;o&amp;scaron;kić, Dubrovnik: Nautička zvezda - Znanje - Vjera - Srčanost; performans/&lt;/div&gt;&lt;div&gt;instalacija / 5. XI Aleksandra &amp;Scaron;aranović, Beograd: Homoglif; instalacija (likovna radionica) / 12. XI Vladimir Perić Talent,&lt;/div&gt;&lt;div&gt;Beograd: Rastajanja; instalacija / 19. XI Milan Atanacković, Beograd: Takhaar; instalacija / 3. XII Olga Jevrić, Beograd:&lt;/div&gt;&lt;div&gt;Skulpture (povodm četrdeset godina izlaganja); koncepcija izložbe: Je&amp;scaron;a Denegri / 17. XII Lorenzo Pezzatini, Firenca: So&lt;/div&gt;&lt;div&gt;special, so rare, so wonderful...; instalacija (u saradnji sa IIDP) / 27. XII Dejan Damnjanović, Beograd: Gesta; performans&lt;/div&gt;&lt;div&gt;/ 29. XII Marcus Geiger, Beč/Cirih: Instalacija (u saradnji sa &amp;Scaron;vajcarskom ambasadom u Beogradu i Pro Chelvetia, Cirih /&lt;/div&gt;&lt;div&gt;30. XII Tatomir Toroman: Kolonijalizacija sna - deo 1 i 2; performans.&lt;/div&gt;&lt;div&gt;1989 31. I Vladimir Perić Talent, Beograd: Udaljavanje; naniz / 10. II Dobrivoje krgović, Beograd: Objekti; izložba / 14. II Dr.&lt;/div&gt;&lt;div&gt;Lucius Grisenbach, Nirnberg: Nove tendencije umetničke scene u Nemačkoj; predavanje (u saradnji sa KIC SR Nemačke) /&lt;/div&gt;&lt;div&gt;/ 21-24. II Portugalska arhitektura (u saradnji sa Arhitektonskim fakultetom u Beogradu) 21. II Izložba projekata portugalskih&lt;/div&gt;&lt;div&gt;studenata i profesora arhitekture / 23. II Prof. Ranko Radović, Beograd: Portugalska arhitektura; predavanje / 24. II Arh.&lt;/div&gt;&lt;div&gt;Jovan Mitrović, Beograd: Arhitektonska iskustva iz Portugala; predavanje / / 24. II Dejan Damljanović, Beograd: Gest -&lt;/div&gt;&lt;div&gt;linija; performans / 28. II Slobodan Peladić, &amp;Scaron;abac: Slike; izložba / 10-11. III SKUC Zagreb - SKC Beograd (vidi Posebne&lt;/div&gt;&lt;div&gt;programe) / 13. III Party; susret sa mladim nemačkim umetnicima (Diseldorf) / 20. III Aleksandar Obradović, Beograd: Lako&lt;/div&gt;&lt;div&gt;putovanje na druge planete; izložba. Goran Tomić, Beograd: XI 1988; slajd &amp;scaron;ou / 24. III Američki video; Kathy Rae Huffman,&lt;/div&gt;&lt;div&gt;Boston, predstavlja video radove američkih umetnika (Constance De Jong i Toni Oursler, Bill Seaman, Peter D&amp;rsquo;Agostino,&lt;/div&gt;&lt;div&gt;Raul Tuiz, Time Code) / 30. III Navadip Das: Misao iznad vremena; predavanje uz slajd projekciju slika kineske &amp;ldquo;gombi&amp;rdquo; &amp;scaron;kole&lt;/div&gt;&lt;div&gt;/ 7. IV Andrea Kaufman, Beč: Slike; izložba / 12. IV Erika R&amp;oacute;diger-Diruf, Karlsrue: Slika prirode i duh vremena; predavanje&lt;/div&gt;&lt;div&gt;(u saradnji sa KIC SR Nemačke) / 16-19. IV Racković &amp;amp; Co. / 16. IV Nenad Racković, Beograd: Bogovi kuge; ambijentalni&lt;/div&gt;&lt;div&gt;događaj. Nenad Racković: Kralj ničega; recital / 17. IV Video produkcija Akademskog flmskog centra DK Studentski grad&lt;/div&gt;&lt;div&gt;(Igor Zero Toholj, Petar Milić, Nikola &amp;Scaron;indik). Petar Milić, Beograd: Gray Data Studio Tape; promocija / 18. IV Dan velikih&lt;/div&gt;&lt;div&gt;valova mo 4 - ware; rok koncert / 19. IV Plastičko pozori&amp;scaron;te NIKT-UP; muzižki video; produkcija AFC DK Studentski grada&lt;/div&gt;&lt;div&gt;i NIKT music, 1989 / / 20. IV Dejan Damnjanović, Beograd: Gest - prelaz iz...; performans / 21. IV Miroslav Mandić, Novi&lt;/div&gt;&lt;div&gt;Sad/Beograd: Crteži sa trećeg hodanja; izložba. Miroslav Mandić: O hodanju; predavanje / 28. IV Miroslav Mandić: Put u&lt;/div&gt;&lt;div&gt;Ameriku, ili novi život indijanaca; performans / 9. V Dragan Rakić, Novi Sad: Slike; izložba / 24-26. V majski projekat (vidi&lt;/div&gt;&lt;div&gt;Velike manifestacije).&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br&gt;&lt;hr size=&quot;1&quot;&gt;&lt;br/&gt;</description></item><item><title>Who is who in serbian art on english</title><link>http://maldini.wetpaint.com/page/Who+is+who+in+serbian+art+on+english</link><author>maldini</author><guid isPermaLink="false">http://maldini.wetpaint.com/page/Who+is+who+in+serbian+art+on+english</guid><pubDate>Wed, 25 Nov 2009 14:23:06 CST</pubDate><description>&lt;div&gt;&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;br&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;WHO IS WHO IN SERBIAN ART&lt;br&gt; &lt;br&gt; &lt;br&gt; Abramovich, Ante - painter, art teacher (Posavina Podgajci, 1903 - Belgrade, 1985).Lit.: M.B.&lt;br&gt; Protic, History of Serbian painting, vol.1, pp.238-239, category 2 (020M)&lt;br&gt; Abramovich, Danica, husband.worker, director of the Museum of Revolution, a category 1 (020M)&lt;br&gt; Abramovic, Marina - Artists Extended Media (Belgrade, 1946).Lit: Monograph: Bojana Pejic,&lt;br&gt; Category 4 (020M)&lt;br&gt; AVALA-monument to the Unknown Hero.Osn.litterateur.B.Vujovic, Belgrade in the past and present,&lt;br&gt; Belgrade, Category 3 (020 NV)&lt;br&gt; Avala Tower, Category 3, (020a)&lt;br&gt; Avangard - Category 4 (020.M)&lt;br&gt; yard-category 1 (020a)&lt;br&gt; Avramovic, Dimitrije - painter, link.writer (1815 to 1855).Osn.litterateur: P.Vasic, Dimitrije&lt;br&gt; Avramovic, Belgrade 1970.One of the most important Serbian painter and the first explorers on Mount Athos.&lt;br&gt; The author of two books on the art treasures of Mount Athos.Category 4 (020 NV)&lt;br&gt; AGM, the architectural studio, category 1 (020a)&lt;br&gt; ADAMOVIĆ, Stevan - sculptor (H&amp;oacute;dmezőv&amp;aacute;s&amp;aacute;rhely, 1878).Category 1 (020 NV)&lt;br&gt; Adanja, Catherine - art historian, critic, category 1(020M)&lt;br&gt; ADA&amp;Scaron;EVIĆ, Branimir - graphic artist, category 1(020M)&lt;br&gt; ažbe Antun, Slovenian painter, Category 2 (020M)&lt;br&gt; Azdejković, Dragan - by (Belgrade, 1957), category 1(020M)&lt;br&gt; Azriel, Victor DAVID, engineer (1880, Belgrade-1936, Belgrade) Lit.D.Djuric-Zamolo, developers&lt;br&gt; 1815-1914 Belgrade, Belgrade 1981, pp.15; Lexicon Serbian builders, Belgrade 2002; Z.Manević,&lt;br&gt; Pioneers of modern architecture in Belgrade, AU, no.16, Belgrade, 1962; Maric D., Guide to Modern&lt;br&gt; Architecture, Belgrade 2002; S.G.Bogunovic, architectural encyclopedia of Belgrade, vol.2,&lt;br&gt; Belgrade 2005; possible determinants Author: Mirjana Roter-Blagojevic, historian of architecture,&lt;br&gt; Category 2 (020a)&lt;br&gt; AJDANOVAC, St..George &amp;Scaron;uput, monuments, Zoran Rakic, Category 1 (020 SV)&lt;br&gt; Ajzenberg, Alexander, architect and professor, design, category 1 (020M)&lt;br&gt; AJZENHUT, Franz Ferenc / Francz Ferenc Eisenhut - by (Backa Palanka, 1857 - Munich, 1903).Lit.&lt;br&gt; A.M&amp;uuml;ller-Polyato, Francz Eisenhut.Ein donauschwabischer Mahler orientalischen Lebens, Vienna 1966;&lt;br&gt; Aug.biographer.Dictionary, MS, A-B, Category 1 (020 NV)&lt;br&gt; AJTOSKI, Slave - sculptor, category 1(020M)&lt;br&gt; Academic style in architecture and painting in 19thand 20century.Category 4 (020a)&lt;br&gt; SERBIAN ACADEMY OF ARCHITECTURE, category 1 (020a)&lt;br&gt; Academy-Category 2 (020a)&lt;br&gt; ACADEMY, the Palace in Belgrade, SASA, a category 2 (020a)&lt;br&gt; aqueduct, aqueduct-Category 2 (020a)&lt;br&gt; Watercolor - Category 3 (020.M)&lt;br&gt; Aker, Acer, morning, Category 1 (020a)&lt;br&gt; Aksentijevic, Nada - ceramist (1953), Lit.: Catalog Triennial of Yugoslav Ceramics&lt;br&gt; Category 1 (020M)&lt;br&gt; Act - Category 3 (020.M)&lt;br&gt; al Antiquity - Category 1 (020a)&lt;br&gt; al-sister category 1 (020a)&lt;br&gt; al fresco-kategorija1 (020a)&lt;br&gt; Alavanja, Nada, painter, Dusseldorf-Belgrade, category 1 (020M)&lt;br&gt; ALBANIA, Palace in Belgrade (Knez Mihailova 4-6), category 3; (020a)&lt;br&gt; aleatorijum-category 1 (020a)&lt;br&gt; allegory - Category 1 (020.M)&lt;br&gt; Allegory-allegorical personification SERBIAN osn.litterateur: M.Timotijevic, Serbian baroque&lt;br&gt; painting, Novi Sad 1996; N.Makuljevic, Art and the national idea in the nineteenth century, 2006.&lt;br&gt; Category 3 (020 NV)&lt;br&gt; Alexandrovich, Ljubomir - painter (1828 to 1887).Osn.litterateur: M.Jovanovic, Pasko in&lt;br&gt; Romantic Age, Category 2 (020 NV)&lt;br&gt; Aleksijevic, Luke - the owner of the workshop of the church.Utensils N.Sad.Category 1 (020 NV)&lt;br&gt; ALEKSINAC, Monument to the Russian soldiers-volunteers in 1876, osn.litterateur.N.Makuljevic, Arts and&lt;br&gt; national idea in the nineteenth century, 2006.Category 2 (020 NV)&lt;br&gt; Aleksic, Borislav - painter and graphic artist, character.Educator (Sarajevo, 1936).Lit.: LEJ, 2nd Category&lt;br&gt; (020M)&lt;br&gt; Aleksic, Branko, architect, professor at the Arch.Faculty in Belgrade (1923, Karlovac - 1998, Belgrade)&lt;br&gt; Category 2 (020a)&lt;br&gt; Aleksic, Branko, theoretician of the avant-garde (Belgrade 1950?), Lit.Dada, Paris 2006thCategory 2 (020M)&lt;br&gt; Aleksic, Gradimir - sculptor (Belgrade, 1922).Lit.: LEJ, category 1 (020M)&lt;br&gt; Aleksic, DRAGAN - founder of the Dada movement (in Bunić Korenica 1901 - Belgrade, 1958), Lit.Lazar&lt;br&gt; Trifunovic, Serbian art criticism, pp.27, 334; Miodrag B. Protic, Ideas Serbian art&lt;br&gt; criticism and theory 1900-1950.3rd Category(020M)&lt;br&gt; Aleksic, Dusan - painter (1844 to 1900).Osn.litterateur: M.Jovanovic, Painting Timisoara&lt;br&gt; Diocese, Novi Sad 1997thCategory 1(020 NV)&lt;br&gt; Aleksic, Ivan - by (Arad 1868 - Modos 1937), Lit.LEJ, category 1st(020 NV)&lt;br&gt; Aleksic, MILAN - photographer (Belgrade 1950), Lit.Branislav Dimitrijevic - exhibition catalog Poor&lt;br&gt; maintenance, category 1 (020M)&lt;br&gt; Aleksic, Nikola - by (St. Novalja, 1808 - Arad, 1873).Osn.litterateur: M.Jovanovic, Serbian&lt;br&gt; Painting in the Age of Romanticism, Novi Sad, 3rd category(020 NV)&lt;br&gt; Aleksic, Stevan - painter (1876-1923), Lit.Aug.Biographical Dictionary of MS, a category 4 (NV 020)&lt;br&gt; Alem-category 1 (020a)&lt;br&gt; ALISOV, Sergei P.- Sculptor, member of the Association of Russian artists in Yugoslavia, Lit.: Russian Emigration in&lt;br&gt; Serbian culture 20thcentury, vol.1, pp.103-105, vol.2, pp.59, 66: Category 1 (020M)&lt;br&gt; Alma&amp;scaron;, Gabor - painter, Category 1 (020M)&lt;br&gt; Altana, Altan (Cardak, erker?), category 1 (020a)&lt;br&gt; ALTER IMAGO (1981-1989?, Belgrade) - Art Group, category 1 (020.M)&lt;br&gt; ALTERNATIVE ART - Category 1 (020.M)&lt;br&gt; Amam, a hammam, a category 2 (020a)&lt;br&gt; barn, granary, Kos, granarijum, category 1 (020a)&lt;br&gt; Ambient Art - Category 1 (020.M)&lt;br&gt; AMBLEMATIKA, kind of artistic expression based on linking images and text, characteristic of&lt;br&gt; of modern culture, the Serbs present in Baroque art.Osn.litterateur: M.Timotijevic, Serbian&lt;br&gt; Baroque painting, Novi Sad 1996thCategory 3 (020 NV)&lt;br&gt; Ambon, amvon-Category 2 (020a)&lt;br&gt; Ambrozic, Catherine - art historian and critic (Mostar, 1922. LEJ-in or 1925th?? Belgrade&lt;br&gt; 2003), Lit.: Tajantsva Art, Clio, 2005 Category 3rd(020M)&lt;br&gt; AMIDŽIN KONAK in Kragujevac, Category 1, (020a)&lt;br&gt; amphitheater-category 1 (020a)&lt;br&gt; Anagnosti, Peter, architect, university professor (1909, Odessa, Ukraine -1996, Belgrade) Lit.&lt;br&gt; Russians without Russia: Russians Serbian, Belgrade 1994; M.Djurdjevic, Contribution to the study of life and work&lt;br&gt; architect Peter Dimitrijevic Anagnostija, GGB, vol.XLVII-XLVIII, Belgrade, 2000-2001, pp.237 --&lt;br&gt; 251; group of authors, higher education architecture in Serbia 1846-1971, Belgrade 1996, pp.65,&lt;br&gt; 94, 181; Encyclopaedia architectonica, Lexicon Serbian architects 19thand 20century, Belgrade 1999,&lt;br&gt; pp.8; S.G.Bogunovic, architectural encyclopedia of Belgrade, vol.2, Beograd 2005, 667-668;&lt;br&gt; possible determinants Author: Predrag V.Milosevic, the architect, historian and theorist of architecture,&lt;br&gt; Category 3 (020a)&lt;br&gt; analyzing art - Category 2 (020.M)&lt;br&gt; Anastas, 19th Zografcentury.Osn.litterateur.B.Vujovic, renewed Serbian Art 1796-1848, Belgrade&lt;br&gt; 1986thCategory 1(020 NV)&lt;br&gt; ANASTASIJEVIĆ, Boris - sculptor (Sesiel, France, 1926 - ???).Lit.: LEJ, Alexa Čelebonović,&lt;br&gt; Exhibition categories, category 1(020M)&lt;br&gt; ANASTASIJEVIĆ, Constantine and Demetrius - Zograf, 19century.Osn.litterateur.B.Vujovic, Art&lt;br&gt; renewed Serbia 1796-1848, Belgrade in 1986.Category 2 (020 NV)&lt;br&gt; ANASTASIJEVIĆ, Nebojsa, landscape architect, Professor univerziteski, category 1 (020a)&lt;br&gt; ENGAGED ART - Category 2 (020.M)&lt;br&gt; ANDONOV PAPRADI&amp;Scaron;KI, Dimitrije (1859-1954), painter, very productive in the area of southern Serbia and&lt;br&gt; Kosovo and Metohija (painted around Vranje, Nis, Gnjilane).Osn.litterateur.Painting Vranjske&lt;br&gt; Diocese, Belgrade Vranje-2005thCategory 2 (020 NV)&lt;br&gt; ANDREJ from Sarajevo, 17th ikonopisaccentury, ELU 1, xxx, Zoran Rakic, Category 1, (020a ST)&lt;br&gt; ANDREJA&amp;Scaron; (SAINT ANDREW) - Monastery on the River Treska in Skopje, 14century, Korac, Povardarje, hhh,&lt;br&gt; Alexander Nitić, category 3, (020 SV)&lt;br&gt; ANDREJEVIĆ - Kun, Veljko - graphic (Belgrade, 1877 - Belgrade, 1948), Lit.: LEJ.Category 1 (020&lt;br&gt; NV)&lt;br&gt; ANDREJEVIĆ - Kuhn, George - painter, graphic artist, prof.univ.(Vroclac, Poland, 1904 - Belgrade, 1964).&lt;br&gt; Lit.: LEJ, M.B.Protic, Pasko; Category 3 (020M)&lt;br&gt; ANDREJEVIĆ-kun, Nada - Director of the Museum of Applied Arts in Belgrade (Vidin, 1918 - Belgrade?).&lt;br&gt; Lit.:?category 1(020M)&lt;br&gt; Andrejevic, Andrei - art historian (Sarajevo, 1935 - Belgrade, 1991), Serbian Lexicon&lt;br&gt; historiography, hhh, Jelena Erdeljan, category 2 (020a ST)&lt;br&gt; Andrejevic, Andrew - graphic artist, designer (Berlin, 1906 - Belgrade,?).Lit.LEJ; Zaga Janca,&lt;br&gt; Home Serbian printed books, Belgrade 1965, Category 1 (020M)&lt;br&gt; Andrejevic, Andrew - živopisac-under, 18century.Osn.litterateur.Lj.Stosic, Serbian art 1690 --&lt;br&gt; 1740, 2006.Category 1 (020 NV)&lt;br&gt; Andrejevic, Andrew - živopisac-old, 18century.Osn.litterateur.M.Timotijevic, Serbian baroque&lt;br&gt; painting, Novi Sad 1996thLj.Stosic, Serbian art 1690-1740, 2006.Category 2 (020&lt;br&gt; NV)&lt;br&gt; ANDREJEVIĆ, Andrew (1838, Kragujevac - 1894,?) Lit.N.Nestorović, Buildings and architects in&lt;br&gt; Belgrade last century, Belgrade 1972nd(reprint 1937); M.Jovanovic, the Serbian church&lt;br&gt; architecture and painting of recent times, the Belgrade-Kragujevac 1987; V.Trifunovic, Architecture in&lt;br&gt; Kragujevac, Kragujevac 1995; A.Kadijevic, a century seeking national style in the Serbian&lt;br&gt; architecture (mid-nineteenth-twentieth century mean), Beograd 1997, Serbian biographical dictionary, vol.1, New&lt;br&gt; Sad 2004; possible determinants Author: Marina Djurdjevic, historian of architecture, a category 2; (020a)&lt;br&gt; Andrejevic, Veljko - graphic artist (1877 to 1948). Osn.litterateur.ELU 1, Zagreb 1969, 84thCategory 1&lt;br&gt; (020 NV)&lt;br&gt; Andrejevic, Dimitrije - by (Belgrade, 1854 - Sabac, 1905). Osn.litterateur.LEJ 1, Zagreb 1984,&lt;br&gt; 15.Kategorija 1 (020 NV)&lt;br&gt; Andrejevic, John, esthetician, critic (Novi Sad, 1833 - Novi Sad 1864) Category 1 (020 NV)&lt;br&gt; Andrejevic, Cross - painter, art teacher (Zrenjanin, 12.V 1928 - Bgd.30.1.1989).Category 2&lt;br&gt; (020M)&lt;br&gt; Andrejevic, Mile - painter, USA, (1925 - died about 1990), cat.2 (020M)&lt;br&gt; Andrew Zograf, 16century, ELU 1, xxx, Zoran Rakic, category 1 (020a ST)&lt;br&gt; Andric, Dragisa - graphic artist, designer paper (Belgrade, 1942).Lit.?Category 1 (020M)&lt;br&gt; Andric, Naum (Lazar) - painter, icon painter (hereinafter, 1907 - Belgrade, 1972).Lit.: Serbian biographical&lt;br&gt; Dictionary, category 2?(020M)&lt;br&gt; Andric, Risto - silversmith, 19century, Sarajevo.Osn.litterateur.H.Kre&amp;scaron;evljaković, Guild in the Old&lt;br&gt; Sarajevo Developed fittings Virgin Čajničke, Category 1 (020 NV)&lt;br&gt; ANDROSOV, Vasily (E), Mihajlovic, architect (1872, Odessa, Ukraine-1944, Belgrade) Lit.Serbian&lt;br&gt; biographical dictionary, vol.1, Novi Sad, 2004, p.189-190, A.Arsenjev, Androsov Vasily Mikhailovich,&lt;br&gt; Biographical Directory of Russian immigrants, Russian emigrants in the Serbian culture 20thcentury, vol.2, Belgrade&lt;br&gt; 1994, pp.228; S.To&amp;scaron;eva, capital of Russian emigrants in Belgrade, the Russian emigration in&lt;br&gt; Serbian kuluri 20thveka, Belgrade 1994, p.302-307, Ibid.The work of Russian architects of the Ministry&lt;br&gt; buildings in the period between two wars, GGB, vol LI, Belgrade 2004; H.A.Rakic, a few fragments&lt;br&gt; related to the construction of the Cathedral of Sts.Trinity Church in Leskovac, Leskovac Proceedings, XXXIX, Leskovac&lt;br&gt; 1999; M.Djurdjevic, activity of Russian architects of immigrants in southeastern Serbia, Leskovac&lt;br&gt; Proceedings, XXXIX, Leskovac 1999; possible determinants Author: Marina Djurdjevic, historian of architecture,&lt;br&gt; Category 2; (020a)&lt;br&gt; ANĐELKOVIĆ, Dejan - Artist expanded media (Kraljevo, 1958).Lit.: October Salon, 2004;&lt;br&gt; Category 1 (020M)&lt;br&gt; ANĐELKOVIĆ, Miodrag - painter, graphic artist, conservator (Jela&amp;scaron;nica, 1945).Lit.:?Category 1&lt;br&gt; (020M)&lt;br&gt; ANĐELKOVIĆ, Mirjana - by (Belgrade, 1948). Lit.: &amp;quot;, Category 1 (020M)&lt;br&gt; ANĐELKOVIĆ, Miroslav - by (Jela&amp;scaron;nica, 1945). Lit.: &amp;quot;, Category 1 (020M)&lt;br&gt; ANĐELKOVIĆ, work - by (Gregory, 1931).Lit.: &amp;quot;, Category 1 (020M)&lt;br&gt; ANĐELKOVIĆ-DIMITRIJEVIC, Branislav, art historian, director of the Museum of Contemporary Art (Belgrade), Lit: Introduction&lt;br&gt; feminist theory picture, the Center for Contemporary Art, Belgrade 2002.Category 1 (020M)&lt;br&gt; Anđica, Alexander, photographer (?), Lit.:?, Category 1(020M)&lt;br&gt; Anic, Uros-Port, art historian.Abbot of the monastery of Cetinje, Category 1 (020 NV)&lt;br&gt; Aničić, Miladin - Mikan - by (Badovinci, 1950).Lit.?Category 1(020M)&lt;br&gt; Anicic, Peter - painter, engraver, ksilograf (Belgrade 1851). Osn.litterateur: V.Kraut, Serbian graphics.&lt;br&gt; Category 2 (020 NV)&lt;br&gt; antependijum, category 1 (020a)&lt;br&gt; anteportikus, category 1 (020a)&lt;br&gt; Antimins osn.litterateur.M.Timotijevic, Category 2 (020 NV)&lt;br&gt; Antic - CHRISTMAS, Radmila Lala - art historian (Belgrade, 1922 - Belgrade, 199?).Lit.: LEJ,&lt;br&gt; Category 1 (020M)&lt;br&gt; Antic, Danica - painter (Belgrade, 1910-Belgrade).Lit.: LIJ, a category 2 (020M)&lt;br&gt; Antic, IVAN, architect and university professor (1923, Belgrade - 2005, Belgrade) Lit.Serbian&lt;br&gt; Academy of Sciences and Arts, 1886-1986, Belgrade 1987, pp.150-151; Z.Manević, Antic, Belgrade&lt;br&gt; 1992; D.Mila&amp;scaron;inović Maric, discipline architecture and freedom of spirit, &amp;quot;Architecture-Urbanism,&amp;quot; no.&lt;br&gt; 16-17, Belgrade 2005; S.G.Bogunovic, architectural encyclopedia of Belgrade, vol.2, Belgrade, 2005&lt;br&gt; 670-674; Encyclopaedia architectonica, Lexicon Serbian architects 19thand 20century, Belgrade 1999,&lt;br&gt; pp.10; I.Mlađenović, 11 distinguished architects of Yugoslavia, Belgrade 1986, pp.5-8; Maric D.,&lt;br&gt; Guide to modern architecture, Belgrade 2002; Perovic M., Serbian architecture of the twentieth century.Of&lt;br&gt; istoricizma to another modernism, Belgrade 2003; Manević, Z., architect Ivan Antic, DANS no.41,&lt;br&gt; March 2003, pp.9-11; possible determinants of the author: Free Bogunovic, historian and theorist&lt;br&gt; architecture, a category 4 (5) (020a)&lt;br&gt; Antic, Igor - visual artist (Novi Sad, 1962), Lit.: Made in Novi Sad, category 1(020M)&lt;br&gt; Antic, Ljiljana - painter, sculptor (Belgrade, 1956).Lit.: &amp;quot;, Category 1 (020M)&lt;br&gt; Antic, Milorad - Miletus - painter, art teacher (Vranje, from 1912 to 1988). Lit.?, Category 1 (020M)&lt;br&gt; Antic, Miroslav - painter, Nis., (?), Lit.: &amp;quot;, Category 1 (020M)&lt;br&gt; Antic, Radomir - by (Pirot, 1929).(?), Lit.: &amp;quot;, Category 1 (020M)&lt;br&gt; ANTIUMETNOST - Category 2 (020.M)&lt;br&gt; Ancient architecture - Category 3 (020a)&lt;br&gt; ANCIENT ART, category 5 (020a)&lt;br&gt; Antov, Nikola - sculptor.(NIS) Lit.:?category 1(020M)&lt;br&gt; ANTONOVIĆ, Milan, architect (1868, Belgrade-1929, Belgrade) Lit.Serbian biographical dictionary, vol.1,&lt;br&gt; Novi Sad 2004, pp.227-228; N.Nestorović, Buildings and architects in Belgrade last century,&lt;br&gt; Belgrade 1972nd(reprint 1937), pp.89; Lj.Nikic, architect Milan Antonovic, UB, no.51, Belgrade&lt;br&gt; 1979, pp.62; G.Gordic, L.Kotur, architectural and historical comments, in: M.M.Kostic, rise&lt;br&gt; Belgrade, vol.2, Belgrade 2000, pp.229; S.G.Bogunovic, architectural encyclopedia of Belgrade,&lt;br&gt; vol.2, Beograd 2005, 675-680; D.Djuric-Zamolo, builder 1815-1914 Belgrade, Belgrade 1981, pp.&lt;br&gt; 17-18; M.Roter Blagojevic, Belgrade residential architecture in the 19thand early 20thcentury, Belgrade&lt;br&gt; 2006; possible determinants Author: Svetlana V.Nedic, a category 3 (020a)&lt;br&gt; ANTONOVIĆ, Momcilo - painter, art teacher (Mreo&amp;scaron;ina in Krusevac, 1938).Lit.: LEJ, Kat.2&lt;br&gt; (020M)&lt;br&gt; Apostolović, Nikola - icon painter (1776 to 1820).Osn.litterateur.Osn.litterateur.B.Vujovic, Art&lt;br&gt; renewed Serbia 1796-1848, Belgrade in 1986.Category 2 (020 NV)&lt;br&gt; Apostolović, Srdjan - sculptor (?), Lit.Terra, Kikinda, category 1 (020M)&lt;br&gt; Apotheosis osn.litterateur.M.Timotijevic, Serbian baroque painting, Novi Sad 1996, Category 2&lt;br&gt; (020 NV)&lt;br&gt; April Meetings, Belgrade, Lit.Je&amp;scaron;a Denegri, Student Cultural Center, a category 3 (020.M)&lt;br&gt; apse-category 1 (020a)&lt;br&gt; apsidiola-category 1 (020a)&lt;br&gt; ABSOLUTELY-association of artists, v.GROUP Lit.: Made in Novi Sad, a category 2 (020.M)&lt;br&gt; Abstract art, a category 5 (020.M)&lt;br&gt; Abstract landscape - Category 3 (020.M)&lt;br&gt; Arad, St..Peter and Paul.Osn.References: M.Jovanovic, Painting Diocese of Timisoara,&lt;br&gt; Novi Sad 1997thSave Tekelije Foundation, a category 2 (020 NV)&lt;br&gt; Aralica, Stojan - by (Skare, Otocac, 1885 - Belgrade, 1980), Lit.: LEJ, Monograph;&lt;br&gt; Category 4 (020M)&lt;br&gt; Aramba&amp;scaron;ić, Dragomir - sculptor (Belgrade, 1881 - Camp at Barkenbirgea, Germany, 1945).Lit.: LEJ,&lt;br&gt; Category 2 (020M)&lt;br&gt; ARANĐELOVAC, old buildings, the church of St. Archangel Gabriel.Osn.literature.T.Ivanovic,&lt;br&gt; Aranđelovac 2004thCategory 3 (020 NV)&lt;br&gt; Aranđelovo, St..Archangel, 16century, ELU 1, hhh, Zoran Rakic, Category 1, (020 SV)&lt;br&gt; Aracaju, near the New Becej, the remains of medieval churches, ELU 1, xxx, Dejan Crnčević, Category 1&lt;br&gt; (020 SV)&lt;br&gt; ARILJE, St..Ahilija, 13century, Vojvodić, Arilje, Dragan Vojvodić, Category 4, (020 SV)&lt;br&gt; arcade, category 1 (020a)&lt;br&gt; ARKOSOLIJUM, Dictionary of Serbian medieval, xxx, Jelena Erdeljan, Category 1 (020 SV)&lt;br&gt; armarijum, category 1 (020a)&lt;br&gt; Arnold, George, sculptor, category 1 (020M)&lt;br&gt; Arsenal, a category 2 (020a)&lt;br&gt; Arsenović, Constantine - by (Pancevo, from 1782 to 1868).Osn.litterateur: M.Jovanovic, Serbian&lt;br&gt; Painting in the Age of Romanticism, Novi Sad, Category 2 (020 NV)&lt;br&gt; Arsenović, Nikola - ethnographer, a painter.Osn.litterateur: ELU 1, Zagreb 1969, 162ndCategory 2 (020&lt;br&gt; NV)&lt;br&gt; ARSIC - Basar, Svetomir - sculptor (1928).Lit.: Srdjan Markovic, Monograph, a category 3 (020M)&lt;br&gt; Arsic, Milos - art historian, art critic (Kumanovo, 1941).Lit.: LEJ, Kat.2 (020M)&lt;br&gt; Arsic, Miroslav - painter and graphic artist (Pozarevac, 1942).Lit.: LEJ, Category 2 Arsic, Prvoslav --&lt;br&gt; by (Belgrade, 1933), Lit.:?, kategorija1.(020M)&lt;br&gt; Arsic, Peter, architect (1950, Belgrade) Lit.Faculty of Architecture, University of Belgrade, 1948 --&lt;br&gt; 1995, Belgrade 1996, pp.129; Encyclopaedia architectonica, Lexicon Serbian architects 19thand 20&lt;br&gt; century, Belgrade 1999, pp.12; M.Jan&amp;aacute;k, P.Arsic: Architecture is the discipline of historical and&lt;br&gt; creative synthesis, &amp;quot;Architecture, no.85, Belgrade 2005; S.G.Bogunovic, Architectural&lt;br&gt; Encyclopedia of Belgrade, vol.2, Belgrade 2005, pp.683-684; Salon architecture (catalog) 2006;&lt;br&gt; heading 2ndcategories; possible determinants Author: Milorad Jevtic, architecture critic (020a)&lt;br&gt; Art Deco in Serbia, Category 1 (020a)&lt;br&gt; ART CLINIC - association of artists, Lit.: Made in Novi Sad, category 1 (020.M)&lt;br&gt; ART CIRCUS - association of artists, Lit.: Made in Novi Sad, category 1 (020.M)&lt;br&gt; archetype in art - Category 1 (020.M)&lt;br&gt; arhivolta, category 1 (020a)&lt;br&gt; ARHIPRO, architectural studio, category 1 (020a)&lt;br&gt; -architect, a category 3 (020a)&lt;br&gt; ARCHITECTURE AND URBAN Periodicals U; category 4 (020a)&lt;br&gt; architectural theory in Serbia - Category 2 (020a)&lt;br&gt; architectural design, category 2 (020a)&lt;br&gt; Faculty of Architecture BELGRADE, category 4; (020a)&lt;br&gt; architectural drawing, a category 2 (020a)&lt;br&gt; ARCHITECTURAL DEPARTMENT Ministry of Construction, category 3; (020a)&lt;br&gt; Architecture in Serbia - Category 4 (020a)&lt;br&gt; Architecture, a category 4 (020a)&lt;br&gt; Architecture-Urbanism, Journal of Urban Planning, applied arts and industrial design&lt;br&gt; continued as: Architecture and urban planning, Journal of Spatial Planning, Urban Planning and&lt;br&gt; architecture, a category 2 (020a)&lt;br&gt; architrave, category 1 (020a)&lt;br&gt; ell, a category 1 (020a)&lt;br&gt; Assemblage - Category 2 (020.M)&lt;br&gt; Associative Abstraction - Category 3 (020.M)&lt;br&gt; Atanasijević, Veroljub, architect (1940, Kragujevac), category 1 (020a)&lt;br&gt; Atanasović, Dragana, illustrator, Category 1 (020M)&lt;br&gt; ATANACKOVIĆ, Bosko - a sculptor.(Belgrade,?), Lit.:, Category 1 (020M)&lt;br&gt; ATANACKOVIĆ, Milan Mica - by TV channel ART (? 1961).Lit.:?category 1(020M)&lt;br&gt; ATANACKOVIĆ, Milenko - painter, art teacher (SID 1875 - Bijeljina 1955), Lit.: LEJ, Kat.1.&lt;br&gt; (020M)&lt;br&gt; ATANACKOVIĆ, Miodrag - by (Belgrade, 1936).Lit.?Category 1(020M)&lt;br&gt; ATANACKOVIĆ-Stanisic, bones, engineer, architect (about 1870, Zemun - 1908, Zemun) Lit.Ž.Skalamera,&lt;br&gt; Old core of Zemun, vol.II, Belgrade 1967; N.Ilic, Upper town Zemun, Zemun 2000; Serbian&lt;br&gt; biographical dictionary, vol.1, Novi Sad 2004; S.G.Bogunovic, architectural encyclopedia of Belgrade,&lt;br&gt; vol.1, Belgrade 2005; possible determinants of the author: Free Bogunovic, historian and theorist&lt;br&gt; architecture, a category 1 (020a)&lt;br&gt; studio, Planning ORGANIZATIONS, INSTITUTES AND OTHER PROFESSIONAL Architecture and Urbanism&lt;br&gt; INSTITUTIONS, a category 3 (020a)&lt;br&gt; attic, a category 1 (020a)&lt;br&gt; Atlagić, Angelina, costumes, a category 2 (020M)&lt;br&gt; Acimovic, Bogomir - sculptor, painter, writer (Pljevlja, 1899 -? 1962).Lit.LEJ, category 1 (020M)&lt;br&gt; Acimovic, Basil - icon painter, 19century, Sremski Karlovci.Osn.litterateur: N.Kusovac, Serbian&lt;br&gt; painting of the eighteenth and nineteenth centuries, Belgrade 1987, Category 1 (020 NV)&lt;br&gt; Augustinčić, Antun - sculptor (Klanjec, 1900 - Zagreb, 1979).Lit.: LEJ; monographs; floor.4 (020M)&lt;br&gt; audience-category 1 (020a)&lt;br&gt; self-portrait - Category 4 (020.M)&lt;br&gt; autochthonous arch.in Serbia - the scope of the text: over twenty sentences (020a)&lt;br&gt; AUTSAJDERSKA (OR: Marginal) ART - Category 2 (020.M)&lt;br&gt; ACOVIC, Alexander, engineer, industrialist (1888 Pružetovac end Mladenovac - 1957, Belgrade)&lt;br&gt; Lit.Serbian biographical dictionary, vol.1, Novi Sad 2004; Fifty years of engineering Milos Savčića,&lt;br&gt; 1889-1939, Belgrade 1939; possible determinants Author: Milan Prosen, historian of architecture, the category&lt;br&gt; 1; (020a)&lt;br&gt; AČ, Joseph - a painter and critic (Backa Topola, 1914 - Novi Sad, 1990).Lit.: Central&lt;br&gt; 1920-200 avant-garde aspects of Vojvodina, Novi Sad 2002, a category 3 (020M)&lt;br&gt; ADŽIĆ-Poznanović, Nada - tapestry artist (?) Lit.: Tapestries.Atelier 61, Novi Sad 2002,&lt;br&gt; Category 1 (020M)&lt;br&gt; Adzic, Dragoljub - ceramist (Cetinje, 1941), Lit.: Triennial of Yugoslav Ceramics floor.2 (020M)&lt;br&gt; A&amp;scaron;ković Jančić, Nada, ceramist, category 1 (020M)&lt;br&gt; Babic-Jovanovic, Milica - costume (Bosanski Samac, 2 9th 1909 - Herceg Novi 1968), Lit.:&lt;br&gt; ELU, LEJ, SBR, Kat.3 (020M)&lt;br&gt; BABIĆ, Bozidar - sculptor (Belgrade, 1939), Lit.: Ljubomir Gligorijević, Catalog solo exhibition,&lt;br&gt; category 1(020M)&lt;br&gt; BABIĆ, Bosko, art historian, LEJ 1, xxx, Svetlana Smolčić, category 2 (020a ST)&lt;br&gt; BABIĆ, Branko, painter, ist.Art, Banjaluka 1953, kat.1 (020M)&lt;br&gt; Babic, Gordana - art historian (Valjevo, 1932-1993), Encyclopedia of Serbian historiography,&lt;br&gt; hhh, Miodrag Markovic, 4th Category(020a ST)&lt;br&gt; BABIĆ, Dusan, architect (1894, Banja Luka - around 1948, Belgrade) Lit.Z.Manević, our builders.Dusan&lt;br&gt; Babic, &amp;quot;Construction, no.2, Belgrade, 1981; Lj.Blagojevic, modern house in Belgrade (1920-1941),&lt;br&gt; Belgrade 2000, p.V.Milosevic, Architecture in the Kingdom of Yugoslavia (Sarajevo 1918-1941), Srbinje&lt;br&gt; 1997, pp.314; Maric D., Guide to modern architecture, Belgrade 2002; S.G.Bogunovic,&lt;br&gt; AEB, vol.2, Belgrade, 2005,684-688;; possible determinants Author: Aleksandar Ignjatovic, a historian&lt;br&gt; architecture; Category 1 (020a)&lt;br&gt; Babic, Milica, costume designer, category 1 (020M)&lt;br&gt; BABIĆ, Milos - painter, graphic designer (New Szeged, 1904 - Belgrade 1968), Lit.: I.Subotic&lt;br&gt; Ten images M.Babic, ZLUMS; A.Baranja, Milos Babic, Subotica, category 1 (020M)&lt;br&gt; Babic, Nebojsa, photographer, category 1 (020M)&lt;br&gt; Babovic, Dejan, architect (1962, Berane), category 1 (020a)&lt;br&gt; Babuna in Veles, cave church, Petkovic, Review, HH, Miodrag Markovic, Category 1 (020 SV)&lt;br&gt; Badanja, category 1 (020a)&lt;br&gt; Badovinac, Peter, an architect, a teacher at the Faculty of Architecture in Belgrade (1939, Vrginmost)&lt;br&gt; (020a)&lt;br&gt; Basilica, a category 3 (020a)&lt;br&gt; BAZJA&amp;Scaron;, the monastery in Banat.Osn.litterateur: M.Jovanovic, Painting Diocese of Timisoara, Novi Sad&lt;br&gt; 1997, Category 2 (020 NV)&lt;br&gt; BAJA, Serbian Church, osn.Litterateur.D.David, monuments Buda sparhije, Beograd 1990.&lt;br&gt; Category 1 (020 NV)&lt;br&gt; Bajalović, ĐURA, architect (1879, Sabac-1956, Belgrade), category 1 (020a)&lt;br&gt; Bajalović, Peter, architect (1876, Sabac - 1947, Belgrade) Lit.Serbian biographical dictionary, vol.1,&lt;br&gt; Novi Sad 2004, 347-348; S.G.Bogunovic, AEB, vol.2, Beograd 2005, 690-693; Lj.Blagojevic,&lt;br&gt; Modernism in Serbia, The Elusive margins of Belgrade Architecture, 1919-1941, 2003, 83-86; D.&lt;br&gt; Djuric-Zamolo, builder 1815-1914 Belgrade, Belgrade 1981, pp.20-21; G.Gordic, Architectural&lt;br&gt; Belgrade and heritage.Catalog architectural buildings in the area of Belgrade 1690-1914, Belgrade 1966;&lt;br&gt; Encyclopaedia architectonica.Lexicon Serbian architects 19thand 20century, Belgrade 1999, pp.16;&lt;br&gt; M.Roter Blagojevic, Belgrade residential architecture in the 19thand early 20thcentury, Belgrade 2006;&lt;br&gt; possible determinants Author: Mirjana Roter-Blagojevic, historian of architecture; category 3 (020a)&lt;br&gt; BAJALSKI, Vesna, painter, Belgrade and Paris, cat.1 (020M)&lt;br&gt; BAJEV, Anthony (Pavlovich) - by (? - Zajecar, 1938), Lit.: Russian Emigration in Serbian culture&lt;br&gt; 20.century, Belgrade 1994; Leposava Milovanovic, category 1 (020M)&lt;br&gt; Bajec, NADA, architects, town planners, category 1 (020a)&lt;br&gt; Bajic, Milo&amp;scaron; - painter, professor at the university (Resanovci, 1915 - Belgrade 1995), Lit. Ivana&lt;br&gt; Simeonović-Celic, Milos Bajic Retrospective Exhibition, Art Pavilion Cvijeta Zuzorić,&lt;br&gt; Belgrade, Category 3 (020M)&lt;br&gt; Bajic, Miodrag - Mica, pictures.graph.character.ped.) Beg.1943), 11000 Belgrade, Tsar Dusan 84/17, 631 --&lt;br&gt; 207, 165-990, modesti@ptt.yu 1 (2) (020M)&lt;br&gt; Bajic, Mrđan - painter, professor at the University (Belgrade, 1957), Lit.: Lydia Merenik, Monograph&lt;br&gt; Category 3 (020M)&lt;br&gt; BAJIĆ-BRKOVIĆ, Milica, architect, urban planner (1947, Belgrade), category 1 (020a)&lt;br&gt; Bajloni, MATE, architect, university professor (1903, Castle Kambelovac end of Split, Brela? --&lt;br&gt; 1995, Belgrade) Lit.P.V.Milosevic, Mate Bajlon, the manuscript of a doctoral dissertation, B.Milenkovic,&lt;br&gt; Professor Architect Mate Bajlon, &amp;quot;Forum, no.39, Belgrade 1997, pp.14-15; S.G.Bogunovic, AEB,&lt;br&gt; vol.2, Beograd 2005, 694-695; P.V.Milosevic, Architecture in the Kingdom of Yugoslavia (Sarajevo&lt;br&gt; 1918-1941), Srbinje, 1997, pp.290;; possible determinants Author: Predrag V.Milosevic, the architect,&lt;br&gt; historian and theorist of architecture, Category 3 (020a)&lt;br&gt; Bajloni Ignjata, industrialist-founder of the Church of St. Ignatius in Mali Crnić (architect S. Ivačković&lt;br&gt; S-iconostasis.Todorovic), Category 1 (020 NV)&lt;br&gt; Bajrakli mosque in Belgrade, category 1 (020a)&lt;br&gt; BAKALOVIĆ, George - by (Sr. Karlovci, 1786 - Ruma, 1853).B.Vujovic, Art reconstructed&lt;br&gt; Serbia 1796-1848, Belgrade 1986, Category 2 (020 NV)&lt;br&gt; BAKALOVIĆ, John - painter, 1820th.Osn.litterateur: ELU 1, Zagreb, 1969, 210 Category 1 (020 NV)&lt;br&gt; BAKALOVIĆ, Peter - painter, engraver (d. Novi Sad, 1834)..Osn.litterateur: ELU 1, Zagreb 1969, 210,&lt;br&gt; Category 1 (020 NV)&lt;br&gt; Bakic, Vojin - (Bjelovar, 1915 - Zagreb, 2000?) Lit.: Bozidar Gagro, Cyprus Vojin Bakic, LEJ, ELU,&lt;br&gt; Category 3 (020M)&lt;br&gt; Bakic, Dragoljub, architect (1939, Kragujevac) Lit.Maric D., Guide to modern architecture&lt;br&gt; Belgrade, Beograd 2002, Serbian lexicon builders, Belgrade 2002; S.G.Bogunovic, AEB, vol.2,&lt;br&gt; Belgrade 2005; possible determinants Author: Mare Jan&amp;aacute;k-Grujic, historian of architecture; Category 1&lt;br&gt; (020a)&lt;br&gt; Bakic, Ljiljana, architect (1939, Belgrade) Lit.Maric D., Guide to modern architecture of Belgrade,&lt;br&gt; Belgrade 2002; S.G.Bogunovic, AEB, vol.2, Beograd 2005; possible determinants Author: Mare Jan&amp;aacute;k -&lt;br&gt; Grujic, historian of architecture; Category 1 (020a)&lt;br&gt; Plate.Liter.D.David, Serbian Graphics 18thcentury ELU 1, 217thCategory 3 (020 NV)&lt;br&gt; Balaz, Arpad G.- Painter and graphic artist (Kratovo in Kosice, Czech Republic 1887 - Novi Sad 1981).Lit.: LEJ,&lt;br&gt; White Durance, &amp;Aacute;rp&amp;aacute;d Bal&amp;aacute;zs, Novi Sad 1970, kat.3 (020M)&lt;br&gt; Balać, Milorad - painter, conservator, art teacher (A&amp;scaron;anja 1905 - Novi Sad 1980), Lit.: Milos&lt;br&gt; Arsic, Art of Vojvodina, Novi Sad, category 1 (020M)&lt;br&gt; Canopy categories 1 (020a)&lt;br&gt; BALZARENO, Dragos, architect (1926, Belgrade) Lexicon Serbian builders, Belgrade 2002; S.G.&lt;br&gt; Bogunovic, AEB, vol.2, Beograd 2005; possible determinants Author: Mare Jan&amp;aacute;k-Grujic, historian&lt;br&gt; architecture; Category 1 (020a)&lt;br&gt; Baltic, Simeon - a monk in the man.Hopovo, painter, led ikonopisačku school (1729 to 1790).Osn.&lt;br&gt; References: M.Timotijevic, Serbian baroque painting, Novi Sad 1996, Category 2 (020 NV)&lt;br&gt; BALUZEK, Vladimir (Vladimirovich) - painter, set designer (1881 to 1957), Lit.: Russian Emigration in&lt;br&gt; Serbian culture 20thcentury, Belgrade 1994thCategory 1 (020M)&lt;br&gt; Baljevac, medieval church of Sv.Nicholas, LEJ 1, xxx, Svetlana Pejic, a category 2 (020 SV)&lt;br&gt; BAN - ĐORĐEVIĆ, Bojana, painter (Celje 1947 -) Category 1 ULUS (020M)&lt;br&gt; BANKS - Category 1 (020a)&lt;br&gt; BANOVINSKA Palace in NOVI SAD Category 2 (020a)&lt;br&gt; Banovic, Alexander, architect, category 1 (020a)&lt;br&gt; Banostor, medieval monastery, ELU 1, xxx, Dejan Crnčević, Category 1 (020 SV)&lt;br&gt; Banjani, a village near Skopje with two medieval churches, ELU 1, hhh, Zoran Rakic, Category 1 (020&lt;br&gt; SV)&lt;br&gt; BANJSKA, a monastery near Zvecan, Korac-&amp;Scaron;uput, architecture, hhh, IV 120-140 r, Ivan Stevović,&lt;br&gt; 4th category(020 SV)&lt;br&gt; BAR, old town with the remains of medieval buildings, ELU 1, hhh, Gordana Simic, Category 3 (020&lt;br&gt; SV)&lt;br&gt; Baranya - Markov, Zlata - sculptor, ceramist (Zitiste, Banat 1906 -?).Lit.: LEJ, Category 1&lt;br&gt; (020M)&lt;br&gt; Baranya, Karl-K&amp;aacute;roly - sculptor, ceramist (Novi Sad, 1894 - Novi Sad? 1978), Lit.Ley, White&lt;br&gt; Durance, Drawing stavarala&amp;scaron;tvo Hungarians in Vojvodina 1830-1930, Subotica 1973rdCategory 1 (020M)&lt;br&gt; BARAČKOVIĆ, perfect - graphic designer, Category 1 Lj catalog.Miljkovic (020M)&lt;br&gt; BARI - Pavlovic, Milena - painter, illustrator (Pozarevac, 1909 - New York, 1945).Lit.: M.B.&lt;br&gt; Protic, Monograph, Olivera Jankovic, Monograph, Category 4 (5) (020M)&lt;br&gt; Barr in Skopje, St..Nicholas, frescoes from the last.14th quartercentury, Vidoeska, Proceedings of&lt;br&gt; medieval art 3, 2001, 118, Category 1 (020 SV)&lt;br&gt; BAROK - osn.litterateur: M.Timotijevic, Serbian baroque painting, Novi Sad 1996, Category 5 (020&lt;br&gt; NV)&lt;br&gt; Baruch, Bora - by (Belgrade, 1911 - Jajinci, 1942).Lit.: Baruch Brothers - Monograph,&lt;br&gt; Category 3 (020M)&lt;br&gt; Stair - Category 1 (020a)&lt;br&gt; BASTA, Danica - painter, art teacher (Beogad 11.7.1951), category 1 (020M)&lt;br&gt; Bastion - Category 1 (020a)&lt;br&gt; Baumgarten, Wilhelm (Vasily), FJODOROVIČ, architect (1879, St. Petersburg - after 1945, Buenos&lt;br&gt; Aires) Lit.M.Djurdjevic, architect Vasily (Wilhelm) Fjodorovič Baumgarten, GGB, vol.LI, Belgrade&lt;br&gt; 2004, 183-191; Serbian biographical dictionary, vol.1, Novi Sad 2004, 446; A.Arsenjev, Baumgarten&lt;br&gt; Vasily (Wilhelm) Fjodorovič, Biographical Directory of Russian immigrants, Russian emigrants in the Serbian&lt;br&gt; 20th culturecentury, vol.2, Belgrade 1994, 231; A.Kadijevic, the role of Russian &amp;eacute;migr&amp;eacute;s in Belgrade&lt;br&gt; architecture between the two world wars, GGB.vol.49/50, Belgrade, 2003-2004.pp.131-142; Ibid.,&lt;br&gt; Aesthetics of academism, Belgrade 2005; possible determinants Author: Marina Djurdjevic,&lt;br&gt; historian of architecture, Category 2 (020a)&lt;br&gt; Bac, the medieval city, ELU 1, hhh, Gordana Simic, Category 2 (020 SV)&lt;br&gt; Bacevic, Dimitrije - by the middle of the 18thcentury, osn.litterateur: M.Timotijevic, Serbian baroque&lt;br&gt; painting, Novi Sad 1996, Category 3 (020 NV)&lt;br&gt; BAčIJE Category 1 (020a)&lt;br&gt; Badža Category 1 (020a)&lt;br&gt; Ba&amp;scaron;ičević, Dimitrije - Mangelos / Manđelos, art historian, artist koceptualni (Sid, 1921 --&lt;br&gt; Zagreb, 19 ???), Category 2 (020M)&lt;br&gt; Ba&amp;scaron;ičević, Elijah - Bosilj, by naivac (SID 1895 - Sid 1972), Lit.: LEJ, Monograph, Kat.2 or&lt;br&gt; 3 (020M)&lt;br&gt; BEDRIČIĆ, Milutin - painter, 1815 - 1837, Banat.Osn.litterateur.N.Kusovac, Pasko XVIII&lt;br&gt; and the nineteenth century, Belgrade 1987, Category 1 (020 NV)&lt;br&gt; BEZDIN, monastery, osn.litterateur: M.Jovanovic, Painting Diocese of Timisoara, Novi Sad 1997th&lt;br&gt; Category 2 (020 NV)&lt;br&gt; BEZEREDI, LUJO - sculptor, ceramist, painter (New 1898 - Čakovec 1979), lived in Belgrade in 1936-1941.&lt;br&gt; Lit.: LEJ, category 1 (020M)&lt;br&gt; Bezistan Category 2 (020a)&lt;br&gt; Becker, Gaspard, architect (? About 1855 -? About 1896), category 1 (020a)&lt;br&gt; Beković, Vatroslav - painter, teacher of drawing in lower secondary schools in Negotin (1834 to 1885).Osn.&lt;br&gt; litterateur.N.Kusovac, Pasko eighteenth and nineteenth centuries, Belgrade 1987thCategory 1 (2) (020 NV)&lt;br&gt; Bekrić, Bosko, mozaičar, category 1 (020M)&lt;br&gt; WHITE CHURCH KARANSKA, medieval church near Uzice, LEJ 1, xxx, Zorica Ivkovic, Category 2 (020&lt;br&gt; SV)&lt;br&gt; Beleg Category 1 (020a)&lt;br&gt; Belic, Zoran - visual artist (Belgrade, 1957?), Category 1 (020M)&lt;br&gt; Belic, mask - a painter (Vrnjacka Banja 1921 -) Category 1 ULUS (020M)&lt;br&gt; Belic, Milia.by.art critic, 1 (020M)&lt;br&gt; BELOBRK, Branko, painter, graphic artist (Sremska Mitrovica 1920 -?), Category 1 (020M)&lt;br&gt;BELOBRK, Momcilo, architect (1905 Valjevo - 1980, Belgrade) Lit.Serbian biographical dictionary, vol.1,&lt;br&gt; Novi Sad 2004,479-481; M.Vukotic, Momcilo Belobrk architect, Belgrade 1996, Ibid., Architect&lt;br&gt; Momcilo Belobrk in Leskovac, Leskovac Proceedings, vol.XXXIX, Leskovac, 1999, pp.221, 225-226;&lt;br&gt; Maric D., Guide to modern architecture, Belgrade 2002; S.G.Bogunovic, AEB, vol.2,&lt;br&gt; Belgrade 2005; Lj.Blagojevic, Modernism in Serbia, The Elusive margins of Belgrade Architecture&lt;br&gt; 1919-1941, 2003, 169-174; Z.Manević, our builders.Momcilo Belobrk, &amp;quot;Construction, no.8, Belgrade&lt;br&gt; 1981, pp.45-52; M.Vukotic-Lazar, Architect Momcilo Belobrk in Leskovac, Leskovac Proceedings,&lt;br&gt; XXXIX, Leskovac 1999; possible determinants Author: Marta Vukotic Lazar-; category 3 (020a)&lt;br&gt; Beložanski - Tucakovic, basil-Bosa - painter, (Belgrade, from 1904 to 1986), Lit.: LEJ Category 1&lt;br&gt; (020M)&lt;br&gt; Beložanski, Stanislav (Sta&amp;scaron;a) - painter, set designer (Belgrade, 1900 - Belgrade, 1992), Lit.: Olga&lt;br&gt; Milanovic, Stanislav Sta&amp;scaron;a Beložanski, Belgrade 1976, Category 3 (020M)&lt;br&gt; BELOUSOV, VLADIMIR Nikolajević, historian of architecture; URL: http://www.AAS.org.yu; Editorial Board;&lt;br&gt; possible determinants Author: Predrag V.Milosevic, the architect, historian and theorist of architecture;&lt;br&gt; Category 3 (020a)&lt;br&gt; Beljanski, Paul - a collector, benefactor, diplomat (Veliko Gradiste 1892 - Belgrade, 1965), Lit.:&lt;br&gt; Vera Jovanovic, Memorial Collection of Paul Beljanakog, monographs, Novi Sad 1977, Category 3 (020M)&lt;br&gt; Beljinac Ranko, painter, Category 1 (020M)&lt;br&gt; Beljka&amp;scaron;ić, Don - painter, teacher (Vlasenica 1923 -?), Category 1, Lit.: LEJ, Category 1&lt;br&gt; (020M)&lt;br&gt; BEM, Bojan - painter, art historian (Belgrade 1936), Lit.: Ljubomir Gligorijević, catalog,&lt;br&gt; Category 2 (020M)&lt;br&gt; Bema Category 1 (020a)&lt;br&gt; BENZON, Marinko - painter (1920-1978) Category 1 ULUS (020M)&lt;br&gt; Belgrade, 1911), Category 2 (020 SV)&lt;br&gt; BELGRADE, monuments (cathedral, church Vaznesenska, Topcider / Church-Palace of Prince&lt;br&gt; Milos / Church of St. Nicholas in New Cemetery, St. Alexander Nevski church Ruzica-world&lt;br&gt; Friday, public monuments, public collections).Osn.litterateur.B.Vujovic, Belgrade in the past and&lt;br&gt; present, Belgrade Category 5 - (020 NV)&lt;br&gt; BELGRADE GROUP - category 2 (020.M)&lt;br&gt; BELGRADE Co-operatives, the palace in Belgrade, Category 2 (020a)&lt;br&gt; Belgrade&amp;#39;s modern, a category 4 (020a)&lt;br&gt; Belgrade Fortress, Category 4 (020a)&lt;br&gt; BELGRADE SCHOOL OF ARCHITECTURE, Category 3 (020a)&lt;br&gt; Belgrade school of art history, Category 3 (020 NV)&lt;br&gt; BELGRADE (Art) Exhibition, a category 3 (020.M)&lt;br&gt; BELGRADE FAIR, Category 3 (020a)&lt;br&gt; BELGRADE TRINNALE WORLD ARCHITECTURE; Category 1 (020a)&lt;br&gt; BEOGRADSKO TRINNALE Yugoslav art (1961-1970) - Category 1 (020.M)&lt;br&gt; Beograđanka, Palace in Belgrade (Kralja Milana 38); Category 1 (020a)&lt;br&gt; BEOČIN, on Fruska Gora monastery, 17century, OBN.the 18century, a category 3 (NV 020)&lt;br&gt; BERAKOVIĆ, Dragan - painter, professor at the Academy of Fine Arts (Oprisavci, Slavonski Brod&lt;br&gt; 1902 - Zagreb 1972).Lit.: LEJ, ELU, category 1 (020M)&lt;br&gt; Berbakov, Milorad (1939, Duke Stepa - Zrenjanin, 19 9th, 2006), Category 1 (020a)&lt;br&gt; Berbakov, Milorad (Duke Stepa 1936), architect, Lit.LEJ, category 1 (020a)&lt;br&gt; Berbelja, Oscar, sculptor, souvenirs, category 1 (020M)&lt;br&gt; Berberovic, Milanka - costume designer, university professor (Sabac, 1.2.1942), Cat.2 (020M)&lt;br&gt; Berber - TAPAVIČKI, Ljubica - painter, Lit.: Solo exhibition catalog, category 1 (020M)&lt;br&gt; BERENĐIJA, Mikhail - by (Crepaja 1919 - Belgrade, 1980), Lit.: &amp;quot;, Category 1, ULUS (020M)&lt;br&gt; Berkasovo, the castle in Srem, 15century, ELU 1, xxx, and 5-30 R, Radoslav Mihailovic, Category 1 (020&lt;br&gt; SV)&lt;br&gt; BERKULJAN, Gojko - by (Nik, 1923), category 1 (020M)&lt;br&gt; Besarabić, Milan - sculptor, painter, poet (Cacak, 1908 or 1909-Belgrade?), Category 2, Lit.:&lt;br&gt; LEJ, Miodrag Kolarić, Sculpture Milan Besarabić, category 2 (020M)&lt;br&gt; Illegal construction category 2 (020a)&lt;br&gt; Becić, Vladimir - by (Croatia), prof.Academy of character.Art (Slavonski Brod, 1886 --&lt;br&gt; Zagreb, 1954); floor.3 (020M)&lt;br&gt; Vienna School 3rdCategory (020a)&lt;br&gt; Be&amp;scaron;ević, Milica - painter, set designer, restauratorka National Museum (Split, 1896 - Belgrade&lt;br&gt; 1941), category 2, Lit.: Ivanka Be&amp;scaron;ević-fight, Joy of Love.Life and work of Nikola Be&amp;scaron;ević,&lt;br&gt; Beograd 1998.Category 2 (020M)&lt;br&gt; Be&amp;scaron;ević, Nikola - by (Split, 1892 - Split, 1970) Category 2, Lit.: Ivanka Be&amp;scaron;ević-fight,&lt;br&gt; Joy of Love.Life and work of Nikola Be&amp;scaron;ević Belgrade 1998th, a category 2 (020M)&lt;br&gt; Y Ana - sculptor (Bajmok 1912), category 3, Lit.: Katarina Ambrozic, Monograph, LEJ,&lt;br&gt; Category 3 (020M)&lt;br&gt; Bibic, Peter - painter, graphic artist, restorer of frescoes, sculptor (Velu&amp;scaron;ić, Drnis, 1893 - Belgrade&lt;br&gt; 1971).Lit.: LEJ, category 1 (020M)&lt;br&gt; BIBLIJSKE Motifs ENG.Arch.3.Category (020a)&lt;br&gt; Biedermeier, civic art and applied art-osn 1815-1848.litterateur: ELU 1, Zagreb 1969,&lt;br&gt; 369 Category 3 (020 NV)&lt;br&gt; BIJANDRIĆ, Milos - painter. Osn.litterateur.N.Kusovac, Pasko eighteenth and nineteenth centuries, Belgrade&lt;br&gt; 1987, Category 1 (020 NV)&lt;br&gt; white, in the Bay of Kotor, the church of the Virgin Rize, 12century, LEJ 1, Dragan Vojvodić, Category 1&lt;br&gt; (020 SV)&lt;br&gt; Bijelic, John - painter, set designer (Kolunić or Revenik, Bosanski Petrovac, 1886 or 1884 --&lt;br&gt; Belgrade, 1964).Lit.: Smail Tihic.Sarajevo, 1972, a category 4 (020M)&lt;br&gt; Bijelo Polje, the Church of Sts.Peter, 12century, LEJ 1, xxx, Stevović Ivan, a category 3 (020 SV)&lt;br&gt; Biennial of visual arts in Pancevo - Category 3 (020.M)&lt;br&gt; Biennial Milena Pavlović Barilla (SAN and fat?) POZAREVAC (1962) - Category 1 (020.M)&lt;br&gt; Biennial in Venice, SERBIAN SERBIAN PAVILION OR Performance Artist YUGOSLAV PAVILION --&lt;br&gt; Category 4 (020.M)&lt;br&gt; BIKICKI, John - painter, applied artist (Slunj 1916 - Novi Sad, about 2000), Lit.: Milos&lt;br&gt; Arsic, Art of Vojvodina, 1944-1954, Novi Sad.Category 2 (020M)&lt;br&gt; Taurine, Alexander (Grigorjevič) - painter, member of the Association of Russian artists (??), Lit.: Russian&lt;br&gt; Emigration in the Serbian culture 20thveka, Belgrade 1994, category 1(020M)&lt;br&gt; BILANIĆ, Frano, painter.Osn.litterateur.N.Kusovac, Pasko eighteenth and nineteenth centuries, Belgrade&lt;br&gt; 1987, Category 1 (020 NV)&lt;br&gt; BILER, Faith - painter, grafičarka (Đakovo 1903 - Opatija?).Lit.: Zenit St Petersburg and the vanguard of those 20&lt;br&gt; years (020M)&lt;br&gt; Bilic gold, illustrator, Category 1 (020M)&lt;br&gt; BITINJA, Upper, a village in Kosovo, with the Church of St. George from the 16thcentury, Miodrag Markovic, Category 1&lt;br&gt; (020 SV)&lt;br&gt; BIFORA - Category 1 (020a)&lt;br&gt; Bihalji Merin, Oto, character.REVIEWS, a category 3 (020M)&lt;br&gt; Bihalji Paul character.REVIEWS, category 1-2 (020M)&lt;br&gt; Behavioral ART - Category 2 (020.M)&lt;br&gt; Bicenko, Andrej (Vasilyevich) - painter, icon painter (? 1886 -?, USA, 1985), Lit.: Russian Emigration in&lt;br&gt; Serbian culture 20thcentury, Belgrade 1994thCategory 1 (020M)&lt;br&gt; Bjegojević, Milan, plaques, Category 1 (020M)&lt;br&gt; BJELIKOV, Vladimir, an architect, a teacher at the Arch.Faculty in Belgrade (1925, Belgrade), category&lt;br&gt; 2 (020a)&lt;br&gt; Bjelović, John (1905, Uzice - around 1979, Sao Paolo), category 1 (020a)&lt;br&gt; Blagaj near Mostar, medieval city, LEJ 1, xxx, and 5-30 R, Gordana Simic, Category 1 (020&lt;br&gt; SV)&lt;br&gt; Annunciation Rudnicki, medieval church, LEJ 1, xxx, and 5-30 R, Alexander Nitić, Category 1&lt;br&gt; (020 SV)&lt;br&gt; Annunciation, Gornjačkoj monastery in the gorge, 15century, LEJ 1, xxx, Branka Gugolj, Category 1 (020&lt;br&gt; SV)&lt;br&gt; Blagojevic, Zoran M.- By (Jagodina 1947 -), Category 1 ULUS (020M)&lt;br&gt; Blagojevic, Ljiljana, historian of architecture (1960, Belgrade); Biography, in: LJ.Blagojevic,&lt;br&gt; Modern house in Belgrade (1920-1941), Belgrade 2000, Editorial Board; Category 1 (020a)&lt;br&gt; Blazevic, Dunja - art historian (Belgrade 1944), Lit.: Je&amp;scaron;a Denegri, Student Cultural&lt;br&gt; Center, a category 1 (020M)&lt;br&gt; BLAŽESKA, Ljiljana - painter, Category 1 (020M)&lt;br&gt; Blazina, Vladimir, architect (1931, Novalja), category 1 (020a)&lt;br&gt; Blazina, Zoran, design, category 1 (020M)&lt;br&gt; Blazic, Branislav, ceramist (020M)&lt;br&gt; Blazic, Zdravko (Ivanov) - painter, conservator (Old Novalja 1917 - Belgrade, 1979), LEJ, ELU, Kat.2&lt;br&gt; (020M)&lt;br&gt; Blazic, Milovan, ceramist (020M)&lt;br&gt; Blanu&amp;scaron;a, Milan - painter, graphic artist, sculptor, university professor (Jagoda, 1943), Lit.: Ljiljana&lt;br&gt; Cinkul, solo exhibition catalog, a category 2 (020M)&lt;br&gt; Blatnik, Alexander, cartoonists, Kat.1 (2) NK (020M)&lt;br&gt; Blesić, Paul - by (Brod 1924 -?), Lit.: LEJ, Djordje Jovic, exhibition catalog, Novi Sad 1970th&lt;br&gt; Category 2 (020M)&lt;br&gt; BOB, Emil - by (Ecka 1908 - Novi Sad 1974), Lit.: Milos Arsic, Art of Vojvodina&lt;br&gt; 1944-1954, Novi Sad, category 1(020M)&lt;br&gt; Berry, George, architect (1939, Belgrade) Lit.Maric D., Guide to modern architecture of Belgrade,&lt;br&gt; Beograd 2002, Serbian lexicon builders, Belgrade 2002; S.G.Bogunovic, AEB, vol.2, Beograd 2005;&lt;br&gt; possible determinants Author: Milorad Jevtic, architecture critic; Category 1 (020a)&lt;br&gt; Bogdanić, Memnuna - Villa - grafičarka, category 1 (020M)&lt;br&gt; Bogdanovich - Milunović Olga - painter (Belgrade, from 1913 to 1993), Lit.: Pavle Vasic, Olga Pictures&lt;br&gt; Milunović Bogdanopvić, Politics, 5/3/1956., Category 1 (020M)&lt;br&gt; Bogdanovic, Bogdan, architect, urban, professional writer Lit.(1922, Belgrade) Lit.A group of authors,&lt;br&gt; Architecture of higher education in Serbia 1846-1971, Belgrade 1996, pp.149; Z.Manević, Bogdan&lt;br&gt; Bogdanovic, Belgrade, 1986; Encyclopaedia architectonica.Lexicon Serbian architects 19thand 20&lt;br&gt; century, Belgrade 1999, pp.21; G.Gordic, biographies, in: Serbian arhitetura 1900-1970, Belgrade 1972,&lt;br&gt; pp.130; Allgemeines K&amp;uuml;nstlerlexikon Internationale K&amp;uuml;nstlerdatenbank, URL:&lt;br&gt; http://www.saur.de/akl//, Perovic M., Serbian architecture of the twentieth century.Since istoricizma to another&lt;br&gt; modernism, Belgrade 2003; S.G.Bogunovic, AEB, vol.2, Beograd 2005, 709-712; possible author&lt;br&gt; determinants: Free Bogunović; category 4 (020a)&lt;br&gt; Bogdanovic, Borislav - a painter, pianist (Ruma, 1899 - Scottsdale, Arizona, USA, 1970), Lit.: Ljiljana&lt;br&gt; Stojanovic - Feđa Soretić, Borislav Bogdanovic, MSU 1975thCategory 2 (020M)&lt;br&gt; Bogdanovic, Vladimir - by, a conservator (Belgrade 1940), Lit.: Milos Arsic, visual tags,&lt;br&gt; Novi Sad 1978thCategory 2 (020M)&lt;br&gt; Bogdanovic, Costa - art historian, sculptor, painter, art theorist (Ilidza 1930), Lit.:&lt;br&gt; LEJ, Je&amp;scaron;a Denegri, exhibition catalog Kosta Bogdanovic, Ljubljana 1978thCategory 3 (020M)&lt;br&gt; Bogdanovic, Lazar - Prota and parish priest Osijecka (1861 - 1932), Serbian writer on art of the new century,&lt;br&gt; Category 3 (020 NV)&lt;br&gt; Bogdanovic, Slavko - Artist expanded media (Nis, 1948), Lit.: Centralnoevroipski aspects&lt;br&gt; Vojvodina avant-garde 1920-2000.Granički phenomena - feniomeni borders, Novi Sad, 2002.&lt;br&gt; Category 1 (020M)&lt;br&gt; Bogdanovic, Sonja, art historian, Category 1 (020 NV)&lt;br&gt; BOGDA&amp;Scaron;IĆ, a village in the Bay of Kotor, a medieval church of Sv.Peter ISN 1, hhh, Dragan Vojvodić,&lt;br&gt; Category 2 (020 SV)&lt;br&gt; Bogovađa, the monastery from the 16thcentury, the OBN.19thcentury, a category 3 (NV 020)&lt;br&gt; BOGOJEVIĆ, Nadezhda, architect (1914, Veliko Gradiste - 1997, Belgrade), category 1 (020a)&lt;br&gt; BOGOJEVIĆ, Ratomir, architect (1912, Nis - 1962, Belgrade) Lit.Chronological overview of the entire&lt;br&gt; architectural activities Ratomir Bogojevic, AU, no.24, Belgrade 1964, pp.33; In.Martinovic,&lt;br&gt; Ratomir Bogojevic, UB, no.31, Belgrade 1975, pp.25-26; Encyclopaedia architectonica, Lexicon&lt;br&gt; Serbian architects 19thand 20century, Belgrade 1999, pp.24th; A.Kadijevic, Leskovac in urban&lt;br&gt; report of the architect.Ratomir Bogojevic from 1953rdyear, &amp;quot;Proceedings of Leskovac, XXXIX, Leskovac 1999;&lt;br&gt; S.G.Bogunovic, AEB, vol.2, Beograd 2005, 714-716; possible determinants Author: Milan Prosen,&lt;br&gt; historian of architecture; category 3 (020a)&lt;br&gt; BOGOJEVIĆ, Slavoljub - painter, art illustrator (Nis, 1922 - Belgrade 1978), Lit.: M.B.&lt;br&gt; Protic, Pasko 20thcentury LEJ, Kat.3 (020M)&lt;br&gt; BOGOJEVIĆ, Slobodan - by (Salas, Negotin 1920 -?), Lit.: C.Avellino, Slobodan&lt;br&gt; Bogojevic, Catalog, Paris 1970, Category 2nd(020M)&lt;br&gt; BOGORODICA BOĐANSKA, osn.litterateur.M.Timotijevic, Serbian baroque painting, miraculous icon&lt;br&gt; Category 1 (020 NV)&lt;br&gt; BOGORODICA Vinča-BEZDINSKA, miraculous icon, osn.liter.M.Timotijevic, Serbian baroque&lt;br&gt; painting, Category 1 (020 NV)&lt;br&gt; Virgin gradačka, medieval church in Cacak, a category 2 (020 SV)&lt;br&gt; BOGORODICA Lepavina, miraculous icon osn.litterateur.M.Timotijevic, Serbian baroque painting,&lt;br&gt; Category 1 (020 NV)&lt;br&gt; Bogorodica Ljeviska church from the 14thcentury, a category 4 (020 SV)&lt;br&gt; Virgin Petrushka, medieval church, Category 1 (020 SV)&lt;br&gt; Virgin Mary Three Hands, miraculous icon in the monastery Hilandaru 2nd category(020 NV)&lt;br&gt; Lady in Bistrica, in Lim, medieval church, LEJ 1, xxx, II 30-60, Dejan Crnčević,&lt;br&gt; Category 2 (020 SV)&lt;br&gt; BOGORODICA ČAJNIČKA, miraculous icons, category 2 (020 NV)&lt;br&gt; Virgin, ŽIVONOSNI Istocnik, Category 2 (020 NV)&lt;br&gt; The Hunchback of Kursumlija, the church from the 12thcentury, Category 1 (020 SV)&lt;br&gt; Bogosavljevic, Ljubisa - by (Novi Sad, 1960), Lit.Catalog solo exhibition, Category 1&lt;br&gt; (020M)&lt;br&gt; Bogunovic, FREE, a historian of architecture (1961, Belgrade); URL: http://www.AAS.org.uu;&lt;br&gt; Editorial Board; Category 1 (020a)&lt;br&gt; Bogunovic, Uglje&amp;scaron;a, architect (1922, Teslic - 1994, Belgrade) Lit.Z.Manević, Bogunovic, Belgrade&lt;br&gt; 1992; G.Gordic, biographies, in: Serbian Architecture 1900-1970, Belgrade 1972, pp.130;&lt;br&gt; Encyclopaedia architectonica, Lexicon Serbian architects 19thand 20century, Belgrade 1999, pp.24 --&lt;br&gt; 25; Maric D., Guide to modern architecture, Belgrade 2002; S.G.Bogunovic, AEB, vol.2,&lt;br&gt; Belgrade 2005, 717-720; possible determinants Author: Bojan Kovacevic, a historian and theorist&lt;br&gt; architecture; category 3 (020a)&lt;br&gt; BODNAROV, Stevan - sculptor, painter (Gospođinci, 1905 - Belgrade, 1993), Lit.: Monograph,&lt;br&gt; Category 3 (020M)&lt;br&gt; BODULIĆ, Slobodan, sculptor (Cacak 1945), category 1 (020M)&lt;br&gt; Bauduen, the monastery in Backa, osn.in the 15thcentury, the OBN.18.century - osn.litterateur: M.Timotijevic, Serbian&lt;br&gt; Baroque painting, Novi Sad 1996thCategory 4 (5?) (020 NV)&lt;br&gt; Božidarević, Nikola - Dubrovnik by, 15-16.century, Djuric, Dubrovnik schools, 116-143; Dragana&lt;br&gt; Pavlovic, a category 2 (020a ST)&lt;br&gt; Božičković - Popovic, Vera - painter (Brcko 1920 - Belgrade?), Lit.: John Despotovic,&lt;br&gt; Monograph, a category 3 (020M)&lt;br&gt; Bozovic, Zoran, collector, publisher, (Belgrade 1949-Beogard 2000), category 1 (020M)&lt;br&gt; Bozovic, Milan - by (Piper, Podgorica, 1909 -?), Category 2 (020M)&lt;br&gt; Bozovic-Stamenović, Ruzica, architect, associate professor at the Arch.Faculty in Belgrade (1956,&lt;br&gt; Belgrade), category 1 (020a)&lt;br&gt; Bojic Nikolic, Dragana, textiles, paintings, Category 1 (020M)&lt;br&gt; BOJOVIĆ, Andjelka - painter, professor of the University (Belgrade 1951), Lit. Vesna Todorovic,&lt;br&gt; Catalog retrospective exhibition, Belgrade, 2006 Category 2nd(020M)&lt;br&gt; BOJOVIĆ, Branko, architects, urban and spatial planner (1940, Belgrade) Lexicon Serbian builders,&lt;br&gt; Belgrade 2002; possible determinants Author: Predrag V.Milosevic, the architect, historian and theorist&lt;br&gt; architecture; Category 1 (020a)&lt;br&gt; BOJOVIĆ, Zoran, architect, category 1 (020a)&lt;br&gt; BOJOVIĆ, Milos, the architect (1939, Prijepolje), category 1 (020a)&lt;br&gt; BOKA KOTORSKA cultural heritage, the category of 5th(020 SV)&lt;br&gt; Bokica, Milivoje - vajarD naivac, 1934, Doma&amp;scaron;evi in Trebinje, Kat.1 (2) (020M)&lt;br&gt; Boka icon-painting school-osn.litterateur.ELU 1, 424thCategory 4 (020 NV)&lt;br&gt; BOKORIĆ (Bokorović-Bukurić) Michael - Zograf, iconographer (1730 to 1820).Osn.litterateur.Gallery&lt;br&gt; Matica Serbian, Novi Sad 2,001thCategory 1 (020 NV)&lt;br&gt; Bok&amp;scaron;an - Omčikus, Kosara - Hair - painter (Berlin 1927), Lit.: LEJ, a category 3 (020M)&lt;br&gt; Boldižar, Ivan, graphic artist, a category 1 (020M)&lt;br&gt; Hospital Buildings - Category 2 (020a)&lt;br&gt; BON, Branko, architect (1912, Krk -?, 2001), category 1 (020a)&lt;br&gt; BONDRUčARA category 3 (020a)&lt;br&gt; BONČIĆ-KATERINIĆ, Joan, architect (1887, -1966 Nis, Belgrade) Serbian biographical dictionary, vol.1,&lt;br&gt; Novi Sad 2004, 704; Djuric Zamolo-D., Materials for the study of women architects from Belgrade&lt;br&gt; University of generation 1896-1940.year, &amp;quot;Pinus Records, no.5, Belgrade 1996; possible author&lt;br&gt; determinants: Draginja Maskareli; Category 1 (020a)&lt;br&gt; Champion, to Georgia, the medieval town and church, LEJ 1, xxx, Sanja Kesić, Category 2 (020 SV)&lt;br&gt; BORBINA AWARD FOR ARCHITECTURE, Category 2 (020a)&lt;br&gt; Borisavljević, Milutin, architect, esthetician, architectural critic (1889, Kragujevac - 1969,&lt;br&gt; Paris) Lit.Serbian biographical dictionary, vol.1, Novi Sad 2004, 710-711; Lj.Miletic-Abramovic,&lt;br&gt; Milutin Borisavljević, GGB, vol.XXXIII 1986, pp.63-86; Ibid., Milutin Borisavljević, &amp;quot;Moment&amp;quot;&lt;br&gt; no.July 19-September 1990, pp.112-128; S.Bogunovic, aesthetic theory, critical activities and&lt;br&gt; architectural practice of Dr. Milutin Borisavljević (I), SKG, no.1-4, Jan.-April 1994, pp.155-159;&lt;br&gt; Ibid., Aesthetic theory, critical activities and architectural practice of Dr. Milutin Borisavljević,&lt;br&gt; &amp;quot;Communication&amp;quot;, No. 89, March 1995, pp.4-19; possible determinants of the author: Free Bogunović;&lt;br&gt; Category 4 (020a)&lt;br&gt; Blueberry, Nedeljko, architect (1938, Bosnian Grahovo), category 1 (020a)&lt;br&gt; Blueberry-Vujanac, Sanja, architect, category 1 (020a)&lt;br&gt; Borozan, Marko - sculptor (sides, Cetinje, 1909 - Cetinje 1967) NK NE (020M)&lt;br&gt; Borojevic, Milan - sculptor, to 1914, Skopje, osn litterateur.Gallery of Matica Serbian, Novi Sad 2001,&lt;br&gt; Category 2 (020 NV)&lt;br&gt; BORO&amp;Scaron;IĆ, ĐURA, architects, urban (1910, Zagreb - 1965, Belgrade) Lit.Serbian biographical dictionary,&lt;br&gt; vol.1, Novi Sad 2004, 723; G.Gordic, biographies, in: Serbian Architecture, 1900-1970, Belgrade 1972,&lt;br&gt; pp.131; Encyclopaedia architectonica Lexicon Serbian architects 19thand 20century, Belgrade 1999,&lt;br&gt; pp.27; Maric D., Guide to modern architecture, Belgrade 2002; M.Milovanovic, Đura&lt;br&gt; Boro&amp;scaron;ić.Romantic modernism (I), &amp;quot;Vracar Gazette, no.54, January2005, pp.13; S.G.&lt;br&gt; Bogunovic, AEB, vol.2, Beograd 2005, 728-729; possible determinants Author: Milan Milovanovic,&lt;br&gt; architect, architectural historian; Category 2 (020a)&lt;br&gt; Bosic, Branko, marquetry, painter, Category 1 (020M)&lt;br&gt; Bosnic, Dragan, category 1 (020M)&lt;br&gt; Botha, John - Karlovac zvonolivac first smelter guns in Serbia, 1808, Srem Karlovci.&lt;br&gt; Category 1 (020 NV)&lt;br&gt; BOCARIĆ, Anastas - painter (1875 to 1944).Osn.literat.ELU 1, 411; Serbian Matica Gallery, New&lt;br&gt; Sad 2001, Category 3 (020 NV)&lt;br&gt; BOCARIĆ, Sava - painter, sculptor, caricaturist (Belgrade, 1896 - Caracas, Venezuela 1965), Lit.:&lt;br&gt; List of painters and vajarskih of socially owned and private property in the area of Banat,&lt;br&gt; Novi Sad 1981; Wollmer 1953, Botzaris, category 1 (020M)&lt;br&gt; BOCARIĆ, Spiro - painter, director of the Ethnographic Museum (1878 - 1941), Banja Luka.Osn litterateur.ELU&lt;br&gt; 1, 411; Gallery of Matica Serbian, Novi Sad 2001, Category 3 (020 NV)&lt;br&gt; BOSCH BOSCH (1969-1976) - Category 1 (020.M)&lt;br&gt; Bo&amp;scaron;an, George - by (Subotica, 1918 -?).Lit.: S.Celic, exhibition catalog, Belgrade 1957th&lt;br&gt; Category 2 (020M)&lt;br&gt; BO&amp;Scaron;KOVIĆ, Bozidar - by (Kolasin 1935), category 1 (020M)&lt;br&gt; BO&amp;Scaron;KOVIĆ, George, painter (Nis 1949 -) Category 1 ULUS (020M)&lt;br&gt; BO&amp;Scaron;KOVIĆ, Đurđe, architect, researcher of medieval architecture, Encyclopedia of Serbian&lt;br&gt; historiography, 293-294, Branka Gugolj, a category 4 (020a)&lt;br&gt; BO&amp;Scaron;KOVIĆ, lily of the valley - konzervatorka (Zemun, 14.11.1931), category 1 (020M)&lt;br&gt; BO&amp;Scaron;NJAK, Sreto - art historian (Marku&amp;scaron;ica, Vinkovci 1930), Lit.: Category 2 (020M)&lt;br&gt; BO&amp;Scaron;NJAK, Tatyana - Tanya - art historian (Sabac 1960), Category 1, (020 NV)&lt;br&gt; Bradac, the remains of the monastery from the 16thcentury, a category 3 (NV 020)&lt;br&gt; Bradic, Costa - by (Gevgelija 1927), Lit.: Monograph Mediala, category 2 (020M)&lt;br&gt; BRAILOVSKI, Leonid (Mihailović) - painter, architect, stage designer, costume designer (Kharkov, 1872 - Rome,&lt;br&gt; 1937), Lit.: Russian Emigration in Serbian culture 20thcentury, Belgrade 1994, category 1 (020M)&lt;br&gt; BRAJER, Julius - painter, screenwriter for the film, the founder of the Museum in Sombor (Old owls or Flat Village,&lt;br&gt; Backa?1894 - Jerusalem, Israel, 1973).Category 1 (020M)&lt;br&gt; Brajovic, Sasa, art historian (Belgrade, 1965), Category 1 (020 NV)&lt;br&gt; Brajovic, toman - self-taught painter, publicist (Balaguer, Crikvenica 1911 - Belgrade, 1982).- Lit.:&lt;br&gt; LEJ, category 1 (020M)&lt;br&gt; BRATOGLIĆ, Dimitrije - painter (1765 to 1831). Osn.litterateur.B.Vujovic, Art renewed Serbian&lt;br&gt; 1791-1848, Belgrade in 1986.Category 2 (020 NV)&lt;br&gt; Bratus, Vojtech - by (Bosanska Gradiska 1914 -?), Lit.: LEJ, category 2 (020M)&lt;br&gt; BRAUMAN, Eduard-graphic in Belgrade, mid-19thcentury, a category 2 (020 NV)&lt;br&gt; Brac, an island in the Adriatic, to 12century part of the Serbian principality Neretljana, more medieval churches&lt;br&gt; made in 11-12.century, a category 2 (020 SV)&lt;br&gt; BRAČIĆ, Nenad, painter, expanded media (Sisak 1955) cat.1 (020M)&lt;br&gt; Bra&amp;scaron;ić, Janko - by naivac (Oparić 1906 -?), Lit.: O.Bihalji-Merin, Monograph, LEJ, Kat.2&lt;br&gt; (020M)&lt;br&gt; Bra&amp;scaron;ovan, banner, architect (1887, Vrsac - 1965, Belgrade) Lit.A.Ignjatovic, Architectural Beginnings&lt;br&gt; Dragi&amp;scaron;e Bra&amp;scaron;ovan: 1906-1919, Belgrade, 2004, Ibid., Central European context in the early part of Dragi&amp;scaron;a&lt;br&gt; Bra&amp;scaron;ovan, GGB.vol.49/50, Belgrade, 2002/2003), 143-167; Serbian biographical dictionary, vol.1, New&lt;br&gt; Sad 2004, 812-813; Lj.Blagojevic, Modernism in Serbia, The Elusive margins of Belgrade&lt;br&gt; Architecture 1919-1941, 2003, 83-86, 100-104, 176-188; A.Kadijevic, Life and work of architect&lt;br&gt; Dragi&amp;scaron;e Bra&amp;scaron;ovan, GGB, vol.XXXVII, Belgrade 1990, pp.144-150, 168; Z.Manević the work of architect&lt;br&gt; Dragi&amp;scaron;e Bra&amp;scaron;ovan, ZLUMS, no.6, Novi Sad 1970, pp.187-208; S.G.Bogunovic, AEB, vol.2,&lt;br&gt; Belgrade 2005, 730-736; Encyclopaedia architectonica.Lexicon Serbian architects 19thand 20century,&lt;br&gt; Belgrade 1999, pp.29-31; B.Stojanovic, architect Dragisa Bra&amp;scaron;ovan, UB, no.51, Belgrade 1979,&lt;br&gt; pp.18 to 23; V.Mitrovic, M.Silić, developers of Novi Sad - the second half of XIX - first half of the twentieth&lt;br&gt; century, CD, Novi Sad 2001; N.Dobrović, Bra&amp;scaron;ovan, IT Gazette, no.697-732, Belgrade, 1976-77;&lt;br&gt; Allgemeines K&amp;uuml;nstlerlexikon Internationale K&amp;uuml;nstlerdatenbank, URL: http://www.saur.de/akl/;&lt;br&gt; possible determinants Author: Aleksandar Ignjatovic, a historian of architecture; category 4 (020a)&lt;br&gt; Brvenik, medieval city with the Church of St..Nicholas, LEJ 1, xxx, and 5-30 R, Gordana Simic, category&lt;br&gt; 1 (020 SV)&lt;br&gt; Log category 2 (020a)&lt;br&gt; BREŽANIN, Marko - sculptor (Spitz, Bar 1883 - Belgrade, 1956), Lit.: SBR, category 1 (020M)&lt;br&gt; BREZA IN Ivanjica, medieval church of Sv.Nicholas, frescoes from the 16thcentury, &amp;Scaron;uput, monuments, hhh,&lt;br&gt; Vladimir Džamić, Category 2 (020 SV)&lt;br&gt; BREZOVICA IN BLUE, St..Trinity, fresco 16thcentury, &amp;Scaron;uput, monuments, hhh, II 5-30 R&lt;br&gt; Vladimir Džamić, Category 2 (020 SV)&lt;br&gt; Brčko - a village near Ivanjica, medieval church of Sv.Nicholas, frescoes 16thcentury, &amp;Scaron;uput, monuments,&lt;br&gt; hhh, Vladimir Džamić, Category 2 (020 SV)&lt;br&gt; Brisk - Uzelac, Sonja - art historian, painter (Belgrade 1946), category 1 (020M)&lt;br&gt; Brkic, Alexei, architects and professional writer (1922, Kikinda - 1999, Belgrade) Lit.Z.Manević, Alexei&lt;br&gt; Brkic, Belgrade (nedat.) Ibid., Alexis Brkića Architecture, Art, no.13, Beograd 1968,&lt;br&gt; pp.72-83; Serbian biographical dictionary, vol.1, Novi Sad 2004, 737-741; Miletic-Abramovic, Lj.,&lt;br&gt; Alexei Brkic (1922-1999) &amp;quot;Legacy&amp;quot;, no.3, Belgrade 2001, Maric D., Guide to Modern&lt;br&gt; Architecture, Belgrade 2002; S.G.Bogunovic, AEB, vol.2, Beograd 2005, 730-736; possible&lt;br&gt; Author guidelines: Free Bogunović; category 3 (020a)&lt;br&gt; Brkic, Nemanja-Nicodemus, pictures.character.ped.Martinci 1912 Beograd 1969, cat.2 (020M)&lt;br&gt; BRKOVIĆ, Zivko - art historian, a category 1 (020M)&lt;br&gt; BROD, Church category 3 (020a)&lt;br&gt; Brtka, Mira - painter, sculptor, film workers (New Banovci at Old Pazova 1930), Lit.: LEJ;&lt;br&gt; Susan Vuksanovic, New sculpture in Vojvodina, Novi Sad 2006thCategory 2 (020M)&lt;br&gt; BRUtALIZAM the SRP.ARH .- Category 2 (020a)&lt;br&gt; BRČIN, John - sculptor (Srb, Lika, 1899 - Chicago, USA, 1983), Lit.: SBR, Jasna Jovanov,&lt;br&gt; Category 1 (020M)&lt;br&gt; Bubanja, Milorad - artist, art historian, a category 1 (020M)&lt;br&gt; Bulgaria, Alexander, architect (1835, Eperjes, Hungary today-Pre&amp;scaron;ov, Slovakia / - 1891&lt;br&gt; Belgrade) Lit.Serbian biographical dictionary, vol.1, Novi Sad 2004, 842-843; D.Djuric &amp;bull; Zamolo, developers&lt;br&gt; 1815-1914 Belgrade, Belgrade, 1981, pp.22-23; N.Nestorović, Buildings and architects in Belgrade&lt;br&gt; the last century, Belgrade 1972; Lj.Nikic, from Alexander the Bulgarian architectural activities in&lt;br&gt; Belgrade, UB, no.46, Belgrade 1978, pp.63-74; S.G.Bogunovic, AEB, vol.2, Belgrade 2005, 741 --&lt;br&gt; 745; A.Kadijevic, academic aesthetics of architecture, Belgrade 2005; M.Roter Blagojevic, Housing&lt;br&gt; Architecture of Belgrade in the 19thand early 20thcentury, Belgrade 2006; possible determinants Author: Mirjana&lt;br&gt; Roter-Blagojevic, historian of architecture; category 4 (020a)&lt;br&gt; Bulgaria, George - Architect, Associate Prednice, 1863 - 1868, Budapest, Belgrade.Category 1 (020a)&lt;br&gt; Budva, medieval churches and old town ICG 1, hhh, Dragan Pavlovic, a category 3 (020 SV)&lt;br&gt; BUDAPEST, church-Tekelianum, Georgievski CHURCH, osn.litterateur.D.David, monuments Buda&lt;br&gt; Diocese, Category 4 (020 NV)&lt;br&gt; Budisavci, a monastery near Pec, with the Church of the Transfiguration, 14century, and LEJ, hhh, Vladimir Džamić,&lt;br&gt; Category 2 (020 SV)&lt;br&gt; Buđevac, Alexander, architect (1935, Nis) Lit.Lexicon Serbian builders, Belgrade 2002; S.&lt;br&gt; Videnović, trail in space, &amp;quot;Architecture&amp;quot; no.62, Belgrade-Podgorica, 2003; possible determinants Author:&lt;br&gt; Mare Jan&amp;aacute;k-Grujic, historian of architecture; Category 1 (020a)&lt;br&gt; Buđevac, Sasa, architect (1961, Nis), category 1 (020a)&lt;br&gt; Torrent, Strawberry, textiles, a category 1 (020M)&lt;br&gt; Bittern, Joseph, architect (1875,? - 1946, Belgrade) Serbian biographical dictionary, vol.1, Novi Sad&lt;br&gt; 2004, 873; Ž.Popovic, S.Miljkovic, architect Joseph bittern and his work, &amp;quot;Teatron, no.98,&lt;br&gt; mart, Beograd 1997, Serbian lexicon builders, Belgrade 2002; possible determinants Author: Vladimir&lt;br&gt; Mitrovic, a historian of architecture; Category 1 (020a)&lt;br&gt; Bukovac, Vlaho - painter (1855 to 1922). Osn.litterateur.ELU 1, Zagreb 1969, 534-536.Category 3&lt;br&gt; (020 NV)&lt;br&gt; Cascades, the monastery near Negotin, 17thcentury wall painting 1902ndOsn.litterateur.N.Makuljevic,&lt;br&gt; Church art in the Kingdom of Serbia, Category 2 (020 NV)&lt;br&gt; Bulajic, Zoran, architect, professor at APU in Belgrade (1950, Podgorica), category 1 (020a)&lt;br&gt; Bulatovic, Dragan (1951), historian of art, museology, Professor Department of Philosophy, IU&lt;br&gt; Faculty in Belgrade, a category 2 (020M)&lt;br&gt; BUNAR Category 1 (020a) BUNARDŽIĆ, Sofia, ceramist, the founder of LK Zlakusa, Uzice floor.2 (020M)&lt;br&gt; Bunu&amp;scaron;evac, Costa - painter, multimedia artist (Split, 20 1st, 1948), cat.2 (020M)&lt;br&gt; Bunja (wormwood, houses, POljARICA) Category 2 (020a)&lt;br&gt; BURDEL Antoine, French painter, Category 1 (020M)&lt;br&gt; Bursac, Ljiljana - painter (Kragujevac 1946 -) Category 1 ULUS (020M)&lt;br&gt; Butozan, Milan, Mile - painter, sculptor, art critic, editor of &amp;quot;Art&amp;quot; (Pancevo,&lt;br&gt; 1905 - Zagreb, 1943), Lit.: SBR, Jasna Jovanov, LEJ 2nd floor(020M)&lt;br&gt; vagane&amp;scaron;, Hunchback, 14century, Djordjevic, wall painting, HH, Radojka Zaric, Category 1&lt;br&gt; (020 SV)&lt;br&gt;BURDEL Antoine, French painter, Category 1 (020M)&lt;br&gt; Bursac, Ljiljana - painter (Kragujevac 1946 -) Category 1 ULUS (020M)&lt;br&gt; Butozan, Milan, Mile - painter, sculptor, art critic, editor of &amp;quot;Art&amp;quot; (Pancevo,&lt;br&gt; 1905 - Zagreb, 1943), Lit.: SBR, Jasna Jovanov, LEJ 2nd floor(020M)&lt;br&gt; vagane&amp;scaron;, Hunchback, 14century, Djordjevic, wall painting, HH, Radojka Zaric, Category 1&lt;br&gt; (020 SV)&lt;br&gt; Vajagić, Zdravko - sliakr, art teacher, conservator (Peter Licko Selo, Croatia, 1938),&lt;br&gt; Category 2 (020M)&lt;br&gt; Weismann, Ernest, architect (1904,? - 1985, Haarlem, Netherlands) Lit.D.Maric Guide modern&lt;br&gt; Architecture, Belgrade 2002; S.G.Bogunovic, AEB, vol.2, Beograd 2005; possible author&lt;br&gt; determinants: Ljiljana Blagojevic, historian of architecture; Category 1 (020a)&lt;br&gt; Valic, Ljubisa, publicists, sound, painter (Pozarevac, 1873 - Geneva, Switzerland, 1950), Lit.:&lt;br&gt; SBR, category 1 (020M)&lt;br&gt; Walter, Christopher, art historian, Radivoj Radic, a category 2 (020a ST)&lt;br&gt; Valtrović, F.Michael, archaeologist, muzeolog, professor of the High School (1839, Belgrade - 1915, Belgrade)&lt;br&gt; Lit.M.Grbic, Michael Valtrović, the first Serbian archaeologist muzeolog, Chronicle of the Serbian Matica, no.1 --&lt;br&gt; 2, January-February, 1941, Lexicon Serbian builders, Belgrade 2002; S.G.Bogunovic, AEB, vol.2,&lt;br&gt; Belgrade 2005; S.Bogdanovic, Michael Valtrović and Dragutin Milutinovic as researchers Serbian&lt;br&gt; Antiques, Belgrade 1978, SBR 2, 38-39, possible determinants of the author: Mirjana Roter-Blagojevic,&lt;br&gt; historian of architecture; category 4 (020a ST)&lt;br&gt; VANDROVSKA, Jelena (Vladimirovna) - painter, conservator (Petrograd, 1909 -?), Novi Sad, the category&lt;br&gt; 1 (020M)&lt;br&gt; VANĐELOVIĆ, Costa, painter, icon painter in the area of southern Serbia, 2nd Category(020 NV)&lt;br&gt; Vanista-LAZAREVIĆ, EVA, architects, teachers at the Faculty of Architecture in Belgrade, Category 1&lt;br&gt; (020a)&lt;br&gt; VANČETIĆ, George, osn.Litterateur.N.Kusovac, Pasko eighteenth and nineteenth centuries, Belgrade 1987th&lt;br&gt; Category 1 (020 NV)&lt;br&gt; Vanjek, Tivadar - by (Kikinda 1910 - Ljubljana 198), Lit.: M.Arsic, Art of&lt;br&gt; Vojviodini 1944-1954, Novi Sad, 2nd Category(020M)&lt;br&gt; Varajić, Dragoljub - designer, ceramist, iklustrator (Ozrinići in Niksic 1943), cat.1 (020M)&lt;br&gt; Vardo, Gojko - industrial designer and educator (Belgrade 1936) cat.2 (020M)&lt;br&gt; Town in Serbia - Category 3 (020a)&lt;br&gt; Oppidan HOSPITAL IN BELGRADE (George Washington 19), category 1 (020a)&lt;br&gt; Oppidan HOUSE - Category 3 (020a)&lt;br&gt; Vartabedijan, Miodrag - painter, applied artist, graphic designer (Lion, 1933) cat.2&lt;br&gt; (020M)&lt;br&gt; VARUN secretion, Evgeni - painter, graphic artist (? -?).Lit.: Russian Emigration in Serbian culture 20th&lt;br&gt; veka, Belgrade 1994, category 1(020M)&lt;br&gt; Basil, Zograf 17thcentury, SBR 1, 56, and 5-30, Zoran Rakic, category 1 (020a ST)&lt;br&gt; Vasilijević, John (Jovan Vasiljevic) - Russian icon painter, 1750 - 1759.Osn.litterateur.M.Timotijevic,&lt;br&gt; Serbian baroque painting, Novi Sad 1986thCategory 3 (020 NV)&lt;br&gt; Vasilyev, Alexei (Alekseyevich) - architect, painter (Rzhev, 1901 - Belgrade, 1991).Lit.: Russian&lt;br&gt; Emigration in the Serbian culture 20thveka, Belgrade 1994, category 1(020M)&lt;br&gt; Vasilyev, Valentina - painter, Category 1 (020M)&lt;br&gt; Vasilyev, Igor Alexeyevich - by (Belgrade 1928 - surrounding Cuprija 1954), Lit.: ELU, George&lt;br&gt; Kadijevic, Catalog solo exhibition floor.2 (020M)&lt;br&gt; Vasilyev, MARIA - painter, Category 1 (020M)&lt;br&gt; Vasiljevic, Dragoslav - Figa - painter, art teacher (1895-Kragujevac Krusevac 1929), Lit.SBR,&lt;br&gt; category 1(020M)&lt;br&gt; Vasiljevic, free - MACUOKA, architects, urban (Krusevac, 1927-Geneva, 2003) Lit.And.Be&amp;scaron;ević,&lt;br&gt; Tesla&amp;#39;s tale.Last night was opened in Belgrade Nikola Tesla Museum, &amp;quot;Politika&amp;quot;, 2110.1955, 7-8; B.&lt;br&gt; D.Stosic, Letter from Geneva.Geneva turned from Belgrade, Politika, 121.1985, 10; M.&lt;br&gt; Mitrovic, Macuoka between Belgrade and Geneva, &amp;quot;Politika&amp;quot;, 512.1998; M.Mitrovic, Pre architecture&lt;br&gt; images existed, &amp;quot;Politika, 31.1.2004; Nikola Tesla: 1952-2003, (ed. Z. Civrić), Belgrade&lt;br&gt; 2004; possible determinants of the author: Free Bogunovic, Category 2 (3) (020a)&lt;br&gt; Vasiljkovic, Costa - art historian, a character.critic and theorist, a category 1 (2) (020M)&lt;br&gt; VASIĆ Paul Mih.- Painter, art historian, art critic, professor.University (Nis, 1907&lt;br&gt; - Belgrade, 1993).Lit.: Ljubica Miljkovic, Catalog Retrospective Exhibition, National Museum, Belgrade&lt;br&gt; 1993, category 4 (020M)&lt;br&gt; VASIĆ, Cedomir - artist, university professor (Belgrade 1948), Lit.: John Despotovic,&lt;br&gt; Monograph, 2nd Category(020M)&lt;br&gt; Vatoped, Holy Monastery, Deroko, Sveta Gora, 41-42, 30-60 II r, Bojan Miljkovic, category&lt;br&gt; 2 (020 SV)&lt;br&gt; Weber, Bančev, Lucia, by ceramist, APU, category 1 (020M)&lt;br&gt; Veles, a city in Macedonia, with medieval churches, ELU 4, xxx, II 30-60, Branka Gugolj,&lt;br&gt; Category 2 (020 SV)&lt;br&gt; GRAND PRIZE FOR ARCHITECTURE SERBIAN Association of Architects, Category 3 (020a)&lt;br&gt; Velika Hoca, a village in Kosovo, with medieval churches, the Kosovo Foundation, hhh, III 60-120,&lt;br&gt; Alexander Nitić, Category 3 (020 SV)&lt;br&gt; A large city in the Prespa, the church of Sv.Peter, 14century, Category 1 (020 SV)&lt;br&gt; Veliko Gradiste, Church of St. Archangel Gabriel (iconostasis Zograf Mihailo Kostic, N. Stefanovic,&lt;br&gt; mural painting.J.Isailović-D and younger.Posniković), District načelstvo and-granite arch.M.&lt;br&gt; Ruvidić, monument to fallen soldiers in World War II-S.Roksandić.Osn.litterateur.N.Makuljevic,&lt;br&gt; Church of St. Archangel Gabriel in the Grand Gradiste, Veliko Gradiste 2006thCategory 3 (020 NV)&lt;br&gt; Velimirovic, Vukosava (Vuk) - sculptor (Pirot, 1888 - Belgrade, 1965).Lit.:?Category 1 (020M)&lt;br&gt; VELIMLJE, a village in Montenegro, the two churches from the 16thand 17century &amp;Scaron;uput, monuments, 44-45, 30-60 II r;&lt;br&gt; Zoran Rakic, Category 2 (020 SV)&lt;br&gt; Velickovic, Vladimir - architect, painter, graphic artist (Belgrade, 1935).Lit.: Monographs, category&lt;br&gt; 4 (5) (020M)&lt;br&gt; Velickovic, Vuk (Vuk Vidor) - architect, visual artist, designer (Belgrade 1965), Category 1&lt;br&gt; (020M)&lt;br&gt; velmans, thinner, art historian, Alexander David Temerinski, category 2 (020a ST)&lt;br&gt; Veluće, medieval monastery, ELU 4, Tatjana Starodubcev, Category 3 (020 SV)&lt;br&gt; VERBICKI, Ananije Aleksijevic - set designer, costume designer, painter (Lebedin, Ukraine, 1895 - Herceg&lt;br&gt; New, 1974), Lit.: Russian Emigration in Serbian culture 20thveka, Belgrade 1994, cat.2.(020M)&lt;br&gt; Verbumprogram (Novi Sad-RUMA) - Category 1 (020.M)&lt;br&gt; VERGOVIĆ, Milan - sculptor (Uzice 1928 to 1980), Lit.: ELU, Kat.2 (020M)&lt;br&gt; VERGOVIĆ, Radomir - category 1 31000 ICE, Vita Pantović 70 / 6, 031/21-095 ULUPUDS, kat.2&lt;br&gt; (020M)&lt;br&gt; VERE&amp;Scaron;ČAGIN Alexander (Alexandrovich) - painter, actor (Moscow 1880.ili 1883rd -?. USA 1965.ili&lt;br&gt; 1966), Lit.: Russian Emigration in Serbian culture 20thveka, Belgrade 1994, category 1(020M)&lt;br&gt; VERNAKULARNA arch.The SR.Category 3 (020a)&lt;br&gt; Werner, Ljubomir Rozanović - painter, set designer, lik.pedagog (1898 Vukovar, Osijek, 1967),&lt;br&gt; Lit.: SBR, category 1 (020M)&lt;br&gt; VERHAVSKOJ, Roman Nikolayevich, Russian sculptor emigration floor.2 NK (020M)&lt;br&gt; VERHOVSKOJ, ROMAN Nikolajević, architect Lit.A.Kadijevic, Belgrade Opus Romana Nikolayevich&lt;br&gt; Verhovskoja (1920-1941), &amp;quot;Legacy,&amp;quot; no.2, Belgrade 1999; S.To&amp;scaron;eva, capital of Russia&lt;br&gt; immigrants in Belgrade, the Russian emigration in the Serbian culture 20thcentury, Belgrade 1994, Ibid.Work&lt;br&gt; Russian architects of the Ministry of Construction in the period between two wars, GGB, vol LI, Belgrade 2004;&lt;br&gt; possible determinants Author: Marina Djurdjevic, historian of architecture; Category 1 (020a)&lt;br&gt; VESELIN, construction master, 19century; Kolarić M., classicism of the Serbs.Construction, sv.2,&lt;br&gt; Belgrade MCMLXVI, pp.27; B.Vujovic, renewed Serbian Art 1791-1848, Belgrade 1986; possible&lt;br&gt; Author guidelines: Mirjana Roter-Blagojevic, historian of architecture; Category 1 (020a)&lt;br&gt; Veselinovic, Nebojsa, keramikčar, category 1 (020M)&lt;br&gt; VESELINOVIĆ, Rajko - historian, archaeologist, Ostojićevo 1912 Beg.198, Category 1 (2) (020M)&lt;br&gt; Vesic, Jelena-art historian (Belgrade 1974), category 1 (020M)&lt;br&gt; Vestibule, a category 1 (020a)&lt;br&gt; VE&amp;Scaron;OVIĆ, Jarmila - painter, poet (Belgrade 1954), lives and works in Paris, cat.2 (020M)&lt;br&gt; Stained glass in the SRP.Arch.Category 3 (020a)&lt;br&gt; VIDAK, Arsenije - painter, živopisac, 1827 - 1861, Vienna, Pancevo, Slavonia.ELU 1, 522ndcategories&lt;br&gt; 1 (020 NV)&lt;br&gt; VIDAK, Milovan - by (Stoži&amp;scaron;te, Bosansko Grahovo 1926-Belgrade?), Lit.: Catalog Gallery&lt;br&gt; Valjevo, Kat.2 (020M)&lt;br&gt; VIDEO ART - Category 2 (020.M)&lt;br&gt; Vidic, Mary, a sculptor, a category 1 (020M)&lt;br&gt; Vidic, Milun - sculptor, university professor (Roge, Požega 1940), category 2 (020M)&lt;br&gt; Seen, Ana - sculptor (Tiles, Dubrovnik in 1931), category 2 (020M)&lt;br&gt; Byzantine art (architecture, sculpture, painting, applied art), Korac-&amp;Scaron;uput,&lt;br&gt; Architecture; Lazarev, History; Grabar, Byzantium ..., V up to 400 lines, Ivan Stevović, Miodrag&lt;br&gt; Markovic, Category 5 (020 SV)&lt;br&gt; VISUAL POETRY - Category 1 (020.M)&lt;br&gt; visual arts - Category 2 (020.M)&lt;br&gt; visual communication - Category 2 (020.M)&lt;br&gt; VIJOROVIĆ, Daroslava - sculptor (Kragujevac 1908 -?), Lit.: Yugoslav Sculpture 1870-1950,&lt;br&gt; cat.1 (020M)&lt;br&gt; VILA Category 3 (020a)&lt;br&gt; Wild, Borut - Graphic designer 11070 NOVI BEOGRAD, Gandijeva 17 / 1 (020M)&lt;br&gt; Vilimon, Biljana - painter (Novi Pazar, 1951), category 2 (020M)&lt;br&gt; Vinaver STANISLAV character.REVIEWS, category 2 (020M)&lt;br&gt; Vinogradov, Sergei (Arsenijevic) - by (Bolj&amp;scaron;ije Coffee cups, Russia 1869 - Riga, 1930), Lit.: Russian&lt;br&gt; Emigration in the Serbian culture 20thcentury, Belgrade 1994, category 1 (020M)&lt;br&gt; Virag, White - sculptor, painter (Estergon, 1872 - Sombor, 1931). Lit.?: Category 1(020M)&lt;br&gt; virtually in art - Category 1 (020.M)&lt;br&gt; HIGH MODERNISM - Category-3 (020.M)&lt;br&gt; VITA from Kotor, builder of the 14thcentury, ICG 2-1, 220-221, Branka Gugolj, category 1 (020a ST)&lt;br&gt; Vitovnica, monastery (wall paintings and 19th century iconostasis) osn.litterateur.B.Vujovic, Art&lt;br&gt; renewed Serbian, a category 3 (NV 020)&lt;br&gt; Vitorovic, Mile - by (&amp;Scaron;ep&amp;scaron;in 1920), Lit.: M.Arsic, Art of Vojviodini 1944 --&lt;br&gt; 1954, Novi Sad, category 1(020M)&lt;br&gt; Vitorovic, Nadezhda - slikareka, poet, category 1(020M)&lt;br&gt; Vice lovrov, Dubrovnik by s beg.16.century, Djuric, Dubrovnik art school, hhh, Dragana&lt;br&gt; Pavlovic, Category 1 (020a ST)&lt;br&gt; Vickovic, Selena - artists, category 1(020M)&lt;br&gt; Visegrad, The Bridge on the Drina 16thcentury, a category 3 (020 SV)&lt;br&gt; Vladisavljević, Vladislav, architect (1905 - 1961, Belgrade), category 1 (020a)&lt;br&gt; Vladisavljević, Dani, architect (1871, Donji Milanovac - 1923, Belgrade) Lit.D.Djuric-Zamolo,&lt;br&gt; The developers of Belgrade 1815-1914, Belgrade 1981; D.Medaković, Serbian art in the nineteenth century, Belgrade&lt;br&gt; 1981; Lexicon Serbian builders, Belgrade 2002; S.G.Bogunovic, AEB, vol.2, Beograd 2005; possible&lt;br&gt; Author guidelines: Mirjana Roter-Blagojevic, historian of architecture; category 3 (020a)&lt;br&gt; Vladislav the Grammarian, Illuminator manuscripts, 15century, Maksimovic, Serbian miniatures, hhh, Tatjana&lt;br&gt; Starodubcev, category 1 (020a ST)&lt;br&gt; Bishop&amp;#39;s Palace in Novi Sad; 2nd category(020a)&lt;br&gt; Bishop&amp;#39;s throne, Bishops TABLE categories 2 (020a)&lt;br&gt; Laki, Dusan - architect, painter (Sabac 1911 - Camp Osnabr&amp;uuml;ck 1945).Lit.: SBR, category 1 (2)&lt;br&gt; (020M)&lt;br&gt; Vlajnic, Živojin - painter, (Belgrade 1901 - Belgrade, 1992). Lit.: SBR, ELU, a category 2 (020M)&lt;br&gt; Vlahovic, Yugoslavia - cartoonist, illustrator (Belgrade 1949), category 2 (020M)&lt;br&gt; Vlasic, Draginja - artist, category 1(020M)&lt;br&gt; Vozarević, Lazar - painter, teacher (Sremska Mitrovica 1925 - Belgrade, 1968). Lit.: Monograph, Z.&lt;br&gt; Marku&amp;scaron;, MSU Catalog, 3rd category(020M)&lt;br&gt; Vozuca, the monastery in Bosnia, 16century; &amp;Scaron;uput, Monuments, 47-50; Dejan Crnčević, Category 1 (020 SV)&lt;br&gt; Ba (I) novice, Vladeta - art historian, category 1(020M)&lt;br&gt; VOJVODIĆ, Goran, architect (1959, Belgrade) Lit.Marić D., Guide to modern architecture of Belgrade,&lt;br&gt; Belgrade 2002; A.Kovenc-Vujic, 50 Belgrade Architects (born after 1945) = 50 Belgrade&lt;br&gt; Architects (born after 1945), Belgrade 2002; Salon architecture (catalog) 2006; possible author&lt;br&gt; determinants: Mare Jan&amp;aacute;k-Grujic, historian of architecture; Category 1 (020a)&lt;br&gt; Vojvodić, Dragan, art historian, Editorial Board, category 1 (020a ST)&lt;br&gt; Vojinovic, Milos architect-conservator (1937, Nis - 1938, Nis), category 1 (020a)&lt;br&gt; Vojlovica - Monastery in Banat, near Pancevo.Osn litterateur.M.Timotijevic, Serbian baroque&lt;br&gt; painting, Novi Sad 1996thCategory 3 (020 NV)&lt;br&gt; MILITARY HOSPITAL IN BELGRADE ON VRAČAR (Pasterova 2) Category 2 (020a)&lt;br&gt; Vojnovic, Bogoslav (Pelican) - painter (1894 to 1942), Belgrade, category 1(020M)&lt;br&gt; Vojnovic, Vladimir - by (Bugojno, 1917), Sarajevo.Category 1 (020M)&lt;br&gt; Vojnovic, Mojseja - painter, 1839, Osijek, ELU 1, 545thCategory 1 (020 NV)&lt;br&gt; VOKOVIZUEL - Category 1 (020.M)&lt;br&gt; Voljavča, monasteries, Category 2 (020 SV)&lt;br&gt; Vorkapić, Slavoljub Slavko - painter, film director (1894 to 1976).Category 1 as a painter (020M)&lt;br&gt; GARDEN ARCHITECTURE IN CROATIA - Category 2 (020a)&lt;br&gt; vražiji stone, medieval church, 14century, Petkovic, Review, hhh?; Svetlana Smolčić,&lt;br&gt; Category 1 (020 SV)&lt;br&gt; vraka, a village near Shkodra with Benedict.Opatija sv.John, 13century, patrons may Jelena and Milutin,&lt;br&gt; Korac, Pomorskie, hhh, Category 1 (020 SV)&lt;br&gt; Dragana Vranic, art historian, curator of the Museum of Contemporary Art - Category&lt;br&gt; 1?(020M)&lt;br&gt; Vranje, cathedral, church of &amp;Scaron;aprancu, Sobini church, monument to fallen soldiers from the First World&lt;br&gt; War, District načelstvo, Pasini KONACI (City Museum), osn.litterateur.Painting Vranjske diocese,&lt;br&gt; Belgrade Vranje-2005thCategory 4 (020 NV)&lt;br&gt; Vracevsnica - Monastery of the mine.Re-painted in the 18thcentury.During the 19thcentury brought renewal Prince&lt;br&gt; Milos Obrenovic.Osn.litterateur.M.Timotijevic, Serbian baroque painting, Novi Sad 1996, B.&lt;br&gt; Vujovic, renewed Serbian Art 1791-1848, 2006.Category 4 (020 SV)&lt;br&gt; VRBICA Michael - painter (1871 - 1934 or 1937 ???).dealt with the church and painting in Serbia&lt;br&gt; category 1(020 NV)&lt;br&gt; VRDNIK, monastery, in Vrdnik also contained the relics of Prince Lazar.The church was rebuilt Patriarch&lt;br&gt; George Brankovic, iconostasis and wall paintings were painted D ..Avramovic.Osn.litterateur.P.&lt;br&gt; Vasic, Dimitrije Avramovic, Belgrade 1970, Category 4 (020 NV)&lt;br&gt; VRSAJKOV, Isidore - by (St. John Despot - Despotovo 1927 -?), Category 1 (020M)&lt;br&gt; Vrutci near Sarajevo, St..Stephen, 9-10.century, ELU 4, xxx, Dragan Pavlovic, Category 1&lt;br&gt; (020 SV)&lt;br&gt; VR&amp;Scaron;AC, Bishop court and church, Lit.D.Medaković, Serbian art in the eighteenth century, Belgrade 1980; P.&lt;br&gt; Momirović, Bishop&amp;#39;s Palace in Vrsac and its museum, &amp;quot;Journal of Banat&amp;quot;, Vol.5, no.4 (1984), pp.&lt;br&gt; 5-13, M.Brmbolić, Bishop&amp;#39;s Palace in Vrsac: protection of archaeological excavations, &amp;quot;Journal of the Society&lt;br&gt; conservator of Serbia, no.21 (1997), pp.106-108; M.Timotijevic, Serbian baroque painting, new&lt;br&gt; Sad 1996thpossible determinants Author: Vladimir Mitrovic, a historian of architecture; Category 3 (020 NV)&lt;br&gt; Vujadinović, Olga - ceramist, actress (Belgrade) category 1(020M)&lt;br&gt; VUJAKLIJA, Lazar-painter, graphic artist, tapestries (Vienna, 1914 - Belgrade 1995), cat.3.(020M)&lt;br&gt; Vujanovic Milos, graph.graph.design.prof.Akad.NS, Podgorica, 1965, cat.2 (020M) Vujatović,&lt;br&gt; Marko - carver iconostasis, 1793 - 1811, Sremska Kamenica.Category 2 (020 NV)&lt;br&gt; Vujacic - Mirski, Miodrag - painter, professor at the university (Raca Kragujevac-Belgrade 1932?)&lt;br&gt; Lit.Monografija, category 2 (020M)&lt;br&gt; Vujisić, Vojislav Vuja - sculptor, figure.teacher - died - kategorija1., Kat.2 K (020M)&lt;br&gt; Vujic, Arsenije - painter, 1810 - 1820, Borjad, Zumberak, Pečvar.Osn.litterateur.N.Kusovac, Serbian&lt;br&gt; painting of the eighteenth and nineteenth centuries, Belgrade 1987thCategory 1 (020 NV)&lt;br&gt; Vujic, Athanasius - architect, engineer, Belgrade, category 1 (020a)&lt;br&gt; Vujic, Gregory - bakrorezac, 1828, Szentendre.Osn.litterateur.B.Vujovic, Art reconstructed&lt;br&gt; Serbia 1791-1848, Belgrade in 1986.Category 1 (020 NV)&lt;br&gt; Vujic, John - Joca-collector of images and documents.Osn.litterateur.Gallery Marica Serbian, Novi&lt;br&gt; Sad 2,001thCategory 2?.(020 NV)&lt;br&gt; Vujic, Stefan - osn.litterateur.N.Kusovac, Pasko eighteenth and nineteenth centuries, Belgrade 1987th&lt;br&gt; Category 1 (020 NV)&lt;br&gt; Vujic, VESNA, architect (1942, Cetinje), category 1 (020a)&lt;br&gt; Vujicic, Absalom, Hieromonk, 17century, SBR 2, 374; Zoran Rakic, category 1(020a ST)&lt;br&gt; Vujkov, Stevan - by Applied Graphics, Typo (Titel, 1916).category 1(020M)&lt;br&gt; Vujković, Ljiljana, landscape architect, a category 1 (020a)&lt;br&gt; VUJOVIĆ, Branko, art historian (1935, Podgorica) Lit.Biography B.Vujovic in the archive-AAS&lt;br&gt; A: URL: http / /: www.AAS.org.yu; Personal Archive B.Vujovic; possible determinants Author: Predrag V.&lt;br&gt; Milosevic, the architect, historian and theorist of architecture, 3rd category(020a)&lt;br&gt; VUJOVIĆ, Savo - painter, stage designer, graphic artist (Cetinje, 1900 - Herceg Novi, 1973) 2nd category&lt;br&gt; (020M)&lt;br&gt; Vukajlović, Srdjan - sculptor (1951), Belgrade, category 1 (020M)&lt;br&gt; Vukanovic, Beta - painter (1872 to 1972).Osn.litterateur.V.Ristic, Beta Vukanović, Category 3&lt;br&gt; (020 NV)&lt;br&gt; Vukanovic, Risto - painter (1873 to 1918).Osn.litterateur.N.Kusovac, Pasko eighteenth and nineteenth&lt;br&gt; century, Belgrade 1987thELU 4th559-560.Category 3 (020 NV)&lt;br&gt; Vukan Gospels, illuminated manuscript from the end of 12-beg.13.century, Maksimovic, Miniature, HH, and&lt;br&gt; R 5-30; Dragan Pavlovic, Category 1 (020 SV)&lt;br&gt; Vukasovic, Medenica, Marina, designer skin, a category 1 (020M)&lt;br&gt; Vuka&amp;scaron;inović, Bosko - a painter, lik.pedagog, category 1 (020M)&lt;br&gt; Vuka&amp;scaron;inović, Oliver - a painter, a category 1 (020M)&lt;br&gt; Vukdragović, Slobodan - Points - painter, Knez Mihailova 47, 11000 Beograd&lt;br&gt; Tel: 622-550, ULUS Category 1 (020M)&lt;br&gt; Vukicevic, Vella, ceramist, older, cat.2 (020M)&lt;br&gt; Vukičević, Velimir, older, ceramist, category 1 (020M)&lt;br&gt; Vukičević, Velimir, Jr., ceramist, category 1 (020M)&lt;br&gt; VUKOBRADOVIĆ, Ljubica - painter Belgrade 1949 -) Category 1 ULUS (020M)&lt;br&gt; Vukov i Dositejev Museum in Belgrade; category 3 (020a)&lt;br&gt; Vukovic (DESISALIĆ) Todor, icon painter, 16century; Radojcic, Masters, hhh, and r 5-30; Zoran Rakic.&lt;br&gt; Category 1 (020a ST)&lt;br&gt; VUKOVIĆ, Andrew, engineer, professor Lyceum (1812, Adis near Vukovar - 1884, Belgrade) Lit.N.&lt;br&gt; Nestorovic, buildings and architects of the last century in Belgrade, Belgrade 1972nd(reprint 1937); D.&lt;br&gt; Djuric-Zamolo, builder 1815-1914 Belgrade, Belgrade, 1981; Lexicon Serbian builders, Belgrade 2002;&lt;br&gt; S.G.Bogunovic, AEB, vol.2, Beograd 2005; possible determinants Author: Mirjana Roter-Blagojevic,&lt;br&gt; historian of architecture, a category 1 (020a)&lt;br&gt; VUKOVIĆ, Biljana-grafičarka, Beg.1949, Vlajkovićeva 29, 11000 BGD, Tel: 651-689 FLU Cat 1 Cat 2&lt;br&gt; (020M)&lt;br&gt; Vukovic, Bozidar, printer and publisher, 16century, ISN 3-2, hhh, II 30-60; Slaven Popara, Category 2&lt;br&gt; (020a ST)&lt;br&gt; Vukovic, Vincenzo, printer, 16century; ISN 3-2, hhh, and 5-30; Slaven Popara, category 1 (020a ST)&lt;br&gt; VUKOVIĆ, Zoran - by character.Educator (Belgrade 1947), category 2 (020M)&lt;br&gt; VUKOVIĆ, Matija - sculptor (Platičevo 1925-Belgrade?), Lit.: ELU, Kat.3 (020M)&lt;br&gt; VUKOVIĆ, Radomir - architect and graphic designer, Belgrade 1944, a category 2 (020M)&lt;br&gt; VUKOVIĆ, Svetislav - by (Vrsac, 1901 - Belgrade, 1978), category 1 (020M)&lt;br&gt; VUKOVIĆ, Sinisa - by character.critic, university professor, a category 2 (020M)&lt;br&gt; VUKOVIĆ, Uros - architect, designer, category 1 (020M)&lt;br&gt; VUKOMANOVIĆ - Karadzic, Wilhelmina (Mina) - painter (1828 to 1894).. Osn.litterateur.N.Kusovac,&lt;br&gt; Pasko eighteenth and nineteenth centuries, Belgrade 1987thCategory 2 (020 NV)&lt;br&gt; Vukosavljevic, Nikola - sculptor, profersor University, Beg.1946, cat.2 (020M)&lt;br&gt; Vukotic Lazar, Marta, art historian, category 1(020M)&lt;br&gt; Vukotic, Martha - art historian and architecture, a category 1 (020a)&lt;br&gt; Vukotic, Michael, Miso - by (Čevo at Cetinje, 1904 - Cetinje, 1944), category 1 (020M)&lt;br&gt; Vuksan, Bodin, art historian, barokolog, Category 1 (020 NV)&lt;br&gt; Vuksan, Dusan, ind.design, category 1 (020M)&lt;br&gt; VUKSANOVIĆ, Susan - art historian, a category 1 (020M)&lt;br&gt; Vuk&amp;scaron;a, Dusan, sculptor, category 1 (020M)&lt;br&gt; Vulanović MARKOVIC, Joan - painter, Thessaloniki 1944, Yuri Gagarin 239/57, 11070 N.BELGRADE, Tel:&lt;br&gt; 17-67-178 ULUS Category 1 (020M)&lt;br&gt; Vulanović, Ratko - sculptor, Yuri Gagarin 239/57, 11070 Novi Beograd, Tel: 17-67-178 Category 1&lt;br&gt; ULUS, better floor.2 NK (020M)&lt;br&gt; Vuletic, John - painter (1825 to 1852).Osn.litterateur.Gallery of Matica Serbian, Novi Sad 2001,&lt;br&gt; Category 1 (020 NV)&lt;br&gt; Vulovic, Branislav, architect, conservator, SBR 2, 321-322, and 5-30; Dragoljub Todorovic,&lt;br&gt; Category 1 (020a ST)&lt;br&gt; VULOVIĆ, Peter, architect, university professor (1931, Ku&amp;scaron;ići at Ivanjica) Lit.Maric D., Guide&lt;br&gt; through modern architecture, Belgrade 2002; Lexicon Serbian builders, Belgrade 2002; S.G.&lt;br&gt; Bogunovic, AEB, vol.2, Beograd 2005; possible determinants Author: Milorad Jevtic, critic&lt;br&gt; architecture; Category 2 (020a)&lt;br&gt; Vučenović, SVETISLAV, architect-conservator, professional writer (1928, Belgrade) Lit.Encyclopaedia&lt;br&gt; architectonica, Lexicon Serbian architects 19thand 20century, Belgrade 1999; possible determinants Author:&lt;br&gt; Aleksandar Ignjatovic, a historian of architecture; Category 1 (020a)&lt;br&gt; Vucetic, Anica - visual artist, Danube quay 16 / 6, 11000 Beograd, Tel: 183-135 Category 1&lt;br&gt; (020M)&lt;br&gt; Vucetic, Pasko - painter, sculptor, decorator (Split, 1871 - Belgrade 1925) Category 2 (020M)&lt;br&gt; VUCINIC - Turinski, Venija - sculptor (Kolasin 1934), category 2 (020M)&lt;br&gt; Vucinic, Zdravko - art historian, a category 2 (020M)&lt;br&gt; Vucitrn, the old stone bridge with 9 arches, about 135 m long, by tradition Vojinovića Foundation, 14&lt;br&gt; century, N.Katanic, M.Gojkovic materials for the study of old stone bridges ..., Belgrade 1961,&lt;br&gt; Category 2 (020 SV)&lt;br&gt; VUČKOVIĆ, Borivoje, painter, 1908 to 1960, cat.1 (020M)&lt;br&gt; VUČKOVIĆ, Milica-graph.character.teacher, Kat.2 (020M)&lt;br&gt; VUČKOVIĆ, Slavica - konzervatorka, category 1 (020M)&lt;br&gt; VUČKOVIĆ, Philip R.- Painter, art teacher (Scutari, 1888 - Belgrade, 1961), category 1 (020M)&lt;br&gt; Vuco, Alexander, (1897-1985), writer, sr.Surrealism, a category 3 (020M)&lt;br&gt; Vuco, Julian Lula (1898-1985), sr.Surrealism, a category 1 (020M)&lt;br&gt; Vuco, Nikola (1902-1993), lawyer, photographer, sr.Surrealism, a category 3 (020M)&lt;br&gt; Vu&amp;scaron;ković, Milos - painter, cartoonist, graphic artist (Cetinje, 1900 - Cetinje, 1975), Category 2&lt;br&gt; (020M)&lt;br&gt; Gabelić, Smiljka, art historian, Editorial Board, a category 2 (020a ST)&lt;br&gt; Gavela, Dusan - painter, illustrator, category (1939, Beg - 1999, Vienna), cat.2, lit.P. Petrovic,&lt;br&gt; N.Kusovac, monographs, in print (020M)&lt;br&gt; GAVRANKAPETANOVIĆ, Semsa-painter, (Sarajevo 1945 -) Category 1 Lit.LEJ (020M)&lt;br&gt; Gavrik, Vlastimir, costumes, category 1 (020M)&lt;br&gt; Gavrilovic, pollution, art historian, Editorial Board, a category 2 (020a ST)&lt;br&gt; Gavrilovic, Elijah - jeweler, Karlovac high school benefactor (d. 1807).Category 1 (020 NV)&lt;br&gt; Gavrilovic, Marko - woodcutter (d. Novi Sad, 1773).Category 1 (020 NV)&lt;br&gt; Gavrilovic, NIKOLA, architects, urban (1914, Virovitica, Croatia - 1975, Belgrade) In memoriam.&lt;br&gt; Nikola Gavrilovic, &amp;quot;Urbanism Belgrade, no.28, Beograd 1975; Lexicon Serbian builders, Belgrade&lt;br&gt; 2002; possible determinants Author: Marta Vukotic Lazar-; category 1(020a)&lt;br&gt; Gavrilovic, Stefan - painter, icon painter (Sr. Karlovci, from 1750 to 1823). Osn.litterateur.M.Timotijevic,&lt;br&gt; Serbian baroque painting, Novi Sad 1996thCategory 3 (020 NV)&lt;br&gt; GAVRIĆ, Zoran - art historian, 1949, Valjevo, a category 2 (020M)&lt;br&gt; Gavrović, Predrag - Pedja-by designer, category 1 (020M)&lt;br&gt; Geyer, Dragan - art historian, painter and journalist, a category 1 (020M)&lt;br&gt; GAJIĆ, Ljubomir - painter, 1948, Bogutov in Bijeljina, Kat.And, President Ulu Rep.Serbian (020M)&lt;br&gt; Gaković, Dusan - sculptor (Sarajevo 1934-Beg. 1996), Lit.LRJ, floor 2 (020M)&lt;br&gt; Gaković, Stanko, architect, educator (1946, Zenica), category 1 (020a)&lt;br&gt; Galovic, Oliver - Seka - painter (Sabac 1923 - Belgrade, 200_) Category 2 (020M)&lt;br&gt; Garaj-Babylon, Oljga - a teacher, painter, children&amp;#39;s writer (Erdevik, 1905 - Novi Sad, 1988), category&lt;br&gt; 1 (020M)&lt;br&gt; GAREVSKI, Mum, architect Lit.Personal annual arch.Garevskog, Paris 2006; J.Kaličanin, Living&lt;br&gt; Square plane, &amp;quot;House - Style,&amp;quot; April 2002; possible determinants Author: Pavlovic, M.Milos, the architect;&lt;br&gt; Category 1 (020a)&lt;br&gt; Gatalica, Angelina - sculptor, (Belgrade 1924th Belgrade?) Lit.: LEJ, category 1, better 2 (020M)&lt;br&gt; Gasic, Radoman - painter, restorer (Crkvičko field Plužine 1935-Bgd.1994) Kat.1 (020M)&lt;br&gt; Gasparovic, Zeljko, architect (1952, Belgrade), category 1 (020a)&lt;br&gt; Gvardiol, Goran - by, Yuri Gagarin 200/35, 11070 N. Beograd, Tel: 155-632, cat.1 (020M)&lt;br&gt; Gvozdenovic, Andrew (Bar 1933) doctor, an amateur painter from Sarajevo, collector, Category 1&lt;br&gt; (020M)&lt;br&gt; Gvozdenovic, ZANA - art historian, curator of the Museum of Contemporary Art, cat.1 (020M)&lt;br&gt; Gvozdenovic, Milos - by (Kastrati, 1926), Lit.: Monograph, Kat.2nd(020M)&lt;br&gt; Gvozdenovic, Nedeljko - painter, professor.Academy of Fine Arts (Mostar, 1902 - Belgrade, 1988),&lt;br&gt; Lit.: Monograph, Kat.4 (020M)&lt;br&gt; Gvozdenovic, Nikola - painter, artist (Gluhi Dole, 1934), exhibited throughout Serbia, Kat.1;&lt;br&gt; (020M)&lt;br&gt; geometrizam - Geometric TENDENCIES - Category 3 (020.M)&lt;br&gt; GEORGE, Zograf, 16/17.century, SBR 2, 650, and 5-30; Zoran Rakic.Category 1 (020a ST)&lt;br&gt; Gestural painting - Category 3 (020.M)&lt;br&gt; GEC, Milutin, architect (1952, Belgrade) Lit.Lexicon Serbian builders, Belgrade 2002; A.Kovenc -&lt;br&gt; Vujic, 50 Belgrade Architects (born after 1945) = 50 Belgrade Architects (born after 1945),&lt;br&gt; Belgrade 2002; S.G.Bogunovic, AEB, vol.2, Beograd 2005; Salon architecture (catalog) 2006; possible&lt;br&gt; Author guidelines: Biljana Misic, historian of architecture; category 1(020a)&lt;br&gt; gestalt - Category 2 (020.M)&lt;br&gt; GIFINGER, Francis Xavier - painter, litograf (Novi Sad, 1826-after 1878), Category 1 (020 NV)&lt;br&gt; GLAVIČKI, Milutin, architect (1930, Tetovo - 1987, Belgrade) Lit.V.Belousov, Sovremennaa&lt;br&gt; Jogoslavii Architecture, Moscow 1973; B.Stojanovic, IN.Martinovic, Belgrade 1945-1975.Urbanism.&lt;br&gt; Architecture, Belgrade 1978; Lexicon Serbian builders, Belgrade 2002; possible determinants Author: Marta&lt;br&gt; Vukotic-Lazar, Category 2 (020a)&lt;br&gt; Glavurtić, Miro - painter and writer (foothills, 1932), Lit.: Monograph Mediala, Kat.3 (020M)&lt;br&gt; Gligorije (Gregory), Illuminator, 12century, SBR 2, 810, and r 5-30; Dragan Pavlovic, Category 1&lt;br&gt; (020a ST)&lt;br&gt; Gligorijević, Elijah, architect (1926) Lit.M.Radosavljevic, Portrait of the architect in the atmosphere&lt;br&gt; Photos, Home - Style, no.25, Beograd 1996, Serbian lexicon builders, Belgrade 2002; S.G.&lt;br&gt; Bogunovic, AEB, vol.2, Beograd 2005; possible determinants Author: Marina Djurdjevic, historian&lt;br&gt; architecture; Category 1 (020a)&lt;br&gt; Gligorijević, Ljuba - art historian, a character.pedagod, prof.FLU (Belgrade 1932?), cat.2NK (020M)&lt;br&gt; Gligorijević-MAKSIMOVIĆ, Mirjana - art historian, a category 1 (020a ST)&lt;br&gt; Glide, Gabriel - sculptor, graphic designer (Belgrade?), Yuri Gagarin 200/35, 11070&lt;br&gt; BEOGRADTel: 155-632, category 1, ULUS (020M)&lt;br&gt; Glide, Gordana - tapestry artist, category 1 (020M)&lt;br&gt; Glide, Daniel - painter, graphic designer (Belgrade?), Yuri Gagarin 200/35, 11070&lt;br&gt; BEOGRADTel: 155-632, ULUS Category 1 (020M)&lt;br&gt; Glide, Nandor - sculptor, figure.ped.Rector of UU (Subotica, 1924 - Belgrade,?), a category 3 (020M)&lt;br&gt; GLI&amp;Scaron;IĆ - JOVANOVIC, Desa - painter, karikaturistkinja, journalist (Belgrade 1910 - Belgrade, 1991)&lt;br&gt; Category 2 (020M)&lt;br&gt; GLI&amp;Scaron;IĆ, Dragomir - painter (Valjevo, 1872 - Belgrade 1957), cat.2 (020M)&lt;br&gt; GLI&amp;Scaron;IĆ, Malisa - by (Bačevci or Baćevci near Valjevo, 1886 - Ni&amp;scaron;, 1915), cat.3.(020M)&lt;br&gt; GLI&amp;Scaron;IĆ, Milia - Zmajevac - sculptor, prof.FLU, a category 2 (020M)&lt;br&gt; GLI&amp;Scaron;IĆ, Miroslava - Mira - costume (Belgrade, 1918 - Italy, 1965) category 1(020M)&lt;br&gt; GOBECKI, Elizabeth - costume (Osijek, 1927), category 2, Lit.LEJ (020M)&lt;br&gt; GODIĆ, Gligorije K.Glis - KLAS.philologist, journalist, by amateur (Morović, Srem, 1897 --&lt;br&gt; Kragujevac, 1934), category 1 (020M)&lt;br&gt; ANNUAL AWARD SAS Lit.B.Mitrovic, awarded the first annual awards SAS, DANS, no.16, New&lt;br&gt; Sad 1996; possible determinants Author: Mare Jan&amp;aacute;k-Grujic, historian of architecture; Category 1&lt;br&gt; (020a)&lt;br&gt; Annual City of Belgrade, Belgrade City Museum Journal, category 1 (020a)&lt;br&gt; Gođevac, Milutin, construction master, 19century; Kolarić M., classicism of the Serbs.Construction,&lt;br&gt; Sts.2, Belgrade MCMLXV, pp.26-27; possible determinants Author: Mirjana Roter-Blagojevic, historian&lt;br&gt; architecture; Category 1 (020a)&lt;br&gt; Goebel, Karl, he painted scenes from Serbian life, Category 1 (020 NV)&lt;br&gt; Gojkovic, John - graphic artist, painter, administration.Gallery (Vienna, 1898 - Osijek, 1957), category 1&lt;br&gt; (020M)&lt;br&gt; Gojkovic, Miodrag, sculptor and professor APU, category 1 (020M)&lt;br&gt; GOLOGLAVAC, Theodor-osn.Litterateur.B.Vujovic, renewed Serbian Art 1791-1848, Belgrade 1986,&lt;br&gt; Category 3 (020 NV)&lt;br&gt; GOLUBAC, medieval town, 14century, ELU 2 hhh, Gordana Simic, Category 2 (020 SV)&lt;br&gt; Golubovic, Vesna - painter.Category 1 (020M)&lt;br&gt; Golubovic, Milos - painter, professor of drawing (Kragujevac, 1888 - Belgrade, 1961).cat.3 (020M)&lt;br&gt; GOMILJANI, a village near Trebinje, three medieval churches, LEJ 2, xxx, and r 5-30; Ljiljana Sevo,&lt;br&gt; Category 1 (020 SV)&lt;br&gt; Gomionica, a monastery near Banja Luka, 16century, &amp;Scaron;uput, monuments, 51-55, Ljiljana Sevo, Category 1&lt;br&gt; (020 SV)&lt;br&gt; Gorbunov George, graphic artist, a category 1 (020M)&lt;br&gt; Gordic, Gordana, a historian of architecture; Editorial Board; possible determinants Author: Biljana Misic,&lt;br&gt; historian of architecture; Category 1 (020a)&lt;br&gt; GORNJA Dobrinja, the endowment of Prince Milos, the iconostasis L.Krdžalić, osn.Litterateur.N.Makuljevic, Church&lt;br&gt; Art in the Kingdom of Serbia, Category 2 (020 NV)&lt;br&gt; GORNJA Kamenica, the monastery from the 15thcentury, LEJ 2, xxx, and r 5-30; Čedomila Marinkovic, Category 1&lt;br&gt; (020 SV)&lt;br&gt; Gornjak, medieval monastery, 14century, Ristic, Moravian architecture, hhh, Tatjana Starodubcev,&lt;br&gt; Category 2 (020 SV)&lt;br&gt; UPPER ADROVAC, Memorial Church N.Raevsky osn.Litterateur.N.Makuljevic, church art in the Kingdom&lt;br&gt; Serbia, Category 1 (020 NV)&lt;br&gt; UPPER KOZJAK, medieval church, 12and 14century, Đođrđević, wall painting, HH; Svetlana&lt;br&gt; Smolčić, Category 1 (020 SV)&lt;br&gt; Lady of the Rocks-osn.litterateur.S.Brajovic, Our Lady of the Rocks-cycle Mariana images, Perast&lt;br&gt; 2000thCategory 4 (020 NV)&lt;br&gt; MASTER-John&amp;#39;s KONAK In Cacak, Category 1 (020a)&lt;br&gt; Economic living quarters in Belgrade, category 1 (020a)&lt;br&gt; Gostović (UDRIM), a monastery near Zavidovici, 16century, &amp;Scaron;uput, Serbian architecture, 72-75; Ljiljana&lt;br&gt; Sevo, Category 1 (020 SV)&lt;br&gt; Jang Hyuk, Dragutin,, art historian and critic, esthetician (Belgrade 1923 -) Who&amp;#39;s Who,&lt;br&gt; Category 3 (4) (020M)&lt;br&gt; Gothic, architecture, sculpture, painting, LEJ 2, xxx, Ivan Stevović, Jelena Erdeljan, category&lt;br&gt; 3 (020 SV)&lt;br&gt; GOFIJEN, Basil - Zograf, builder of the church in Citizens, 1785.ELU 2, 397; Category 1 (020 NV)&lt;br&gt; Grabar, Andrew, art historian, ELU 2, xxx, Miodrag Markovic, 2nd Category(020a ST)&lt;br&gt; Grabovan, John (four, Četirević) - painter, 17 to 18 century.Osn.litterateur.M.Timotijevic, Serbian&lt;br&gt; Baroque painting, Novi Sad 1996thCategory 3 (020 NV)&lt;br&gt; Grabovan, Konstantin - Osijecka by (Osijek, 1761 to 1820).ELU 2, 433, Category 1 (020 NV)&lt;br&gt; Grabovac, a monastery near Nis wall paintings, iconostasis middle of the 19thcentury.Category 2 (020 NV)&lt;br&gt; Grabovac, a monastery in Hungary, osn.litterateur.D. Davidov, Spoemnici Budin diocese, Belgrade&lt;br&gt; 1990 Category 2 (020 NV)&lt;br&gt; CITY 3rd category(020a)&lt;br&gt; Gradac, medieval monastery, 13century on.Kandic, Monastery Gradac, Belgrade 198h, hhh, Oliver&lt;br&gt; Kandic, a category 3 (020 SV)&lt;br&gt; Construction category 3 (020a)&lt;br&gt; GRADINA Category 1 (020a)&lt;br&gt; Gradiste, a monastery in Pastroviceva, 14and 17century, Petkovic, Cultural heritage of Montenegro, NS 2003,&lt;br&gt; hhh; Radojka Zaric, a category 2 (020 SV)&lt;br&gt; GATE CITY - Category 3 (020a)&lt;br&gt; City hall in Subotica; Category 1 (020a)&lt;br&gt; Graovac, Nikola - by (Vrebac in Gospic, Lika, 1907 - Poplar, 2000), 2nd Category(020M)&lt;br&gt; Graovac, Radmila - sculptor, ceramist, Čubrina 2a, 11000 Beograd, ULUS floor.2 NK (020M)&lt;br&gt; GRAPHICS - Category 4 (020.M)&lt;br&gt; GRAFITI ART - Category 1 (020.M)&lt;br&gt; Grahovac, Milan - visual artist, a category 1 (020M)&lt;br&gt; Grahovo, a village in Montenegro, the church of Sv.Nicholas, End 15-beg.16.century, &amp;Scaron;uput, Monuments, 61; Zoran&lt;br&gt; Rakic, Category 1 (020 SV)&lt;br&gt; Gracanica - Stanic, Theodore - Sarajevo painter, icon painter, 1780 - 1801.ELU 2, 435, Category 1&lt;br&gt; (020 NV)&lt;br&gt; GRACANICA, medieval monastery, 14century; Todić-Curcic, Gracanica, the Belgrade-Pristina 1989; Ivan&lt;br&gt; Stevović, Miodrag Markovic, Category 5 (020 SV)&lt;br&gt; Grbic, John - by 18thcentury.ELU 2, 453, Category 1 (020 NV)&lt;br&gt; Grbic, Michael, landscape architect, Professor univerziteski, category 1 (020a)&lt;br&gt; Grbic, Oliver - painter (Valjevo 1923 -) ULUS, floor 2 (020M)&lt;br&gt; Grbic, Sally, an architect, a category 1 (020a)&lt;br&gt; Grgeteg, monastery painting 18-19.century, ELU 2, 469, Category 3 (020 NV)&lt;br&gt; Grdan, Vinko - painter, professor.APU (Djurdjevac, Podravina, 1900 - Belgrade, 1980), cat.3 (020M)&lt;br&gt; GREBENAROVIĆ, Zoran - sculptor, painter, icon painter, Kat.2 (020M)&lt;br&gt; Gregovic, Marko - painter (1867 to 1939).Category 2 (020M)&lt;br&gt; GREDA-category 1 (020a)&lt;br&gt; Grzetic, Antun (Ante) - sculptor (&amp;Scaron;kaljari in Kotor 1920 -?), Lit.LEJ, category 1(020M)&lt;br&gt; GRIGOREV, Spiridon - Russian painter, 1687, the monastery of Great Remeta.ELU 2, 470thCategory 2 (020&lt;br&gt; NV)&lt;br&gt; Grmek, Zvonko - graphic, Belgrade, Brace Kovac 78,435-663, kat.1 ULUPUDS (020M)&lt;br&gt; CEMETERY - Category 3 (020a)&lt;br&gt; Grozdanić, Mile - graphic, graph.designer. character.Educator (Ponori 1942 -) Lit.LEJ floor.2 NK&lt;br&gt; (020M)&lt;br&gt; Grozdanov, Cvetan - art historian, SBR 2, 334-335; Bojan Miljkovic, category 1(020a&lt;br&gt; SV)&lt;br&gt; GRUBANOV, IVAN - vizuel.Artist (Pancevo-London), Kat.1 (020M)&lt;br&gt; Grujic, Borivoje - by (Krusevac 1904 -?) - Category 1, Lit.LEJ, category 1 (020M)&lt;br&gt; Grujic, Vera - art historian, Category 1 (020 NV)&lt;br&gt; Grujic, Milivoj - Elim - graphic (Bolman 1929 -), Lit.LEJ, category 1 (020M)&lt;br&gt; Grujic, Milivoj - tap - artist, category 1 (020M)&lt;br&gt; GROUP &amp;quot;MATCH; possible determinants Author: Bojan Kovacevic, a historian and theorist of architecture;&lt;br&gt; category 1(020a)&lt;br&gt; GROUP 143 (1975-1980, Belgrade) - Category 1 (020.M)&lt;br&gt; Group of Architects MODERN DIRECTION - Gump; category 4 (020a)&lt;br&gt; GROUP BELGRADE Surrealists - Category 4 (020.M)&lt;br&gt; Artists (1919, Belgrade) - Category 1 (020.M)&lt;br&gt; Google, Vladimir, architect, category 1(020M)&lt;br&gt; Gudovic, DRAGAN, architect (1904, Krusevac - 1989, Belgrade), category 1 (020a)&lt;br&gt; Guzina, Ranko - pictures, graphs.karik.Sopjanska beams 1939, Bgd.Poručnika Spasica and Ma&amp;scaron;era&lt;br&gt; 108/30 ,553-284, 3234-263, korang@beotel.net Kat.1 (2) (020M)&lt;br&gt;D &amp;#39;Andrea, Dominica, scene painter, radio set design at the National Theater in Belgrade.Osn.&lt;br&gt; litterateur.LEJ 1, Zagreb 1984, 292ndCategory 2 (020 NV)&lt;br&gt; Davidov, Dinko - art historian (Sivac, 1930).Category 3 (020 NV)&lt;br&gt; Davidovic - Zivadinovic, Zora - costume, prof.FPU (Belgrade 1932 -) cat.2 Lit.LEJ&lt;br&gt; (020M)&lt;br&gt; Davidovic - OB&amp;Scaron;IĆ, Gregory (Čalmanski) - icon painter, from 1793 to 1813, Sisatovac, Kuzmin.Osn.&lt;br&gt; References M.Timotijevic, Serbian baroque painting, Novi Sad 1996thCategory 2 (020 NV)&lt;br&gt; Davidovic - medieval monastery, 13century, LEJ 2, xxx, and Bojan Popovic, Category 1 (020 SV)&lt;br&gt; Davico, Oscar (1909-1989), poet, artist, sr.Surrealism, a category 2?(020M)&lt;br&gt; DADA (south-DADA) - Category 3 (020.M)&lt;br&gt; DALMA - Acimovic, Bogomir - writer, painter, sculptor (Pljevlja, 1899 - London, 1962) Category 1&lt;br&gt; (020M)&lt;br&gt; DAMJANA LITTLE POP, scribe and Illuminator from Timaru village near Prijedor.Osn.litterateur.LEJ 1, Zagreb&lt;br&gt; 1984, 291stCategory 1 (020 NV)&lt;br&gt; Damjanov, Andrew, builder and Zograf (about 1813, Veles, Macedonia - 1878,?) Lit.M.S.Filipovic,&lt;br&gt; Andreja Damjanov from Veles, Zograf and builder, Museums, no.2, Belgrade 1949, pp.33-50; Ž.&lt;br&gt; Skalamera, Restoration &amp;#39;Serbian-style&amp;#39; in architecture, ZLUMS, no.5, Novi Sad 1969, 194-195; M.&lt;br&gt; Jovanovic, the Serbian church architecture and painting of recent times, the Belgrade-Kragujevac 1987; A.&lt;br&gt; Kadijevic, a century-style national index of Serbian architecture (mid XIX-XX environment&lt;br&gt; century), Belgrade 1997, 272; possible determinants Author: Marina Djurdjevic, historian of architecture;&lt;br&gt; Category 3 (020a)&lt;br&gt; Damjanovic,, Dimitrije - bakrorezac 1763 - 1766, Vienna.Osn.litterateur.LEJ 1, Zagreb 1984, 291st&lt;br&gt; Category 1 (020 NV)&lt;br&gt; Damjanovic, Faith - Krusevac painter 1921 -) category 1, LEJ (020M)&lt;br&gt; Damjanovic, Ljubomir, by graphic artist, design, category 1 (020M)&lt;br&gt; Damjanovski, Bozidar - by (Skopje 1947 -), Category 2 LEJ, who is WHO (020M)&lt;br&gt; Damnjanović, Radomir - Damnjan - artist, Mostar 1936, cat.3 (020M)&lt;br&gt; Damnjanović, Tanya, architect, architectural historian, a category 1 (020a)&lt;br&gt; Daniel Constantine - painter (1798 to 1873).Osn.literat.N.Kusovac, Pasko eighteenth and nineteenth&lt;br&gt; veka, Belgrade 1987, Category 4 (020 NV)&lt;br&gt; Dani, pop, Zograf, 17century, ISN 3-2, hhh, Zoran Rakic, category 1 (020a ST)&lt;br&gt; DANILOVAC, Josim, painter and caricaturist.He participated in the Yugoslav art exhibitions,&lt;br&gt; taught in the art-craft school in Belgrade.Osn.litterateur.LEJ 1, Zagreb 1984, 295,&lt;br&gt; Category 2 (020 NV)&lt;br&gt; DANS, the newspaper of the Society of Architects of Novi Sad, Category 2 (020a)&lt;br&gt; Day, the city of drawers.Albania, with the medieval church of Sv.Mary, 14century, Korac, Architectural&lt;br&gt; school, hhh; Čedomila Marinkovic, Category 1 (020 SV)&lt;br&gt; DASKALO, bar - by Sarajevo, 1784, Sarajevo.Osn.litterateur.LEJ 1, Zagreb 1984.296,&lt;br&gt; Category 1 (020 NV)&lt;br&gt; Daskalović, Alexander, graphic, design, category 1 (020M)&lt;br&gt; Dautovic, Oliver - sculptor, art teacher, (Mostar 1953 -) category 1WHO IS WHO (020M)&lt;br&gt; DAFINGER, Michael-Moritz, painted portraits of the Serbian rulers in the 19thcentury, ELU 2, 2, Category 2 (020&lt;br&gt; NV)&lt;br&gt; Da&amp;scaron;ić, George, architect (1957, Belgrade), Editorial Board, A.Kovenc-Vujic, 50 Belgrade Architects&lt;br&gt; (born after 1945) = 50 Belgrade Architects (born after 1945), Belgrade 2002; Ž.M., Interview with&lt;br&gt; Đ.Da&amp;scaron;ić, &amp;quot;Architecture.&amp;quot;no.69, Belgrade 2003; possible determinants Author: Milos M.Pavlovic,&lt;br&gt; architect; Category 1 (020a)&lt;br&gt; Twelve - Art Group, category 2 (020.M)&lt;br&gt; DVORSKA goldsmith, Category 2 (020 NV)&lt;br&gt; Palace complex in Dedinje in Belgrade; Category 2 (020a)&lt;br&gt; Palace complex in Belgrade (Pioneer Park) heading 4thcategories (020a)&lt;br&gt; DVORSKA photographer, Category 2 (020 NV)&lt;br&gt; Castles in Vojvodina, osn.liter.ELU 2, 144 Category 2 (020 NV)&lt;br&gt; De Buli, Moni Salmon (1904-1968), poet, artist, sr.Surrealism, a category 2 (020M)&lt;br&gt; DE NEGRI, Francis, architect (1903, Subotica - 1975, Subotica), category 1 (020a)&lt;br&gt; DE NEGRI.DRAGUTIN - Karl, architect (Subotica, 14 9th 1931), category 1 (020a)&lt;br&gt; Debeljković, Branibor - photographer.ispr.fotogr.(Prishtina 1916 - dead) cat.2, Who&amp;#39;s Who (020M)&lt;br&gt; Devic, George - drvorezbar, 19 century., Osn.litterateur.LEJ 1, Zagreb 1984, 306, Category 2 (020&lt;br&gt; NV)&lt;br&gt; Devic, medieval monastery, 15century, &amp;Scaron;uput, Monuments, 62-64; Branka Gugolj, Category 1 (020&lt;br&gt; SV)&lt;br&gt; Dedinac, Milan (1902-1966), poet, artist, sr.Surrealism, a category 2?(020M)&lt;br&gt; Dedic, Borivoje, ceramist, category 1 (020M)&lt;br&gt; Dedic, Milutin - istz.Art, painter, Sibenik 193?, Kat.NK 1 (020M)&lt;br&gt; DEDIC-NIKITOVIĆ, Mirjana architect-conservator, category 1 (020a)&lt;br&gt; Dejanovic, Tatiana, ceramist, category 1 (020M)&lt;br&gt; dekolaž - Category 1 (020.M)&lt;br&gt; DEKONStRUKtIVIZAM the SRP.Arch.Category 3 (020a)&lt;br&gt; Deconstruction - Category 2 (020.M)&lt;br&gt; Delja Nebojsa, Archytas.ceramist, hat, cat.2 (020M)&lt;br&gt; DEMATERIJALIZOVANA ART - Category 2 (020.M)&lt;br&gt; DEMETROVIĆ, John, a painter from Zemun, 19century.Osn.litterateur.LEJ 1, Zagreb 1984.296, Category 1&lt;br&gt; (020 NV)&lt;br&gt; DEMNIEVSKA, Eugenia - painter (Skopje - 1946 -) 2nd categoryLEJ, who is WHO (020M)&lt;br&gt; Denegri, Jerko Je&amp;scaron;a - art historian and art critic (Split, 1936), 3rd category(020M)&lt;br&gt; DENIĆ, Jezdimir, architect (1985, Kragujevac - 1970, Belgrade), category 1 (020a)&lt;br&gt; DENIĆ, Miomir - decorative painter, set designer (Belgrade, 1913 - Belgrade? 1996), Category 3&lt;br&gt; (020M)&lt;br&gt; DENIĆ, Nada - sculptor, Koljane 1954 Mačvanska 7, 11080 Zemun, Phone: 191-434 Cat 1 (2), ULUS NK&lt;br&gt; (020M)&lt;br&gt; Denković, Ljubomir - sculptor, Ljanik near Vranje, 1936, cat.2 (020M)&lt;br&gt; Deroko, Alexander, architect, university professor, professional writer (1894, Belgrade - 1988&lt;br&gt; Belgrade) Lit.Z.M.Jovanovic, Aleksandar Deroko, Belgrade 1991; G.Gordic, biographies, in: Serbian&lt;br&gt; Architecture 1900-1970, Belgrade 1972, pp.131; Encyclopaedia architectonica, Serbian Lexicon&lt;br&gt; Architects 19thand 20century, Belgrade 1999, 44, Maric D., Guide to modern architecture of Belgrade,&lt;br&gt; Belgrade 2002; S.G.Bogunovic, AEB, vol.2, Beograd 2005, 746-747; Allgemeines K&amp;uuml;nstlerlexikon&lt;br&gt; Internationale K&amp;uuml;nstlerdatenbank, URL: http://www.saur.de/akl/; possible determinants Author: Gordana&lt;br&gt; Milosevic, Category 4?(020a)&lt;br&gt; Ten - Category 2 (020.M)&lt;br&gt; Desin DE peaks, Dubrovnik builder, 13century, LEJ 2, xxx, Bojan Popovic (020a ST)&lt;br&gt; DESISALIĆ, Michael - jeweler, 1564 - 1565 (Sarajevo,?), Category 1 (020a SV) DESPOTOVIC, Veljko,&lt;br&gt; set designer, and bone.1931, cat.2 (020M) DESPOTOVIC, John - art historian, a character.Crete.&lt;br&gt; (Belgrade 1952 -) cat.2 Who&amp;#39;s Who, NK (020M)&lt;br&gt; Of December GROUP, a category 3 (020.M)&lt;br&gt; Decani, medieval monastery, 14century, M.Canak-Medic, B.Todic, Decani, Belgrade 2005, V 400&lt;br&gt; rows; Ivan Stevović, Miodrag Markovic, Category 5 (020 SV)&lt;br&gt; CHILDREN&amp;#39;S HOSPITAL IN BELGRADE (Tir&amp;scaron;ova 2); 3rd category(020a)&lt;br&gt; Decov, Pal - by, Kovin 1951, Stanko Tomic, 90, 26,204 OPOVO Phone, Category 1, ULUS NK (020M)&lt;br&gt; DIVANHANA - 2nd category(020a)&lt;br&gt; Divac, Olga, architect (1921, Belgrade - 1998, Belgrade), category 1 (020a)&lt;br&gt; Divjak, Ksenija - painter (Ivanic-Grad 1924-Belgrade 1995), category 3, ULUS (020M)&lt;br&gt; Divjak, Milenko - by, Beg, 1966, lives in Antwerp, the mother of Mihailo Pupin Boulevard 157/II flat&lt;br&gt; 14, 11070 Novi Beograd, Tel: 145-378, category 1, ULUS, (020M)&lt;br&gt; Divljan, Sretko - painter, Novi Pazar, 1946, Brace Dirac 33 / 2 - 19, 35,000 JagodinaTel: 035/242-077.&lt;br&gt; kat.1, ULUS (020M)&lt;br&gt; DIGITAL ART - Category 1 (020.M)&lt;br&gt; DESIGN - Category 4 (020a)&lt;br&gt; DIKIJ, Ivan (Petrovich) - painter, icon painter (? About 1896 - St Pitersburg, Florida, 1990), cat.&lt;br&gt; 1 (020M)&lt;br&gt; Dikic, Andrew, by 19thosn century.litterateur.LEJ 1, Zagreb 1984, 307 Category 1 (020 NV)&lt;br&gt; Demetrius, Daskal, the chief master - Boka Saints School, 1680 - 1681stOsn.litterateur.LEJ&lt;br&gt; 1, Zagreb 1984, 309thCategory 2 (020 NV)&lt;br&gt; Dimitrijevic - Rafailović, Basil - painter, icon painter, son Rafail, 1782ndOsn.litterateur.LEJ&lt;br&gt; 1, Zagreb 1984, 309thCategory 2 (020 NV)&lt;br&gt; Dimitrijevic - Rafailović, Gabriel - painter, icon painter, woodcutter.Osn.litterateur.LEJ 1, Zagreb&lt;br&gt; 1984, 309thCategory 2 (020 NV)&lt;br&gt; Dimitrijevic - Rafailović, Danilo - Zograf, icon painter, woodcutter.Osn.litterateur.LEJ 1, Zagreb&lt;br&gt; 1984, 309thCategory 2 (020 NV)&lt;br&gt; Dimitrijevic - Rafailović, George - painter, icon painter, 1694 - 1747, Risan.Osn.litterateur.LEJ&lt;br&gt; 1, Zagreb 1984, 309thCategory 2 (020 NV)&lt;br&gt; Dimitrijevic - Rafailović, Ivo - painter, icon painter, son Hristoforov, 1845thOsn.litterateur.LEJ&lt;br&gt; 1, Zagreb 1984, 309thCategory 1 (020 NV)&lt;br&gt; Dimitrijevic - Rafailović, Peter - painter, icon painter, 1770 - 1775, Bay of Kotor.Osn.litterateur.&lt;br&gt; LEJ 1, Zagreb 1984, 309thcategories.2 (020 NV)&lt;br&gt; Dimitrijevic - Rafailović, Rafailo - painter, icon painter, carver (Risan, 1700).Osn.litterateur.LEJ&lt;br&gt; 1, Zagreb 1984, 309thCategory 2 (020 NV)&lt;br&gt; Dimitrijevic - Rafailović, Hristofor V.- Painter, icon painter (d. Nelježići, 1860).Osn.litterateur.&lt;br&gt; LEJ 1, Zagreb 1984, 309thCategory 2 (020 NV)&lt;br&gt; DIMITRIJEVIC, Alexander - a painter, in 1955, John Kennedy 19, 11070 Belgrade, Kat.1, ULUS&lt;br&gt; (020M)&lt;br&gt; DIMITRIJEVIC, Alexander - photographer, design, Uluouds, category 1 (020M)&lt;br&gt; Dimitrijevic, Borislav, arch.design, category 1 (020M)&lt;br&gt; DIMITRIJEVIC, Branislav, ist.insert., category 1 (020M)&lt;br&gt; Dimitrijevic, Vojislav, sculptor, monuments, category 1 (020M)&lt;br&gt; DIMITRIJEVIC, Vojo - painter, academician (Sarajevo, from 1910 to 1981).Category 3 (020M)&lt;br&gt; DIMITRIJEVIC, Danica - art historian, archaeologist (Vienna, 1922).cat.2 (020M)&lt;br&gt; Dimitrijevic, Dragan, sculptor, category 1 (020M)&lt;br&gt; DIMITRIJEVIC, Elijah, painter educated in Vienna, painted the iconostasis Lančugu in Baranja (1870),&lt;br&gt; Housewife (1888), Gaći&amp;scaron;tu (1889).Osn.litterateur.LEJ 1, Zagreb 1984, 308 Category 2 (020 NV)&lt;br&gt; DIMITRIJEVIC, John (Jean), architect, category 1 (020a)&lt;br&gt; DIMITRIJEVIC, Lazar - by, Prilep 1935, was in Sweden, Đu&amp;scaron;ina 34, 11000 Belgrade, Tel: 011&lt;br&gt; 2767-442, 064 / 287 5031, ULUS floor.2 (020M)&lt;br&gt; DIMITRIJEVIC, Milivoje - Milo, by character.ped.Belgrade, died in 1929, Kat.1 (2).LEJ (020M)&lt;br&gt; DIMITRIJEVIC, Mladen (Dimitrije Dedinac), (1901-1986), poet, artist, sr.surrealism,&lt;br&gt; Category 2 (020M)&lt;br&gt; DIMITRIJEVIC, Slobodan - Braco (Sarajevo1948 -), visual artist, Kat.3.(020M)&lt;br&gt; DIMITRIJEVIC, Stanko, architect (1945, Katun), category 1 (020a)&lt;br&gt; Elizabeta Dimitrova, art historian, Editorial Board, category 1 (020a ST)&lt;br&gt; Dimić, Aksentije - and by a priest, a disciple of Konstantin Arsenović.Osn.litterateur.LEJ 1, Zagreb&lt;br&gt; 1984, Category 1 (020 NV)&lt;br&gt; Dimovski, ZORAN - painter, Trade 20/37, 11000 Beograd, Tel: 505-524, ULUS, category 1 (020M)&lt;br&gt; Dimovski, Cvetan - graphic (Titov Veles 1942 -) category 1LEJ (020M)&lt;br&gt; DIM&amp;Scaron;IĆ, Dimitrije - painter (d. Novi Sad, 1850).Osn.litterateur.LEJ 1, Zagreb 1984th310, categories&lt;br&gt; 1 (020 NV)&lt;br&gt; DIM&amp;Scaron;IĆ, Nikola - by (Novi Sad, from 1821 to 1882).Osn.litterateur.LEJ 1, Zagreb 1984, 310,&lt;br&gt; Category 1 (020 NV)&lt;br&gt; Dinčić - MENEGELO, Fran - sculptor, medaljer (Kotor 1900-1986) Category 2ndLEJ (020M) DISKIĆ,&lt;br&gt; Vlastimir, painter, ULUS, Kat.NK 1 (020M) boasts, in Ljig, medieval site, 14century,&lt;br&gt; Djordjevic, wall painting, hhh, Jelena Erdeljan, Category 1 (020 SV)&lt;br&gt; DICO KRSTEVIĆ, Zograf, 19century, a category 3 (NV 020)&lt;br&gt; Dobanovačka, Branislav - graph.designer, Novi Sad 1948, Category 2 (020M)&lt;br&gt; Dobrilovina, medieval monastery, Tara, 16and 17century, &amp;Scaron;uput, monuments, 65-67, and 5-30;&lt;br&gt; Vladimir Džamić, Category 1 (020 SV)&lt;br&gt; Dobrich, Alexander -, by 19thcentury, osn.litterateur.LEJ 1, Zagreb 1984.318.Category 1 (020&lt;br&gt; NV)&lt;br&gt; Dobrich, Dragan - painter, Dobropolje near Knin in 1940, Yuri Gagarin 265/54, 11070 Belgrade,&lt;br&gt; Tel: 1769-959, Kat.1, ULUS (020M)&lt;br&gt; Dobricevo, a monastery near Bileca, 17century, &amp;Scaron;uput, monuments, 67-69, and 5-30; Zoran Rakic, category&lt;br&gt; 1 (020 SV)&lt;br&gt; Dobricevic, Lovro (Marinov), painter from Dubrovnik, 15century, Djuric, Dubrovnik School, 69-88; Dragana&lt;br&gt; Pavlovic, a category 1 (020a ST)&lt;br&gt; Dobrović, NIKOLA, architect, urban, university professor, professional writer (1897, P&amp;eacute;cs,&lt;br&gt; Hungary - 1967, Belgrade) Lit.T.Damljanović, Contribution to the study period, Nicholas Prague Dobrović,&lt;br&gt; &amp;quot;Press Releases&amp;quot;, br.27-28 (1995-1996) 1997; M.Vukotic-Lazar, Belgrade era architect Nicholas&lt;br&gt; Dobrović, Belgrade 2002; M.R.Perovic, Nikola Creative Dobrović: mental tributaries, in: Nikola&lt;br&gt; Dobrović.Essays, projects, reviews, Belgrade, 1998, Ibid., Serbian architecture of the twentieth century.Of&lt;br&gt; istoricizma to another modernism, Belgrade 2003; B.Kovacevic, the General Architecture building.&lt;br&gt; Monographic study of Nicholas Dobrović, Belgrade 2001, Perovic M., Serbian architecture of the twentieth century.&lt;br&gt; Since istoricizma to another modernism, Belgrade 2003; Lj.Blagojevic, Modernism in Serbia, The&lt;br&gt; Elusive margins of Belgrade Architecture, 1919-1941, 2003,104-123; M.Lojanica, the roads&lt;br&gt; Architecture: Centenary Nikola Dobrović, &amp;quot;Politika, 27.12.1997, Maric D., Guide to Modern&lt;br&gt; Architecture, Belgrade 2002; possible determinants Author: Bojan Kovacevic, a historian and&lt;br&gt; theorist of architecture, Category 4 (5) categories (020a)&lt;br&gt; Dobrović, Peter - painter, professor.Art Academy (Pecs, Hungary, 1890 - Belgrade, 1942),&lt;br&gt; Category 4 (020M)&lt;br&gt; Dobruna, medieval monastery, 14century; Djordjevic, wall painting, hhh, Oliver Tomic,&lt;br&gt; Category 2 (020 SV)&lt;br&gt; dovolja on Tara, the Monastery of St..Virgin, 15/16.century; &amp;Scaron;uput, Serbian architecture, 73-75; Vladimir&lt;br&gt; Džamić, Category 1 (020 SV)&lt;br&gt; EVENT-EVENT - Category 1 (020.M)&lt;br&gt; Dodig, Alexander, calligraphy, category 1 (020M)&lt;br&gt; Dokic - NIKOLIC, Dunja - artist, character.ped.prof.Faculty of Applied Arts, Belgrade 1948 -), cat.2 NK (020M)&lt;br&gt; DOKIC, Dana - painter (Srem Karlovci 1912-Belgrade 1978) category 1LEJ (020M)&lt;br&gt; DOKIC, Sreten - painter (1910-1984) Category 1, ULUS (020M)&lt;br&gt; DOKMIR, the monastery in which during the 18thcentury located ikonopisačka schools, osn.litterateur.LEJ 1&lt;br&gt; Zagreb 1984, 325thCategory 2 (020 NV)&lt;br&gt; Veranda 2nd category(020a)&lt;br&gt; Veranda de Mores, NIKOLA, builder of fortifications (1682 -1738, Belgrade) Lit.M.Popovic, Belgrade&lt;br&gt; Fortress, Belgrade 1982, 164-169; Ibid., Projects Doksat Nicholas de Moreza for Reconstruction&lt;br&gt; Belgrade fortress 1723-25.year, Yearbooks City Hall, Book XXX, Belgrade, 1983; P.&lt;br&gt; Vasic, Baroque in Belgrade, in: History of Belgrade, vol.I, Belgrade 1974; Belgrade Fortress in&lt;br&gt; past, present and future, Belgrade 1988; Mir.Popovic, Belgrade Review of development&lt;br&gt; fort through literature and plans, Statements, Volume 2, Belgrade, 1964; A.Ivanovic, A real&lt;br&gt; historic character of the Belgrade fortress, Yearbook of Belgrade, vol.XLIV, Belgrade 1997; possible&lt;br&gt; Author guidelines: Aleksandar Ivanovic, architect-conservator, historian of architecture; 2nd category&lt;br&gt; (020a)&lt;br&gt; Dolap Category 1 (020a)&lt;br&gt; Dolac at Studenica medieval church; LEJ 2, xxx, and 5-30 R, Radojka Zaric, Category 1 (020&lt;br&gt; SV)&lt;br&gt; DOLAC in Metohija, the church from the 14thcentury, LEJ 2, xxx, Branka Gugolj, Category 1 (020 SV)&lt;br&gt; Dolinar, Lojze - Cyprus (1893 to 1970).Category 2 (020M)&lt;br&gt; DOM St. Sava in Belgrade (Tsar Dusan 13), Category 2 (020a)&lt;br&gt; DOM Hristić (Danish CITY MUSEUM) in Pirot, Category 1 (020a)&lt;br&gt; Donkov, Perica - painter, Mazgo&amp;scaron; 19,565, extension Roses Jovanovic 5, 11000 Beograd, tel: 064-11-25 --&lt;br&gt; 36 Kat.2, NK ULUS (020M)&lt;br&gt; LOWER Kamenica, near Knjaževac, Hunchback, 14century, LEJ 2, xxx, Dragana Frfulanović,&lt;br&gt; Category 1 (020 SV)&lt;br&gt; Doro&amp;scaron;ki, Nada - painter, reporter (Skopje, 1915).Category 1 (020M)&lt;br&gt; Dosen, Drago - painter, Brežičani near Prijedor in 1943, Ustanicka 273/II - 11000 BELGRADE, 51&lt;br&gt; Waitangi Road, Onehunga, Auckland, New Zealand, Tel: 2889-416 Belgrade, 64 9 5252852 Auckland, NZ,&lt;br&gt; Category 1 (2) NK (020M)&lt;br&gt; DRAGICA LJUBI&amp;Scaron;A (?, 1922? - 1998, Belgrade), category 1 (020a)&lt;br&gt; Dragic, Peter - 19th bycentury, osn.litterateur.LEJ 1, Zagreb 1984, 334thCategory 1 (020 NV)&lt;br&gt; Dragovic, Biljana-costume designer, (Peja 1940 -) cat.2, Who&amp;#39;s Who (020M)&lt;br&gt; Dragovic, Ljiljana - costume and set designer (Skopje 1933 -) cat.2, Who&amp;#39;s Who (020M)&lt;br&gt; Dragojevic, Predrag (1962), art historian, Professor Department of Philosophy, IU Faculty&lt;br&gt; Belgrade, category 2 (020M)&lt;br&gt; Dragojlovic, Maria - artist, professor of Fine Arts (Belgrade 1950) Category 2, Who&amp;#39;s Who (020M)&lt;br&gt; Gem, Emir - graphic artist, prof.FLU (Mravinjac, Gorazde 1939 - Beg. Died), Cat.2.WHO IS WHO NK&lt;br&gt; (020M)&lt;br&gt; dradnja, medieval cave church, M.Radujko, Dradnjanski Manastirica, Zograf hh, Milan&lt;br&gt; Radujko, Category 1 (020 SV)&lt;br&gt; Durres, monastery, mural painting 18thcentury.Osn.litterateur.M.Timotijevic, Serbian baroque&lt;br&gt; painting, Novi Sad 1996thCategory 3 (020 NV)&lt;br&gt; Draskovic, Vujin - jeweler, 1679 - 1688, the monastery beer.Osn.litterateur.LEJ 1, Zagreb 1984, 336,&lt;br&gt; Category 1 (020 NV)&lt;br&gt; Woodcut, D.Medaković, graphics Serbian printed books XV-XVII century, ISN 3-2, hhh, Belgrade, 1958;&lt;br&gt; Slaven Popara, a category 3 (020 SV)&lt;br&gt; DREZMANOVIĆ, Theodore - painter, 1824, Irig.Osn.litterateur.LEJ 1, Zagreb 1984, 338th, Category 1&lt;br&gt; (020 NV)&lt;br&gt; drenča, in Aleksandrovac, medieval monastery, Ristic, Moravian architecture, hhh, Tatjana&lt;br&gt; Starodubcev, Category 1 (020 SV)&lt;br&gt; STATE PRINTING, Palace BIGZ IN BELGRADE (corner Harmat Str and J. Ristic); 3rd category&lt;br&gt; (020a)&lt;br&gt; DRIVAST, medieval town of Shkodra, Korac, Architectural School Pomorskie, hhh, and 5-30, Gordana&lt;br&gt; Simic, Category 1 (020 SV)&lt;br&gt; Drinjaković, FREE, architect, category 1 (020a) DRINJKOVIĆ, Dragan Drinjak, graph.designer top&lt;br&gt; Milanovac 1949, hat, cat.NK 1 (020M) harrow, Lazar - by (Blatina in Bosanska Krupa,&lt;br&gt; 1881 - Konjic, 1970), cat.2 NK.(020M)&lt;br&gt; Drobnjak, Dragan - sculptor (Rovinj 1941) Kat.And WHO IS WHO (020M)&lt;br&gt; Drsnik, St..Petka, 16century; &amp;Scaron;uput, Monuments, 73; Branka Gugolj, Category 1 (020 SV)&lt;br&gt; second line - Category 1 (020.M)&lt;br&gt; SERBIAN SOCIETY conservator Category 1 (020a)&lt;br&gt; Dubov, Jan, architect (1892, Lazic, Czech Republic - 1969, Liberec, Czech Republic) Lit.Z.Manević, Jan Dubov,&lt;br&gt; Belgrade, 1985; Mila&amp;scaron;inović-Maric D., Architect Jan Dubov, Belgrade, 2001; Lj.Blagojevic,&lt;br&gt; Modernism in Serbia, The Elusive margins of Belgrade Architecture, 1919-1941, 2003, p.74-76; Maric&lt;br&gt; D., Guide to modern architecture, Belgrade 2002; S.G.Bogunovic, AEB, vol.2, Belgrade&lt;br&gt; 2005, 769-776; possible determinants Author: Milan Milovanovic, architect, architectural historian;&lt;br&gt; Category 3 (020a)&lt;br&gt; Carving (wood carvings), M.Corovic Ljubinković, medieval carving in the eastern areas&lt;br&gt; Yugoslavia, Belgrade 1965, Valentina Babic, Category 3 (020 SV)&lt;br&gt; Dubocica in Pljevlja, a monastery from the 16thcentury, &amp;Scaron;uput, Monuments, 73; Vladimir Džamić, Category 1&lt;br&gt; (020 SV)&lt;br&gt; Dubrovnik art school, Djuric, Dubrovnik art school, Dragan Pavlovic, Category 3&lt;br&gt; (020 SV)&lt;br&gt; DUBROVNIK Counseling, first consulting architects Yugoslavia 1950th; Category 2 (020a)&lt;br&gt; Dubrovnik, monuments, Category 5 (020 SV)&lt;br&gt; DUVAR Category 2 (020a)&lt;br&gt; Dugonjić, Tomislav - painter and graphic artist (Kraljevo, 1932).Category 1 (020M)&lt;br&gt; Dukic, Stevan - sculptor and painter (Ban. Karađorđevo1929-Beg. 1991), Kat.1 (2) ULUS NK (020M)&lt;br&gt; duljevo near Budva, the monastery with the Church of Sv.Stephen, 14century, Petkovic, Monuments of Montenegro, hhh, D.&lt;br&gt; Vojvodić, Category 1 (020 SV)&lt;br&gt; DUNđER Category 2 (020a)&lt;br&gt; Durance, White, ist.Art critic, Subotica, category 1 (020M)&lt;br&gt; DUHAČ, Milan - sculptor, conservator Conservator (Belgrade, 1897 - Belgrade, 1964) category 1 (020M)&lt;br&gt; Student, Zivko - graphic artist and painter, professor of art Akad N.&amp;Scaron;., category 1, ULUS, Kat.2 NK (020M)&lt;br&gt; Djakovo, Damian, painter - lives and works in Italy, cat.1 (2) NK (020M)&lt;br&gt; đAKONIKON Category 1 (020a)&lt;br&gt; ĐERAM Category 1 (020a)&lt;br&gt; ĐIKOVIĆ, Mario, graphic artist, painter, Palace, 1942, Boulevard of Nikola Tesla 22 / 1, 11080 Zemun, tel: 676 --&lt;br&gt; 622, Kat.2 NK (020M)&lt;br&gt; Djokic, Aleksandar, architect (1936, Belgrade - 2002, Belgrade) Lit.Z.Manević, Aleksandar Djokic,&lt;br&gt; Belgrade 1995; Encyclopaedia architectonica, Lexicon Serbian architects 19thand 20century, Belgrade&lt;br&gt; 1999, pp.54-56; Z.Manević, Romantic architecture.Korunović.Mitrovic.Djokic (catalog)&lt;br&gt; Belgrade 1990; Z.Manević, the great memorial.Aleksandar Djokic, &amp;quot;Architecture.&amp;quot;no.66, Belgrade 2003;&lt;br&gt; Maric D., Guide to modern architecture, Belgrade 2002; S.G.Bogunovic, AEB, vol.2,&lt;br&gt; Belgrade 2005, 777-784; possible determinants Author: Mare Jan&amp;aacute;k-Grujic, historian of architecture;&lt;br&gt; Category 3 (020a)&lt;br&gt; Djokic, Vladan, architect, associate professor at the Arch.University of Belgrade, category 1 (020a)&lt;br&gt; Djokic, Vojislav D.- Architect, painter (Belgrade, 1902 - Herceg Novi, 1984).Category 1 (020a)&lt;br&gt; Djokic, Dusan - painter, graphic artist, critic, Old Fair 21, Bgd.Tel: 407-824, 123-761, cat.2&lt;br&gt; NK (020M)&lt;br&gt; Djokovic, Michael - Tikalo - painter, graphic artist (Cacak 1941 -), cat.2 NK (020M)&lt;br&gt; George, Dobroslav, Nikola builders, 14century, Canak-Medic, Todic, Decani, hhh, Ivan Stevović,&lt;br&gt; Category 1 (020a ST)&lt;br&gt; ĐORĐEVIĆ MILOJKOVIĆ, Radmila - Lala by 1901-1965, cat.2 NK (020M)&lt;br&gt; Djordjevic - Tomasevic, Nevenka - painter (Sanikolaul Mare, Romania, 1899 - Zagreb?), Cat.1&lt;br&gt; (020M)&lt;br&gt; ĐORĐEVIĆ, ALEXANDER M., Architect (1890, Belgrade - 1952, Belgrade); M.Prosen, Building Opus&lt;br&gt; Architect Aleksandar Đorđević, (1890-1952), &amp;quot;Legacy,&amp;quot; no.7, Belgrade, 2006; Encyclopaedia&lt;br&gt; architectonica, Lexicon Serbian architects 19thand 20century, Belgrade 1999, pp.56; S.G.&lt;br&gt; Bogunovic, AEB, vol.2, Belgrade, 2005,784-788; G.Gordic, biographies, in: Serbian architecture 1900 --&lt;br&gt; 1970, Belgrade 1972, pp.13; possible determinants Author: Milan Prosen, historian of architecture;&lt;br&gt; 3rd Category(020a)&lt;br&gt; ĐORĐEVIĆ, ALEXANDER, architects, town planners, category 1 (020a)&lt;br&gt; ĐORĐEVIĆ, Velimir - ceramist, category 2ĐORĐEVIĆ, Goran - conceptual artist, Kat.2 (020M)&lt;br&gt; ĐORĐEVIĆ, Dragoslav - art historian and critic (Sarajevo 1931-Beg. 198?), Cat.2, LEJ NK&lt;br&gt; (020M)&lt;br&gt; ĐORĐEVIĆ, Dragutin, architect (1866, Loznica-1933, Belgrade) Lit.D.Djuric-Zamolo, developers&lt;br&gt; 1815-1914 Belgrade, Belgrade, 1981; N.Nestorović, Buildings and architects in Belgrade last&lt;br&gt; century, Belgrade 1972nd(reprint 1937), pp.85; V.B.&amp;Scaron;olaja, A.S.Magdić, engineers&lt;br&gt; njažestvu / Kingdom of Serbia from the 1834thuntil the end of World War II, Belgrade 1994, pp.&lt;br&gt; 32; group of authors, higher education architecture in Serbia 1846-1971, Belgrade 1996, pp.23,&lt;br&gt; 60-61; S.G.Bogunovic, AEB, vol.2, Beograd 2005; A.Kadijevic, academic aesthetics of architecture,&lt;br&gt; Belgrade 2005; possible determinants Author: Svetlana V.Nedic, Category 3 (020a)&lt;br&gt; ĐORĐEVIĆ, Ivan - art historian (Belgrade, from 1946 to 2004), ESI, 367, II 30-60, Dragan Vojvodić,&lt;br&gt; 2nd category(020a ST)&lt;br&gt; ĐORĐEVIĆ, Costa - ceramist (Prizren 1927 -) Kat.1 (2) NK (020M)&lt;br&gt; ĐORĐEVIĆ, Miodrag, artist.photographer and a doctor, Valjevo 1919 Beg.1995, cat.2 NK (020M)&lt;br&gt; ĐORĐEVIĆ, Mirjana - visual artist Vodovodska 56, Beg, Tel: 514-452, cat.1, ULUS (020M)&lt;br&gt; ĐORĐEVIĆ, Nastase - the builder of many churches in Serbia, osn.liter.B.Vujovic, Art reconstructed&lt;br&gt; Serbia, a category 3 (NV 020)&lt;br&gt; ĐORĐEVIĆ, NIKOLA, construction master, 19Century Lit.Kolarić M., Classicism of the Serbs.&lt;br&gt; Construction, sv.2, Belgrade MCMLXVI, pp.27-28; Kolarić M., Topčiderska church, its&lt;br&gt; builders, its painters, &amp;quot;Proceedings of the National Museum, vol.1, Belgrade MCMLVIII; B.&lt;br&gt; Vujovic, renewed Serbian Art 1791-1848, Belgrade 1986; possible determinants Author: Mirjana&lt;br&gt; Roter-Blagojevic, historian of architecture, Category 2 (020a)&lt;br&gt; ĐORĐEVIĆ, Peter - slikar.likovni Educator (Pirot 1943 -) category 1, Who&amp;#39;s Who (020M)&lt;br&gt; ĐORĐEVIĆ, Svetozar - Zara - by.Gramsci 2 / XIX, 11070 Novi Beograd, Tel: 695-802,&lt;br&gt; Category 2 NK (020M)&lt;br&gt; Djordjevic, Tom (1921), interiors, Category 1 (020M)&lt;br&gt; Djordjic Nikolic, Stojanka, painter, Category 1 (020M)&lt;br&gt; Đuza, Peter - painter, professor.Akad.Pristina (Nevesinje 1952 -) cat.LEJ 2 NK (020M)&lt;br&gt; Djukic, Matilda, landscape architect, professor at the Faculty of Forestry in Belgrade, Category 1&lt;br&gt; (020a)&lt;br&gt; đULIStAN category 1(020a)&lt;br&gt; ĐUMRUKANA IN BELGRADE (destroyed), Category 2 (020a)&lt;br&gt; ĐUNIS, a village with a medieval church of Sv.Dionysius, LEJ xxx, Ivan Stevović, Category 1 (020 SV)&lt;br&gt; Đuragić, Giga - Dile, painter, and ULUS Uluv, Kovilj, P.Drap&amp;scaron;ina 11, Kat.2 NK (020M)&lt;br&gt; Djurakovac, St..Nicholas, 16century, &amp;Scaron;uput, Monuments, 77, Branka Gugolj, Category 1 (020 SV)&lt;br&gt; Djuranovic, Matt - by (Djuric, Boka Bay, 1895 - Herceg Novi, 1973) category 1 (020M)&lt;br&gt; Đuranović, Spiro, a painter, he painted iconostasis (1864-1910).Osn.litterateur.LEJ 1, Zagreb 1984, 381,&lt;br&gt; Category 2 (020 NV)&lt;br&gt; Đura&amp;scaron;ković, Peter (1940, Cetinje), category 1 (020a)&lt;br&gt; Đurđe Get in Budimlja (near Berane), the monastery from the 12thcentury, LEJ 2, xxx, Dragan Vojvodić,&lt;br&gt; Category 2 (020 SV)&lt;br&gt; Đurđe Get in Ras (near Novi Pazar), the monastery from the 12thcentury, LEJ 2, xxx, Radoslav Mihailovic,&lt;br&gt; Category 3 (020 SV)&lt;br&gt; Djurdjevic, Marina, ist.umetn.i architecture, category 1 (020a)&lt;br&gt; Djurdjevic, Stamenko - sculptor, writer (Krnjevo near Smederevo, 1888 - Belgrade, 1941), cat.2 NK&lt;br&gt; (020M)&lt;br&gt; ĐURIĆ, Alexander - a painter, critic, Belgrade 1953, Karl Lukacs 11 / 2, Beg. Tel: 4880-332, ULUS,&lt;br&gt; Lada, Kat.2 NK (020M)&lt;br&gt; ĐURIĆ, Vojislav J.- Art historian (Great Pisanica in Bjelovar, 1925-1996), ESI, 373 --&lt;br&gt; 375; Milan Radujko, 4th Category(020a ST)&lt;br&gt; ĐURIĆ, Milenko - painter, graphic artist, teacher, poet, publisher (Zemun, 1894 - Zagreb, 1945).cat.2&lt;br&gt; NK (020M)&lt;br&gt; ĐURIĆ, Miodrag - Dado, by (Cetinje, 1933).Category 4 (020M)&lt;br&gt; ĐURIĆ, Partenije - by, 18 century, the monastery Dragovic.Osn.litterateur.LEJ 1, Zagreb 1984, 383rd&lt;br&gt; Category 1 (020 NV)&lt;br&gt; ĐURIĆ, Svetislav - Holy heart, a painter, a conservator, Boulevard Revolution 261, Beg, Tel: 404-361, the&lt;br&gt; 452-680, cat.2 ULUS (020M)&lt;br&gt; Djuric, Srdjan - art historian (Belgrade, 1951), ESI, 375, and 5-30; Editorial Board.Category 1&lt;br&gt; (020a ST)&lt;br&gt; ĐURIĆ, Uros-painter, actor, musician, son of the previous one, multimedia artist (Belgrade 1964)-kat.&lt;br&gt; 2 WHO IS WHO FC (020M)&lt;br&gt; Djuric-Ask wonderful, architect, historian of architecture (1922, Pljevlja - 1995, Belgrade) Lit.S.V.&lt;br&gt; Nedic, In memoriam, memories of the person and work of Beautiful Djuric-Zamolo, GGB, vol.XLIII, Belgrade, 1995;&lt;br&gt; Biography D.Đ.Z.in: Djuric Zamolo-D., materials for the study of women architects from Belgrade&lt;br&gt; University of generation 1896-1940.year, &amp;quot;Pinus Records, no.5, Belgrade 1996; possible author&lt;br&gt; determinants: Svetlana V.Nedic, Category 2 (020a)&lt;br&gt; ĐURIČIĆ, James - graphic, pof.ALU, Gavrilo Princip 6, Beg, Tel: 181-305, cat.2 NK (020M)&lt;br&gt; Djurickovic, Slobodan - shako, wall paintings.prof.FPU - Duke Milenko 7, Beg, Tel: 182-950, the 686 --&lt;br&gt; 510 K.Kat.1 (2) ULUS NK (020M)&lt;br&gt; ĐURKOVIĆ, George, painted a portrait of Anthony Brankovic, the first half of the 19thcentury..Osn.litterateur.&lt;br&gt; LEJ 1, Zagreb 1984, 384thCategory 1 (020 NV)&lt;br&gt; ĐURKOVIĆ, Dimitrije - painter, goldsmith, iconographer (Bukovac, 1793 to 1843).Osn.litterateur.LEJ 1&lt;br&gt; Zagreb 1984, 384thCategory 1 (020 NV)&lt;br&gt; ĐURKOVIĆ, Charles - painter, 1818-1837.Osn.litterateur.LEJ 1, Zagreb 1984, 384, Category 1 (020 NV)&lt;br&gt; ĐURKOVIĆ, Pavel - painter, teacher of drawing (Baja, 1772 - Odessa, 1830)..Osn.litterateur.LEJ&lt;br&gt; 1, Zagreb 1984, 384, Category 3 (020 NV)&lt;br&gt; ĐURA FROM Cajnice, goldsmith, 17century, osn.litterateur.LEJ 1, Zagreb 1984.385.Category 1 (020a ST)&lt;br&gt; Djurovic, Zeljko, painter, Crikvenica 1956, floor 2, ULUS, NK (020M)&lt;br&gt; Djurovic, Radivoje - by (Belgrade 1950 -), Kat.And WHO IS WHO FC (020M)&lt;br&gt; ETNO SELO category 3 (020a)&lt;br&gt; Eugene, icon painter, 18century, osn.litterateur.LEJ 1, Zagreb 1984, 400thCategory 1 (020 NV)&lt;br&gt; Patriarch Eutychius, Byzantine painter, 13/14.century, LEJ 2, xxx, Miodrag Markovic, a category 2 (020a ST)&lt;br&gt; Eclecticism in the SRP.Arch.and painting category 4 (020a)&lt;br&gt; ECOLOGICAL arch.U category 3 (020a)&lt;br&gt; ECOLOGICAL visual arts - Category 1 (020.M)&lt;br&gt; Ex Libris - Category 3 (020 NV)&lt;br&gt; EKSEDRA category 1(020a)&lt;br&gt; EXPERIMENTAL ART - Category 1 (020.M)&lt;br&gt; Expressionism (color) - Category 4 (020.M)&lt;br&gt; Expressionism in the SRP.Arch.2nd category(020a)&lt;br&gt; ELECTRONIC ARTS - Category 1 (020.M)&lt;br&gt; EMPORA Category 1 (020a)&lt;br&gt; enformel - Category 4 (020.M)&lt;br&gt; Erdeljan, Jelena, art historian, a category 1 (020a ST)&lt;br&gt; Eric, Zoran - ist.Art, curator, category 1 (020M)&lt;br&gt; Ehrlich, Hugo, architect (Zagreb, 1879-1936) Lit.LEJ, Zagreb 1984, p.V.Milosevic, Architecture in&lt;br&gt; Kingdom of Yugoslavia (Sarajevo 1918-1941), Srbinje 1997; S.G.Bogunovic, AEB, vol.1, Belgrade&lt;br&gt; 2005; possible determinants Author: Predrag V.Milosevic, the architect, historian and theorist of architecture;&lt;br&gt; Category 1 (020a)&lt;br&gt; ERMINIJA, painting manual. Osn.liter.M.Medic, Old painting manuals, Category 3&lt;br&gt; (020 NV)&lt;br&gt; ESFIGMENSKA Charter, 15century, a category 2 (020 SV)&lt;br&gt; Eterović, Ivo, photographer, category 2 (020M)&lt;br&gt; Ećimović, Dejan, architect, theoretician of architecture (1948 - 2002, Belgrade) Lit.A.Kovenc-Vujic, 50&lt;br&gt; Belgrade Architects (born after 1945) = 50 Belgrade Architects (born after 1945), Belgrade&lt;br&gt; 2002; Z.M., In memoriam.Dejan Ećimović, &amp;quot;Architecture, no.61, Belgrade-Podgorica, 2003; possible&lt;br&gt; Author guidelines: Bojan Kovacevic, a historian and theorist of architecture, Category 1 (020a)&lt;br&gt; Ephemeral SPECTACLE - Category 3 (020 NV)&lt;br&gt; E&amp;Scaron;KIĆEVIĆ, Vasa - a painter, by the war, drawing teacher, writer, translator, (Irig, 1867 - New&lt;br&gt; Sad, 1933), cat.2 NK (020M)&lt;br&gt; buttercup, a medieval fortress near the mouth of the Moraca in Skadar Lake, with the Church of St..George ELU 4&lt;br&gt; 651, Category 1 (020 SV)&lt;br&gt; genre - a category 1 (020.M)&lt;br&gt; Zarkovic, Dusica - grafičarka, Kat.1 (020M)&lt;br&gt; Zarkovic, Milenko - graphic artist, Kat.1 (020M)&lt;br&gt; Zarkovic, Milica - grafičarka, Kat.1 (020M)&lt;br&gt; Zarkovic, Nicephorus - by 1818, Ja&amp;scaron;a Tomić.ELU 4, 651, Category 1 (020 NV)&lt;br&gt; ŽEDRINSKI, Vladimir (Ivanovich) - painter, cartoonist, set designer, costume designer (Moscow, 1899 --&lt;br&gt; Paris, 1974).cat.3 (020M)&lt;br&gt; Railway station in Belgrade (Sava Square 2), Category 1 (020a)&lt;br&gt; Racy (XX, Beograd) - Art Group, category 1 (020.M)&lt;br&gt; Žefarović, George - painter, graphic artist (Dojran / Thessaloniki, 1722 - Vienna, 1752). Osn.litterateur.M.&lt;br&gt; Timotijevic, Serbian baroque painting, Novi Sad 1996, Category 1 (020 NV)&lt;br&gt; Žefarović, Hristofor - painter, bakrorezac, writer (d. Moscow, 1753).osn.litterateur.M.Timotijevic,&lt;br&gt; Serbian baroque painting, Novi Sad 1996, Category 4 (020 NV)&lt;br&gt; Live SCULPTURE - Category 1 (020.M)&lt;br&gt; Zivadinovic Stevan (BOR, Vane) - writer, painter (Bor, 1908 - Oxford, Vel. Britain, 1993)&lt;br&gt; cat.3 (020M)&lt;br&gt; Zivadinovic, Strawberry - artist, Kat.1 (020M)&lt;br&gt; Zivadinovic, Michael, architect, university professor (1931, Belgrade) Lit.A.Milenkovic,&lt;br&gt; Critical philosopheme architecture, Belgrade 1987, Maric D., Guide to modern architecture of Belgrade,&lt;br&gt; Belgrade 2002; S.G.Bogunovic, AEB, vol.2, Beograd 2005; possible determinants of the author: Free&lt;br&gt; Bogunovic; Category 1 (020a)&lt;br&gt; ŽIVANOVIĆ, Dusan, architect (1853, Senta - 1937, Belgrade) Lit.D.Djuric-Zamolo, developers Belgrade&lt;br&gt; 1815-1914, Belgrade 1981; Lexicon Serbian builders, Belgrade 2002; S.G.Bogunovic, AEB, vol.2,&lt;br&gt; Belgrade 2005; possible determinants Author: Marina Djurdjevic, historian of architecture; Category 2?&lt;br&gt; (020a)&lt;br&gt; ŽIVANOVIĆ, Radojica - Noe - painter, writer and art critic (Belgrade, 1903 - Belgrade, 1944).&lt;br&gt; cat.2 (020M)&lt;br&gt; Zivancevic, Dragan - umetniuk Extended Media, cat.1 (020M)&lt;br&gt; Zivko, Masa - artist, Kat.1 (020M)&lt;br&gt; Zivkovic, Djordje, category 1 (020M)&lt;br&gt; ŽIVKOVIĆ, Bogosav - self-taught sculptor, Kat.3 (020M)&lt;br&gt; ŽIVKOVIĆ, Branislav, painter and conservator, ELU 4, 658, Radojka Zaric, a category 2 (020a ST)&lt;br&gt; Zivkovic, Dobrosav-Bob, illustrator, Category 2 (020M)&lt;br&gt; ŽIVKOVIĆ, dino, painter and conservator, ELU 4, 658; Radojka Zaric, a category 2 (020a ST)&lt;br&gt; ŽIVKOVIĆ, Ivanka - painter, konzervatorka, Kat.1 (020M)&lt;br&gt; ŽIVKOVIĆ, Miodrag - sculptor, Kat.2 (020M)&lt;br&gt; ŽIVKOVIĆ, Michael - by (Buda, 1776).).osn.litterateur.M.Timotijevic, Serbian baroque&lt;br&gt; painting, Novi Sad 1996, Category 3 (020 NV)&lt;br&gt; ŽIVKOVIĆ, Stanislav - art historian (Belgrade, 1923), cat.3 (020M)&lt;br&gt; ŽIVKOVIĆ, Hadzi-NIKOLA, master-dunđer, custodian of buildings (1792, Water / day - Edessa /, Greece --&lt;br&gt; Belgrade, 1870) Lit.Kolarić M., Classicism of the Serbs.Construction, sv.2, Belgrade MCMLXVI; D.&lt;br&gt; Djuric-Zamolo, builder 1815-1914 Belgrade, Belgrade, 1981; Lexicon Serbian builders, Belgrade 2002;&lt;br&gt; S.G.Bogunovic, AEB, vol.2, Beograd 2005; possible determinants Author: Mirjana Roter-Blagojevic,&lt;br&gt; historian of architecture; category 3 (020a)&lt;br&gt; Zivojinovic, Dusan M.(&amp;Scaron;apčanin) - photographer before.Municipality, Member of Parliament (Sabac, 1872 --&lt;br&gt; Pozarevac., 1942) cat.1 (020M)&lt;br&gt; LIFE - Art group, category 3 (020.M)&lt;br&gt; Zigon, Nikola - painter, Kat.1 (020M)&lt;br&gt; ŽILNIK, Paul, architect, educator (Novi Sad, 1920 - Novi Sad, 2006), category 1 (020a)&lt;br&gt; Žitomislić, the monastery in Mostar, 16and 17century, ELU 4, 658, Category 2 (020 SV)&lt;br&gt; ZICA, a monastery near Kraljevo, 13century, ELU 4, 656-657, G.Subotic, wire, Belgrade, 198h -,&lt;br&gt; Category 5 (020 SV)&lt;br&gt; Zunic, Milan - graphic artist, Kat.1 (020M)&lt;br&gt; ŽUNKOVIĆ, Zoran, architect (1931, Kragujevac) Lit.Maric D., Guide to modern architecture&lt;br&gt; Belgrade, Belgrade, 2002; A.Milenkovic, Architecture: VISION Salon, Belgrade 2001; S.G.&lt;br&gt; Bogunovic, AEB, vol.2, Beograd 2005; possible determinants Author: Biljana Misic, historian&lt;br&gt; architecture; Category 1 (020a)&lt;br&gt; ŽUPANJEVAC, Zoran, architect (1944, Aleksinac - 1995, Harare, Zimbabwe) Lit.A.Milenkovic,&lt;br&gt; Critical philosopheme architecture, Belgrade 1987; S.G.Bogunovic, AEB, vol.2, Beograd 2005; possible&lt;br&gt; Author guidelines: Mare Jan&amp;aacute;k-Grujic, historian of architecture; Category 1 (020a)&lt;br&gt; pediment (gable, swallow) (s.b), category 1 (020a)&lt;br&gt; Zavala, a monastery in Popovo Polje, before 1514, the frescoes in 1619, ELU 4, 608, Category 2 (020 SV)&lt;br&gt; Zavi&amp;scaron;ić, Marko - by (Dobrich, 1835 to 1855).Osn.litterateur.ELU 4, 608, Category 1 (020 NV)&lt;br&gt; Planning Institute and Planning, kategorija3 (020a)&lt;br&gt; ZAGORODNJUK, Vladimir (Pavlovich) - sculptor, set designer, costume designer (Odessa, 1889 - Sydney,&lt;br&gt; Australia, 1976).cat.1 (020M)&lt;br&gt; zagurović Jerolim, publisher and printer from Kotor, 16century, D.medaković, Serbian printed graphics&lt;br&gt; Book, 15-18.century, Belgrade 1958, 57, 158, Slaven Popara, category 1 (020a ST)&lt;br&gt; ZADAR GROUP - Art Group, category 2 (020.M)&lt;br&gt; ZAJEČAR, Radulov Bey KONAK; entries 1stcategories (020a)&lt;br&gt; Zakić, Tatiana, ceramist, category 1 (020M)&lt;br&gt; zanjevačka church near the village of Zvezdan (Zaječar), the remains of the church from the 11thcentury, ELU 4, 647, Category 1&lt;br&gt; (020 SV)&lt;br&gt; ZARIN, Alexander - sculptor (Serbian Crnja, 1923 - Belgrade?).cat.3 (020M)&lt;br&gt; ZARIN-Stefanovic, Tatjana (ZARIN, Tanya) - sculptor, Kat.2 (020M)&lt;br&gt; ZARIC, Vera - artist, Kat.1 (020M)&lt;br&gt; ZARIC, Geroslav - painter, Kat.1 (020M)&lt;br&gt; flag, category 1 (020 SV)&lt;br&gt; Zaton on Lim, near Bijelo Polje, the Church of St..John, 10-11.century, ICG 1, category 1(020 SV)&lt;br&gt; Zaum, the monastery from the 14thcentury, a category 3 (020 SV)&lt;br&gt; protection of cultural monuments, a category 3 (020a)&lt;br&gt; The collection of art, a category 4 (020.M)&lt;br&gt; Knocker, kaetegorija 1 (020a)&lt;br&gt; Zvecan, medieval town with the church Sv.George, 11century, ELU 4, 647, Category 2 (020 SV)&lt;br&gt; steeple (tower-steeple) Category 3 (020a)&lt;br&gt; Sound environment - an art group, category 1 (020.M)&lt;br&gt; BUILDING ART AND CULTURE, a category 2 (020a)&lt;br&gt; Sabol, Ivan, an architect (1903, Pozarevac - 1991, Belgrade) Lit.I Biography.Sabol, in:&lt;br&gt; I Zdravkovic., Documents of national creativity in the past.Monuments urban and rural folk&lt;br&gt; architecture in Serbia, Belgrade, 1990; possible determinants Author: Snezana To&amp;scaron;eva, historian&lt;br&gt; architecture; 2nd category(020a)&lt;br&gt; ZDRAVKOVIĆ, Ljubomir, architect (1946, Belgrade), category 1 (020a)&lt;br&gt; zdunje in Skopje (Porecje), Church of the Presentation, frescoes from others.Pol.14.century, bruise, Nis and Byzantium,&lt;br&gt; 1, 2003, 249, Category 1 (020 SV)&lt;br&gt; zebrnjak, memorial complex, a category 2 (020a)&lt;br&gt; Heat, Nikola - ethnographer, director Etnograf.muzeja, prof.(Novo Selo, Banat, 1863 - Belgrade, 1940)&lt;br&gt; cat.1 (020M)&lt;br&gt; ZEJTILNIK, complex-Memorial Chapel and cemetery, a category 3 (020a)&lt;br&gt; Zeković, Zvonimir - by conservator floor.1 (020M)&lt;br&gt; Zelinski, Vladimir - painter, Kat.1 (020M)&lt;br&gt; Zelic, Gerasim-icon painter, osn.liter.ELU 4, 610, Category 1 (020 NV)&lt;br&gt; Zemen, the monastery from the 14thcentury, a category 2 (020 SV)&lt;br&gt; COUNTRY - Art group, category 3 (020.M)&lt;br&gt; Zemun, monuments DOM SERBIAN ORTHODOX MUNICIPALITIES; Karamatina HOUSE; Nikolajevska CHURCH,&lt;br&gt; Church of Sv.Virgin, Saint.Nicholas, Saint.Trinity, Monastery of St..Arch.Michael, ... osn.liter.B.&lt;br&gt; Vujovic, Belgrade in the past and present, a category 4 (NV 020)&lt;br&gt; dugout (lagumica) Category 1 (020a)&lt;br&gt; Zenitizam - Category 4 (020.M)&lt;br&gt; ZEC, John - painter, Kat.1 (020M)&lt;br&gt; ZEC, Safet - painter, Kat.2 (020M)&lt;br&gt; Zecevic, Stanko - painter, Kat.1 (020M)&lt;br&gt; mural painting, ELU 4, 613-619 (J. V. Djuric), Category 3 (020 SV)&lt;br&gt; ZLAMALIK, Vesna - grafičarka, artist, cat.1 (020M)&lt;br&gt; ZLAMALIK, Matija - painter, graph.designer (Sarajevo, 1905 - Belgrade? 1965).cat.2 (020M)&lt;br&gt; JEWELERY, ELU 4, 628, 632-633 (B. Radojkovic), B.Radojkovic, Serbian zlatarsvo 16 and 17 centuries, N.&lt;br&gt; Sad 1966 - Category 4 (020 SV)&lt;br&gt; Golden Pen, the annual event ULUPUDS, category 2 (020.M)&lt;br&gt; Zlokovic - Vujisić, Ljubica - sculptor, Kat.1 (020M)&lt;br&gt; Zlokovic, Milan, architect, university professor (1898, Trieste, Italy - 1965, Belgrade) Lit: D.&lt;br&gt; Popovic, Milan Zlokovic, NIN, 2031, pp.48; R.Vukovic, Milan Zlokovic, Art Life, 3, 20-21,&lt;br&gt; pp.[10]; Z.Manević, Zlokovic, Belgrade 1989; M.Lojanica, the top European modernism: with&lt;br&gt; centenary of birth: arch.Milan Zlokovic, &amp;quot;Politics&amp;quot; (26.06.1999), M.Djurdjevic, Life and work&lt;br&gt; Mikhail Zloković architect (1896-1965), Yearbook of Belgrade, XXXVIII (1991), pp.145-168;&lt;br&gt; M.Vukotic, Milan Zlokovic, &amp;quot;Moment&amp;quot;, 17, p.77-78; Lj.Blagojevic, modern house in Belgrade&lt;br&gt; (1920-1941), Belgrade 2000; A.Kadijevic, Contribution to the interpretation of opus prominent Belgrade builders:&lt;br&gt; Milan Zlokovic and seeking national style in Serbian architecture, Yearbook of Belgrade, vol.&lt;br&gt; 47/48 (2000/2001), pp.213-224; Lexicon Serbian builders, Belgrade 2002; Lj.Blagojevic,&lt;br&gt; Modernism in Serbia, The Elusive margins of Belgrade Architecture, 1919-1941, 2003; S.G.&lt;br&gt; Bogunovic, AEB, vol.2, Beograd 2005; possible determinants of the author: Free Bogunovic, Category 4 (5)&lt;br&gt; (020a)&lt;br&gt; ZMIJANOVIĆ, bones, construction master, 18Century Lit.D.Medaković, Serbian art in the eighteenth century,&lt;br&gt; Belgrade, 1980; possible determinants Author: Aleksandar Ivanovic, architect-conservator, historian&lt;br&gt; architecture; Category 1 (020a)&lt;br&gt; Znojmo, chapel from the 12thcentury, the Czech Republic, Category 1 (020 SV)&lt;br&gt; ZOGRAF - Art group, category 3 (020.M)&lt;br&gt; ZOGRAF, journal of medieval art, Category 2 (020 SV)&lt;br&gt; Zograf, Category 3 (020 SV)&lt;br&gt; Zonjić, John - painter (Cetinje, 1907 - Belgrade, 1961) cat.2 (020M)&lt;br&gt; Zorica - Colakovic, Milica - tapestry artist, Kat.1 (020M)&lt;br&gt; Zoric, Veselka - applied artist, Kat.1 (020M)&lt;br&gt; Zoric, Ivanka, ist.Art, DIR.MAA, Belgrade, 1 (020M)&lt;br&gt; Zoric, Svetozar - architect, lecturer at the School of Art (1854 to 1931).Category 3?(020a)&lt;br&gt; ROADS, HOUSE Benz, Category 1 (020a)&lt;br&gt; Zrze, a monastery near Prilep, 14century, ELU 4, 644, Category 3 (020 SV)&lt;br&gt; Zrnic, Predrag, architect, professor at the Faculty of Architecture Bgdu (?, 1904 -?) Category 1&lt;br&gt; (020a)&lt;br&gt; IAUS - Institute of Architecture and Urban Planning of Serbia, Category 2 (020a)&lt;br&gt; IVAN PROGONOVIĆ, jeweler from Novo Brdo, 15century, Radojkovic, goldsmiths, hhh, Alexander Nitić&lt;br&gt; Category 1 (020a ST)&lt;br&gt; Ivanic, John - painter, icon painter (Petrovaradin? - Novi Sad, 1845).).Osn.litterateur.LEJ 1&lt;br&gt; Zagreb 1984, 655thCategory 1 (020 NV)&lt;br&gt; IVANOVIC, DRAGAN, architect, category 1 (020a)&lt;br&gt; IVANOVIC, Catherine - painter (Sz&amp;eacute;kesfeh&amp;eacute;rv&amp;aacute;r, 1819 - Seke&amp;scaron;fekervar, 1882).Osn.litterateur.M.&lt;br&gt; Timotijević-R.Mihailovic, Katarina Ivanovic, Belgrade 2005, category 4?(020 NV)&lt;br&gt; IVANOVIC, Ljubomir (Ljuba) - painter, graphic artist, prof.univ.(Belgrade, 1882 - Belgrade, 1945).cat..3&lt;br&gt; (020M)&lt;br&gt; IVANOVIC, Milan, art historian, ESI 393-394; Editorial Board.Category 1 (020a ST)&lt;br&gt; VOJVODIĆ-IVANOVIC, JELENA, architect (1962, Prizren), category 1 (020a)&lt;br&gt; Ivanjicki, Olga - Olja - artist, Kat.3 (020M)&lt;br&gt; Ivackovic, George - Artist, Kat.2 (020M)&lt;br&gt; Ivackovic, Svetozar, architect (1844, Deliblato near Pancevo - 1924, Belgrade) D.Djuric-Zamolo,&lt;br&gt; The developers of Belgrade 1815-1914, Belgrade 1981; M.Jovanovic, the Serbian church architecture and&lt;br&gt; Painting recent times, the Belgrade-Kragujevac 1987, pp.109-130; Ž.Skalamera, Restoration &amp;#39;Serbian&lt;br&gt; style &amp;#39;in architecture, ZLUMS, no.5, Novi Sad 1969; Lj.Nikic, Svetozar Ivačković and Belgrade, GGB,&lt;br&gt; vol.XXV, Belgrade 1978, Serbian Roads engineering during the nineteenth century, Belgrade, 1994; A.Kadijevic,&lt;br&gt; An index of national life in the Serbian-style architecture (mid-nineteenth-twentieth century mean), Belgrade&lt;br&gt; 1997; S.G.Bogunovic, AEB, vol.2, Belgrade, 2005,810-814; M.Roter Blagojevic, Housing&lt;br&gt; Architecture of Belgrade in the 19thand early 20thcentury, Belgrade 2006; possible determinants Author: Mirjana&lt;br&gt; Roter-Blagojevic, historian of architecture; category 4 (020a)&lt;br&gt; IVKOVIĆ, Bogoljub - painter, Kat.1 (020M)&lt;br&gt; IVKOVIĆ, Vladislav, architect, university professor (1926, Belgrade) Lit.A group of authors,&lt;br&gt; Architecture of higher education in Serbia 1846-1971, Belgrade 1996, 84, 149; Architecture&lt;br&gt; University of Belgrade, 1948-1995, Belgrade 1996, pp.46, 99; Encyclopaedia&lt;br&gt; architectonica Lexicon Serbian architects 19thand 20century, Belgrade 1999, pp.72; Z.Žunković,&lt;br&gt; Airport terminal building &amp;#39;Belgrade,&amp;#39; Aw, no.16, Vol.III, Beograd 1962; Maric D., Guide&lt;br&gt; modern architecture, Belgrade 2002; S.G.Bogunovic, AEB, vol.2, Belgrade, 2005,815-817;&lt;br&gt; possible determinants Author: Predrag V.Milosevic, the architect, historian and theorist of architecture;&lt;br&gt; Category 2 (020a)&lt;br&gt; IVKOVIĆ, Zorica - art historian, a category 1 (020a ST)&lt;br&gt; IGNJATOVIĆ, Bogdan, architect (1912, Belgrade - 2004, Belgrade) Lit.B.Stojanovic, IN.Martinovic,&lt;br&gt; Beograd 1945-1975.Urbanism.Architecture, Belgrade 1978; Z.Manević, Grand Prix architecture&lt;br&gt; for 2003.assigned to the B.Ignjatovic, &amp;quot;Architecture&amp;quot;, Belgrade-Podgorica, br.73, 2004; S.G.&lt;br&gt; Bogunovic, AEB, vol.2, Beograd 2005, 798-780; possible determinants Author: Marta Vukotic Lazar-;&lt;br&gt; Category 2 (020a)&lt;br&gt; IGUMANOVLJEVA palace in Belgrade (Terazije no. 33); Category 1 (020a)&lt;br&gt; Izba Category 1 (020a)&lt;br&gt; CONSTRUCTION, magazines, category 1 (020a)&lt;br&gt; Exhibition, Modern Art - Category 3 (020.M)&lt;br&gt; ICON - Category 3 (020 SV)&lt;br&gt; iconography, a category 3 (020 SV)&lt;br&gt; iconology - Category 2 (020.M)&lt;br&gt; Iconostasis, osn.litterateur.M.Timotijevic, Serbian baroque painting, Novi Sad 1996thCategory 3&lt;br&gt; (020 NV)&lt;br&gt; Elias, goldsmith, 18century, made filigrantski cross from the 1758th, osn.litterateur.LEJ 1, Zagreb 1984,&lt;br&gt; 628.Category 1 (020 NV)&lt;br&gt; ILIJEVIĆ, John - by national churches and the builder (? - Veles, 1905).Category 1 (020 NV)&lt;br&gt; ILIJEVIĆ, Ksenija - artist, Kat.1 (020M)&lt;br&gt; DRAGUTIN ILIC, writer, writer, art criticism in the 19thcentury, osn.liter.ELU 2, 663, Category 1&lt;br&gt; (020 NV)&lt;br&gt; ILIC, Boza - by (cereal Potok, 1919 -1993?).cat.2 (020M)&lt;br&gt; ILIC, George - Artist, Kat.1 (020M)&lt;br&gt; ILIC, Marija - sculptor, Kat.1 (020M)&lt;br&gt; ILIC, Mirko - designer, Kat.2 (020M)&lt;br&gt; ILIC, N.FREE, architect (1931, Belgrade), category 1 (020a)&lt;br&gt; ILIC, Theodore (Če&amp;scaron;ljar) - painter, iconographer (Čurug / Sirig, 1746 - Peter&amp;#39;s Village, 1793). Osn.litterateur.&lt;br&gt; M.Timotijevic, Theodore Če&amp;scaron;ljar Ilic, Novi Sad 1989thCategory 4 (020 NV)&lt;br&gt; Ilkic, John, architect (1857, Zemun - 1917, Nežider, Hungary) Lit.D.Djuric-Zamolo, developers&lt;br&gt; Belgrade 1815-1914., Belgrade 1981, pp.47; B.Nestrović John Ilkic, architect of Belgrade, GGB&lt;br&gt; vol.XIX, Belgrade 1972, pp.253; B.Kojic, John Ilkic, AU, no.3, Belgrade, 1960; A.Kadijevic,&lt;br&gt; Aesthetics of academism, Belgrade 2005; S.G.Bogunovic, AEB, vol.2, Belgrade, 2005,800-805;&lt;br&gt; M.Roter Blagojevic, Belgrade residential architecture in the 19thand early 20thcentury, Belgrade 2006;&lt;br&gt; possible determinants Author: Mirjana Roter-Blagojevic, historian of architecture; category 4 (020a)&lt;br&gt; ILUZIONIZAM / tROMPE-L&amp;#39;OEIL / 2nd category(020.M)&lt;br&gt; The illusionist DECORATION ENG.Arch.(?) (020a)&lt;br&gt; Illuminated Manuscript, a category 3 (020 SV)&lt;br&gt; ILJOVSKI, Bora - painter, Kat.2 (020M)&lt;br&gt; impressionism - Category 4 (020.M)&lt;br&gt; Intarsia Category 2 (020a)&lt;br&gt; Industrialized BUILDING 3rd category(020a)&lt;br&gt; industrial architecture (buildings) Category 3 (020a)&lt;br&gt; Chamber of Engineers SERBIAN;; Category 1 (020a)&lt;br&gt; initials, Category 2 (020 SV)&lt;br&gt; Inkiostri-gingerbread, Dragutin, designer, technical writer (1866, Split - 1942, Belgrade) Lit.S.&lt;br&gt; Vule&amp;scaron;ević, Dragutin Inkiostri gingerbread: a pioneer of Yugoslav design, Belgrade 1998, Petrovic,&lt;br&gt; Nikola T., Dragutin gingerbread-Inkiostri, Chronicle of the Serbian Matica, 1-2 (January-February 1926), pp.&lt;br&gt; 116-120; P.Vasic, Applied Art in Serbia 1900-1978, Belgrade 1981, pp.12-16; T.Korićanac,&lt;br&gt; John Cvijić and Dragutin Inkiostri gingerbread, GGB, vol.XXXVI, Belgrade 1989, pp.232; S.G.&lt;br&gt; Bogunovic, AEB, vol.2, Belgrade 2005, pp.806-810; possible determinants of the author, category 3 (020a)&lt;br&gt; Inlay category 2 (020a)&lt;br&gt; INSTALLATION - Category 2 (020.M)&lt;br&gt; INTEGRATED PAINTING - Category 2 (020.M)&lt;br&gt; intermedia-multimedia - Category 1 (020.M)&lt;br&gt; intimism - Category 3 (020.M)&lt;br&gt; IPIC, Sava - painter, sculptor (Novi Sad, 1894 - Novi Sad, 1958).cat.2 (020M)&lt;br&gt; IRADOVIĆ, Miomir - graphic artist, Kat.2 (020M)&lt;br&gt; Historicism in architecture and fine arts category 4 (020a)&lt;br&gt; ISAJLOVIĆ, John - painter (Irig, 1740 - Next, 1807).Osn.litterateur.M.Timotijevic, Serbian baroque&lt;br&gt; painting, Novi Sad 1996thCategory 3 (020 NV)&lt;br&gt; ISAJLOVIĆ, John jr.- By (hereinafter, 1803 - Stapar, 1885).Osn.Litterateur.N. Kusovac, Serbian&lt;br&gt; painting of the eighteenth and nineteenth centuries, Belgrade 1987thCategory 3 (020 NV)&lt;br&gt; Isakovic, Mirjana - ceramist, Kat.2 (020M)&lt;br&gt; Isakovic, Svetlana - art historian, Kat.1 (020M)&lt;br&gt; Islamic art IN SERBIAN, Category 3 (020 SV)&lt;br&gt; Anchoress category 1(020a)&lt;br&gt; St. hermitages.Save the Studenica, 13century, 17century, a category 2 (020 SV)&lt;br&gt; HISTORY OF ART - Category 5 (020.M)&lt;br&gt; Italo-Cretan school of icon painting, Category 3 (020 SV)&lt;br&gt; JAGODINA, Old and new church, a category 3 (NV 020)&lt;br&gt; Jakic, Vojislav - sculptor, Kat.1 (020M)&lt;br&gt; Jakovljevic, Zoran, architect-conservator (1936, Belgrade) Lit.S.G.Bogunovic, AEB, vol.2, Belgrade&lt;br&gt; 2005,817-818; possible determinants Author: Aleksandar Ivanovic, architect-conservator, historian&lt;br&gt; architecture; Category 2 (020a)&lt;br&gt; Jaksic, Arsenije - by (Bela Crkva,? - Romania, 1857).Osn.litterateur.LEJ 1, Zagreb 1984, 672nd&lt;br&gt; Category 2 (020 NV)&lt;br&gt; Jaksic, Belushi, son Đure Jaksic, taught painting, Category 1 (020 NV)&lt;br&gt; Jaksic, Dimitrije - by (Bela Crkva, 1813).Osn.litterateur.LEJ 1, Zagreb 1984, 672ndCategory 2&lt;br&gt; (020 NV)&lt;br&gt; Jaksic, Đura - osn.litterateur.M.Jovanovic, Serbian painting in the Romantic Age 1848-1976, New&lt;br&gt; Sad 1976thCategory 4 (5) (020 NV)&lt;br&gt; Jaksic, Joseph - by (Bela Crkva,?), 1853, Manasija in Wallachia.Osn.litterateur.LEJ 1, Zagreb 1984,&lt;br&gt; 672.Category 1 (020 NV)&lt;br&gt; Jaksic, MILICA, architects, urban (1937, Belgrade), category 1 (020a)&lt;br&gt; Jaksic, Simeon - painter, 1807 - 1898, Vrsac.Osn.litterateur.LEJ 1, Zagreb 1984, 672ndCategory 2&lt;br&gt; (020 NV)&lt;br&gt; janačko field at N.Pazar, St..Demetrius, 16century, Category 1 (020 SV)&lt;br&gt; Jandric, Radovan - graphic floor.1 (020M)&lt;br&gt; Janic, Michael - carver (Arad, 1833), 1829 - 1843rdOsn.litterateur.LEJ 1, Zagreb 1984, 677th&lt;br&gt; Category 2?(020 NV)&lt;br&gt; Janic, Predrag, architect (1952, Kraljevo), category 2 (020a)&lt;br&gt; Janicijevic, George - Artist, 1834, the monastery Ravanica.Osn.litterateur.LEJ 1, Zagreb 1984.677.&lt;br&gt; Category 1 (020 NV)&lt;br&gt; Janko, FRANCE, engineer (?-?) Lit.M.Kolarić, classicism of the Serbs.Construction, Belgrade&lt;br&gt; MCMLXVI; Archival materials for the history of the National Museum - Prince Milos and Serbian authorities to antiquities&lt;br&gt; and Art in Serbia 1815-1839., Belgrade 1844-1969; V.&amp;Scaron;olaja District engineers&lt;br&gt; Principality / Kingdom of Serbia from the 1852ndto 1914.years, in: Serbian Roads engineering during the nineteenth&lt;br&gt; century, Belgrade 1994; S.G.Bogunovic, AEB, vol.2, Beograd 2005, 819-821; possible determinants Author:&lt;br&gt; Svetlana V.Nedic, Category 3 (020a)&lt;br&gt; JANKOVIC, Nikola, Zograf - (1834, Ohrid, monastery Tronosa. Osn. Litterateur. B. Vujovic, Art&lt;br&gt; renewed Serbia 1796-1848, Belgrade 1986th, a category 2 (3).(020 NV)&lt;br&gt; JANKOVIC, Aksentije - monk, painter (Vrsac?), 1820, Vrsac.Osn.litterateur.LEJ 1, Zagreb 1984.677.&lt;br&gt; Category 2 (020 NV)&lt;br&gt; JANKOVIC, Amvrosije - monk, icon painter (Sečuj, 1731,). Osn.litterateur.M.Timotijevic, Serbian&lt;br&gt; Baroque painting, Novi Sad 1996thCategory 2 (3) (020 NV)&lt;br&gt; JANKOVIC, Bozidar - Architect (Nis, 1931), category 1(020a)&lt;br&gt; JANKOVIC, Basil - by, 19century, Vrsac.Osn.litterateur.LEJ 1, Zagreb 1984, 680th, Category 1&lt;br&gt; (020 NV)&lt;br&gt; JANKOVIC, Dimitrije - painter, 1769, Novi Sad.Osn.litterateur.LEJ 1, Zagreb 1984.679., Category 1&lt;br&gt; (020 NV)&lt;br&gt; JANKOVIC, Dusan - painter, graphic artist, dizjner (Nis, 1894 - Belgrade, 1950), cat.3 (020M)&lt;br&gt; JANKOVIC, Zivorad, architect (Visegrad, 1924 - Sarajevo, 1990), category 2 (020a)&lt;br&gt; JANKOVIC, Ljubodrag - Jale - kat.2 (020M)&lt;br&gt; JANKOVIC, Milica - writer, painter (1881 - 1939), Belgrade.cat.2 (020M)&lt;br&gt; JANKOVIC, Milorad - Doca - graphic artist, Kat.2 (020M)&lt;br&gt; JANKOVIC, Michael, architect (1911, Belgrade - 1976, Belgrade) Lit.T.Markovic, builder architect&lt;br&gt; Michael Jankovic, AU, no.78-79, Belgrade 1977; S.G.Bogunovic, AEB, vol.2, Belgrade 2005, 822 --&lt;br&gt; 825.G.Gordic, biographies, in: Serbian Architecture 1900-1970, Belgrade 1972; Encyclopaedia&lt;br&gt; architectonica.Lexicon Serbian architects 19thand 20century, Belgrade 1999; B.Stojanovic, IN.&lt;br&gt; Martinovic, Belgrade 1945-1975.Urbanism.Architecture, Belgrade 1978, Maric D., Guide to Modern&lt;br&gt; Architecture, Belgrade 2002; possible determinants Author: Milan Milovanovic, architects,&lt;br&gt; historian of architecture Category 2 (020a)&lt;br&gt; JANKOVIC, Nikola - painter, drvorezbar (Pest / Sr.Karlovci, 1702), 1734, Srem Karlovci.Osn.&lt;br&gt; litterateur.LEJ 1, Zagreb 1984.680.Category 1 (020 NV)&lt;br&gt; JANKOVIC, Oliver, historian. Art, Cat.1 (020M)&lt;br&gt; JANKOVIC, Todor - by (Trnovo near Sarajevo, 1891 - Sarajevo 1936), cat.1.(020M)&lt;br&gt; JANKOVIC, Philip - by (Upper Gorica, 1935).cat.2 (020M)&lt;br&gt; Jano&amp;scaron;ević, Theodore - by (Pancevo,?), 1844 - 1847.Osn.lit.ELU 3, 61, category 1(020 NV)&lt;br&gt;Janca, Zagorka, art historian, ESI 405, Editorial Board Category 2 (020a ST)&lt;br&gt; JANČIĆ.Olga - sculptor (Bitola, 1929).cat.4 (020M)&lt;br&gt; Ioannina on Peljesac, St..George, 9 / 10.century, Z.Bjelovučić, the ruins of the church of Sts.George in&lt;br&gt; Janjini from IX or X century, the old Croatian Education 1928, Category 1 (020 SV)&lt;br&gt; Janjic, FREE, architect (1928, Sabac - 2003, Sabac) Lit.G.Gordic, biographies, in: Serbian&lt;br&gt; Architecture 1900-1970, Belgrade 1972, pp.133; Encyclopaedia architectonica.Lexicon Serbian&lt;br&gt; Architects 19thand 20century, Belgrade 1999, pp.80, 189; B.Stojanovic, IN.Martinovic, Belgrade&lt;br&gt; 1945-1975.Urbanism.Architecture, Belgrade 1978, pp.185-6, 220, 226, Maric D., Guide&lt;br&gt; modern architecture, Belgrade 2002; S.G.Bogunovic, AEB, vol.2, Belgrade, 2005,825-828;&lt;br&gt; possible determinants of the author: Free Bogunović; Category 2 - (3) (020a)&lt;br&gt; JAPIJA, category 1 (020a)&lt;br&gt; Jasenovac memorial complex, a category 3 (020a)&lt;br&gt; Ja&amp;scaron;ović, Dragomir - Jasa - by, Kopi&amp;scaron;te, conservator, Kat.2 (020M)&lt;br&gt; JA&amp;Scaron;UNJSKI MONASTERIES, near Leskovac, 15and 16century, a category 3 (020 SV)&lt;br&gt; JEVĐENOVIĆ, FREE, architect (1959, Valjevo), category 1 (020a)&lt;br&gt; JEWISH arch.U 3rd category(020a)&lt;br&gt; Jevric, Olga - sculptor (Belgrade, 1922).cat.4 (020M)&lt;br&gt; Jevtic, Branko - by (Belgrade, 1887 - Balkan Front, 1916).cat.1 (020M)&lt;br&gt; Jevtic, Milorad, architect, architectural critic (1932, Bresnica end Bosiljgrada) Lit.Z.&lt;br&gt; Manević, consistent critic of architecture, Architecture, no.95, Belgrade-Podgorica, 2004; Biography&lt;br&gt; M.Jevtic, in: M.Jevtic, Critical reflexes, Belgrade 2004; possible determinants Author: Vladimir&lt;br&gt; Mitrovic, a historian of architecture; Category 1 (020a)&lt;br&gt; Jevtic, Michael (Jeftic, Michael) - painter, in 1783, Srem Karlovci osn.litterateur.LEJ 1, Zagreb&lt;br&gt; 1984 692ndCategory 1 (020 NV)&lt;br&gt; Jevtic, Michael - the nineteenth century, osn.litterateur.LEJ 1, Zagreb 1984, 692ndCategory 1 (020 NV)&lt;br&gt; Jevtic, Slobodan - Pulika - painter, Kat.1 (020M)&lt;br&gt; Jevtovic, Jefto - art historian (Cacak, 1931) cat.2 (020M)&lt;br&gt; eleven - Category 2 (020.M)&lt;br&gt; Ježevica, a monastery near Cacak, frescoes from the 17thcentury, a category 2 (020 SV)&lt;br&gt; Jezdimirović, Gregory - a painter, goldsmith (Next, 1769).Osn.litterateur.LEJ 1, Zagreb 1984.692,&lt;br&gt; Category 1 (020 NV)&lt;br&gt; jeksa Virpazar the church from the 17thcentury, Category 1 (020 SV)&lt;br&gt; Jelača, Nebojsa - painter, restorer of frescoes (in Karlovac, Croatia, 1911 - Vienna, 1954) cat.1&lt;br&gt; (020M)&lt;br&gt; jela&amp;scaron;ci (jel&amp;scaron;ica) arhiepiskopski Palace Daniel II, 14century, Category 1 (020 SV)&lt;br&gt; Jelenkovic, Beautiful - artist, Kat.1 (020M)&lt;br&gt; Jelenkovic, Dragan - sculptor, Kat.2 (020M)&lt;br&gt; Jeleč, ruler&amp;#39;s palace around race, 13century, Category 1 (020 SV)&lt;br&gt; Jelic-Medaković, Spomenka, Kat.1 character.critic, ist.Art (020M)&lt;br&gt; JENOVAC, Stevan - painter, set designer, costume designer, curator of the Museum of Sombor (Sanad, 1910 --&lt;br&gt; Subotica? 1958) cat.1 (020M)&lt;br&gt; JENČ, Francis, architect (1867, Zemun - 1967, Zemun) Lit.Maric D., Guide to modern architecture&lt;br&gt; Belgrade, Belgrade 2002; Encyclopaedia architectonica.Lexicon Serbian architects 19thand 20century,&lt;br&gt; Belgrade 1999, pp.81; possible determinants Author: Vladimir Mitrovic, a historian of architecture;&lt;br&gt; Category 1 (020a)&lt;br&gt; Jeremic, Aleksandar - Cibe - painter, graphic artist, Kat.2 (020M)&lt;br&gt; Jermolenko, Alexander, architect, category 1(020M)&lt;br&gt; JERUSALEM, monasteries and churches relevant to the history of the Serbian people, a category 3 (020 SV)&lt;br&gt; JERUSALEM, hadžijska icon Opisanije Jerusalem, characteristic of the culture of 18-19 century.Os.&lt;br&gt; Liter.D.David, Opisanije Jerusalem, Category 2 (020 NV)&lt;br&gt; Jefimija, women embroiderers, 14/15.century, ISN 2, hhh, Alexander Nitić, category 2 (020a ST)&lt;br&gt; JEFTANOVIĆ, Joan, architect (Belgrade, from 1912 to 1994, Belgrade) Lit.Djuric D-Zamolo., Materials for&lt;br&gt; Studies of women architects from the University of Belgrade generation 1896-1940.year, &amp;quot;Pinus&lt;br&gt; Notes, no.5, Belgrade 1996; Encyclopaedia architectonica.Lexicon Serbian architects 19thand 20&lt;br&gt; century, Belgrade 1999, pp.8; possible determinants Author: Biljana Misic, historian of architecture;&lt;br&gt; Category 1 (020a)&lt;br&gt; Jeftic - NIČEVA - KOSTIĆ, Milena - artist, costume designer, Kat.2 (020M)&lt;br&gt; Joanović, Simeon, ikonopisac Category 1 (020 NV)&lt;br&gt; JOB, Ignjat - a painter, a founder and member of art group &amp;quot;Form&amp;quot; (Dubrovnik, 1895 - at Brestovac&lt;br&gt; Zagreb, 1936).cat.3 (020M)&lt;br&gt; Jobst, Maria, architect (1940, Belgrade) Lit.Encyclopaedia architectonica.Lexicon Serbian&lt;br&gt; Architects 19thand 20century, Belgrade 1999, pp.82; Z.Manević, from talent to Grandmaster&lt;br&gt; Architecture: architect Mario Jobst, DANS, no.43, Novi Sad 2003, 8-11; Maric D., Guide&lt;br&gt; modern architecture, Belgrade 2002; S.G.Bogunovic, AEB, vol.2, Beograd 2005, 828-830;&lt;br&gt; possible determinants Author: Predrag V.Milosevic, the architect, historian and theorist of architecture;&lt;br&gt; heading, category 3 (020a)&lt;br&gt; John (Palin) from Kratovo, miniaturist, KR.16.century, ELU 3, 91; Zoran Rakic, category 1 (020a&lt;br&gt; SV)&lt;br&gt; John the Grammarian, miniaturist, 14/15.century, ELU 3, 91; Zoran Rakic, category 1 (020a ST)&lt;br&gt; Metropolitan Jovan, by the end of the 14thcentury Djuric, Byzantine frescoes, hhh, Dragan Vojvodić,&lt;br&gt; Category 3 (020a ST)&lt;br&gt; JOVAN, Byzantine painter, 14century, Djuric, Byzantine frescoes, hhh, Dragan Vojvodić, Category 1&lt;br&gt; (020a ST)&lt;br&gt; JOVAN, živopisac - 1730, the monastery &amp;Scaron;emljug, Banat.Osn.litterateur.LEJ 1, Zagreb 1984, 700,&lt;br&gt; Category 1 (020 NV)&lt;br&gt; JOVAN, jeweler - (Sremska Mitrovica?), From 1651 to 1670, the monastery &amp;Scaron;i&amp;scaron;atovac., ELU 3, 91 Category 1&lt;br&gt; (020a ST)&lt;br&gt; JOVAN, Zograf (Cosmas), 17century, ISN 3-2, hhh, Zoran Rakic, a category 3 (020a ST)&lt;br&gt; JOVAN, silversmith - (Content?), From 1732 to 1736, the Monastery of St..Trinity near Pljevlja.ELU 3, 91&lt;br&gt; Category 1 (020 NV)&lt;br&gt; JOVAN painter - 1601 - 1663, Lomnica, church, desert, near Valjevo, ISN 3-2, hhh, Zoran Rakic,&lt;br&gt; Category 1 (020a ST)&lt;br&gt; John&amp;#39;s, obviously, art historian, editorial, Kat.1 (020M)&lt;br&gt; JOVANOVIC - ĐUKIN, Dusan - sculptor (Belgrade, 1891 - Belgrade, 1945) cat.3 (020M)&lt;br&gt; JOVANOVIC - MIHAJLOVIĆ, Ljubinka - artist, Kat.3 (020M)&lt;br&gt; JOVANOVIC, Aleksandar - painter, 1784, Vienna, Sremska Mitrovica.Osn.litterateur.LEJ 1, Zagreb&lt;br&gt; 1984.700, Category 1 (020 NV)&lt;br&gt; Jovanović, Anastas - painter, lithograph and a photographer (from 1817 to 1899).Osn.litterateur.P.Vasic, Life and&lt;br&gt; work Anastas Jovanović, Belgrade 1962, Category 4 (020 NV)&lt;br&gt; JOVANOVIC, Acim - icon painter, painter, 1754, Belgrade, Timisoara, Category 1 (020 NV)&lt;br&gt; Jovanovic, Bogdan - caricaturist, Kat.1 (020M)&lt;br&gt; JOVANOVIC, Bogoljub - Bob - painter, Kat.1 (020M)&lt;br&gt; JOVANOVIC, Božana - costume, cat.3 (020M)&lt;br&gt; JOVANOVIC, BORIVOJE (1938, Belgrade) Lit.S.Krunić et al., Grand Prix SAS architecture for the&lt;br&gt; 2,001thyear architects Borivoje Jovanovic, DANS, no.34 (2001); S.G.Bogunovic, AEB, vol.2,&lt;br&gt; Belgrade 2005; possible determinants Author: Bojan Kovacevic, a historian and theorist of architecture;&lt;br&gt; Category 2 (020a)&lt;br&gt; Jovanovic, Vojislav S.- Art historian (Belgrade, 1930), cat.2.(020M)&lt;br&gt; Jovanović, Gordana - painter, restauratorka (Belgrade, 1912 - Belgrade, 1997), cat.1 (020M)&lt;br&gt; Jovanovic, Danica - painter (Beska, 1886 - Petrovarad.tvrđava, 1914). Osn liter.ELU 3, 93,&lt;br&gt; Category 2 (020 NV)&lt;br&gt; JOVANOVIC, Beautiful - costume, cat.1 (020M)&lt;br&gt; JOVANOVIC, George (1909-1943), sr.Surrealism, owner and editor of Surrealism today&lt;br&gt; here kat.1 (020M)&lt;br&gt; JOVANOVIC, George (Đoka) - sculptor, painter (Novi Sad, 1861 - Belgrade, 1953).Osn.litterateur.LEJ 1&lt;br&gt; Zagreb 1984, 701, Category 4 (020 NV)&lt;br&gt; JOVANOVIC, Zoran - Dobrotin - painter, graphic artist, Kat.1 (020M)&lt;br&gt; JOVANOVIC, Zoran - art historian, Kat.1 (020M)&lt;br&gt; JOVANOVIC, Elijah - jeweler from Herceg Novi (Herzegovina,?), 1723rdOsn.litterateur.LEJ 1, Zagreb&lt;br&gt; 1984, 702, Category 1 (020 NV)&lt;br&gt; Jovanovic, Jelena - sculptor, Kat.1 (020M)&lt;br&gt; Jovanovic, Katarina - art historian, Kat.1 (020M)&lt;br&gt; Jovanovic, Konstantin, architect (1849, Vienna, Austria - 1923, Zurich, Switzerland) Lit.G.Gordic,&lt;br&gt; The architect Konstantin A.Jovanovic, Belgrade 2004; D.Djuric-Zamolo, developers of Belgrade 1815-1914,&lt;br&gt; Belgrade, 1981; Lj.Nikic, Architect Konstantin Jovanovic, GMGB, vol.IV, Beograd 1957; Lj.Nikic, From&lt;br&gt; architectural activities Konstantin Jovanović in Belgrade, GGB, vol.XXIII, Belgrade 1976; &amp;Scaron;ćekić&lt;br&gt; M., Konstantin Jovanovic - Architect (exhibition catalog), Belgrade 1988; A.Kadijevic, Aesthetics&lt;br&gt; academic architecture, Belgrade 2005; S.G.Bogunovic, AEB, vol.2, Beograd 2005, 836-840; M.&lt;br&gt; Roter Blagojevic, Belgrade residential architecture in the 19thand early 20thcentury, Belgrade 2006; possible&lt;br&gt; Author guidelines: Mirjana Roter-Blagojevic, historian of architecture; category 4 (020a)&lt;br&gt; JOVANOVIC, bones, architect (?, 1884 to 1934, Sarajevo), category 1 (020a)&lt;br&gt; Jovanovic, Ljubinko, ceramist, category 1 (020M)&lt;br&gt; Jovanovic, Milan - photographer, painter, the end of the 19th century, Beograd.Osn.litterateur.Milan Jovanovic,&lt;br&gt; SASA Gallery, Category 3 (020 NV)&lt;br&gt; Jovanovic, Miodrag, art historian (1932, Great Bečkerek) Lit.LEJ 1, Zagreb 1984, 702,&lt;br&gt; Miodrag Jovanovic: Professor [Belgrade: Faculty, s.and.], pp.394-400; M.&lt;br&gt; Jevtic, Miodrag Jovanovic Bridges, Uzice 2001; possible determinants Author: Vladimir Mitrovic,&lt;br&gt; historian of architecture, editorial, Category 3 (020 NV)&lt;br&gt; JOVANOVIC, MIROSLAV, architect (1924, Belgrade - 2003, Belgrade) Lit.Z.Manević, Jovanovic, Belgrade&lt;br&gt; 1993; Encyclopaedia architectonica, Lexicon Serbian architects 19thand 20century, Belgrade 1999; B.&lt;br&gt; Kovacevic, Architect Mirko Jovanović, AG Magazine, no.8, no.9, Belgrade 2002, Maric D., Guide&lt;br&gt; through modern architecture, Belgrade 2002; S.G.Bogunovic, AEB, vol.2, Beograd 2005;&lt;br&gt; possible determinants Author: Milan Milovanovic, architect, architectural historian; Category 2 - (3)&lt;br&gt; (020a)&lt;br&gt; Jovanovic, Nadezda, art historian (Memorial Collection of Rajko Mamuzić), cat.1 (020M)&lt;br&gt; Jovanovic, Nikola - by mid-19thosn century.litterateur.LEJ 1, Zagreb 1984, 703rd, Category 1&lt;br&gt; (020 NV)&lt;br&gt; JOVANOVIC, Paul (Paja) - by (Vrsac, 1859 - Vienna, 1957 osn. Litterateur. LEJ 1, Zagreb 1984, 703,&lt;br&gt; Category 5th(020 NV)&lt;br&gt; JOVANOVIC, Svetislav - by (Vrsac, 1861 - Paris, 1935).Osn.litterateur.LEJ 1, Zagreb 1984, 704th&lt;br&gt; Category 2 (020 NV)&lt;br&gt; Jovanovic, Svetozar, architect, university professor (1882, Cuprija - 1970, Belgrade) Lit.&lt;br&gt; Gala Academy Faculty of Architecture on the occasion of his retirement prof.Svetozar&lt;br&gt; Jovanovic, PA, No. 4-5, Belgrade, 1955-56, pp.D 93-95.Djuric-Zamolo, developers Belgrade 1815 --&lt;br&gt; 1914, Belgrade 1981, pp.59-60, a group of authors, the architecture of higher education in Serbia, 1846 --&lt;br&gt; 1971, Belgrade 1996; S.G.Bogunovic, AEB, vol.2, Beograd 2005; A.Kadijevic, aesthetic architecture&lt;br&gt; academic, Belgrade 2005; possible determinants Author: Marina Djurdjevic, historian of architecture;&lt;br&gt; Category 2 (020a)&lt;br&gt; Jovanovic, Svetozar, senior, architect (?-?), Category 1 (020a)&lt;br&gt; JOVANOVIC, Sergius - painter, art teacher, Kat.1 (020M)&lt;br&gt; Jovanović, Slobodan, architect (1937, Temerin) Lexicon Serbian builders, Belgrade 2002; possible&lt;br&gt; Author guidelines: Vladimir Mitrovic, a historian of architecture; Category 1 (020a)&lt;br&gt; Jovanovic-DUNĐIN, Vera - art historian, Kat.2 (020M)&lt;br&gt; JOVANOVIC-Popovic, Milica, architect-urbanist, category 1 (020a)&lt;br&gt; Jovančević, Branislav - sculptor, administrator Duborezačke school (Kragujevac, 1885 - Ohrid, 1949) cat.&lt;br&gt; 2?(020M)&lt;br&gt; Jovin, Branislav, architects, urban (1935, Odžaci) Lit.M.Mitrovic, Newer architecture&lt;br&gt; Belgrade, Belgrade, 1975; A.Brkic, signs in stone.Serbian modern architecture 1930-1980, Belgrade&lt;br&gt; 1992; I.Strauss, Architecture of Yugoslavia 1945-1990, Sarajevo, 1991; Maric D., Guide to Modern&lt;br&gt; Architecture, Belgrade 2002; S.G.Bogunovic, AEB, vol.2, Beograd 2005; possible author&lt;br&gt; determinants: Predrag V.Milosevic, the architect, historian and theorist of architecture, Category 3&lt;br&gt; (020a)&lt;br&gt; Jovic, George, ist.Art, Pancevo, Kat.1 (020M)&lt;br&gt; Jovčić, Gabriel - painter, 19 century, Osijek.Osn.litterateur.LEJ 1, Zagreb 1984, 706, Category 1&lt;br&gt; (020 NV)&lt;br&gt; Jovčić, Dragana - artist, Kat.1 (020M)&lt;br&gt; Joksimovic, Alexander, designer of textiles, Kat.2 (020M)&lt;br&gt; Joksimovic, Zdravko - sculptor, Kat.2 (020M)&lt;br&gt; Jonas, Martin - painter, self-taught, Kat.1 (020M)&lt;br&gt; Josimović, Aemilianus, engineers, town planners, professor of the High School (Old Moldova, Romania, 1821-23?&lt;br&gt; - Noise, 1897) Lit.D.Terzic, Aemilianus Josimović, visionary entry in Belgrade urban&lt;br&gt; civilization, Belgrade, 1994; D.Medaković, D.Djuric-Zamolo, et.al., O Emilijan Josimović,&lt;br&gt; Belgrade, 1997; B.Maksimovic, Aemilianus Josimović - the first Serbian urbanist, Belgrade 1967; Lj.Nikic,&lt;br&gt; Switching Aemilian Josimović Serbia 1845thyear, GGB, vol.XXLV, Belgrade 1977; B.Maksimovic,&lt;br&gt; Architectural theory Aemilian Josimović, GMGB, vol.III, Beograd 1956; D.Djuric-Zamolo,&lt;br&gt; The developers of Belgrade 1815-1914, Belgrade 1981; S.G.Bogunovic, AEB, vol.2, Beograd 2005, 830-834;&lt;br&gt; possible determinants Author: Svetlana V.Nedic, Category 4 (5) (020a)&lt;br&gt; JOSIPOVIĆ, Costa - painter (1887 to 1919).Osn.litterateur.LEJ 1, Zagreb 1984, 698, Category 2 (020&lt;br&gt; NV)&lt;br&gt; Josic, boosting, architect (Old Novalja, 1921) Lit.The Thames and Hudson Encyclopaedia of 20 th&lt;br&gt; Century Architecture, London, New York 1986; Curl J.S., A Dictionary of Architecture, Oxford&lt;br&gt; University Press, 1999, Un si&amp;egrave;cle d&amp;#39;architecture en France 1900-2000 [A Century of Architecture&lt;br&gt; in France 1900-2000], Moniteur Architecture AMC, Special Issue.no.103, Dec 1999., P.12-266; G.&lt;br&gt; Feld ...et al., Free University, Berlin: Candilis, Josic, Woods, London: Architectural&lt;br&gt; Association, 1999, in Berlin, the Free University, and the language of modern architecture;&lt;br&gt; Architects: Georges Candilis, Alexis Josic, Shadrach Woods, Manfred Schiedhelm, with Jean Prouv&amp;eacute;,&lt;br&gt; DOMUS, no.534 (5), May 1974, p.1-8, [64]; Paris, Original Interior Designers (1960s): Alexis&lt;br&gt; Josic, and Douchanka Josic, of the architects of the building: Candilis Josic Woods, architect of&lt;br&gt; Renovated Interior: Claude Vasconi, Architecture Interieure Cree, no.210, 1986 Feb. / Mar., P.62 --&lt;br&gt; 65; possible determinants Author: Milos M.Pavlovic, architect; category 4 - (5).(020a)&lt;br&gt; Josic, Mladen - painter, set designer (Old Novalja, 1897 - Paris, 1972).cat.3 (020M)&lt;br&gt; Joseph, by 18thcentury iconostasis of Darda and boobs in Slavonia, osn.litterateur.LEJ 1, Zagreb&lt;br&gt; 1984, 698, Category 1 (020 NV)&lt;br&gt; Jocic, Vidosava - Vida - sculptor, Kat.3 (020M)&lt;br&gt; Jocic, Gordana - artist, Kat.2 (020M)&lt;br&gt; Jocic, Ljubisa, painter, writer, cat.2 (020M)&lt;br&gt; Jo&amp;scaron;anica, medieval monastery, 15century, a category 2 (020 SV)&lt;br&gt; JUGINUS - Yugoslav Institute for Town Planning and Housing, category 1 (020a)&lt;br&gt; JUGOVIĆ, Zivko - by (Cacak, 1855 - Belgrade, 1908).Osn.litterateur.LEJ 1, Zagreb 1984, 707,&lt;br&gt; Category 3 (020 NV)&lt;br&gt; YUGOSLAV ART COLONY - Category 4 (020.M)&lt;br&gt; Yugoslavian art - Category 4 (020.M)&lt;br&gt; YUGOSLAV Art Exhibitions - Category 4 (020.M)&lt;br&gt; YUGOSLAV art exhibitions, osn.litterateur.D.Tosic, Yugoslav art exhibitions,&lt;br&gt; Category 4 (020 NV)&lt;br&gt; Julino HILL, residential complex; heading 2ndcategories (020a)&lt;br&gt; JUNAČKOV, Dusan - painter, Kat.1 (020M)&lt;br&gt; JUNČIĆ, Matthew (Matko) by Dubrovnik, 15century, Djuric, Dubrovnik art school, 55-63,&lt;br&gt; Dragan Pavlovic, category 1(020a ST)&lt;br&gt; Jurisic, Mira - sculptor, Kat.2 (020M)&lt;br&gt; K.R.U.G., Association of Russian art in Belgrade; determinant Category 1 (020a)&lt;br&gt; CODE (1970-71, NOVI SAD) - an art group, category 1 (020.M)&lt;br&gt; Kabiljo, Leon, architect (Sarajevo, from 1910 to 1999, Belgrade) Lit.ELU, vol.III, Zagreb 1964; B.&lt;br&gt; Stojanovic, IN.Martinovic, Belgrade 1945-1975.Urbanism.Architecture, Belgrade 1978, p.V.&lt;br&gt; Milosevic, Architecture in the Kingdom of Yugoslavia (Sarajevo 1918-1941), Srbinje 1997; Lexicon&lt;br&gt; Serbian builders, Belgrade 2002; possible determinants Author: Predrag V.Milosevic, the architect, historian&lt;br&gt; and theorist of architecture, Category 1 (020a)&lt;br&gt; Kadijevic, ALEXANDER, architectural historian, university professor (1963, Belgrade).Lit.Salon&lt;br&gt; architecture (catalog) 2006; possible determinants Author: Vladimir Mitrovic, a historian of architecture;&lt;br&gt; determinant categories 2 (020a)&lt;br&gt; Kadijevic, George - art historian, critic, film director, Kat.3 (020M)&lt;br&gt; Kažić, Dragoljub, Professor Faculty of Applied Arts and photographer, category 1 (020M)&lt;br&gt; Casemate Category 1 (020a)&lt;br&gt; Kajmaković, Zdravko, art historian, ESI 422-423; Category 2, the Editorial Board (020a ST)&lt;br&gt; Kajtez Sofia, konzervatorka, Kat.1 (020M)&lt;br&gt; Kajtez, Slobodan - conservator floor.1 (020M)&lt;br&gt; Kalajić, Dragos - painter, essayist, Kat.2?(020M)&lt;br&gt; Pavement - Category 1 (020a)&lt;br&gt; KALENIC, the monastery at Rekovac, 15century, Category 5 (020 SV)&lt;br&gt; KALIERGIS, GEORGE, Byzantine painter, 14century, ODB 2, xxx, Bojan Miljkovic, category 1 (020a&lt;br&gt; SV)&lt;br&gt; Kalinik, monk, Zograf - beginning of 18thcentury, Be&amp;scaron;enovo, Hopovo, Privina Chapter.Osn.liter.Lj.&lt;br&gt; Stosic, Serbian art 1690.1740, 43, Category 2 (020 NV)&lt;br&gt; Kalist, miniaturist, 14century; Maksimovic, Miniature, hhh, Jelena Erdeljan, category 1 (020a&lt;br&gt; SV)&lt;br&gt; Kalić, Jasmina - artist, Kat.1 (020M)&lt;br&gt; calotte - Category 1 (020a)&lt;br&gt; KALHANA Category 1 (?) (020a)&lt;br&gt; Kaljalovic-Odanović, Gordana - sculptor, Kat.1 (020M)&lt;br&gt; Kamberi, Peter - painter (1832 to 1860).LEJ 2, 7Category 2 (020 NV)&lt;br&gt; KAMEKAN 1.KAtEGORIJA (?) (020a)&lt;br&gt; Kangrga, Oliver - painter (Skopje, 1923 -?).cat.2 (020M)&lt;br&gt; KANDIC, Oliver, art historian, ESI 425; Editorial Board, a category 2 (020a ST)&lt;br&gt; Kanitz, Felix Philipp - archaeologist and traveler (Budapest, 1829 - Vienna, 1904).LEJ 2, 11, a category 4?&lt;br&gt; (020a ST)&lt;br&gt; KAON, the monastery rebuilt in 1756, a new church in 1892, one of the first Serbian-Byzantine style,&lt;br&gt; T iconostasis.S.Gologlavac, Category 2 (020 NV)&lt;br&gt; Captain Mi&amp;scaron;a buildings in Belgrade (Studentski trg 1); determinant categories 2 (020a)&lt;br&gt; Kapetanovic, Milan, architect, professor at the High School (1859, Belgrade - 1934, Belgrade) Lit.Milan&lt;br&gt; Kapetanovic, architect, professor at the High School of Belgrade, &amp;quot;Eagle.Large illustrated calendar for&lt;br&gt; year 1902ndwhich has 365 days, com.Karlovci 1901, 131-132; N.Nestorović, Buildings and Architects&lt;br&gt; in Belgrade in the last century, Belgrade 1972nd(reprint 1937); Gordić G., CV, in: Serbian&lt;br&gt; Architecture 1900-1970, Belgrade 1972, a group of authors, higher education architecture in Serbia&lt;br&gt; 1846-1971, Belgrade 1996; D.Djuric-Zamolo, builder 1815-1914 Belgrade, Belgrade, 1981; Lj.&lt;br&gt; Blagojevic, Modernism in Serbia, The Elusive margins of Belgrade Architecture, 1919-1941, 2003&lt;br&gt; 83-86; S.G.Bogunovic, AEB, vol.2, Beograd 2005; M.Roter Blagojevic, Residential Architecture&lt;br&gt; Belgrade in the 19thand early 20thcentury, Belgrade 2006; possible determinants Author: Mirjana Roter -&lt;br&gt; Blagojevic, historian of architecture; heading category 3 (020a)&lt;br&gt; Capitals Category 1 (020a)&lt;br&gt; GATE Charles VI in Belgrade; determinant Category 1 (020a)&lt;br&gt; Kapor, Ana - artist, Kat.1 (020M)&lt;br&gt; Kapor, Momo - painter, essayist, Kat.2 (020M)&lt;br&gt; caravan seraglio-category 1 (020a)&lt;br&gt; Karavanseraj Mehmed Pasha Sokolovic IN BELGRADE (demolished); determinant categories 2 (020a)&lt;br&gt; Karadjordjevic, Bozidar - painter, traveler and critic (1862 to 1908).Category 2 (020 NV)&lt;br&gt; Karadjordjevic, Paul - collector, donors, Category 2 (020 NV)&lt;br&gt; KARAKU&amp;Scaron;EVIĆ, Alexander - Klaas - caricaturist, Kat.3 (020M)&lt;br&gt; Karalic, Predrag - writer, character.critic, editor (Nis, 1893 - Belgrade, 1945) cat.2 (020M)&lt;br&gt; Karamatijevic, Prvoslav (Beer) - painter, watercolorist, graphic, prof.univ.(Nova Varos, 1912 --&lt;br&gt; Rijeka, 1963), cat.2 (020M)&lt;br&gt; KARANOVIĆ, Bosko - painter and graphic artist (Bos. Krupa, 1924).cat.3 (020M)&lt;br&gt; KARANOVIĆ, Branimir - graphic floor.2 (020M)&lt;br&gt; KARANOVIĆ, Rodoljub - graphic floor.1 (020M)&lt;br&gt; Karadzic, Branislav, architect (1929, Uzice), category 1 (020a)&lt;br&gt; KAREJA, Hermitage St.Save about 1200, Category 2 (020 SV)&lt;br&gt; Caricature - osn.liter.LEJ 2, 19, a category 3 (4) (020 NV)&lt;br&gt; Karlavaris, Bogomil - by (Perlez, 1924).cat.3 (020M)&lt;br&gt; KAROLIĆ, Ratko - architect, category 1 (020a)&lt;br&gt; barracks and other military buildings - Category 2 (020a)&lt;br&gt; cat.1 (020M)&lt;br&gt; KATHERINE (EKATERINA), women embroiderers, 16century, L.Mirkovic, Church Embroidery Art, Belgrade 1940, hhh;&lt;br&gt; Alexander Nitić, category 1 (020a ST)&lt;br&gt; Cathedral of Category 2 (020a)&lt;br&gt; Katic, Costa - graphic artist, Kat.1 (020M)&lt;br&gt; katolikon-Category 1 (020 SV)&lt;br&gt; Katun, hut category 1 (020a)&lt;br&gt; KATURIĆ, Joseph - painter, icon painter, a monk (Risan? - Duljevo Monastery, 1942).LEJ 2, 30 LEJ 2, 30&lt;br&gt; cat.1 (020M)&lt;br&gt; Kauzlarić, Tomislav Tom - sculptor, Kat.3 (020M)&lt;br&gt; KAFANA - Category 2 (020a)&lt;br&gt; KACLER, Vićentije - painter (d. Vienna, 1882), graphical representations were made depicting the events of&lt;br&gt; Serbian history, LEJ 2, Category 2 (020 NV)&lt;br&gt; KACICA, Darius - sculptor, Kat.2 (020M)&lt;br&gt; Ka&amp;scaron;anin, Milan - art historian, (1895 to 1981).Category 3 (020 NV)&lt;br&gt; KVERFELD, Adam Friedrich, baumajstor (1774 -?) Lit.Kolarić M., Classicism of the Serbs.Construction,&lt;br&gt; Sts.2, Belgrade MCMLXVI; Vujovic B., Cathedral Church in Belgrade, GGB, vol.XXX, Belgrade, 1983; Vujovic&lt;br&gt; B., Cathedral Church in Belgrade, Belgrade, 1998; possible determinants Author: Svetlana V.Nedic; entries&lt;br&gt; Category 2 (020a)&lt;br&gt; Kekovic, Alexander, architect, university professor (1939, Cetinje) Lit.Z.Manević, Kekovic,&lt;br&gt; Belgrade (nedat.); I.Strauss, Architecture of Yugoslavia 1945-1990, Sarajevo, 1991; A.Brkic, Signs&lt;br&gt; in stone.Serbian modern architecture 1930-1980, Belgrade 1992, Faculty of Architecture University&lt;br&gt; in Belgrade, 1948-1995, Belgrade 1996, Maric D., Guide to modern architecture, Belgrade&lt;br&gt; 2002; Salon architecture (catalog) 2006; possible determinants Author: Predrag V.Milosevic, the architect,&lt;br&gt; historian and theorist of architecture; determinant categories 2 (020a)&lt;br&gt; Kelić, Alexander, photographer, category 1 (020M)&lt;br&gt; Kemp-category 1 (020.M)&lt;br&gt; KENIĆ Elijah, the builder of the Serbian church belfry in Livno, LEJ 2, 36, Category 1 (020 NV)&lt;br&gt; KENIF Category 1 (020a)&lt;br&gt; CERAMICS osn.liter, LEJ 2, 38-39, Category 3 (020.M)&lt;br&gt; keramoplastika-Category 1 (020 SV)&lt;br&gt; Kerac, Milan - painter and graphic artist (Novi Sad, 1914)., Kat.2 (020M)&lt;br&gt; Kerekes, Laszlo - visual artist, Kat.1 (020M)&lt;br&gt; Kerečki - skeleton, Desa - illustrator, Kat.1 (020M)&lt;br&gt; Kečić, Milan - painter, Kat.2 (020M)&lt;br&gt; Ke&amp;scaron;elj, Milan - painter, graphic artist, Kat.2 (020M)&lt;br&gt; KIBIC-Fenster (Asik-pendzer) - Category 1 (020a)&lt;br&gt; kibble - Category 1 (020a)&lt;br&gt; Kijevo in Kosovo, the church of Sv.Nicholas, 16/17.century, Category 1 (020 SV)&lt;br&gt; Picturesque Kiev University, a place of education of many Serbian painters of 18thand 19century.Osn.liter.&lt;br&gt; M.Timotijevic, Serbian baroque painting, Category 2 (020 NV)&lt;br&gt; KILIM, carpet Category 1 (020 NV)&lt;br&gt; Kinetic art - Category 1 (020.M)&lt;br&gt; Kiprijan Račanin, scribe and Illuminator, KR.17.century, ISN 3-2, hhh, Zoran Rakic, Category 1&lt;br&gt; (020 NV)&lt;br&gt; KIRJAK, Đura - painter, 1730, the monastery &amp;Scaron;emljug in Banatu.Osn.liter.LEJ 2, 46, Category 1 (020&lt;br&gt; NV)&lt;br&gt; Kirćanski, Dusko - by, cat.1 (020M)&lt;br&gt; KISAS, Sotiris, art historian, ESI 434-435, Editorial Board, 2nd Category(020a ST)&lt;br&gt; Kitak, Gordana, ceramist, category 1 (020M)&lt;br&gt; KIĆEVAC - POPOVIC, basil - illustrator, Kat.2 (020M)&lt;br&gt; KIC category 3 (020.M)&lt;br&gt; kitsch in architecture and visual arts - Category 3 (020a)&lt;br&gt; Kicevo, St..George, 14century, Category 1 (020 SV)&lt;br&gt; Klajić, John - painter (1815 to 1883). LEJ 2, 47, Category 2 (020 NV)&lt;br&gt; Klas Alexander, cartoonists, category 2 (020M)&lt;br&gt; Classicism, the style of the art end of the 18thand beg.19.century, osn.liter.M.Kolarić, classicism in&lt;br&gt; Serbs, a category 3 (NV 020)&lt;br&gt; KLA&amp;scaron;njARA, VALJARICA Category 1 (020a)&lt;br&gt; Kids on Prevlaka Bay, St..Tryphon, 17century, Category 1 (020 SV)&lt;br&gt; Sanjak of Klis, Stanko, architect, university professor (1896, Snagovo end of Zvornik - 1969, Belgrade)&lt;br&gt; Lit.ELU, vol.III, Zagreb 1964, a group of authors, the architecture of higher education in Serbia, 1846 --&lt;br&gt; 1971, Belgrade 1996; Lexicon Serbian builders, Belgrade 2002; possible determinants Author: Alexander&lt;br&gt; Ignjatovic, a historian of architecture; determinant categories 2 (020a)&lt;br&gt; GORGE, monastery, iconostasis and the church 18thosn century.lit.LEJ 2, 55, Category 2 (020 NV)&lt;br&gt; bubble, the medieval town of Trebinje, 11/15.century, Category 1 (020 SV)&lt;br&gt; Kljajić, Dragan, movie sets (020M)&lt;br&gt; Knežević-BRANKO JANKOVIC, grafičarka, painter, konzervatorka, Kat.2 (020M)&lt;br&gt; KNEŽEVIĆ, Branka, art historian, ESI 437, and 5-30, the Editorial Board, category 1 (020a ST)&lt;br&gt; KNEŽEVIĆ, Dragoslav - graphic artist, Kat.2 (020M)&lt;br&gt; KNEŽEVIĆ, Miodrag - Bata - designer, Kat.2 (020M)&lt;br&gt; KNEŽEVIĆ, Radomir - painter, graphic artist, Kat.2 (020M)&lt;br&gt; KNEŽEVIĆ, Stevan - sculptor, painter, graphic artist, Kat.2 (020M)&lt;br&gt; KNEŽEVIĆ, Uros - painter (1811 to 1876). Osn.liter, LEJ 2, 60Category 3 (020 NV)&lt;br&gt; Vesna Knežević-Nordal - artist, Kat.2 (020M)&lt;br&gt; KNJIGOVE&amp;Scaron;TVO, one of the most developed branches implement.Art, especially the equipment used&lt;br&gt; Gospel LEJ 2, 62-63, Category 2 (020 NV)&lt;br&gt; Kovalevskaya, George, architect, urban lit.M.Djurdjevic, Urban Architecture category&lt;br&gt; George Pavlovich Kovaljevskog in Serbia, vol.XLIX-L, Belgrade 2002-3; possible determinants Author: Marina&lt;br&gt; Djurdjevic, historian of architecture; determinant categories 2 (020a)&lt;br&gt; KOVACEVIC, Anthony - scene painter, set designer (1848 to 1883). LEJ 2, 107, Category 2 (020 NV)&lt;br&gt; KOVACEVIC, Bojan, architect, architectural historian (Belgrade 1957?), Lit.Lexicon Serbian builders,&lt;br&gt; Belgrade 2002; A.Kovenc-Vujic, 50 Belgrade architects born after 1945 = 50 Belgrade&lt;br&gt; Architects (born after 1945), Belgrade 2002, the term Category 1 (020a)&lt;br&gt; KOVACEVIC, Vidosava - painter, sculptor (Belgrade, 1889 - Belgrade, 1913).cat.2 (020M)&lt;br&gt; Kovačević, Živojin - illustrator, Kat.1 (020M)&lt;br&gt; KOVACEVIC, Jelena, photographer, cat.1 (020M)&lt;br&gt; KOVACEVIC, Joseph, engineer, professor Realke and the Technical Faculty in Belgrade (1855, Belgrade --&lt;br&gt; 1938, Beograd) (020a)&lt;br&gt; KOVACEVIC, Milovan - kat.1 (020M)&lt;br&gt; KOVACEVIC, Mirko, architect, conservator, a category 2 (020a ST)&lt;br&gt; Kovacic, Dragana - art historian, Kat.1 (020M)&lt;br&gt; Kovenc-Vujic, Anamaria, architect (1953, Budapest), category 1 (020a)&lt;br&gt; KOVILJ, the monastery at N.Now, LEJ 2, 113, Category 3rd(020 NV)&lt;br&gt; KOVILJ, the monastery at Ivanjica, Category 2 (020 SV)&lt;br&gt; Cohen, Leon - by (Belgrade, 1859 - Vrsac, 1934).cat.3 (020M)&lt;br&gt; Koželj (kozalj), the medieval town of Knjazevac, 12century, Category 1 (020 SV)&lt;br&gt; Kozul, Ljubinko, photographer, category 1 (020M)&lt;br&gt; Kojic, Branislav, architect, university professor (1899, Smederevo - 1987, Belgrade) Lit.S.&lt;br&gt; To&amp;scaron;eva, Branislav Kojic, Belgrade 1998; Lj.Blagojevic, Modernism in Serbia, The Elusive margins&lt;br&gt; of Belgrade Architecture, 1919-1941, 2003, 154-165; Z.Petrovic, Professor architect Branislav Đ.&lt;br&gt; Kojic, UB, no.57, Belgrade, 1980; Z.Manević, Branislav Kojic, Belgrade 1982; Encyclopaedia&lt;br&gt; architectonica.Lexicon Serbian architects 19thand 20century, Belgrade 1999, Maric D., Guide&lt;br&gt; modern architecture, Belgrade 2002; S.G.Bogunovic, AEB, vol.2, Beograd 2005; possible&lt;br&gt; Author guidelines: Snezana To&amp;scaron;eva, historian of architecture; heading category 4 (020a)&lt;br&gt; Kojic, DANICA, architect; (1899, Belgrade - 1975, Belgrade) Lit.Djuric D-Zamolo., Materials for&lt;br&gt; Studies of women architects from the University of Belgrade generation 1896-1940.year, &amp;quot;Pinus&lt;br&gt; Notes, no.5, Belgrade 1996; To&amp;scaron;eva S., Danica Kojic (1899-1975), GGB, vol.XLIII, Belgrade 1996;&lt;br&gt; possible determinants Author: Snezana To&amp;scaron;eva, historian of architecture; determinant Category 1 (020a)&lt;br&gt; Kojic, Miroslav - sculptor, Kat.1 (020M)&lt;br&gt; Kojic, Slobodan - sculptor, Kat.1 (020M)&lt;br&gt; Kojic, Stevan, sculptor, Kat.1 `(020M)&lt;br&gt; Kojčić, Milica floor.1 (020M)&lt;br&gt; Kokolj, Tripun (Triple) - by (Perast, 1661 - Koričula, 1713).LEJ 2, 71, Category 4 (020 NV)&lt;br&gt; Kokotovic, Dusan - by - engraving, graphic, character.Educator (Upper Kosinj, Croatia 1888 --&lt;br&gt; Zagreb, 1953).cat.1 (020M)&lt;br&gt; Kokotovic, Ljubomir - graphic artist, Kat.2 (020M)&lt;br&gt; Collage - Category 3 (020.M)&lt;br&gt; Kolar, church endowment Ilija Milosavljevic Hall, D iconostasis.Posniković, LEJ 2, 74,&lt;br&gt; Category 1 (020 NV)&lt;br&gt; Kolarić, Kozma - icon painter, Zograf, 1783 - 1786, man.Be&amp;scaron;enovo.LEJ 2, 74, Category 1 (020 NV)&lt;br&gt; Kolarić, Miodrag - art historian (Belgrade, 1912).Category 3 (020 NV)&lt;br&gt; Kolarić, Stanislav - Associate Professor of the Academy of Applied Arts in Belgrade., Kat.2&lt;br&gt; (020M)&lt;br&gt; KOLAROVIĆ, Elijah - sculptor, prof.Academy of character.Art, (Great Village, near Belgrade, 1894 --&lt;br&gt; Belgrade, 1968), cat.2 (020M)&lt;br&gt; Collection, Legacy, Modern Art - Category 4 (020.M)&lt;br&gt; Kolesnikov, Stepan Fjodorovič - by (Adrianople, Russia, 1879 - Belgrade, 1955) cat.2 (020M)&lt;br&gt; Hut category 1(020a)&lt;br&gt; ROUND YUGOSLAV Visual Artists (1930, Belgrade) - Category 1 (020.M)&lt;br&gt; Koloman, Novak - a visual artist, Kat.2 (020M)&lt;br&gt; Kolocep, an island near Dubrovnik, three churches, 9-11.century, Category 1 (020 SV)&lt;br&gt; Piece, Vladimir - sculptor, Kat.2 (020M)&lt;br&gt; The piece, Gordana, creator, Professor., Copyrights, fashion, Category 1 (020M)&lt;br&gt; Oil painting-category 1 (020.M)&lt;br&gt; COMPUTER ART - Category 1 (020.M)&lt;br&gt; Konavle, parishes in the southern coast, part of the Serbian medieval state to beg.15.century (the village&lt;br&gt; Pridvorje, St..Srdja in Pridvorje, Sv.Demetrius at Gabrilima etc.), Category 1 (020 SV)&lt;br&gt; KONAK Category 2 (020a)&lt;br&gt; Princess Ljubica in Belgrade (Sima Markovic 8) Category 2 (020a)&lt;br&gt; KONAK PRINCE Milos in Topcider Category 2 (020a)&lt;br&gt; KONACI KNEZ MILO&amp;Scaron; SERBIAN; heading category 3 (020a)&lt;br&gt; Kondakov, Nicodemus Pavlovich, a Russian art historian and archaeologist, ELU 3, 211, Radoslav&lt;br&gt; Mihailovic, category 1 (020a ST)&lt;br&gt; Kondo, Vuk, goldsmith, 16century, Radojkovic, goldsmiths, hhh, Alexander Nitić, category 1(020a&lt;br&gt; SV)&lt;br&gt; console-category 1 (020a)&lt;br&gt; Constructivism 2ndCategory (020a)&lt;br&gt; Structures in ENG.Arch.3.Category (020a)&lt;br&gt; Konstantin, 18Century, in Zograf Gomionica, LEJ 2, 85, Category 1 (020 NV)&lt;br&gt; Constantine, Zograf 19thcentury B.Vujovic, renewed Serbian Art, Category 2 (020 NV)&lt;br&gt; Constantine, painter, 14century, Djuric, Byzantine frescoes, hhh, and 5-30, Tatjana Starodubcev,&lt;br&gt; category 1(020a ST)&lt;br&gt; Konstantinović, Milos, the architect (1940, Belgrade) Lit.Salon architecture (catalog), Belgrade 2006;&lt;br&gt; S.G.Bogunovic, AEB, vol.2, Beograd 2005; possible determinants Author: Ljiljana Miletic-Abramovic,&lt;br&gt; historian of architecture; determinant Category 1 (020a)&lt;br&gt; Constructive painting - Category 2 (020.M)&lt;br&gt; Kontrafor-category 1 (020a)&lt;br&gt; Concha Category 1 (020a)&lt;br&gt; Conceptual art - Category 3 (020.M)&lt;br&gt; KONCULOV, Slavko - konzevrator, painter, floor.1 (020M)&lt;br&gt; Konc at Radovi&amp;scaron;, the Monastery of St..Nicholas, before 1366, Category 2 (020 SV)&lt;br&gt; Koncul, medieval monastery, a category 2 (020 SV)&lt;br&gt; KONJAREK, John Jan-sculptor, professor of art school (? 1878 -? 1952).cat.2 (020M)&lt;br&gt; Konjović, Milan - by (Brod, 1898 - Sombor? 1993).cat.4 (020M)&lt;br&gt; Digging, Milutin - painter, Kat.2 (020M)&lt;br&gt; Koporin - Monastery between Velika Plana and Smed.Palanka with the church dedicated to Sv.Stefan 15thcentury,&lt;br&gt; Category 2 (020 SV)&lt;br&gt; Koprijan, near Nis, medieval city, 1372, Category 1 (020 SV)&lt;br&gt; Koraksic, Predrag - Corax, cartoonists, Kat.3 (020M)&lt;br&gt; Korac, Vojislav, architect and architectural historian, ESI 445-447, Editorial Board, a category 4 (020a&lt;br&gt; SV)&lt;br&gt; Korisa, a village near Prizren, Hermitage St.Peter Kori&amp;scaron;kog and the monastery, 13century, a category 2 (020&lt;br&gt; SV)&lt;br&gt; Korolija, Milan - Architect (Belgrade, 1922), category 1(020a)&lt;br&gt; Korunović, Momir, architect (1883, Glogovac in Jagodina - 1969, Belgrade) Lit.Z.Manević, Our&lt;br&gt; builders, Korunović, &amp;quot;Construction, no.6, June 1981 Belgrade; Z.Manević, Romantic architecture.&lt;br&gt; Korunović.Mitrovic.Djokic (catalog), Belgrade 1990; A.Kadijevic, Momir Korunović, Belgrade 1996;&lt;br&gt; Encyclopaedia architectonica.Lexicon Serbian architects 19thand 20century, Belgrade 1999; S.G.&lt;br&gt; Bogunovic, AEB, vol.2, Beograd 2005; possible determinants of the author: Free Bogunović; entries&lt;br&gt; Category 4 (020a)&lt;br&gt; Korcula, an island in the Adriatic Sea, part of the Serbian principality Neretljana to 1125, and the state Nemanjića to about 1190 --&lt;br&gt; 1254 (medieval church), V.Foretića, island of Korcula in the Middle Ages to 1420, Acts I,&lt;br&gt; 36.1940; G.Novak, Arheol.Research on the islands of Lastovo and Korcula in 1953.year, the Annual I&lt;br&gt; 60, 1955, Category 1 (020 SV)&lt;br&gt; KOSANOVIC, Olga - painter, translator, nurse, (Belgrade 1882 - Belgrade, 1956), cat.1&lt;br&gt; (020M)&lt;br&gt; Kostin, Vladimir Z - painter, poet, editor of &amp;quot;Čačanskog voice&amp;quot; (Aleksinac, 1904 - Cacak 1934 or&lt;br&gt; 1935?).cat.1 (020M)&lt;br&gt; KOSTIĆ, Branka - ist.Art, the author of monographs on the New Cemetery.Category 1, editorial (020&lt;br&gt; NV)&lt;br&gt; KOSTIC, George, (1909-1995), writer, professor, sr.Surrealism, the founder of Surrealism Today magazine&lt;br&gt; here, Kat.2-3 (020M)&lt;br&gt; KOSTIĆ, Relja, architect (1929, Belgrade) Lit.S.G.Bogunovic, AEB, vol.2, Beograd 2005; possible&lt;br&gt; Author guidelines: Milan Milovanovic, architect, architectural historian; determinant Category 2&lt;br&gt; (020a)&lt;br&gt; Kostov, Elijah - graphic artist, Kat.2 (020M)&lt;br&gt; Kastoria, a town in Greece, medieval churches, a category 2 (020 SV)&lt;br&gt; Kotor, medieval churches, a category 4 (020 SV)&lt;br&gt; Kocic, Nina - sculptor, Kat.1 (020M)&lt;br&gt; Kragujevac, Cathedral of the Dormition of the Virgin and other monuments Lit.M.Jovanovic, the Serbian church&lt;br&gt; architecture and painting of recent times, the Belgrade-Kragujevac 1987; possible determinants Author: Vladimir&lt;br&gt; Mitrovic, a historian of architecture, the term Category 2 (020 NV)&lt;br&gt; Kragulj, Radovan - graphic artist, the artist expanded the media, cat.2 (020M)&lt;br&gt; KRAJČIK, Jaroslav, builder iconostasis Category 2 (020 NV)&lt;br&gt; Queen, Anton, sculptor, category 1 (020M)&lt;br&gt; Krasic, Vladimir - art historian (1851 to 1891). Wrote on Serbian Church Art LEJ 2&lt;br&gt; 126-127, Category 1 (020 NV)&lt;br&gt; Krasnov, NIKOLA (J) Nikolajević, architect (1864, Honjatin end of Moscow, Russia - Belgrade, 1939) Lit.&lt;br&gt; Ž.Skalamera, architect Nikola Krasnov (Moscow 1864-Belgrade, 1939), Notebooks DIUS, Vol.7, no.14,&lt;br&gt; Belgrade, 1983; B.Nestorovic Postakademizam in the architecture of Belgrade, GGB, vol.XX, Beograd 1973; A.&lt;br&gt; Kadijevic, Nikolai Krasnov work in the Ministry of Construction of the Kingdom of SHS / Yugoslavia in Belgrade from&lt;br&gt; 1922ndto 1939thyear, GGB, vol.XLIV, Belgrade 1997; S.To&amp;scaron;eva, capital of the Russian Architects&lt;br&gt; Belgrade, in: Russian Emigration in Serbian architecture of the twentieth century, vol.I, Belgrade, 1994; A.Kadijevic,&lt;br&gt; The role of Russian emigrants in the Belgrade architecture between the two world wars, GGB, vol.49/50 Beograd&lt;br&gt; 2002/2003; I.Kalinjin, A.Kadijevic, M.Zemljaničenko, architect of the imperial palace, Simferopol 2003;&lt;br&gt; possible determinants Author: Marina Djurdjevic, historian of architecture; entries 3rd - (4) categories&lt;br&gt; (020a)&lt;br&gt; Krasojevic, Paul, an architect, a teacher at the Arch.Faculty in Belgrade (1923, Čortanovci)&lt;br&gt; Category 1 (020a)&lt;br&gt; KRATINA, Jaroslav - The Association of Visual Artists of Serbia in Belgrade.cat.1 (020M)&lt;br&gt; Kratovo, a city in Macedonia, copying center, 16century, Category 1 (020 SV)&lt;br&gt; Kratohvil, John - sculptor, Kat.2.(020M)&lt;br&gt; Kratohvil, Marko - sculptor, Kat.1 (020M)&lt;br&gt; Kraut, Vanja - art historian, Kat.2 (020M)&lt;br&gt; Kračun, Theodore - painter, icon painter (d. Sr. Karlovci, 1781).M.Timotijevic, Serbian baroque&lt;br&gt; painting, Category 4 (020 NV)&lt;br&gt; Krgovic, Don - sculptor, Kat.2 (020M)&lt;br&gt; Krekić, George - architect, professor.Academy of Applied Arts (Doboj, 1903), 2nd Category&lt;br&gt; (020a)&lt;br&gt; Krekić, George, architect and professor of FPU, category 1 (020M)&lt;br&gt; KREPIČEVAC, the monastery in the East.Serbia, 16century, a category 2 (020 SV)&lt;br&gt; curve of the river, on Kopaonik, St..Peter and Paul, 1618-1621, Category 1 (020 SV)&lt;br&gt; KRIVAJA, the monastery rebuilt in the 18thcentury, the unique wooden building, LEJ 2, 131, Category 2&lt;br&gt; (020 NV)&lt;br&gt; Križanić, Liza - nee.Maric, painter (Kosjerić, 1905 - Belgrade, 1982) cat.2 (020M)&lt;br&gt; Križanić, Peter (Pierre) - painter, cartoonist, journalist (Glina, Croatia, 1890 --&lt;br&gt; Belgrade, 1962).cat.3 (020M)&lt;br&gt; Crypt 2nd category(020a)&lt;br&gt; criticism, architectural - Category 3 (020a)&lt;br&gt; KRIHUBER, Joseph - Austrian painter and lithographer, (1801 to 1876). Worked for the Serbs, LEJ 2, 130&lt;br&gt; Category 1 (020 NV)&lt;br&gt; Krka Monastery near Kistanje, before 1458, Category 2 (020 SV)&lt;br&gt; Krković, Momcilo - sculptor, Kat.2 (020M)&lt;br&gt; Krnajski, Jadran - painter, Kat.1 (020M)&lt;br&gt; Krnajski, Dragoslav - sculptor, Kat.2 (020M)&lt;br&gt; Krsmanovic, Costa - designer, Kat.2 (020M)&lt;br&gt; Krsmanovic, Marko - graphic artist, Kat.3 (020M)&lt;br&gt; Krsmanovic palace in Belgrade (Terazije 34); determinant categories 2 (020a)&lt;br&gt; cross from Piacenza, Category 1 (020 SV)&lt;br&gt; Cross, symbolic form of Christianity, Preston Cross, manual cross, cross at the top of the iconostasis, LEJ ..&lt;br&gt; 2, 132-134, Category 4 (020 NV)&lt;br&gt; Krstevski, Mirjana - artist, Kat.1 (020M)&lt;br&gt; Baptistery, LEJ 2, 141, Category 2 (020a)&lt;br&gt; Krstic - Beljić, Dobrinka - artist, Kat.1 (020M)&lt;br&gt; Krstic - Colak-Antic, Milic, architect (1887, Kragujevac - 1964, Belgrade) Lit.S.To&amp;scaron;eva, Architect&lt;br&gt; Milica Krstic (1887-1964), GGB, vol.XLIV, Belgrade 1997; D.Djuric-Zamolo, materials for the study of&lt;br&gt; women architects from the University of Belgrade generation 1896-1940.year, in &amp;quot;Pinus Records, no.&lt;br&gt; 5, Belgrade 1996; Encyclopaedia architectonica, Lexicon Serbian architects 19thand 20century,&lt;br&gt; Belgrade 1999; S.G.Bogunovic, AEB, vol.2, Beograd 2005; possible determinants Author: Snezana To&amp;scaron;eva,&lt;br&gt; historian of architecture; determinant categories 2 (020a)&lt;br&gt; KRSTIĆ, ALEXANDER, landscape architect, head of &amp;quot;green toilets of the city in Belgrade between the two wars,&lt;br&gt; Category 2 (020a)&lt;br&gt; KRSTIĆ, Branislav - Bran, architect, professional writer (Sarajevo?, 1922); Bilje&amp;scaron;ka author, in: B.&lt;br&gt; Krstic, Legislation architectural heritage, Belgrade 2006; Personal Archive B.Krstic, the possible author&lt;br&gt; determinants: Free Bogunović; determinant Category 1 (020a)&lt;br&gt; KRSTIĆ, Branko K., Architect (1902, Belgrade - 1978, Belgrade), Krstić, K.Peter, architect,&lt;br&gt; university professor (1899, Belgrade - 1991, Belgrade) Lit.M.Djurdjevic, Petar and Branko Krstic,&lt;br&gt; Belgrade 1996; Z.Manević, Peter and Branko Krstic, Belgrade 1982; Lj.Blagojevic, Modernism in&lt;br&gt; Croatia, The Elusive margins of Belgrade Architecture, 1919-1941, 2003, 148-152; Maric D., Guide&lt;br&gt; through modern architecture, Belgrade 2002; S.G.Bogunovic, AEB, vol.2, Beograd 2005;&lt;br&gt; possible determinants Author: Marina Djurdjevic, historian of architecture; heading category 4 (020a)&lt;br&gt; KRSTIĆ, Belisarius - graphic artist, painter, sculptor, Kat.2 (020M)&lt;br&gt; KRSTIĆ, Dusan, architect (Novi Sad, 1938 -) Lit.G.Gordic, biographies, in: Serbian architecture 1900 --&lt;br&gt; 1970, Belgrade 1972; Art Encyclopedia of Yugoslavia, Zagreb, 1984, 1987; A.Brkic, Signs in&lt;br&gt; stone.Serbian modern architecture 1930-1980, Beograd 1992, Serbian lexicon builders, Belgrade&lt;br&gt; 2002; D.Krstic: Form can not be developed independently of the function, &amp;quot;Architecture, no.61,&lt;br&gt; Belgrade-Podgorica, 2003; possible determinants Author: Vladimir Mitrovic, a historian of architecture;&lt;br&gt; determinant categories 2 (020a)&lt;br&gt; KRSTIĆ, George - painter, teacher (1851 to 1907).The most important Serbian by the end of 19veka.N.&lt;br&gt; Kusovac, George Krstic, Belgrade 2002, Category 4 (5) (020 NV)&lt;br&gt; KRSTIĆ, Milovan - painter, Kat.1 (020M)&lt;br&gt; Krstic, Nebojsa, arch.and enterijerista, category 1 (020M)&lt;br&gt; KRSTIĆ, Peter K., Architect, university professor (1899, Belgrade - 1991, Belgrade) Lit.M.&lt;br&gt; Djurdjevic, Petar and Branko Krstic, Belgrade 1996; Z.Manević, Peter and Branko Krstic, Belgrade 1982;&lt;br&gt; Lj.Blagojevic, Modernism in Serbia, The Elusive margins of Belgrade Architecture, 1919-1941,&lt;br&gt; 2003, 148-152; Maric D., Guide to modern architecture, Belgrade 2002; S.G.Bogunovic,&lt;br&gt; AEB, vol.2, Beograd 2005; possible determinants Author: Marina Djurdjevic, historian of architecture;&lt;br&gt; determinant category 4 (020a)&lt;br&gt; KRSTIĆ, Cedomir - painter, Kat.2 (020M)&lt;br&gt; Krunic, John, architect (1915 Buđanovci at Ruma - 2001, Belgrade) Lit.Encyclopaedia&lt;br&gt; architectonica, Lexicon Serbian architects 19thand 20century, Belgrade 1999, Perovic M., Serbian&lt;br&gt; architecture of the twentieth century.Since istoricizma to another modernism, Belgrade 2003; S.G.Bogunovic, AEB, vol.&lt;br&gt; 2, Beograd 2005; possible determinants Author: Milan Milovanovic, architect, architectural historian;&lt;br&gt; determinant categories 2 (020a)&lt;br&gt; Crowns, Spasoje, architect, university professor (1939, Nik) Lit.And.Strauss, Architecture&lt;br&gt; Yugoslavia 1945-1990, Sarajevo, 1991; Encyclopaedia architectonica, Lexicon Serbian architects&lt;br&gt; 19.and 20century, Belgrade 1999, Maric D., Guide to modern architecture, Belgrade 2002; S.&lt;br&gt; G.Bogunovic, AEB, vol.2, Belgrade 2005 possible determinants Author: Biljana Misic, historian&lt;br&gt; architecture; entries 2 - (3) categories; (020a)&lt;br&gt; Crowns, Theodore - jeweler, 1835 - 1841, Bosnia.LEJ 2, 146, Category 1 (020 NV)&lt;br&gt; Krupa Monastery in Dalmatia, beg.17.century, a category 2 (020 SV)&lt;br&gt; Krusevac, monuments, Lazarica, monument Kosovo heroes BUILDING District NAČELSTVA&lt;br&gt; (Danish MUNICIPAL ASSEMBLY) Lit.P.Vasic, Art topography Krusevac, Novi Sad - Krusevac 1990&lt;br&gt; 217; possible determinants Author: Vladimir Mitrovic, a historian of architecture; determinant Category 4&lt;br&gt; (020 NV)&lt;br&gt; Kru&amp;scaron;edol - one of the most important Serbian monasteries, with extremely rich cultural and historical&lt;br&gt; legacy-wall painting, architecture, treasury, M.Timotijevic, Kru&amp;scaron;edol monastery, Category 5&lt;br&gt; (020 NV)&lt;br&gt; Krdžalić, Lazar - painter (1853 to 1926).LEJ 2, 128, Category 2?(020 NV)&lt;br&gt; Krdžalić, Olga, a painter, worked together with L.Krdžalić.N.Kusovac, Pasko 18thand 19&lt;br&gt; veka, Belgrade 1987, Category 2 (020 NV)&lt;br&gt; Kr&amp;scaron;ić, Bogdan - graphic artist, Kat.3 (020M)&lt;br&gt; Kr&amp;scaron;ić, Jelena - ceramist, Kat.2 (020M)&lt;br&gt; Kr&amp;scaron;ić, John - critic, Kat.2 (020M)&lt;br&gt; Ktitor Category 1 (020a)&lt;br&gt; Cubism - Category 3 (020.M)&lt;br&gt; Cubism In the SRP.Arch.Category 3 (020a)&lt;br&gt; Kubinec, Susan, illustrator, Category 1 (020M)&lt;br&gt; Kuveždin, monastery, LEJ 2, 164, Category 3 (020 NV)&lt;br&gt; WHAT.ORG (Novi Sad) - Art Group, category 1 (020.M)&lt;br&gt; Kuzmanov, Lazar, architect (1968, Titel), category 1 (020a)&lt;br&gt; Kuzmanovic, Branka - artists, Kat.2 (020M)&lt;br&gt; Kuzmanovic, Darko, sculptor, category 1 (020M)&lt;br&gt; Kujačić, Mirko - painter, Kat.3 (020M)&lt;br&gt; Kujundzic, Vojislav, architect, professor at the Arch.Faculty in Belgrade (1941, Bela Palanka), category&lt;br&gt; 2 (020a)&lt;br&gt; Kujučev, Alexander, photographer, category 1 (020M)&lt;br&gt; Kula (tower bell tower) Category 2 (020 SV)&lt;br&gt; TOWERS Residential Category 2 (020a)&lt;br&gt; KULAčA Category 1 (020a)&lt;br&gt; Kulic, Branka, art historian, Category 1 (020 NV)&lt;br&gt; Kulic, Ratko - conservator, artist, cat.2 (020M)&lt;br&gt; Kumanica, medieval monastery, Category 1 (020 SV)&lt;br&gt; Kumrić, Alexander - by (Kostajnica, 1898).cat.1 (020M)&lt;br&gt; Kundačina, Radomir - painter, graphic artist, Kat.1 (020M)&lt;br&gt; Kupinik (Kupinovo), medieval town in Srem, 14-16.century, a category 2 (020 SV)&lt;br&gt; Dome, a category 1 (020a)&lt;br&gt; kuripe&amp;scaron;ić Benedict, traveler 16thcentury, ELU 3, 266; Djordje Kostic, category 1 (020a ST)&lt;br&gt; Kurnik, Majda - The Association of Visual Artists of Serbia., Kat.2 (020M)&lt;br&gt; Kurtovic, Ivo, architect, university professor (1910, Sutivan, Brac - 1972, Belgrade) Lit.G.&lt;br&gt; Gordic, biographies, in: Serbian architecture 1900-1970., Belgrade 1972; Z.Manević, Iva Kurtović&lt;br&gt; (1910 - 1972), CIP, no.236, Zagreb 1972; Ibid., Alexei Brkic, Belgrade (nedat.); Encyclopaedia&lt;br&gt; architectonica, Lexicon Serbian architects 19thand 20century, Belgrade 1999, Maric D., Guide&lt;br&gt; modern architecture, Belgrade 2002; S.G.Bogunovic, AEB, vol.2, Belgrade 2005je; possible&lt;br&gt; Author guidelines: Aleksandar Ignjatovic, a historian of architecture; heading category 3 (020a)&lt;br&gt; Kurtović-Folic, find, architect, architectural historian, university professor (1947, Split) Lit.&lt;br&gt; Encyclopaedia architectonica, Lexicon Serbian architects 19thand 20century, Belgrade 1999; possible&lt;br&gt; Author guidelines: Mirjana Roter-Blagojevic, historian of architecture; determinant categories 2 (020a)&lt;br&gt; Kursumlija, a town in southern Serbia with the two churches from the 12thcentury, a category 3 (020 SV)&lt;br&gt; Kusic, the monastery in Banat, LEJ 2, 161, Category 1 (020 NV)&lt;br&gt; Kusovac - Zunic, Gordana, konzervatorka - kat.2 (020M)&lt;br&gt; Kusovac, Nikola - art historian, a category 3, editorial (020 NV)&lt;br&gt; Kuti, a village near Zelenika, Church of Sts.Tome, 11century, Category 1 (020 SV)&lt;br&gt; Kutlija, Michael - živopisac, 1838 - 1840, Osijek, Jasenovac. LEJ 2, 164, Category 1 (020 NV)&lt;br&gt; KUTLIK, Curie - Slovak painter, educator (1869 to 1900).LEJ 2, 164, Category 3 (020 NV)&lt;br&gt; House, home Category 2 (020a)&lt;br&gt; Household, Bosko - sculptor (1931), studied in Belgrade (020M)&lt;br&gt; kučevi&amp;scaron;te, medieval village with two churches, a category 3 (020 SV)&lt;br&gt; KU&amp;Scaron;ANIĆ, Ivan - Ivo - caricaturist, Kat.2 (020M)&lt;br&gt; Lavra -, Category 2 (020 SV)&lt;br&gt; LAGARIĆ Paul character.REVIEWS, Kat.2 (020M)&lt;br&gt; LADA, Art Association LEJ 2, 168, Category 3 (020.M)&lt;br&gt; Lađević Milan, by a conservator, Kat.1 (020M)&lt;br&gt; LAŽEČNIKOV, Alexander (Ivanovich) - painter (Moscow, 1872 - Petersburg, 1944).cat.1&lt;br&gt; (020M)&lt;br&gt; Lazaret Category 1 (020a)&lt;br&gt;Viktor Lazarev nikitič, art historian, ELU 3, 291; II 60-120; Mirjana Gligorijević,&lt;br&gt; Category 2 (020a ST)&lt;br&gt; LAZAREVIĆ, Andrew - painter (1885 to 1926).cat.1 (020M)&lt;br&gt; LAZAREVIĆ, Anđelija - painter and writer (Belgrade, 1885 - Belgrade, 1926).cat.2 (020M)&lt;br&gt; LAZAREVIĆ, Branko - a painter, critic?(Nis, 1879 -?).cat.1 (020M)&lt;br&gt; LAZAREVIĆ, Grujic - watercolorist, Kat.1 (020M)&lt;br&gt; LAZAREVIĆ, Dimitrije - by the Karlovac, 1824, Irig LEJ 2, 180, Category 1 (020 NV)&lt;br&gt; LAZAREVIĆ, George, engineer, architect, university professor (1903, Vlasinsko village&lt;br&gt; End Surdulica - 1993, Belgrade) Lit.Encyclopaedia architectonica, Lexicon Serbian architects&lt;br&gt; 19.and 20century, Belgrade 1999; possible determinants Author: Milan Milovanovic, architect, historian&lt;br&gt; architecture; determinant categories 2 (020a)&lt;br&gt; LAZAREVIĆ, Slobodan - kitsch, architect, category 1 (020a)&lt;br&gt; Lazarica, St. Stephen&amp;#39;s church in Krusevac, a category 2 (020 SV)&lt;br&gt; LAZIĆ BRANKO, ist.Art, curator of Valjevo, kat.1 (020M)&lt;br&gt; Lazic, Svetomir, architect (1894, Donji Milanovac - 1975, Belgrade) Lit.Encyclopaedia&lt;br&gt; architectonica, Lexicon Serbian architects 19thand 20century, Belgrade 1999; G.Gordic, Biographies,&lt;br&gt; in: Serbian Architecture 1900-1970, Belgrade 1972; M.Jovanovic, Architect Svetomir Lazic (1894 --&lt;br&gt; 1985), &amp;quot;Press&amp;quot;, no.29 (1997); T.Damljanović, Architect Svetomir Lazic (1894-1985),&lt;br&gt; &amp;quot;Press Releases&amp;quot;, br.29 (1997); Lj.Blagojevic, modern house in Belgrade (1920-1941), Belgrade 2000;&lt;br&gt; Maric D., Guide to modern architecture, Belgrade 2002; S.G.Bogunovic, AEB, vol.2,&lt;br&gt; Belgrade 2005; possible determinants Author: Tanja Damljanović; determinant categories 2 (020a)&lt;br&gt; Lazovic, Alexios - icon painter (1774 to 1837).B.Vujovic, Art renewed Serbian Category 3&lt;br&gt; (020 NV)&lt;br&gt; Lazovic, Zoran, architect, associate professor at the Arch.University of Belgrade, category 1 (020a)&lt;br&gt; Lazovic, Lazar - by, 19 century, Italy, Montenegro, Dalmatia.B.Vujovic, Art reconstructed&lt;br&gt; Serbia Category 1 (020 NV)&lt;br&gt; Lazovic, Simeon - icon painter (1750 to 1817).B.Vujovic, Art renewed Serbian Category 3&lt;br&gt; (020 NV)&lt;br&gt; Lainović - CEROVIC, Zorka - artist, Kat.1 (020M)&lt;br&gt; Lainović, Cvetko - painter, Kat.1 (020M)&lt;br&gt; Lakic, Alexander - Artist, Kat.1 (020M)&lt;br&gt; LAKIĆEVIĆ - PAVIĆEVIĆ, Vesna-art historian, Kat.1 (020M)&lt;br&gt; Lalic, Veljko - sculptor, Kat.1 (020M)&lt;br&gt; Lalic, Joseph - by (Split, 1867 - Rome, 1953).(020M)&lt;br&gt; Lalic, Ratko - painter, Kat.1 (020M)&lt;br&gt; Lalicki - POSAVEC, Slavica - costume, cat.2 (020M)&lt;br&gt; Lalicki, Vladislav-set designer, Kat.2 (020M)&lt;br&gt; Lalicki, Todor - set designer, Kat.2 (020M)&lt;br&gt; Lapovo, church, lit.N.Makuljevic, church art in the Kingdom of Serbia, Category 1 (020 NV)&lt;br&gt; lapu&amp;scaron;nja, medieval church, Category 1 (020 SV)&lt;br&gt; LATI&amp;Scaron;EV - BAJKALOV, Sergey - painter (1905 - 1953), cat.1.(020M)&lt;br&gt; Ayala, George - painter, 1781 - 1817, Novi Sad, Belegi&amp;scaron;, monastery Vracevsnica.LEJ 2, 167,&lt;br&gt; Category 2 (020 NV)&lt;br&gt; Lackovic, Ljubomir, sculptor, Kat.1 (020M)&lt;br&gt; Lasic, Vladislav, film set design, architect, category 1 (020M)&lt;br&gt; LED ART-2 categories (020.M)&lt;br&gt; LEŽIMIRAC, Ljiljana - applied artist, Kat.2 (020M)&lt;br&gt; LEKtORIJUM Category 1 (020a)&lt;br&gt; Lekic - Milinkovic, Constantine - a painter, bakrorezac (Belgrade, 1802 - Zemun, 1838).LEJ 2, 182,&lt;br&gt; Category 2 (020 NV)&lt;br&gt; Leko, M.Demetrius, architect, university professor (1887, Belgrade - 1964, Belgrade) Lit.Lj.J.&lt;br&gt; Miletic-Abramovic, Life and work of the architect Demetrios M.Leka, (thesis), Belgrade 1998; D.&lt;br&gt; Butter, two buildings of the architect.D.M.Leka, Technical paper, no.13-14, Zagreb 1936; B.M., Dimitrije Leko,&lt;br&gt; Architecture-Urbanism, no.2, Belgrade, 1960; O.Minic, In memoriam.Arch.Dimitrije Leko 1887 --&lt;br&gt; 1964), AU, no.29, Belgrade, 1964; A.Kadijevic, academic aesthetics of architecture, Belgrade 2005; S.&lt;br&gt; G.Bogunovic, AEB, vol.2, Beograd 2005; possible determinants of the author: Free Bogunović; entries&lt;br&gt; Category 3 (020a)&lt;br&gt; Leko, T.Demetrius, architect (1863, Belgrade - 1914, Kragujevac) Lit.S.Stojanovic, Serbian&lt;br&gt; builder.Description of the construction works and production of images, Belgrade 1912; N.Nestorović, Buildings and&lt;br&gt; architects of the last century in Belgrade, Belgrade 1972nd(reprint 1937); Z.Manević, recent Serbian&lt;br&gt; architecture.Serbian Architecture 1900-1970, Belgrade 1972; B.Nestorovic View Monuments&lt;br&gt; architecture in Serbia of the XIX century, &amp;quot;Press, vol.X, Belgrade 1974; D.Jovanovic, Activity&lt;br&gt; Demetrius T.Leka in southeastern Serbia, Leskovac Proceedings, vol.XXXIX, Leskovac 1999; M.&lt;br&gt; Ivanovic, architect Dimitrije T.Leko, GGB, vol.LI, Belgrade 2004; S.G.Bogunovic, AEB, vol.2,&lt;br&gt; Belgrade 2005; M.Roter Blagojevic, Belgrade residential architecture in the 19thand early 20thcentury,&lt;br&gt; Belgrade 2006; possible determinants Author: Mirjana Roter-Blagojevic, historian of architecture;&lt;br&gt; heading 4th category(020a)&lt;br&gt; LEKOVIĆ, Veli&amp;scaron; - by (Godinje, Bar, 1910 - Bar, 1971), cat.1.(020M)&lt;br&gt; LENHARD, Samuel, graphic, lit.V.Kraut, Serbian graphics, cat.1 (020M)&lt;br&gt; Leontius, Sarajevo by - icon painter, 18century.LEJ 2, 184, Category 1 (020 NV)&lt;br&gt; ILE, the monastery of Bruce, 15/16.century, Category 1 (020 SV)&lt;br&gt; Leszek, Mirjana, art historian, a category 2, editorial (020 NV)&lt;br&gt; Lesnovo, the monastery at Kratovo, 14century, a category 4 (5) (020 SV)&lt;br&gt; Lehner Dragic, Mirjana, graphic artist, a category 1 (020M)&lt;br&gt; Le&amp;scaron;ak, near Tetovo, St..Athanasius, 14century, Hunchback, osn.before 1326, OBN.17 and 19&lt;br&gt; century, Category 1 (020 SV)&lt;br&gt; LItOFANIJA categories 2nd(020a)&lt;br&gt; Likić, Stephen - Priest, xylographer, 1721 - 1747, the monastery Orahovica.LEJ 2, 193, Category 2&lt;br&gt; (020 NV)&lt;br&gt; FINE ARTS FALL, Sombor (1961) - Category 1 (020.M)&lt;br&gt; Art criticism - Category 4 (020.M)&lt;br&gt; FINE ART - Category 5 (020.M)&lt;br&gt; Lipljan, Hunchback, before 1331, the categories 2nd(020 SV)&lt;br&gt; Lipovac, the monastery at Aleksinac, 1399, Category 1 (020 SV)&lt;br&gt; LYRICAL Abstraction - Category 3 (020.M)&lt;br&gt; Litvinov, Boris (Nilovič) - General of the Russian army, painter, 1944, Belgrade, Kat.1 (020M)&lt;br&gt; LIČENOSKI, Lazar - by, cat.2 (020M)&lt;br&gt; Licina, SVETISLAV, architect, university professor (1931, Zagreb) Lit.And.Strauss, Architecture&lt;br&gt; Yugoslavia 1945-1990, Sarajevo, 1991; A.Brkic, signs in stone.Serbian modern architecture&lt;br&gt; 1930-1980, Belgrade 1992; Z.Manević, Licina, Belgrade 1994; Encyclopaedia architectonica, Lexicon&lt;br&gt; Serbian architects 19thand 20century, Belgrade 1999; S.G.Bogunovic, AEB, vol.2, Beograd 2005;&lt;br&gt; possible determinants Author: Milan Milovanovic, architect, architectural historian; determinant categories&lt;br&gt; 3 (020a)&lt;br&gt; LOVRIC, Mirko - art historian, photographer, cat.2 (020M)&lt;br&gt; LOGO, Otto - sculptor, Kat.3 (020M)&lt;br&gt; Lodge Nemanjić, Category 3 (020 SV)&lt;br&gt; Lojanica, Vladimir, architect, assistant professor in the Faculty of Architecture in Belgrade (1969, Belgrade)&lt;br&gt; Category 1 (020a)&lt;br&gt; Lojanica, Milan, architect, university professor (1939, Belgrade) Lit.And.Mlađenović, 11&lt;br&gt; [Eleven] prominent architects of Yugoslavia, vol.2, Belgrade, 1989; A.Brkic, signs in stone.&lt;br&gt; Serbian modern architecture 1930-1980, Belgrade 1992, Faculty of Architecture, University of&lt;br&gt; Belgrade, 1948-1995, Belgrade 1996; Encyclopaedia architectonica, Lexicon Serbian architects 19th&lt;br&gt; and 20century, Belgrade 1999, Maric D., Guide to modern architecture, Belgrade 2002; S.G.&lt;br&gt; Bogunovic, AEB, vol.2, Beograd 2005; D.Mila&amp;scaron;inović-Maric, Milan Lojanica, &amp;quot;Forum, no.50,&lt;br&gt; Belgrade 2005; M.Radosavljevic, architecture is an event in space: a sketch for a portrait of the architect,&lt;br&gt; DANS, no.53, Novi Sad 2006; possible determinants of the author: Free Bogunović; determinant Category 4&lt;br&gt; (020a)&lt;br&gt; Lomnica, at the monastery Sekovici, before 1578, Category 2 (020 SV)&lt;br&gt; Longin, - a painter and writer, 16century, ISN 3-2, Zoran Rakic, a category 3 (020a ST)&lt;br&gt; Loncarevic, Elijah - by, 1834, Sombor.LEJ 2, 201, Category 1 (020 NV)&lt;br&gt; LOPARDINCE, monastery, S.Petkovic, wall painting ..; Painting Vranjske diocese, Category 2&lt;br&gt; (020 NV)&lt;br&gt; Lopud Island near Dubrovnik, more medieval churches (St. Ilija, 11 century, the remains of frescoes)&lt;br&gt; Dobrovićev Grand hotel, Category 1 (020 SV)&lt;br&gt; Lot Andre - French painter, Kat.2 (020M)&lt;br&gt; BAD PAINTING (BAD PAINTING) - Category 1 (020.M)&lt;br&gt; LUBARA Category 1 (020a)&lt;br&gt; Lubarda, Dragan - artist, Kat.2 (020M)&lt;br&gt; Lubarda, Peter - by (Ljubotinj, Cetinje, 1907 - Belgrade, 1974).cat.4 (5) (020M)&lt;br&gt; grove near Trebinje, the church of the Dormition of the Theotokos, 15/16.century, Category 1 (020 SV)&lt;br&gt; ARC category 2 (020a)&lt;br&gt; LUKIC - JELISIC, Maria - Mara - artist, Kat.2 (020M)&lt;br&gt; LUKIC - Sotra, Ivanka - artist, Kat.2 (020M)&lt;br&gt; Lukic, Živojin - sculptor (Belgrade, 1889 - Belgrade, 1934).cat.3 (020M)&lt;br&gt; Lukic, Miladin (1956, Belgrade), architect-conservator, category 1 (020a)&lt;br&gt; Lukic, Mirjana, architect, urban.Lit.Encyclopaedia architectonica, Serbian Lexicon&lt;br&gt; Architects 19thand 20century, Belgrade 1999; possible determinants Author: Predrag V.Milosevic, the architect,&lt;br&gt; historian and theorist of architecture; determinant Category 1 (020a)&lt;br&gt; Lukic, Svetolik - by (Belgrade, 1908 - Belgrade, 1980).cat.2 (020M)&lt;br&gt; Lukovic, Aleksandar - Lucian - painter and graphic artist (Belgrade, 1924).cat.3 (020M)&lt;br&gt; LUKOMSKI, Viktor Viktorovich, architect (1884, St. Petersburg, Russia - 1947, Belgrade) Lit.A.&lt;br&gt; Kadijevic, a century-style national index of Serbian architecture (mid XIX-XX environment&lt;br&gt; century), Belgrade 1997; Encyclopaedia architectonica, Lexicon Serbian architects 19thand 20century,&lt;br&gt; Belgrade 1999; S.To&amp;scaron;eva, capital of Russian emigrants in Belgrade, the Russian emigration in the Serbian&lt;br&gt; kuluri 20thcentury, Belgrade, 1994; A.Kadijevic, the period of the Belgrade architect Viktor Viktorovich&lt;br&gt; Lukomskog, GGB, vol.XLV-XLVI, Belgrade, 1998-99; Ibid., Employment in the Ministry of Russian architects&lt;br&gt; buildings in the period between two wars, GGB, vol LI, Belgrade 2004; S.G.Bogunovic, AEB, vol.2,&lt;br&gt; Belgrade 2005; possible determinants Author: Marina Djurdjevic, historian of architecture; entries&lt;br&gt; Category 2 (020a)&lt;br&gt; Lucev, John - painter, professor.Academy LU, set designer (Herceg Novi, 1904 - Belgrade, 1958).cat.2&lt;br&gt; (020M)&lt;br&gt; Lu&amp;scaron;ić, Tahir, a painter, Dusseldorf-Belgrade, kat.1 (020M)&lt;br&gt; Lustica, a peninsula near Tivat, several old churches, 14/17.century, Category 1 (020 SV)&lt;br&gt; ljevo&amp;scaron; the oven, the Church of Sv.Nicholas, 16century, Category 1 (020 SV)&lt;br&gt; Ljubibratica, Ksenija - painter, sculptor, Kat.2 (020M)&lt;br&gt; Ljubizda, a village near Pec, a medieval church, Category 1 (020 SV)&lt;br&gt; Ljubinković, Vladan - painter, Kat.1 (020M)&lt;br&gt; Ljubinković, Kaca M.- Katherine?- Kopistkinja, artist, cat.1 (020M)&lt;br&gt; Ljubinković, Radivoje, art historian, ESI 471-472, II 30-60, Branka Ivanic, Category 2&lt;br&gt; (020a ST)&lt;br&gt; Ljubisic, Bratislava - art historian, critic, Kat.1 (020M)&lt;br&gt; LJUBOJEVIC, Dusan - painter, graphic artist, Kat.1 (020M)&lt;br&gt; LJUBOSTINJA, the monastery at Trstenik, 14century, a category 4 (5) (020 SV)&lt;br&gt; Ljuboten, near Skopje, the church of Sv.Nicholas, 1337, Category 3 (020 SV)&lt;br&gt; Magaza - Category 1 (020a)&lt;br&gt; Maglic, medieval town of Kraljevo, with the Church of Sts.George, 14century, a category 3 (020 SV)&lt;br&gt; MAGLOVSKI, Janko, art historian, a category 1 (020a ST)&lt;br&gt; MAGNET, the group - Category 1 (020.M)&lt;br&gt; Lubricator - Bogunovic, John - painter, icon painter (1760 to 1840).LEJ 2, 300, Category 1 (020 NV)&lt;br&gt; Lubricator, Djoko - painter, art historian (Bos. Kostajnica, 1888-Sarajevo 1975) Category 2,&lt;br&gt; editorial (020 NV)&lt;br&gt; MAIL ART - Category 1 (020.M)&lt;br&gt; MASTER MARK Category 1 (020a)&lt;br&gt; MAJSTORBA&amp;Scaron;A Category 1 (020a)&lt;br&gt; majstorovina, the monastery of Lim, 14and 17century, Category 1 (020 SV)&lt;br&gt; Macarius ZOGRAF, painter, 14/15.century, Djuric, Byzantine frescoes, hhh, Dragan Vojvodić, category&lt;br&gt; 2 (020a ST)&lt;br&gt; Macarius, printer, 15/16.century, medaković, graphics, hhh, and 5-30; Slaven Popara, category 1 (020a&lt;br&gt; SV)&lt;br&gt; MacKenzie, Francis (Harford), landowners, religious missionary (? Vester Ross, Scotland, 1833-1895)&lt;br&gt; Lit.S.G.Bogunovic, AEB, vol.1, Belgrade 2005; possible determinants Author: David Norris; entries&lt;br&gt; Category 1 (020a)&lt;br&gt; MAKES, Branislav - graphic artist, Kat.2 (020M)&lt;br&gt; MAKO, Vladimir, architect, professor at the Arch.University of Belgrade, category 1 (020a)&lt;br&gt; Maksimov, Ivan - Russian icon painter and Zograf, 1687, the monastery of Great Remeta.Category 2 (020 NV)&lt;br&gt; MAKSIMOVIĆ, Bojana - artist, Kat.1 (020M)&lt;br&gt; MAKSIMOVIĆ, Branko, architect, university professor (1900, Belgrade - 1988, Belgrade) Lit.M.&lt;br&gt; Mitrovic, Newer architecture, Belgrade 1975; Z.Manević, Branko Maksimovic, Belgrade 1989;&lt;br&gt; And.Strauss, Architecture of Yugoslavia 1945-1990, Sarajevo 1991, a group of authors, higher education&lt;br&gt; architecture in Serbia 1846-1971, Belgrade 1996; S.G.Bogunovic, AEB, vol.2, Beograd 2005; possible&lt;br&gt; Author guidelines: Predrag V.Milosevic, the architect, historian and theorist of architecture; entries&lt;br&gt; Category 4 (020a)&lt;br&gt; MAKSIMOVIĆ, Vladeta, architect (1910, Belgrade - 1994, Belgrade) Lit.G.Gordic, biographies, in:&lt;br&gt; Serbian Architecture 1900-1970, Belgrade 1972; Lexicon Serbian builders, Belgrade 2002, Maric D.,&lt;br&gt; Guide to modern architecture, Belgrade 2002; S.G.Bogunovic, AEB, vol.2, Beograd 2005;&lt;br&gt; possible determinants Author: Milan Prosen, historian of architecture; determinant categories 2 (020a)&lt;br&gt; MAKSIMOVIĆ, Joan, art historian, ESI 476; Jelena Erdeljan, a category 3 (020a ST)&lt;br&gt; MAKSIMOVIĆ, Joseph, architect of Serbian churches in Bosnia, LEJ 2, 267, Category 1 (020 NV)&lt;br&gt; MAKSIMOVIĆ, Stevan - painter, set designer, Kat.2 (020M)&lt;br&gt; MAKSIMOVIĆ, Stojan, architect (1934, Subotica) Lit.A.Brkic, signs in stone.Serbian modern&lt;br&gt; Architecture 1930-1980, Beograd 1992, Serbian lexicon builders, Belgrade 2002, Maric D., Guide&lt;br&gt; modern architecture, Belgrade 2002; S.G.Bogunovic, AEB, vol.2, Beograd 2005; Z.&lt;br&gt; Manević, Stojan Maksimovic: Creativity, Belgrade 2006; possible determinants of the author: Free&lt;br&gt; Bogunovic; heading category 3 (020a)&lt;br&gt; Makuljevic, Nenad, art historian, category 1(020 NV)&lt;br&gt; SMALL Remeta, on Fruska Gora monastery, LEJ 2.268, Category 2 (020 NV)&lt;br&gt; Maldini, FREE, architect, professional writer (1956, Ruma) Lit.M.Čehovin, D.Ećimović, S.Maldini,&lt;br&gt; M.Music, S.Zutic, Group Match: Marjan Čehovin, Dejan Ećimović, Slobodan Maldini, Mustafa Music,&lt;br&gt; Stefan Zutic, Zagreb-Belgrade 1981; Personal Archive arch.S.Maldinija, Belgrade 2006; possible author&lt;br&gt; determinants: Mare Jan&amp;aacute;k-Grujic, historian of architecture; entries 1stcategories (020a)&lt;br&gt; Maletic, George, writer and critic and art theorist, Kat.2 (020M)&lt;br&gt; small town in the Prespa, Hunchback, 14century, Category 1 (020 SV)&lt;br&gt; Malic Goran - photographer, theorist of photography, Kat.1 (020M)&lt;br&gt; Mamuzić, Rajko, collector, Kat.2 (020M)&lt;br&gt; MONASTERY - Category 5 (020 SV)&lt;br&gt; Mandic, Bozidar - visual artist, Kat.2 (020M)&lt;br&gt; Mandic, Zdravko - watercolorist, painter, floor.2 (020M)&lt;br&gt; Mandic, Zoran - painter, Kat.2 (020M)&lt;br&gt; Mandic, Miroslav - visual artist, Kat.2 (020M)&lt;br&gt; Mandic, Svetislav, painter-conservator, ELU 3, 394, Bojan Popovic, a category 2 (020a ST)&lt;br&gt; Mandic, STANKO, architect, university professor (1915, Prizren - 1987, Belgrade) Lit.Z.&lt;br&gt; Manević, Stanko Mandic, Belgrade, nedat. A group of authors, higher education in architecture&lt;br&gt; Serbia 1846-1971, Belgrade 1996; Encyclopaedia architectonica, Lexicon Serbian architects 19thand&lt;br&gt; 20.century, Belgrade 1999; S.G.Bogunovic, AEB, vol.2, Beograd 2005; possible determinants Author:&lt;br&gt; Milorad Jevtic, architecture critic, heading category 3 (020a)&lt;br&gt; MANEVIĆ, Zoran, architect, historian of architecture (1937, Skopje) Lit.Encyclopaedia architectonica,&lt;br&gt; Lexicon Serbian architects 19thand 20century, Belgrade 1999, Đ.Kadijevic, Zoran Manević, Nin no.&lt;br&gt; 2091, pp.57; S.G.Bogunovic, AEB, vol.2, Beograd 2005; possible determinants Author: Mare Jan&amp;aacute;k -&lt;br&gt; Grujic, historian of architecture; heading 2nd category(020a)&lt;br&gt; Mannerism in the SRP.Arch.3.Category (020a)&lt;br&gt; Manifesto, Art - Category 1 (020.M)&lt;br&gt; Mano-Zisi George, ist.Art and the archaeologist, ESI 479, II 30-60; Branka Ivanic, a category 2 (020a&lt;br&gt; SV)&lt;br&gt; Manojlovic, Dimitrije, architect-urbanist, category 1 (020a)&lt;br&gt; Manojlovic, Mouse, architect (1901, Belgrade -? About 1942), category 1 (020a)&lt;br&gt; Manojlovic, Todor - critic, Kat.3 (020M)&lt;br&gt; Manufacturing in Serbian architecture category 3 (020a)&lt;br&gt; MAODU&amp;Scaron;, Mirjana - artist, Kat.2 (020M)&lt;br&gt; Mardarije, printer, 16century, medaković, graphics, hhh, Slaven Popara, category 1 (020a ST)&lt;br&gt; Marenić, Vladimir - set designer, Kat.3 (020M)&lt;br&gt; Mares, Mira - artist, Kat.1 (020M)&lt;br&gt; Mary (MARIJINSKO) Gospels, illuminated manuscript of 10thor 11century, Category 1 (020 SV)&lt;br&gt; Marinkov, Mladen - sculptor, Kat.2 (020M)&lt;br&gt; MARINKOVIĆ, Anna - (born Lozanić), painter (Belgrade, 1882 - Getari, France, 1935).cat.2&lt;br&gt; (020M)&lt;br&gt; MARINKOVIĆ, Branislav, architect (1903, Batočina near Kragujevac - 1985, Belgrade) Lit.B.&lt;br&gt; Stojanovic, IN.Martinovic, Belgrade 1945-1975.Urbanism.Architecture, Belgrade 1978; Z.Manević,&lt;br&gt; Our builders.Branislav Marinkovic, &amp;quot;Construction&amp;quot; no.4, April, Belgrade, 1981; P.Vasic, Applied&lt;br&gt; Art in Serbia 1900-1978, Belgrade 1981; S.G.Bogunovic, AEB, vol.2, Beograd 2005; possible&lt;br&gt; Author guidelines: Milan Milovanovic, architect, architectural historian; determinant Category 3&lt;br&gt; (020a)&lt;br&gt; MARINKOVIĆ, Ljubodrag - Penkin - kat.1 (020M)&lt;br&gt; MARINKOVIĆ, Milan - Chile - painter, Kat.2 (020M)&lt;br&gt; MARINKOVIĆ, Miho A.- Painter, graphic artist (Komiža, Vis, 1883 - Belgrade, 1934).1 (020M)&lt;br&gt; MARINKOVIĆ, Snezana - konzervatorka, artist, cat.1 (020M)&lt;br&gt; Marinovic, Ante - sculptor, Kat.1 (020M)&lt;br&gt; Maric Branka - painter, grafičarka, designer, Kat.1 (020M)&lt;br&gt; Maric, Diana, historian of architecture (1954, Belgrade), category 1 (020a)&lt;br&gt; Maric, Igor, architect (1950, Belgrade), category 1 (020a)&lt;br&gt; Maric, Mirjana - textile designer, Kat.2?(020M)&lt;br&gt; Maric, Oliver, lik.umetnica, Kat.1 (020M)&lt;br&gt; MARJANOVIĆ, Zoran - graphic artist, Kat.2 (020M)&lt;br&gt; MARJANOVIĆ, Milena, ist.Art, translator, journalist, Kat.1 (020M)&lt;br&gt; MARKO TREBINJAC (Mark Stefanov), Zograf and miniature, beg.16.century, Djuric, Dubrovnik school&lt;br&gt; 272-273; Zoran Rakic, category 1 (020a ST)&lt;br&gt; Marko, jeweler - 1723, Sarajevo.LEJ 2.280, Category 1 (020 NV)&lt;br&gt; Markov MONASTERY IN SKOPJE, 14century, Category 5 (020 SV)&lt;br&gt; Mark&amp;#39;s Church, near Valjevo, medieval church, Category 1 (020 SV)&lt;br&gt; Miodrag Markovic, art historian, a category 1 (020a ST)&lt;br&gt; Srdjan Markovic, ist.Art, Leskovac, Kat.1 (020M)&lt;br&gt; MARKOVIC, George - 19th Zografcentury.LEJ 2, 281, Category 1 (020 NV)&lt;br&gt; MARKOVIC, Gordana, architect, architectural historian, a category 1 (020a)&lt;br&gt; Markovic, Dusan - sculptor, Kat.2 (020M)&lt;br&gt; Markovic, Ivan - a painter, in 1856, the monastery Vitovnica.P.Vasic, painting family Markovic,&lt;br&gt; Category 2 (020 NV)&lt;br&gt; MARKOVIC, Elijah, by LEJ 2, 281, Category 1 (020 NV)&lt;br&gt; MARKOVIC, Jasna - art historian, Kat.1 (020M)&lt;br&gt; MARKOVIC, Joachim (Acim) - painter, icon painter, bookseller (d. Novi Sad, 1757).M.Timotijevic, Serbian&lt;br&gt; Baroque painting, Category 3 (020 NV)&lt;br&gt; MARKOVIC, Milia - by raspop, created the mid-19thcentury to the 1870thP.Vasic, artistic family&lt;br&gt; Markovic, a category 2 (020 NV)&lt;br&gt; MARKOVIC, Milisav - by (Knjaževac, 1863 - Belgrade, 1910), painted more than twenty&lt;br&gt; iconostasis, lit.N.Makuljevic, church art in the Kingdom of Serbia, Category 2 (020 NV)&lt;br&gt; Markovic, Milovan - De style - visual artist, Kat.2 (020M)&lt;br&gt; MARKOVIC, Milutin, icon painter, a Russian student, the end of the 19thcentury, LEJ 2, 281, Category 2 (020 NV)&lt;br&gt; MARKOVIC, Momcilo Moma - painter, Kat.2 (020M)&lt;br&gt; Markovic, Nikola - by (Pozarevac, 1843 - Belgrade, 1889). The Court P.Vasic, artistic family&lt;br&gt; Markovic, Category 3 (4) (020 NV)&lt;br&gt; Markovic, Radovan - P.Vasic, painting family Markovic, Category 1 (020 NV)&lt;br&gt; Markovic, Srdjan - Đile - painter, art critic, a multimedia artist, Kat.1 (020M)&lt;br&gt; Markovic Tomislav, architect floor.1 (020M)&lt;br&gt; MARKOVIC, drvorezbari - from the 18th century.Arsenije and Aksentije LEJ 2, 283, Category 2 (020 NV)&lt;br&gt; Markus, Zoran - art historian, Kat.3 (020M)&lt;br&gt; Marcus, Stevan - painter, Kat.1 (020M)&lt;br&gt; Marodić, Aksentije (&amp;Scaron;aca) - by (Subotica, 1840 - Novi Sad, 1909).LEJ 2, 285 Category 3&lt;br&gt; (020 NV)&lt;br&gt; Marodić, Emilia - Emma, applied artist, Kat.3 (020M)&lt;br&gt; Martinić, at Danilovgrad, the medieval site, category 2 (020 SV)&lt;br&gt; MARTINKOVIĆ, Kresimir, architect (1930, Belgrade - 1995, Belgrade), category 2 (020a)&lt;br&gt; Martinovic, Dragan - painter, Kat.2 (020M)&lt;br&gt; Martinovic, Uros, architect, university professor (1918, Bajic at Cetinje - 2004, Belgrade)&lt;br&gt; Lit.D.Martinovic, Uros Martinovic: bio-bibliography, Cetinje 1984; B.Stojanovic, IN.Martinovic,&lt;br&gt; Beograd 1945-1975.Urbanism.Architecture, Belgrade 1978, pp.247; Lexicon Serbian builders,&lt;br&gt; Belgrade 2002; S.G.Bogunovic, AEB, vol.2, Beograd 2005; possible determinants Author: Marta Vukotic -&lt;br&gt; Lazar; heading category 3 (020a)&lt;br&gt; Marusic, Darko, architect, university professor (1940, Omis) Lit.Lexicon Serbian builders,&lt;br&gt; Belgrade 2002, Maric D., Guide to modern architecture, Belgrade 2002; S.G.Bogunovic,&lt;br&gt; AEB, vol.2, Beograd 2005; possible determinants Author: Bojan Kovacevic, a historian and theorist&lt;br&gt; architecture; entries 2 - (3) categories (020a)&lt;br&gt; Marusic, millennium, architect (1941, Valjevo) Lit.Lexicon Serbian builders, Belgrade 2002, Maric D.,&lt;br&gt; Guide to modern architecture, Belgrade 2002; S.G.Bogunovic, AEB, vol.2, Beograd 2005;&lt;br&gt; possible determinants Author: Bojan Kovacevic, a historian and theorist of architecture; determinant categories&lt;br&gt; 2 (020a)&lt;br&gt; MASKAREL, Ranko - painter, Kat.1 (020M)&lt;br&gt; Maskareli, Mario, by - kat.2 (020M)&lt;br&gt; Masniković, Danica - painter, grafičarka, Kat.2 (020M)&lt;br&gt; Masniković, Nikola - designer, Kat.2 (020M)&lt;br&gt; MATEIČ, Monastery near Kumanovo, 14century, Category 5 (020 SV)&lt;br&gt; Matejevac, UPPER, a village near Nis with the medieval church, a category 2 (020 SV)&lt;br&gt; Materials in architecture category 4 (020a)&lt;br&gt; Materials, in modern art - Category 4 (020.M)&lt;br&gt; MATIC, Goranka - ist.Art, photographer, cat.2 (020M)&lt;br&gt; MATIC, Dusan, (1898-1980), poet, artist, sr.Surrealism, Kat.3 (020M)&lt;br&gt; MATIČEVIĆ, VESNA, architects, urban (1928, Sarajevo), category 1 (020a)&lt;br&gt; Matka, a monastery near Skopje, 14century, a category 2 (020 SV)&lt;br&gt; Matkovic, Slavko, concept.art, kat.2 (020M)&lt;br&gt; Matu&amp;scaron;ka, Ferenc, ceramist, Kat.1 (020M)&lt;br&gt; MAUSOLEUM Category 2 (020a)&lt;br&gt; MAUKOVIĆ, Milivoje - painter, illustrator, journalist (Sid, from 1855 to 1882).LEJ 2, 298, Category 2&lt;br&gt; (020 NV)&lt;br&gt; MAHALA, small Category 2 (020a)&lt;br&gt; Macura, Vladimir, architects, urban (1942, Belgrade) Lit.S.G.Bogunovic, AEB, vol.2, Belgrade&lt;br&gt; 2005; possible determinants Author: Predrag V.Milosevic, the architect, historian and theorist of architecture;&lt;br&gt; determinant Category 1 (020a)&lt;br&gt; Macura, Lidija - artist, Kat.2 (020M)&lt;br&gt; Macura, Milorad, architect (1914, Skopje - 1989, Belgrade) Lit.M.Mitrovic, Newer architecture&lt;br&gt; Belgrade, Belgrade, 1975; Z.Manević, Macura, Belgrade 1985; S.G.Bogunovic, AEB, vol.2, Belgrade&lt;br&gt; 2005; possible determinants Author: Biljana Misic, historian of architecture; determinant Category 3&lt;br&gt; (020a)&lt;br&gt; Masirevic, Milica - ist.art, kat.2 (020M)&lt;br&gt; Masic, Nikola - painter, director &amp;Scaron;trosmajerova Gallery (Otocac, 1852 - Zagreb, 1902), a member of the court.&lt;br&gt; The most significant Zagreb by 19thcentury, the son of an Orthodox priest, a Serb, LEJ 2, 294,&lt;br&gt; Category 4 (020 NV)&lt;br&gt; Masic, Slobodan - architect, graphic designer, publisher, Kat.2 (020M)&lt;br&gt; Medaković, Dejan - art historian, Academician SASA (Zagreb, 1922).Category 4 (020 NV)&lt;br&gt; MEDAL, LEJ 2, 301-304, Category 2 (020 NV)&lt;br&gt; Medvedev, Alexander, architect (1900, Melitopolj, Russia - 1984, Nis) Lit.B.Andrejevic,&lt;br&gt; Monuments of Architecture of Nis from 1878.to 1944, Nis Proceedings 11, Ni&amp;scaron;1982; M.Djurdjevic, Activity&lt;br&gt; Architects of the Russian immigrants in southeastern Serbia, Leskovac Proceedings, XXXIX, Leskovac 1999;&lt;br&gt; Lexicon Serbian builders, Belgrade 2002; possible determinants Author: Marina Djurdjevic, historian&lt;br&gt; architecture; determinant Category 1 (020a)&lt;br&gt; Mediala - Category 4 (020.M)&lt;br&gt; Medic, Milorad - conservator prof.univ.Category 3 (020a ST)&lt;br&gt; Madrasah Category 2 (020a)&lt;br&gt; MEJENDORF, Nikolai (Bogdanovich) - artist, mozaičar (? -?), Cat.1 (020M)&lt;br&gt; Melentie, St..Stephen, 15century, a category 2 (020 SV)&lt;br&gt; MELJNIKOV, John - painter, Kat.1 (020M)&lt;br&gt; MEMORIAL Nadezda Petrovic, Cacak (1960) - Category 2 (020.M)&lt;br&gt; memorijalnaarhitekturakategorija 2 (020a)&lt;br&gt; MENEGELO - Dinčić, Frano - sculptor, medaljer, Kat.2 (020M)&lt;br&gt; MENZILHANA Category 1 (020a)&lt;br&gt; MEASURES ENG.Arch.Category 3 (020a)&lt;br&gt; Merenik, Lidija - ist.Arts, IU professor of the Department of Philosophy in Belgrade floor.3&lt;br&gt; (020M)&lt;br&gt; Mercep, Rajko - sculptor, ceramist (Bileca, 1904 - Paris 1963), cat.1 (020M)&lt;br&gt; Mesaros, John - a naive painter, Kat.2 (020M)&lt;br&gt; mesesnel France, art historian, ELU 3, 443; Čedomila Marinkovic, category 1 (020a ST)&lt;br&gt; Mesic - a monastery in Banat, LEJ 2, 314, Category 2 (020 NV)&lt;br&gt; MESMER, Thomas - Viennese engraver (1717 to 1777).LEJ 2, 315, Category 3 (020 NV)&lt;br&gt; Meta, medieval monasteries in Kalabake (Greece), Category 3 (020 SV)&lt;br&gt; methodology of art history - Category 4 (020.M)&lt;br&gt; Mestrovic, Ivan - sculptor (Vrpolje, Croatia 1883 - Sautbend, USA, 1962).cat.5 (020M)&lt;br&gt; Mijatovic - Teofanović, Vukosava - grafičarka, Kat.2 (020M)&lt;br&gt; Gabriel Millet, French and vizantologa ist.Art, ESI 496-497; Mirjana Gligorijević,&lt;br&gt; Category 2 (020a ST)&lt;br&gt; Mijovic, Paul, art historian and archaeologist, ESI 497-498, and 5-30; Mirjana Gligorijević,&lt;br&gt; Category 1 (020a ST)&lt;br&gt; Miju&amp;scaron;ković, Slobodan, ist.artist., IU professor of the Department of Philosophy in Belgrade, Kat.3&lt;br&gt; (020M)&lt;br&gt; Mike&amp;scaron;in, Mikhail, Russian sculptor and caricaturist (1835-1896), foreign member of the Court, a draft of the radio&lt;br&gt; kn monument.Mihailo Obrenovic, a category 2?(020 NV)&lt;br&gt; Detector, Vlastimir Vlasta, Belgrade-New York, cat.1 (020M)&lt;br&gt; Detector, Olga - history.Art, Category 1, editorial (020 NV)&lt;br&gt; Miković, Milinko - graphic artist, Kat.1 (020M)&lt;br&gt; MIKONJIĆ, Dusan - graphic artist, Kat.1 (020M)&lt;br&gt; MIKROURBANIZAM Category 2 (020a)&lt;br&gt; Mixed Media - Category 1 (020.M)&lt;br&gt; Milanovic - Jovic, Oliver-history.Art.editorial Category 1 (020 NV)&lt;br&gt; Mila&amp;scaron;inović Maric, Diana, art historian, Kat.1.(020M)&lt;br&gt; Milenkovic, Aleksandar, architect, historian of architecture (1930, Vrsac) Lit.Lexicon Serbian&lt;br&gt; builders, Belgrade 2002; S.G.Bogunovic, AEB, vol.2, Beograd 2005; possible determinants Author:&lt;br&gt; Free Bogunović; determinant categories 2 (020a)&lt;br&gt; Milenkovic, Andrew, painter and graphic artist, Kat.(020M)&lt;br&gt; Milenkovic, Branislav, architect, university professor (1926, Belgrade) Serbian Lexicon&lt;br&gt; builders, Belgrade 2002; S.G.Bogunovic, AEB, vol.2, Beograd 2005; possible determinants of the author: Milorad&lt;br&gt; Jevtic, architecture critic, heading category 3 (020a)&lt;br&gt; Milenkovic, Nebojsa, ist.Art, curator, Novi Sad, kat.1 (020M)&lt;br&gt; Miletic, Milan - by - kat.1 (020M)&lt;br&gt; Alam, Slavko - sculptor, judges, students Đ.Jovanovic (Susak, 1897 - Zagreb, 1970).cat.1 (020M)&lt;br&gt; MILETIĆ-Abramovich, Ljiljana, historian of architecture, a category 1 (020a)&lt;br&gt; Mileusnic, Dragomir-Dragan - sculptor, medaljer, Kat.2 (020M)&lt;br&gt; Mileusnic, Slobodan - art historian (Beef Field, from 1947 to 2005).Category 3 editorial (020&lt;br&gt; NV)&lt;br&gt; Miles, a monastery near Prijepolje, 13century, Category 5 (020 SV)&lt;br&gt; Mile&amp;scaron;evac, medieval town of Prijepolje, 14century, Category 1 (020 SV)&lt;br&gt; Mili, a monastery on the River Lim, 13or 14century, Category 1 (020 SV)&lt;br&gt; Milivojevic, Milica - painter, teacher of drawing (Jagodina, 1889 -?).cat.1 (020M)&lt;br&gt; Milivojevic, Slobodan - Era - visual artist, Kat.2 (020M)&lt;br&gt; Milia, Zograf, 16century, ELU 3, 469; Zoran Rakic, category 1 (020a ST)&lt;br&gt; Milica, Lazar - by, 1810, Belgrade.LEJ 2, 336, Category 1 (020 NV)&lt;br&gt; Milic, Olga - sculptor, Kat.1 (020M)&lt;br&gt; Milic, Perisa - sculptor, medaljer, by (Belgrade, 1901 - Belgrade, 1982), cat.2 (020M)&lt;br&gt; Milicevic - Nikolic, Olga, architect (1931, Belgrade), category 1 (020a)&lt;br&gt; Milicevic, Costa - painter, cartoonist (return to Scutari, 1878 - Belgrade 1920), cat.3.(020M)&lt;br&gt; Milicevic, Slobodan, architect (1924, Belgrade), category 2 (020a)&lt;br&gt; Milici Studenice the church from the 17thcentury, Category 1 (020 SV)&lt;br&gt; Milicic, Josip Sibe - writer, painter, associate multiple sheets, diplomat (Brusje, Hvar, 1886 --&lt;br&gt; Bari, 1944), cat.3 (020M)&lt;br&gt; Milovanov Penezić, Evica, designer, Kat.1 (020M)&lt;br&gt; MILOVANOVIĆ, George I.- Painter, teacher of drawing (Belgrade, from 1850 to 1919).M.Jovanovic, Đoka&lt;br&gt; Milovanovic, a member of the court.Category 3 (020 NV)&lt;br&gt; MILOVANOVIĆ, Milan A.- Painter, graphic artist (Krusevac, 1876 - Belgrade, 1946).cat.4 (020M)&lt;br&gt; MILOVANOVIĆ, Michael - by (Riba&amp;scaron;evica, 1880 - Krčagovo near Uzice, 1941), cat.3 (020M)&lt;br&gt; Milovic, Rajko - photographer, grafičarka, designer, Kat.2 (020M)&lt;br&gt; Milovuk, J., Publisher of engraving, lit.V.Kraut, Serbian graphics ..Category 2 (020 NV)&lt;br&gt; Milojevic, Nikola - by (Jagodina, 1865 - Belgrade, 1942).Into.Rajčević, Nikola Milojevic, Kat.&lt;br&gt; 2 (3) (020M)&lt;br&gt; Miloradović, Bozidar-Bole - designer, Kat.2 (020M)&lt;br&gt; Milosavljevic, Predrag (Pedja) - painter, essayist, diplomat (leach, Kragujevac, 1908 - Belgrade&lt;br&gt; 1987).cat.4 (020M)&lt;br&gt; Milosavljevic, Radmila, architect (1932, Belgrade), category 1 (020a)&lt;br&gt; Milosavljevic, Stevan - painter and caricaturist, (Opovo, 1881 - Pancevo, 1926).cat.2 (020M)&lt;br&gt; MILOSEVIC - Sibinović, Leposava - sculptor, Kat.2 (020M)&lt;br&gt; MILOSEVIC, Desanka - art historian, a category 2 (020a ST)&lt;br&gt; MILOSEVIC, Mica - critic, Kat.2 (020M)&lt;br&gt; Milosevic, Predrag V., Architect, architectural historian (Jajce?, 1959); Archive AAS-A: URL:&lt;br&gt; http / /: www.AAS.org.yu; determinant Category 1 (020a)&lt;br&gt; Milunović, Basil, architect, university professor (1948, Cetinje) Lit.Basil Milunović,&lt;br&gt; Branislav Mitrovic, International Architecture Exhibition - Venice Biennale 1991stYugoslav&lt;br&gt; Pavilion (catalog), Belgrade 1991, pp.87;; O.Popovic, authors Martinovic Milunović&lt;br&gt; Mitrovic, &amp;quot;Nova&amp;quot; predbroj 01, Belgrade, 1982; Lexicon Serbian builders, Belgrade 2002, Maric D.,&lt;br&gt; Guide to modern architecture, Belgrade 2002; S.G.Bogunovic, AEB, vol.2, Belgrade 2005&lt;br&gt; ; Possible determinants Author: Mare Jan&amp;aacute;k-Grujic, historian of architecture; determinant Category 2&lt;br&gt; (020a)&lt;br&gt; Milunovic, Vesna - artist, Kat.1 (020M)&lt;br&gt; Milunović, pollack, sculptor, Kat.1 (020M)&lt;br&gt; Milunović, Milo (Milun) - painter, freskopisac, prof.Art Academy (Cetinje, 1897 - Belgrade&lt;br&gt; 1967).cat.4 (020M)&lt;br&gt; Milunovic, Michael - painter, visual artist, Kat.1 (020M)&lt;br&gt; Milunovic, Nikola - Kolja - sculptor, Kat.2 (020M)&lt;br&gt; MILUTINOVIĆ, Dragutin (Dragisa), architect, professor at the High School (1840, Belgrade - 1900, Pancevo)&lt;br&gt; Lit.N.Nestorovic, buildings and architects of the last century in Belgrade, Belgrade 1972nd(Reprint from&lt;br&gt; 1937); D.Djuric-Zamolo, builder 1815-1914 Belgrade, Belgrade, 1981; B.Nestorovic Overview&lt;br&gt; monuments of architecture in Serbia of the XIX century, &amp;quot;Press&amp;quot;, no.X, Belgrade 1974; Lj.Miskovic-Prelevic,&lt;br&gt; Working Dragutin Milutinovic and Mikhail Valtrović the recording of medieval monuments in Serbia&lt;br&gt; &amp;quot;Bedrooms Serbian Learned Society, no.34, Belgrade, 1978; M.Roter Blagojevic, teaching architecture&lt;br&gt; at higher and higher education institutions in Belgrade during the 19thand early 20thcentury, GGB, vol.XLIV,&lt;br&gt; Beograd 1997, Serbian lexicon builders, Belgrade 2002; S.G.Bogunovic, AEB, vol.2, Beograd 2005;&lt;br&gt; possible determinants Author: Mirjana Roter-Blagojevic, historian of architecture; determinant Category 3&lt;br&gt; (020a)&lt;br&gt; MILUTINOVIĆ, Ljubisa - painter, portraitist, prof.drawing (Bela Crkva, 1877 - Pancevo, 1948).cat.1&lt;br&gt; (020M)&lt;br&gt; Miljkovic, DEJAN, architect, assistant professor in the Faculty of Architecture in Belgrade, category 1 (020a)&lt;br&gt; Miljkovic, Ljubica - Beetle - ist.art, kat.2 (020M)&lt;br&gt; Miljkovic, Oliver - konzervatorka, ist.art, kat.1 (020M)&lt;br&gt; Miljkovic, Sima, architect (1933, Belgrade - 1997, Belgrade), category 1 - (020a)&lt;br&gt; Miljkovic-Pepek Peter, art historian, ESI 514-515, Bojan Miljkovic, category 1 (020a ST)&lt;br&gt; Miljukov N Pavel, a Russian art historian, ELU 3, 473; Radoslav Mihailovic, category 1 (020a&lt;br&gt; SV)&lt;br&gt; Miljus, Branko - graphic artist, Kat.2 (020M)&lt;br&gt; Minaret, Minar, MUNARA Category 1 (020a)&lt;br&gt; minderluk-category 1 (020a)&lt;br&gt; Minimalism in the SRP.Arch.3.Category (020a)&lt;br&gt; Minic, Branimir - painter, Kat.2 (020M)&lt;br&gt; Minic, MILAN, architect (1889, Prijepolje - 1961, Belgrade) Lit.A.Kadijevic, Belgrade Opus&lt;br&gt; architect Milan Minic (1889-1961), GGB, vol.XLIII, Belgrade 1996, Ibid., A century index&lt;br&gt; national style in Serbian architecture (mid-nineteenth - mid twentieth century), Belgrade 1997; S.&lt;br&gt; Mikhailov, Contribution to the study of architectural works in Belgrade, Milan Minic, GGB, vol.XLVII-XLVIII,&lt;br&gt; Belgrade, 2001-2002; Z.Simic-Milovanovic, Milan Minic (1889-1961), GGB, vol.IX-X, Belgrade, 1962-63&lt;br&gt; ; Possible determinants Author: Milan Prosen, historian of architecture; heading category 3 (020a)&lt;br&gt; Minic, Oliver, architect, university professor (1915, Ohrid - 1979, Belgrade) Lit.R.Radovic,&lt;br&gt; In memoriam.Oliver Minic, UB, no.59-60, Belgrade, 1980; Lexicon Serbian builders, Belgrade 2002;&lt;br&gt; S.G.Bogunovic, AEB, vol.2, Beograd 2005; possible determinants Author: Marina Djurdjevic, historian&lt;br&gt; architecture; determinant categories 2 (020a)&lt;br&gt; Munich Psalter, the manuscript of the late 14thcentury, a category 3 (020 SV)&lt;br&gt; MINJEVIĆ, Nebojsa, an architect, a category 1 (020a)&lt;br&gt; MIRAZOVIĆ, Radovan - painter, Kat.1 (020M)&lt;br&gt; Mirkovic, Dragoslav, photographer, cat.1 (020M)&lt;br&gt; Mirkovic, Lazar (Laza), art historian, ESI 515-526, II 30-60; Tanja Subotin, Category 2&lt;br&gt; (020a ST)&lt;br&gt; Mirkovic, Miodrag, architect (1950), the term Category 1 (020a ST)&lt;br&gt; Mirkovic, Miodrag, architect, professor of Faculty of Architecture, a category 2 (020a)&lt;br&gt; Miroslav Gospels, illuminated manuscript Cyrillic, 12century, a category 4 (020 SV)&lt;br&gt; Mitic, MILOSAV, architect (1932, Tetovo - 1970, London), category 1 (020a)&lt;br&gt; Mitic, Prvoslav - ist.art, kat.2 (020M)&lt;br&gt; MITROVIĆ, Vladimir, a historian of architecture, the term Category 1 (020a)&lt;br&gt; Mitrinović, Dimitrije, critic and art theorist LEJ 2, 359, cat.2 (020M)&lt;br&gt; Mitrinović, Dragutin - critic, Kat.2 (020M)&lt;br&gt; Mitric, Nebojsa - sculptor, medaljer, Kat.3 (020M)&lt;br&gt; MITROVIĆ, Branislav, architect, university professor (1948, Bar, Montenegro) Lit.Basil&lt;br&gt; Milunović, Branislav Mitrovic, International Architecture Exhibition - Venice Biennale 1991st&lt;br&gt; Yugoslav pavilion (catalog), Belgrade 1991; O.Popovic, authors Martinovic Milunović&lt;br&gt; Mitrovic, &amp;quot;Nova&amp;quot; predbroj 01, Belgrade, 1982; Lj.Miletic-Abramovic, Portraits.Branislav Mitrovic,&lt;br&gt; &amp;quot;Forum&amp;quot;, no.25, JanuaryFebruaryBelgrade 1994; Encyclopaedia architectonica.Lexicon Serbian&lt;br&gt; Architects 19thand 20century, Belgrade 1999; A.Kovenc-Vujic, 50 Belgrade Architects (born&lt;br&gt; after 1945) = 50 Belgrade Architects (born after 1945), Belgrade 2002, Maric D., Guide&lt;br&gt; modern architecture, Belgrade 2002; S.G.Bogunovic, AEB, vol.2, Beograd 2005; possible&lt;br&gt; Author guidelines: Free Bogunović; heading category 4 (020a)&lt;br&gt; MITROVIĆ, John, architect (1957?, Belgrade), category 1 (020a)&lt;br&gt; MITROVIĆ, Milan, architect, university professor (1927, Sarajevo) Lit.G.Gordic, Biographies,&lt;br&gt; in: Serbian arhitetura 1900-1970, Belgrade 1972; Lexicon Serbian builders, Belgrade 2002; S.G.&lt;br&gt; Bogunovic, AEB, vol.1, Belgrade 2005; possible determinants of the author: Free Bogunović; entries&lt;br&gt; Category 1 (020a)&lt;br&gt; MITROVIĆ, Milun - by (Rujević, 1922).cat.2 (020M)&lt;br&gt; MITROVIĆ, Michael, architect, university professor (1922, Cacak) Lit.And.Mlađenović,&lt;br&gt; Architecture for a reason, in: Mitrovic, &amp;quot;Gradac&amp;quot;, January-February1983; Ibid., 11 distinguished architects&lt;br&gt; Yugoslavia, Belgrade 1986; Z.Manević, Romantic architecture.Korunović.Mitrovic.Djokic&lt;br&gt; (catalog), Belgrade 1990, Ibid., Mihajlo Mitrovic, Belgrade 1991; A.Kadijevic, Mihajlo Mitrovic:&lt;br&gt; projects, architectural life, ideas, Belgrade 1999; Lexicon Serbian builders, Belgrade 2002; Perovic&lt;br&gt; M., Serbian architecture of the twentieth century.Since istoricizma to another modernism, Belgrade 2003; S.G.&lt;br&gt; Bogunovic, AEB, vol.2, Beograd 2005; possible determinants of the author: Free Bogunović; entries&lt;br&gt; Category 4 (020a)&lt;br&gt; Mitrofanova, icon painter from the 17thcentury, ELU 3, 480-481; Zoran Rakic, category 1 (020a ST)&lt;br&gt; Mitrofanović George, Zograf, 17century; Z.Kajmaković, George Mitrofanović Sarajevo 197h, III&lt;br&gt; 60-120; Zoran Rakic, a category 3 (020a ST)&lt;br&gt; Micic, Stevan, architect (1951, Belgrade), category 1 (020a)&lt;br&gt; MIHAILO ASTRAPA, Byzantine painter, 13/14 century Todić, wall painting in the age of King Milutin,&lt;br&gt; hhh; Miodrag Markovic, 4th Category(020a ST)&lt;br&gt; MIHAILOVIĆ, Janko - priest, painter, builder (Negri&amp;scaron;ori, from 1792 to 1852).B.Vujovic, Art&lt;br&gt; renewed Serbian, Category 2 (020 NV)&lt;br&gt; MIHAILOVIĆ, Jeremiah, Zograf, B.Vujovic, Umentost renewed Serbian, Category 2 (020 NV)&lt;br&gt; MIHAILOVIĆ, Milorad - Bata - painter, Kat.3?(020M)&lt;br&gt; MIHAILOVIĆ, Milorad, art historian, ESI 519-520, Editorial Board, category 1 (020a ST)&lt;br&gt; MIHAILOVIĆ, Radmila - art historian, the editors, Category 3 (020 NV)&lt;br&gt; MIHAILOVIĆ, FREE, architect (1922, Krusevac - 2005, Belgrade) Lit.About.Milicevic-Nikolic,&lt;br&gt; The building project of the Institute &amp;#39;Serbia&amp;#39;, &amp;#39;Aw, no.4, Belgrade, 1960; Lexicon Serbian builders, Belgrade&lt;br&gt; 2002; S.G.Bogunovic, AEB, vol.2, Beograd 2005; possible determinants Author: Marta Vukotic Lazar-;&lt;br&gt; determinant categories 2 (020a)&lt;br&gt; Mihajlovic Kraus, Milica, ist.Art, Jewish ist.Museum, and judaistika mode.art, kat.&lt;br&gt; 1 (020M)&lt;br&gt; MIHAJLOVIĆ, Veljko - graphic artist, Kat.1 (020M)&lt;br&gt; MIHAJLOVIĆ, George - by (Tuzla, 1875 - Tuzla, 1919).cat.2 (020M)&lt;br&gt; MIHAJLOVIĆ, Zivorad - sculptor, art collector (Belgrade, 1898 - Belgrade, 1978).cat.1 (020M)&lt;br&gt; MIHAJLOVIĆ, a lamb, construction master, 19Century Lit.M.Kolarić, classicism of the Serbs.&lt;br&gt; Construction, Belgrade MCMLXVI; Archival materials for the history of the National Museum - and the Serbian Prince Milos&lt;br&gt; authorities towards antiques and art in Serbia 1815-1839., Belgrade 1844-1969; B.Vujovic,&lt;br&gt; The Art of renewed Serbian, hhh, the possible author of the guidelines: Mirjana Roter-Blagojevic, historian&lt;br&gt; architecture; determinant categories 2 (020a)&lt;br&gt; MIHAJLOVIĆ, Milenko - graphic artist, painter, floor.1 (020M)&lt;br&gt; MIHAJLOVIĆ, Nikola - by (Novi Sad, from 1885 to 1942).cat.1 (020M)&lt;br&gt; MIHALJEVIĆ-Ristic, Vera, architect-urbanist, category 1 (020a)&lt;br&gt; MIHAĆ, Mirjana - by (Zavidovici, 1924-Belgrade, 2006). Artist, Kat.2 (020M)&lt;br&gt; MIHAĆ, the Council - artist, Kat.1 (020M)&lt;br&gt; Mihic, Belisarius - Vasa - sculptor, Kat.2 (020M)&lt;br&gt; Miho (a) brajkov, stone-mason from Bar, 14century, ELU 3, 463-464, and 5-30; Olga &amp;Scaron;pehar, Category 1&lt;br&gt; (020a ST)&lt;br&gt; Micic, Vladan - graphic artist, Kat.2 (020M)&lt;br&gt; Micic, Ljubomir - poet, writer, theoretician of the avant-garde, founder zenitizma (Sosice,&lt;br&gt; Jastrebarsko, 1895 - Kačarevo, Pancevo, 1971), cat.3 (020M)&lt;br&gt; mičevac, medieval town of Trebinje, before 1444, Category 1 (020 SV)&lt;br&gt; Mi&amp;scaron;ević, Radenko (1920) - painter, Kat.3?(020M)&lt;br&gt; Misic, Lidija - sculptor, Kat.2 (020M)&lt;br&gt; Misic, Ljubisa, ceramist, Kat.1 (020M)&lt;br&gt; Miskovic, Aleksandar - LEJ 2, 357thCategory 1 (020 NV)&lt;br&gt; Miskovic, George - LEJ 2, 357thCategory 1 (020 NV)&lt;br&gt; Miskovic, Moses - graver, bakrorezac (Timisoara, 1798 - Budapest, 1865).LEJ 2, 357th&lt;br&gt; Category 1 (020 NV)&lt;br&gt; Mladenov, Svetlana, ist.art, kat.1 (020M)&lt;br&gt; Mladenovic, Demetrius, architect, urban (1936, Zagreb) Lit.Encyclopaedia architectonica,&lt;br&gt; Lexicon Serbian architects 19thand 20century, Belgrade 1999; S.G.Bogunovic, AEB, vol.2, Belgrade&lt;br&gt; 2005; possible determinants Author: Predrag V.Milosevic, the architect, historian and theorist of architecture;&lt;br&gt; determinant categories 2 (020a)&lt;br&gt; YOUTH NAGORIČINO, a village near Kumanovo with two medieval churches, St..And St. George.Petka, a category&lt;br&gt; 2 (020 SV)&lt;br&gt; Mladjenovic, Ivica, architect (1937, Nevesinje) Lit.Lexicon Serbian builders, Belgrade 2002;&lt;br&gt; URL = http://www.ivicamladjenovic.com/home_page.htm; http://www.ivicamladjenovic.com/books.htm; S.&lt;br&gt; G.Bogunovic, AEB, vol.1, Belgrade 2005; possible determinants Author: Vladimir Mitrovic, historian&lt;br&gt; architecture; determinant Category 1 (020a)&lt;br&gt; Mladjenovic, Miodrag - graphic artist, Kat.2 (020M)&lt;br&gt; Venetians, in Metohija, St..Nicholas, 16/17.century, Category 1 (020 SV)&lt;br&gt; MILL Category 2 (020a)&lt;br&gt; Mljet island in the Adriatic, to 12century part of the Serbian principality Neretljana to 1360-the part of the state&lt;br&gt; Nemanjića, medieval churches, St..Mary, etc., Category 1 (020 SV)&lt;br&gt; Modern Classicism category 3 (020a)&lt;br&gt; MODERNISM in visual arts and architecture category 5 (020a)&lt;br&gt; Modrički Monastery (modri&amp;scaron;te), medieval monastery, a category 2 (020 SV)&lt;br&gt; Mosaic - Category 3 (020.M)&lt;br&gt; Mojović, Dragan - painter, Kat.2 (020M)&lt;br&gt; MOJSINJE, site of the church from the 16thand 17century, a category 2 (020 SV)&lt;br&gt; molivoklisija at kareje, Holy skit from the 16century, a category 2 (020 SV)&lt;br&gt; Momirov, Dragan - painter, Kat.2 (020M)&lt;br&gt; Momirov, Zeljko - sculptor, Kat.2 (020M)&lt;br&gt; MOMIROVIĆ, Peter - art historian, arheograf (Jagodina, 1907 - Novi Sad, 1993). Cur.mind.&lt;br&gt; editorial, a category 3 (NV 020)&lt;br&gt; Momcilovic, Rafailo - painter and icon painter, Hieromonk (1875 to 1941).LEJ 2, 366, Category 2?&lt;br&gt; (020 NV)&lt;br&gt; Monochrome painting - Category 1 (020.M)&lt;br&gt; ILO, Tan - Hungarian by 19thcentury, painted Death Karadjordje, Beograd, N.Kusovac, Serbian&lt;br&gt; Painting 18thand 19century, Category 2 (020 NV)&lt;br&gt; Moravian School, Category 5 (020 SV)&lt;br&gt; MORACA, a monastery near Kolasin, 13century, a category 4 (020 SV)&lt;br&gt; Morović, medieval town of Sid, 12-17.century, Category 1 (020 SV)&lt;br&gt; BRIDGES category 3 (020a)&lt;br&gt; MOSIJENKO, Marklen - painter, Kat.2 (020M)&lt;br&gt; MOSTAĆI, near Trebinje, the church of Sv.Clement, 17century, Category 1 (020 SV)&lt;br&gt; MO&amp;scaron;EJA Category 1 (020a)&lt;br&gt; Mo&amp;scaron;tanica (MO&amp;Scaron;ĆANICA), the monastery at Bos.Dubica, before 1579, Category 1 (020 SV)&lt;br&gt; MRAZ, Franjo - painter, Kat.2 (020M)&lt;br&gt; Mrdja - Kuzmanov, Milica - visual artist, Kat.2 (020M)&lt;br&gt; Mrkalj, Ljubica - painter, poet, cat.2 (020M)&lt;br&gt; Mrkan, an island near Cavtat, the church from the 12thcentury, Category 1 (020 SV)&lt;br&gt; MRKOJEVIĆ, Ostoja - Zograf, icon painter, 17 to 18 century, monasteries and Orahovica Lepavina, LEJ 2, 384,&lt;br&gt; Category 2 (020 NV)&lt;br&gt; mrk&amp;scaron;ina church, monastery in jugozap.Serbia, 16century, printing presses, Category 1 (020 SV)&lt;br&gt; still life - category 4 (020.M)&lt;br&gt; Mrtvica church from the 17thcentury, Category 1 (020 SV)&lt;br&gt; MUtVAK Category 1 (020a)&lt;br&gt; MUANOVIĆ, Emanuel (mass) - by (Karlovci? - Belgrade, 1941).LEJ 2, 389, cat.2?(020M)&lt;br&gt; Museum of Modern Art at the confluence of Belgrade; heading category 3 (020a)&lt;br&gt; Museums and Galleries of Modern Art - Category 3 (020.M)&lt;br&gt; Museology - Category 4 (020.M)&lt;br&gt; Mural - Category 2 (020a)&lt;br&gt; Murad, Marko - painter, sculptor (Luke &amp;Scaron;ipanska, 1864 - Dubrovnik, 1944).LEJ 2, 396-397, cat.4&lt;br&gt; (020M)&lt;br&gt; MURIStAN Category 1 (020a)&lt;br&gt; MUSANDRA Category 1 (020a)&lt;br&gt; Musafirhana category 1(020a)&lt;br&gt; MUSIC, Mustafa, architect (1949, Belgrade) Lit.A.Kovenc-Vujic, 50 Belgrade Architects (born&lt;br&gt; after 1945) = 50 Belgrade Architects (born after 1945), Belgrade 2002, Perovic M., Serbian&lt;br&gt; architecture of the twentieth century.Since istoricizma to another modernism, Belgrade 2003; S.G.Bogunovic, AEB, vol.&lt;br&gt; 2, Beograd 2005; Salon architecture (catalog) 2006, Mustafa Music, Belgrade 2006; possible author&lt;br&gt; determinants: Free Bogunović; determinant categories 2 (020a)&lt;br&gt; Skeleton, Basil - conservator floor.2 (020M)&lt;br&gt; MUFTINSKI, Trajko, icon painter, took a number of the iconostasis in the area of southern Serbia.lit.&lt;br&gt; Painting Vranjske diocese, LEJ 2, 390, Category 2 (3) (020 NV)&lt;br&gt; MU&amp;scaron;ARABIJE, MU&amp;Scaron;ERABIJE category 1(020a)&lt;br&gt; MU&amp;scaron;EBAK category 1(020a)&lt;br&gt; MU&amp;Scaron;IĆ, Miroslav - design critic, Kat.2 (020M)&lt;br&gt; Musnikovo church from the 16thcentury, Category 1 (020 SV)&lt;br&gt; Musutiste, a village near Prizren with the Church of the Virgin, 14century, a category 2 (020 SV)&lt;br&gt; Nagorni, Dragan, art historian, the Editorial Board of the categories 1 (020a ST)&lt;br&gt; AWARDS The architecture and urbanism;; heading category 4 (020a)&lt;br&gt; SURREALISM - Category 5 (020.M)&lt;br&gt; Naive Art - Category 5 (020.M)&lt;br&gt; Neiman, Joseph, architect, university professor (1894, Belgrade - 1951, Belgrade) Lit.B.&lt;br&gt; Nestorovic Postakademizam in the architecture of Belgrade, GGB, vol.XX, Belgrade 1973, a group of authors,&lt;br&gt; Architecture of higher education in Serbia 1846-1971, Belgrade 1996; A.Kadijevic, Architect Joseph&lt;br&gt; Najman, &amp;quot;Moment&amp;quot; no.18, Beograd 1990, Serbian lexicon builders, Belgrade 2002; S.G.Bogunovic,&lt;br&gt; AEB, vol.2, Beograd 2005; A.Kadijevic, academic aesthetics of architecture, Belgrade 2005; possible&lt;br&gt; Author guidelines: Milan Milovanovic, architect, architectural historian; determinant Category 3&lt;br&gt; (020a)&lt;br&gt; JEWELRY (Serbian medieval, new century, modern.) LEJ 2, 417-421, a category 3 (NV 020)&lt;br&gt; Nakićenović, Marina - artist, Kat.2 (020M)&lt;br&gt; After a, Athanasia - (born Vucetic), painter, patron, from 1841 to 1845, Budapest, Vienna.Category 1 (020&lt;br&gt; NV)&lt;br&gt; Furniture - Category 3 (020 NV)&lt;br&gt; Folk architecture (Folklore arch.) Category 4 (020a)&lt;br&gt; National Theater in Belgrade (Republic Square 2) determinant categories 2 (020a)&lt;br&gt; Settlements in Serbia Category 3 (020a)&lt;br&gt; Naskovski, Zoran - concept.artist, Kat.1 (020M)&lt;br&gt; Nastasijević, Zivorad - by (Gornji Milanovac, 1893 - Belgrade, 1966), cat.3 (020M)&lt;br&gt; Nastasijević, Momcilo character.REVIEWS, Kat.1-2 (020M)&lt;br&gt; Nastic, DEJAN, architect, university professor (1926, Bjelovar) Lit.Lexicon Serbian builders,&lt;br&gt; Belgrade 2002; S.G.Bogunovic, AEB, vol.2, Beograd 2005; possible determinants Author: Milorad Jevtic,&lt;br&gt; architecture critic, heading category 2 (020a)&lt;br&gt; Nastic, Zoran - painter, Kat.1 (020M)&lt;br&gt; Kneading trough Category 1 (020a)&lt;br&gt; Naupara, a monastery near Krusevac, 14century, a category 2 (020 SV)&lt;br&gt; Nacic, Elizabeth, architect (1878, Belgrade - 1955, Dubrovnik, Croatia) Lit.M.S.Minic, First&lt;br&gt; Beograđanka architect-Elizabeth Nacic, GMGB, vol.III, Beograd 1956; D.Djuric-Zamolo, developers&lt;br&gt; 1815-1914 Belgrade, Belgrade, 1981; O.Nožinić, Elizabeth Nacic - the first woman architect in Serbia&lt;br&gt; ZLUMS, no.19, Novi Sad, 1983; M.Jovanovic, the Serbian church architecture and painting of the newer&lt;br&gt; Age, Belgrade-Kragujevac 1987; Lexicon Serbian builders, Belgrade 2002; S.G.Bogunovic, AEB, vol.&lt;br&gt; 2, Beograd 2005; M.Roter Blagojevic, Belgrade residential architecture in the 19thand early 20thcentury,&lt;br&gt; Belgrade 2006; possible determinants Author: Mirjana Roter-Blagojevic, historian of architecture;&lt;br&gt; determinant category 3 (020a)&lt;br&gt; Nevo, Jan, architect (1812, whiskey by Malcolm, Czech Republic - 1903, Svobodny Hamra / Hamra /, Czech Republic) Lit.&lt;br&gt; M.Kolarić, classicism of the Serbs.Construction, Belgrade MCMLXVI; N.Nestorović, Buildings and&lt;br&gt; architects of the last century in Belgrade, Belgrade, 1972 (reprint iz1937); D.Djuric-Zamolo, developers&lt;br&gt; 1815-1914 Belgrade, Belgrade, 1981; D.Medaković, Serbian art in the nineteenth century, Belgrade 1981; M.&lt;br&gt; Roter-Blagojevic, teaching architecture at higher and higher education institutions in Belgrade during the 19thand&lt;br&gt; early 20thcentury, GGB, vol.XLIV, Belgrade 1997; possible determinants Author: Svetlana V.Nedic;&lt;br&gt; determinant category 3 (020a)&lt;br&gt; Negotin, monuments (cathedral, Hajduk Veljko-Old Church, Monument Hajduk Veljko,&lt;br&gt; Monument to Prince Milo&amp;scaron;), lit.N.Makuljevic, church art in the Kingdom of Serbia, .. N.Makuljevic,&lt;br&gt; Art and the national idea in the 19thcentury, a category 3 (NV 020)&lt;br&gt; Jovana, painter, Zograf - 1737 - 1746, man.Vracevsnica, Modos.Lj.Stosic, Serbian art 1690 --&lt;br&gt; 1740, Category 2 (020 NV)&lt;br&gt; Nedeljkovic - PRODANOVIĆ, Borislav - sculptor, prof.Univ.cat.2 (020M)&lt;br&gt; Nedeljkovic, Basil - Abbot man.Hopovo, by (Osijek, 1736 - Hopovo, 1792). LEJ 2, 450,&lt;br&gt; Category 1 (020 NV)&lt;br&gt; Nedeljkovic, John - painter, 1825 - 1834, Marines, Sid.ELU 3, 537, Category 1 (020 NV)&lt;br&gt; Nedeljkovic, Marko - ist.insert., Kat.1 (020M)&lt;br&gt; Nedeljkovic, Milan - sculptor (Zemun, 1896 -?).cat.1 (020M)&lt;br&gt; Nedeljkovic, Nikola - goldsmith, 18century, LEJ 2, 449-450, category 1, (020 NV)&lt;br&gt; Nedic, James - icon painter, 1738 - 1811, Bobota, Barjad, Batosek, Moh&amp;aacute;cs, Vinkovci.LEJ 2, 450,&lt;br&gt; Category 1 (020 NV)&lt;br&gt; NEDOMAČKI - Petrescu, Vidosava, art historian, ESI 528-529, the Editorial Board.Category 1 (020a&lt;br&gt; SV)&lt;br&gt; builder - Category 1 (020a)&lt;br&gt; Cemeteries in Prilep Category 1 (020a)&lt;br&gt; Nektarije Palin - painter, 16century, ISN 3-2, hhh, and 5-30; Zoran Rakic, a category 1st(020 NV)&lt;br&gt; somewhere, court Durda Brankovic in Smed.Palanka, 15century, Category 1 (020 SV)&lt;br&gt; Nenadovic, Gabriel - painter, 1844, Be&amp;scaron;enovo LEJ 2, 451, category 1(020 NV)&lt;br&gt; Nenadovic, Matthew, an architect, prfosor Arch.Faculty (1925, Belgrade), category 1 (020a)&lt;br&gt; Nenadovic, Matija - painter, 1824, Suvatovo near Osijek.ELU 3, 539, Category 1 (020 NV)&lt;br&gt; Nenadovic, Milivoj - litograf (Valjevo, 1824)., V.Kraut, Serbian graphics, Category 1 (020 NV)&lt;br&gt; Nenadovic, Peter - by, 18 century, Srbija.LEJ 2, 451, Category 1 (020 NV)&lt;br&gt; Nenadovic, FREE, architect, technical writer, university professor (1915 Grabovac - 2005-6?,&lt;br&gt; Belgrade) Lit.ELU, vol.IV, Zagreb 1964, a group of authors, higher education architecture in Serbia&lt;br&gt; 1846-1971, Belgrade 1996; M.Canak-Medic, Slobodan Nenadovic, powerful pregalac, &amp;quot;Literary&lt;br&gt; Gazette &amp;quot;, Vol.3, no.26/27 (2004), pp.9; possible determinants Author: Mirjana Roter-Blagojevic,&lt;br&gt; historian of architecture; heading category 4 (020a ST)&lt;br&gt; NEOAVANTGARDE - Category 3 (020.M)&lt;br&gt; Neo-baroque Category 2 (020a)&lt;br&gt; NEOVIZANtIJSKi STYLE Category 2 (020a)&lt;br&gt; NEOGEO - Category 1 (020.M)&lt;br&gt; NEODADA - Category 2 (020.M)&lt;br&gt; NEOEKLEKtICIZAM category 3 (020a)&lt;br&gt; NEOEKSPRESINIZAM - Category 1 (020.M)&lt;br&gt; NEOENFORMEL - Category 1 (020.M)&lt;br&gt; Neo-impressionism - Category 1 (020.M)&lt;br&gt; Neoclassicism category 3 (020a)&lt;br&gt; Neomodern Category 2 (020a)&lt;br&gt; NEOREALIZAM - Category 1 (020.M)&lt;br&gt; NEOROMANTIZAM - Category 1 (020.M)&lt;br&gt; Nestorovic, Bogdan, architect, university professor (1901, Belgrade - 1975, Belgrade) Lit.D.&lt;br&gt; Djuric-Zamolo, architect Professor Bogdan Nestorović, GGB, vol.XXII, Belgrade 1975; Z.Manević, Our&lt;br&gt; builders, Bogdan Nestorović, &amp;quot;Construction&amp;quot; no.5, Beograd 1981; Lexicon Serbian builders, Belgrade&lt;br&gt; 2002; Maric D., Guide to modern architecture, Belgrade 2002; S.G.Bogunovic, AEB, vol.&lt;br&gt; 2, Beograd 2005; possible determinants Author: Milan Milovanovic, architect, architectural historian;&lt;br&gt; heading 4thcategories (020a)&lt;br&gt; Nestorovic, NIKOLA, architect, university professor (1868, Pozarevac - 1957, Belgrade) Lit.A.&lt;br&gt; Sekulic, Nikola Nestorovic, AU, no.5, Beograd 1960; N.Nestorović, Buildings and architects in&lt;br&gt; Belgrade last century, Belgrade 1972nd(reprint 1937); D.Djuric-Zamolo, developers Belgrade&lt;br&gt; 1815-1914, Belgrade 1981; B.Nestorovic, Belgrade architect Andra and Nikola Stevanovic&lt;br&gt; Nestorovic GGB vol.XXII, Belgrade 1975; D.Djuric-Zamolo, builder 1815-1914 Belgrade, Belgrade&lt;br&gt; 1981; A.Kadijevic, academic aesthetics of architecture, Beograd 2005, Serbian lexicon builders,&lt;br&gt; Belgrade 2002; S.G.Bogunovic, AEB, vol.2, Beograd 2005; M.Roter Blagojevic, Housing&lt;br&gt; Architecture of Belgrade in the 19thand early 20thcentury, Belgrade 2006; possible determinants Author: Mirjana&lt;br&gt; Roter-Blagojevic, historian of architecture; heading 4thcategories (020a)&lt;br&gt; Six informal group of artists (SKC, BELGRADE) - Category 3 (020.M)&lt;br&gt; Informal groups - Category 3 (020.M)&lt;br&gt; Nesic, Milia - sculptor, Kat.3 (020M)&lt;br&gt; Neskovic, John, architect, technical writer, university professor (Trnovac, 1929 -?) Lit.Group&lt;br&gt; author, higher education architecture in Serbia 1846-1971, Belgrade 1996; J Biography.&lt;br&gt; Neskovic in the archives of a AAS: URL: http / /: www.AAS.org.yu; possible determinants Author: Mirjana Roter -&lt;br&gt; Blagojevic, historian of architecture; heading category 3 (020a ST)&lt;br&gt; Neskovic, Nikola - by (Pozarevac, beg. 18th century - Vrsac, 1785).M.Timotijevic, Serbian baroque&lt;br&gt; painting, Category 3 (020 NV)&lt;br&gt; Neskovic, Predrag-Pedja, painter, floor.3 (020M)&lt;br&gt; no, category 2 (020 SV)&lt;br&gt; Nikezić, Zora - Textile artist, Kat.2 (020M)&lt;br&gt; Nikezić, ZORAN, architect, associate professor at the Faculty of Architecture in Belgrade, Category 1&lt;br&gt; (020a)&lt;br&gt; Nikezić, Marko - sculptor, Kat.1 (020M)&lt;br&gt; NIKIĆ, Ljubomir, art historian, bibliographer Lit.About.Momcilovic, Ljubomir Nikic (1925-1990):&lt;br&gt; bibliographer and bibliophile, &amp;quot;in: Encounters &amp;#39;96 bibliographer, Indjija 1997, pp.50-54; possible author&lt;br&gt; determinants: Snezana To&amp;scaron;eva, historian of architecture; determinant Category 1 (020a)&lt;br&gt; NIKOLA RADAKOV (Lower RADAKOVIĆ) bakrorezac Bar, 15century, Djuric, Dubrovnik schools, 261;&lt;br&gt; Dragan Pavlovic, category 1 (020a ST)&lt;br&gt; NIKOLA, Zograf - 1735, the monastery Vracevsnica., Lj.Stosic, 1690-1740 Serbian art, Category 1&lt;br&gt; (020 NV)&lt;br&gt; NIKOLA, protomajstor, builder of the Virgin Ljeviska, beg.14.centuries, with.Nenadovic, Virgin&lt;br&gt; Ljeviska, Belgrade, 1963; Stevović Ivan, a category 1 (020a ST)&lt;br&gt; Nikolajević - Painter, Peter - Duke in the First and Second Serbian uprising (d. 1816). B.Vujovic,&lt;br&gt; The Art of renewed Serbian, Category 2 (020 NV)&lt;br&gt; Nikolajević, Bozidar - art historian and writer (1877 to 1947). LEJ 2, 465, ESI 532, the first&lt;br&gt; Doctor of art history, Category 3?(020 NV)&lt;br&gt; Nikolajević, Ivanka, art historian, ESI 532-533, Editorial Board, a category 2 (020a ST)&lt;br&gt; Nikolajević, Milivoj, NOVI SAD, a painter, was manager Gallery of Matica SERBIAN floor.2 (020M)&lt;br&gt; NIKOLIC, Athanasius, engineer, playwright, professor at the Lyc&amp;eacute;e in Kragujevac and Belgrade (1803,&lt;br&gt; Bački Brestovac in Sombor - 1882, Belgrade) Lit.V.Andjus, professors of higher technical&lt;br&gt; education in Serbia until 1914.years, in: Serbian Roads engineering during the nineteenth century, Belgrade 1994;&lt;br&gt; A.Nikolic, Biography faithfully with his hand written, in &amp;quot;Politics&amp;quot;, 3XI 2002; R.V.Jovanovic,&lt;br&gt; Theater and Drama, Belgrade 1984; S.G.Bogunovic, AEB, vol.2, Beograd 2005; possible author&lt;br&gt; determinants: Svetlana V.Nedic; entries 3rd - (4) categories (020a)&lt;br&gt; NIKOLIC, Branislav - visual artist, Kat.1 (020M)&lt;br&gt; NIKOLIC, Belisarius - by the middle of the 19thcentury LEJ 2, 467, Category 1 (020 NV)&lt;br&gt; NIKOLIC, Vladimir, architect (1857, Senta - 1922, Srem Karlovci) Lit.B.Nestorovic Overview&lt;br&gt; monuments of architecture in Serbia of the XIX century, &amp;quot;Press&amp;quot;, no.X, Belgrade 1974; M.Jovanovic, Serbian&lt;br&gt; ecclesiastical architecture and painting of recent times, the Belgrade-Kragujevac 1987; M.Jovanovic, Th&amp;eacute;ophile&lt;br&gt; Hanzen, hanzenatika and Hanzen Serbian students, Proceedings of the Serbian Matica Art, no.&lt;br&gt; 21 (1985); D.Stancic, architect Vladimir Nikolić, Novi Sad 1999; A.Kadijevic, Aesthetics&lt;br&gt; academic architecture, Belgrade 2005; possible determinants Author: Vladimir Mitrovic, historian&lt;br&gt; architecture; heading category 3 (020a)&lt;br&gt; NIKOLIC, Vlastimir - painter, Kat.2 (020M)&lt;br&gt; NIKOLIC, George - duborezbar, 1705, Serbia.LEJ 2, 466, Category 1 (020 NV)&lt;br&gt; NIKOLIC, Gordana - painter, Kat.2 (020M)&lt;br&gt; NIKOLIC, Dobrilo - designer, Kat.2 (020M)&lt;br&gt; NIKOLIC, Dusan - Sima - by, cat.2 (020M)&lt;br&gt; NIKOLIC, Zivojin, architect (?-?), Category 1 (020a)&lt;br&gt; NIKOLIC, Lazar - painter, writer (1824 to 1889).LEJ 2, 466, Category 2 (020 NV)&lt;br&gt; NIKOLIC, Peter, publisher of 19th-Zagrebcentury, a category 1?(020 NV)&lt;br&gt; NIKOLIC, Risto, by LEJ 2, 466, Category 1 (020 NV)&lt;br&gt; Nikolic, Sava, painter, illustrator, Kat.1 (020M)&lt;br&gt; NIKOLIC, FREE, architect (1931, Belgrade) Lit.Lexicon Serbian builders, Belgrade 2002; Maric&lt;br&gt; D., Guide to modern architecture, Belgrade 2002; S.G.Bogunovic, AEB, vol.2, Belgrade&lt;br&gt; 2005; possible determinants of the author: Free Bogunović; determinant categories 2 (020a)&lt;br&gt; NIKOLIC, Stojan - painter (1859 to 1882).LEJ 2, 466-467.Category 2 (020 NV)&lt;br&gt; NIKOLIC, Tanja - ist.art, kat.1 (020M)&lt;br&gt; Nikoljac, a monastery near Bijelo Polje, 16century, a category 2 (020 SV)&lt;br&gt; Niksic, Luke - monk, Zograf, after 1762, man.Gomirje.LEJ 2, 468, Category 1 (020 NV)&lt;br&gt; Niksic, Steve Lala, by the end of the 19thcentury, LEJ 2, 469, Category 2 (020 NV)&lt;br&gt; Nis, monuments (ancient monuments, St.. Panteleimon, cathedral-iconostasis G. Krstic,&lt;br&gt; Old church, Building University, p.gagulić, Cathedral Church of Nis, Category 4 (020 NV)&lt;br&gt; NISA category 1(020a)&lt;br&gt; NEW MODERN 2nd category(020a)&lt;br&gt; Nova Pavlica, a monastery from the 14thcentury, a category 3 (020 SV)&lt;br&gt; New image - Category 1 (020.M)&lt;br&gt; NEW ARTISTIC PRACTICES - Category 3 (020.M)&lt;br&gt; new figuration - Category 3 (020.M)&lt;br&gt; Novakovic, Zvonko - sculptor, Kat.2 (020M)&lt;br&gt; Novakovic, Ivo - by (Muscles, Bar, 1913 - Sozina, 1941), cat.1 (020M)&lt;br&gt; Novakovic, Jovan Đ., Architect (c. 1883,? - After 1942, Belgrade), category 1 (020a)&lt;br&gt; Novi (Herceg Novi), medieval city, KR.14 and 15century, a category 1, (020 SV)&lt;br&gt; NEW BELGRADE, urban complex; heading category 4 (020a)&lt;br&gt; NOVI SAD monuments (Cathedral Church, Assumption Church, Alma&amp;scaron;ka church, Petrovaradin ...,&lt;br&gt; Klein PALATA Tanurdžić PALATA etc.).M.Timotijevic, Serbian baroque painting; M.&lt;br&gt; Jovanovic, Serbian art in the age of romanticism,; categories 5th(020 NV)&lt;br&gt; NEW URBAN PLANNING category 2 (020a)&lt;br&gt; NEW HILL, medieval city, southeast of Pristina, fort, church, Category 4 (020 SV)&lt;br&gt; New Cemetery in Belgrade; heading category 3 (020a)&lt;br&gt; Novosel near Petrovac on the sea, the church of Sv.Cross, 17century, Category 1 (020 SV)&lt;br&gt;Nonini, Dusan - by, a conservator?, Kat.2 (020M)&lt;br&gt; Nježić, Borislav, mosaics, paintings, cat.1 (020M)&lt;br&gt; Common, John - painter, france, cat.1 (020M)&lt;br&gt; Facilities, - category 2 (020a)&lt;br&gt; form, artistic groups, a category 4 (020.M)&lt;br&gt; PROCESSING DESISLAVIĆ (DESISLAVOV) - jeweler (Kotor, 13th century - mid 14th century), category 1(020a ST)&lt;br&gt; Obradovic - Dragovic, Vukica - grafičarka, Kat.2 (020M)&lt;br&gt; Obradovic, Dragisa - sculptor, Kat.1 (020M)&lt;br&gt; OBRASKOV, Boris Ivanovich - painter, Kat.1 (020M)&lt;br&gt; Obrenovic, Alexander King, founder and donor, issued a reprint of the Miroslav Gospel, lit.N.&lt;br&gt; Makuljevic, ecclesiastical art and architecture, a category 2 (020 NV)&lt;br&gt; Obrenovic, Dusan, icon painter, lit.N.Makuljevic, ecclesiastical art and architecture, Category 1&lt;br&gt; (020 NV)&lt;br&gt; Obrenovic, Milan, king-founder, collector N.Makuljevic, ecclesiastical art and architecture,&lt;br&gt; Category 2 (020 NV)&lt;br&gt; Obrenovic, Milos, Prince, founder, lit.B.Vujovic, renewed Serbian Art, Category 3 (020 NV)&lt;br&gt; OVCAR - KABLAR MONASTERIES, Annunciation, Nikolje, Jovanje, Sv.three, the Temple, the transfiguration,&lt;br&gt; Ascension, Presentation of Mary, 15-19.century lit.D.Rajic-M.Timotijevic, Monasteries Ovčarsko-Kablar&lt;br&gt; Gorges, Cacak, 2006 Category 4 (020 SV)&lt;br&gt; Ognjanovic John, woodcutter from Novo Brdo, 15century, category 1(020a ST)&lt;br&gt; Ognjanovic, Dubrovnik artistic family 15/16.century, a category 1 (020a ST)&lt;br&gt; Ingle Category 1 (020a)&lt;br&gt; Odavić, Peter, a character.REVIEWS, Kat.1 (020M)&lt;br&gt; Odanović, George - photographer, cat.2 (020M)&lt;br&gt; Ozren, the Monastery of St..Nicholas near Maglaj, before 1587, Category 2 (020 SV)&lt;br&gt; OKAGAčA category 1(020a)&lt;br&gt; OCTOBER SALON (since 1960) - BELGRADE - Category 4 (020.M)&lt;br&gt; October salon in Serbia - Category 2 (020.M)&lt;br&gt; Okunev, Nikolai Ljvovič - Russian art historian (1886 - 1949), 2nd Category(020a ST)&lt;br&gt; Altar 3rd category(020a)&lt;br&gt; altar partition, a category 4 (020a)&lt;br&gt; Omis, St..Join the Peter, 11century, Category 1 (020 SV)&lt;br&gt; Omčikus, Branko - painter, Kat.2 (020M)&lt;br&gt; Omčikus, Marko, history.art, kat.1 (020M)&lt;br&gt; Omčikus, Peter - painter, Kat.3 (020M)&lt;br&gt; Onofrio di Đordano de La Cava, Italian architect, worked in Dubrovnik in 1436-1443, Category 1&lt;br&gt; (020a ST)&lt;br&gt; Oraovac, George - sculptor, painter, professor.Higher Pedagogical School (Nis, 1891 - Belgrade, 1955).cat.3&lt;br&gt; (020M)&lt;br&gt; Oraovica, Monastery of St..Nicholas, of Presevo, Category 2 (020 NV)&lt;br&gt; Orahovac, bottom, near Kotor, St..George, a category 1 (020 SV)&lt;br&gt; Orahovica (Mazić), the Monastery of St..George, on the river Lim, Category 2 (020 SV)&lt;br&gt; ORAHOVICA, the Monastery of St..Nicholas at Nasice, before 1583, Ley 2, 504, Category 3 (020 NV)&lt;br&gt; Nut in Crmnica near Virpazar, St..Nicholas, 15century, Category 1 (020 SV)&lt;br&gt; Organic architecture category 2 (020a)&lt;br&gt; Ornament in the SRP.Arch.Category 3 (020a)&lt;br&gt; Orfelin, Zacharias - writer, publisher, bakrorezac (Vukovar, 1726 - Novi Sad, 1785). D.David,&lt;br&gt; Serbian Graphics 18thcentury, a category 4?(020 NV)&lt;br&gt; Orfelin, James - painter, icon painter (d. Sremski Karlovci, 1803).M.Timotijevic, Serbian baroque&lt;br&gt; painting, Category 3?(020 NV)&lt;br&gt; Osojnik, Joseph, architect (1923, Sombor - 1999, Belgrade), category 1 (020a)&lt;br&gt; Ostojic, Basil - Zograf, icon painter (d. Novi Sad, 1791).M.Timotijevic, Serbian baroque&lt;br&gt; painting, Category 3?(020 NV)&lt;br&gt; Ostojic, Peter - painter, icon painter, 1784 - 1793, Vienna.LEJ 2, 517, Category 1 (020 NV)&lt;br&gt; Ostojic, Tanja - visual artist, Kat.2 (020M)&lt;br&gt; Ostrovica, medieval town of Rudnik, 14century, a category 2 (020 SV)&lt;br&gt; Ostrog, monastery near Niksic, 17century, LEJ 2, 520, Category 3 (020 SV)&lt;br&gt; Ota&amp;scaron;ević, Dusan - painter, Kat.3 (020M)&lt;br&gt; OHRID, medieval churches, a category 4 (020 SV)&lt;br&gt; ODŽAKLIJA Category 1 (020a)&lt;br&gt; O&amp;scaron;anića in Stolac, tomb church family Hrabren-Miloradović, before 1505, Category 1 (020 SV)&lt;br&gt; O&amp;Scaron;LJE by Stone, the remains of the church from the 9thcentury, Category 1 (020 SV)&lt;br&gt; PAVAO DUBROVČANIN (IAC Antojević), Dubrovnik jeweler, medaljer (1420 to 1479), category 1&lt;br&gt; (020a ST)&lt;br&gt; PAVELKA - Vukajlovic, Katie - ceramist, Kat.2 (020M)&lt;br&gt; PAVELKA, Miroslav - ceramist, Kat.2 (020M)&lt;br&gt; Pavic, Branko - graphic artist, visual artist, Kat.3 (020M)&lt;br&gt; Pavic, Ivan - a conservator, the artist, Kat.1 (020M)&lt;br&gt; Pavicevic Fis, Ljubomir, graphic designer, Kat.1 (020M)&lt;br&gt; Pavkov, Stevan - graphic artist, designer, Kat.1 (020M)&lt;br&gt; Pavlovac, the monastery under Kosmaj, beg.15.century, a category 2 (020 SV)&lt;br&gt; Pavlovic - Džindo, Svetlana - artist, Kat.1 (020M)&lt;br&gt; Pavlovic, Dobroslav St., Architect, historian of architecture (1916, Paris); Personal Archive D.St.&lt;br&gt; Pavlovic; possible determinants Author: Aleksandar Ivanovic, architect-conservator, historian&lt;br&gt; architecture; determinant Category 1 (020a)&lt;br&gt; Vukovic Pavlovic, Nives, textiles, floor.1 (020M)&lt;br&gt; Pavlovic, Bob Bogdan, painter, floor.1 (020M)&lt;br&gt; Pavlovic, Vesna - forograf, Kat.2 (020M)&lt;br&gt; Pavlovic, Dragoljub - painter, professor.Gymnasium (Belgrade, 1875 - Belgrade, 1954).cat.1 (020M)&lt;br&gt; Pavlovic, Zivko-Serbian Zograf the first half of the 19thcentury.lit.P.Vasic, Zivko Pavlovic ...,&lt;br&gt; Category 2?(020 NV)&lt;br&gt; Pavlovic, Zoran - painter, writer, critic, Kat.3 (020M)&lt;br&gt; Pavlovic, Katarina - ist.art, kat.1 (020M)&lt;br&gt; Pavlovic, Leontius - art historian (Brodac, 1914 - Smederevo, 1997).Category 2 (020 NV)&lt;br&gt; Pavlovic, Leposava - White, artist, benefactor, Kat.2 (020M)&lt;br&gt; Pavlovic, Ljiljana - artist, Kat.1 (020M)&lt;br&gt; Pavlovic, M.Milos, architect (1956?, Belgrade) Lit.M.Pavlovic, (Z. Manević and M. Jan&amp;aacute;k --&lt;br&gt; the authors of additional text), about an architect = Architect&amp;#39;s Eye, Belgrade 2006; M.Jan&amp;aacute;k-Grujic,&lt;br&gt; Portrait of architect Milos Pavlovic.Millennium Modern in Toronto, &amp;quot;Ambient&amp;quot; no.14, Belgrade&lt;br&gt; 2006; possible determinants Author: Mare Jan&amp;aacute;k-Grujic, historian of architecture; determinant categories&lt;br&gt; 1 (020a)&lt;br&gt; Pavlovic, Milivoj - Mike - painter, Kat.1 (020M)&lt;br&gt; Pavlovic, Milos, photographer, cat.1 (020M)&lt;br&gt; Pavlovic, Momcilo - ist.art, kat.1 (020M)&lt;br&gt; Pavlovic, Ruzica - Aquatics - artist, Kat.1 (020M)&lt;br&gt; Pagus Category 1 (020a)&lt;br&gt; MARKET Category 1 (020a)&lt;br&gt; Pajvančić, Alexander - designer, Kat.2 (020M)&lt;br&gt; Pajević, Vladimir - painter, Kat.1 (020M)&lt;br&gt; Pajević, Tatjana - artist, Kat.1 (020M)&lt;br&gt; Pakra, a monastery, a Baroque church and the iconostasis, LEJ 2, 526, Category 2 (020 NV)&lt;br&gt; Pakrac - church, episcopal palace.lit.M.Timotijevic, Serbian baroque painting, Category 3&lt;br&gt; (020 NV)&lt;br&gt; PALATA 3rd category(020a)&lt;br&gt; Palavičini, Peter (Pero) - sculptor, art teacher school, assistant SKG-A (Korcula, 1888 --&lt;br&gt; Dubrovnik, 1958), cat.4.(020M)&lt;br&gt; PALANKA category 3 (020a)&lt;br&gt; Palež, a village near Studenica, with the Church of St..Nicholas, 14century, a category 2 (020 SV)&lt;br&gt; PALIKRU&amp;Scaron;KIĆ, Peter - painter (d. 1845).LEJ 2, 529, Category 1 (020 NV)&lt;br&gt; PALI&amp;Scaron;A&amp;Scaron;KI, Milan, architect, university professor (1927, Backa Palanka) Lit.And.Strauss,&lt;br&gt; Architecture of Yugoslavia 1945-1990, Sarajevo, 1991; Đ.Kojic, Critical valorization of internal&lt;br&gt; space architect Milan Pali&amp;scaron;a&amp;scaron;kog, (thesis), University of Novi Sad, Faculty&lt;br&gt; Engineering, Architecture and Construction Department, 2002; Lexicon Serbian builders, Belgrade 2002;&lt;br&gt; S.G.Bogunovic, AEB, vol.2, Beograd 2005; possible determinants of the author: Free Bogunović; entries&lt;br&gt; Category 3 (020a)&lt;br&gt; Palkovljević, Tijana, ist.Art, Curator, Gallery of Matica Serbian, Novi Sad, kat.1 (020M)&lt;br&gt; Pamphylia - Zograf, lit.N.Kusovac, Pasko 18thand 19century, Category 1 (020 NV)&lt;br&gt; PANDANtIF Category 1 (020a)&lt;br&gt; Panic at Bileca, the remains of medieval churches, Category 1 (020 SV)&lt;br&gt; PANIC-Matic, Radmila, Ist.umenosti, kat.1 (Museum of Contemporary Art, Belgrade) (020M)&lt;br&gt; PANIC-SUREP, Dear, ist.insert., Kat.1 (020M)&lt;br&gt; PANIC-surep, Milorad (1912-1968), poet, za&amp;scaron;titar?, Kat.2 (020M)&lt;br&gt; Pancras, Illuminator, 16century, Category 1 (020 NV)&lt;br&gt; Pantelic, Vesna - artist, Kat.1 (020M)&lt;br&gt; Pantelic, Zoran, multimedia artist, Novi Sad, kat.1 (020M)&lt;br&gt; Pantelic, Constantine - by (Ruma, 1802 - Pancevo, 1882).lit.M.Jovanovic, including Java and honey&lt;br&gt; sleep, Category 2 (020 NV)&lt;br&gt; Pantović, Milorad, architect, university professor (1910, Belgrade - 1986, Belgrade) Lit.Z.&lt;br&gt; Manević, Pantovic, Belgrade 1985; Milorad Pantovic, Belgrade: Serbian Academy of Arts and Sciences,&lt;br&gt; 1986; I.Strauss, Architecture of Yugoslavia 1945-1990, Sarajevo, 1991; Lexicon Serbian builders,&lt;br&gt; Belgrade 2002; I.Antic, Milorad Pantović: (1910-1986), Belgrade 1987, Maric D., Guide to Modern&lt;br&gt; Architecture, Belgrade 2002; Perovic M., Serbian architecture of the twentieth century.Since istoricizma to&lt;br&gt; other modernism, Belgrade 2003; S.G.Bogunovic, AEB, vol.2, Beograd 2005; B.Misic, Belgrade&lt;br&gt; Fair, &amp;quot;Legacy,&amp;quot; no.7, Belgrade, 2006; possible determinants Author: Biljana Misic, historian&lt;br&gt; architecture; heading category 4 (020a)&lt;br&gt; PANČEVO, monuments, Assumption Church, Transfiguration Church .. P.Vasic, Art topography&lt;br&gt; Lit.M.Jovanovic, the Serbian church architecture and painting of recent times, the Belgrade-Kragujevac&lt;br&gt; 1987, Category 3 (020 NV)&lt;br&gt; Pančić, Djuro, Zograf, 19century, LEJ 2, 530, Category 1 (020 NV)&lt;br&gt; Papic, Dragan (Dr. Agan) concept.artist, Kat.1 (020M)&lt;br&gt; Lakewood, monastery, near Zvornik, 16century, a category 2 (020 SV)&lt;br&gt; Chapel category 2 (020a)&lt;br&gt; parapet, category 1 (020a)&lt;br&gt; PARAĆIN, church, LEJ 2, 533-534, Category 1 (020 NV)&lt;br&gt; Paripović, Nesa - vizuel.umetnik, Kat.2 (020M)&lt;br&gt; Park in Serbia Category 3rd(020a)&lt;br&gt; parterna architecture category 2 (020a)&lt;br&gt; P&amp;aacute;rtos, the monastery in Banat, Baroque, LEJ 2, 535, Category 2 (020 NV)&lt;br&gt; PAStOFORIJA, PAStOFORIJUM Category 1 (020a)&lt;br&gt; pastiche - Category 1 (020.M)&lt;br&gt; PASTUHOV, Boris - painter, Kat.1 (020M)&lt;br&gt; Pataković, Dejan, caricaturist, journalist, Kat.1 (020M)&lt;br&gt; PAUNOVIĆ, Branimir - painter, Kat.1 (020M)&lt;br&gt; PAUNOVIĆ, Michael - sculptor, medaljer, Kat.2 (020M)&lt;br&gt; Pahek, Zeljko, strip, kat.1 (020M)&lt;br&gt; Paci, Enrico, Italian sculptor, lit.LEJ 2, 544, Category 2?(020 NV)&lt;br&gt; Rat, Stojan - painter, Kat.1 (020M)&lt;br&gt; Pa&amp;scaron;ćan, Joseph - Pepa - artist, Kat.2 (020M)&lt;br&gt; Landscape - Category 4 (020.M)&lt;br&gt; Landscape, ELU 3, 644-648, 19-20 century art, a category 3 (NV 020)&lt;br&gt; landscape architecture, horticulture, a category 3 (020a)&lt;br&gt; Pejic, Bojana, ist.insert., Kat.2 (020M)&lt;br&gt; Pejovic, Nine - tapiseristkinja, Kat.3 (020M)&lt;br&gt; Pejovic, Radovan, architect, Lit.: Ž.M.R.Pejovic: Chicago between art and profit,&lt;br&gt; &amp;quot;Architecture, no.104, Belgrade 2006, Editorial Board, category 1 (020a)&lt;br&gt; Pejovic, Slobodan - graphic artist, Kat.2 (020M)&lt;br&gt; Pelinovo, the monastery in Grbalj, Category 1 (020 NV)&lt;br&gt; Peljesac peninsula on the southern Adriatic coast, within the Serbian state until 1333, when he transferred&lt;br&gt; Dubrovnik, the more medieval churches (Ston, Ioannina, Housing, Viganj Gothic church Arch. Mihaila;&lt;br&gt; Majsan island near Orebic, Peljesac peninsula south coast, a small church in ruins, frescoes, discovered about&lt;br&gt; 1960, close Stonska frescoes), lit.C.Fisković, the Church in the southern part of the Peljesac Peninsula, New&lt;br&gt; Age, 214.1935, same, Archaeological notes from Peljesac, Journal of archeology and history&lt;br&gt; Dalmatian, 1956, Category 2 (020 SV)&lt;br&gt; Peric, Jefta-by (Gacko, 1895 - Belgrade, 1967).cat.2 (020M)&lt;br&gt; Perica, Radomir, by graphic artist, graf.design, floor.1 (020M)&lt;br&gt; PERLASKA, Dominic, graphic, V.Kraut, Serbian graphics, Category 1 (020 NV)&lt;br&gt; Perovic, MILOS R., Architects, urban, architectural historian, university professor (1939,&lt;br&gt; Skopje); Biography M.Perovic in the archives of AAS-A: URL: http / /: www.AAS.org.yu; possible author&lt;br&gt; determinants: Free Bogunović; determinant categories 2 (020a)&lt;br&gt; Peronja, Radmila, architect, design, furniture, floor.1 (020M)&lt;br&gt; PERSPECTIVES - exhibitions, a category 2 (020.M)&lt;br&gt; PERFORMANCE - Category 3 (020.M)&lt;br&gt; Peternek, Tomislav - photographer, cat.3 (020M)&lt;br&gt; PETKOVIC, Vladimir R (Government) - art historian, archaeologist, a member of the SASA (1874 to 1956).,&lt;br&gt; Category 4, editorial.(020a ST)&lt;br&gt; PETKOVIC, Michael - painter, Kat.1 (020M)&lt;br&gt; PETKOVIC, Nikola - or Nicholas, Hieromonk, by (Indjija, 1893 - Pittsburgh, USA? 1944 or 1952),&lt;br&gt; cat.1 (020M)&lt;br&gt; PETKOVIC, Sreten - art historian (Zajecar, 1930), category 3rd(020a ST)&lt;br&gt; PETKOVIC IN Stragari, frescoes 13thand 14century, Category 1 (020 SV)&lt;br&gt; Petkovic, the monastery near Sremska Mitrovica, 16century, Category 1 (020 SV)&lt;br&gt; Petrik, Pal - painter, Kat.1 (020M)&lt;br&gt; Petric, Vladeta - sculptor, Kat.2 (020M)&lt;br&gt; Petrich, medieval town of Ferizaj, 14century, Category 1 (020 SV)&lt;br&gt; Petricic, Branko, architect, university professor (1911 Pla&amp;scaron;ki the Kordun - 1984, Belgrade)&lt;br&gt; Lit.V.Belousov, Sovremennaa architecture Jogoslavii, Moscow 1973; B.Stojanovic, IN.Martinovic,&lt;br&gt; Beograd 1945-1975.Urbanism.Architecture, Belgrade 1978; S.G.Bogunovic, AEB, vol.2, Belgrade&lt;br&gt; 2005; possible determinants Author: Milan Prosen, historian of architecture; determinant categories 2 (020a)&lt;br&gt; Petricic, Dusan - illustrator, caricaturist, Kat.3 (020M)&lt;br&gt; Petrov, Michael S.- Painter, graphic artist, prof.Likov.umetnosti Academy (Belgrade, 1902 - Belgrade&lt;br&gt; 1983).cat.3 (020M)&lt;br&gt; PETROVARADIN FORTRESS heading category 3 (020a)&lt;br&gt; PETROVIC - Lozanić Milica floor.1 (020M)&lt;br&gt; PETROVIC, Arsenije - painter, portraitist (1803 to 1867). LEJ 2, 569, Category 2 (020 NV)&lt;br&gt; PETROVIC, Bozidar, architect, university professor (1922, raise the end of Ljig) Lit.B.Stojanovic,&lt;br&gt; Into.Martinovic, Belgrade 1945-1975.Urbanism.Architecture, Belgrade 1978; A.Brkic, Signs in&lt;br&gt; stone.Serbian modern architecture 1930-1980, Belgrade 1992; S. To&amp;scaron;eva, Bozidar Petrovic: a house&lt;br&gt; print length, Gornji Milanovac 2003; possible determinants Author: Snezana To&amp;scaron;eva, historian&lt;br&gt; architecture; heading category 3 (020a)&lt;br&gt; PETROVIC, Bosko - painter, professor.Univ., Kat.3 (020M)&lt;br&gt; PETROVIC, Veljko, history.Art categories ... 2, editorial (020 NV)&lt;br&gt; PETROVIC, Veljko, critics and DIR.NAR.Museum, cat.3?(020M)&lt;br&gt; PETROVIC, Cherry - artist, Kat.2 (020M)&lt;br&gt; PETROVIC, Dimitrije - sculptor (1799 to 1852).LEJ 2, 570, Category 3 (020 NV)&lt;br&gt; PETROVIC, Dimitrije Ž.-By, 19century, LEJ 2, 570, Category 2 (020 NV)&lt;br&gt; PETROVIC, Dimitrije N.- Mita?.- Painter, publicist, writer, Category 1 (020 NV)&lt;br&gt; Petrovic, Dragoslav, art historian and painter, Kat.1 (020M)&lt;br&gt; Petrović, Dusan - sculptor, Kat.2 (020M)&lt;br&gt; PETROVIC, George, architect, university professor (1927, Zajecar) Lit.G.Gordic, biographies, in:&lt;br&gt; Serbian arhitetura 1900-1970, Belgrade 1972, a group of authors, higher education in architecture&lt;br&gt; Serbia 1846-1971, Belgrade 1996; Lexicon Serbian builders, Belgrade 2002; possible determinants Author:&lt;br&gt; Milos M.Pavlovic, architect; determinant Category 1 (020a)&lt;br&gt; PETROVIC, Eugene - Ladislav, painter (1839-1907) - LEJ 2, 573, Category 1?(020 NV)&lt;br&gt; PETROVIC, Zivko, painter (1806-1868) - LEJ 2, 579, Category 2?(020 NV)&lt;br&gt; PETROVIC, Zora - painter, professor.Academy of character.Arts, corresponding member of SASA (Dobric, Banat 1894&lt;br&gt; - Belgrade, 1962) cat.4.(020M)&lt;br&gt; PETROVIC, Zoran - sculptor, painter, floor.3 (020M)&lt;br&gt; PETROVIC, Zoran, architect, university professor (1925, Belgrade - 2000, Belgrade) Lit.B.&lt;br&gt; Stojanovic, IN.Martinovic, Belgrade 1945-1975.Urbanism.Architecture, Belgrade 1978, J.Krunić,&lt;br&gt; Zoran Petrovic, &amp;quot;literary newspaper, Belgrade 1.07.1997; Lexicon Serbian builders, Belgrade 2002; S.&lt;br&gt; G.Bogunovic, AEB, vol.2, Beograd 2005; possible determinants Author: Snezana To&amp;scaron;eva, historian&lt;br&gt; architecture; heading category 3 (020a)&lt;br&gt; PETROVIC, IVAN, architect (020a)&lt;br&gt; PETROVIC, Elijah - by, 19 century.LEJ 2, 570, Category 1 (020 NV)&lt;br&gt; PETROVIC, Matija - by, 19 century.LEJ 2, 573, Category 1 (020 NV)&lt;br&gt; PETROVIC, Miodrag - painter, teacher of drawing in high school (Dubravica, 1888 - Belgrade, 1950) cat.2&lt;br&gt; (020M)&lt;br&gt; PETROVIC, Nadezhda - artist, activist (Cacak, 1873 - Valjevo, 1915).cat.4 (020M)&lt;br&gt; Petrovic, Nevenka, prof.APU, Kat.1 (020M)&lt;br&gt; Petrović, Nikola - painting teacher in Budapest, 1744 - 1778, Ilok &amp;Scaron;uljam.LEJ 2, 574, Category 1&lt;br&gt; (020 NV)&lt;br&gt; PETROVIC, Pavel - painter, iconographer, journalist (Timisoara, 1818 - Lima, 1861).LEJ 2, 574,&lt;br&gt; Category 2 (020 NV)&lt;br&gt; Petrovic, Petar, architect (1933, Belgrade - 1999, Belgrade), category 1 (020a)&lt;br&gt; Petrović, Rastko (1898-1949), writer, character.critic, Kat.4?(020M)&lt;br&gt; PETROVIC, Roman - a painter, set designer, teacher of drawing, icon painter (Donji Vakuf, 1896 - Sarajevo&lt;br&gt; 1947) (020M)&lt;br&gt; PETROVIC, Sava - painter, writer (1748 to 1857).LEJ 2, 576, Category 2 (020 NV)&lt;br&gt; Petrovic, Sreten, art theorist, kat.1 (020M)&lt;br&gt; PETROVIC, Hristofor - ikonopisac 19thcentury, LEJ 2, 570, Category 1, (020 NV)&lt;br&gt; Petrovic (Banjani), two churches from the 16thcentury, a category 2 (020 SV)&lt;br&gt; Petrus, the medieval town of Paracin, 14-15 century, Category 1, (020 SV)&lt;br&gt; Pec Patriarchate, a complex of medieval churches in Pec, 13-17.century, Category 5 (020 SV)&lt;br&gt; PEHAN, White - Artist, Kat.2 (020M)&lt;br&gt; PEHAN, Jozef - painter (1875-1922), cat.3?(020M)&lt;br&gt; Pecić, Đura (George) - painter, 1877, Kikinda.LEJ 2, 545thCategory 2 (020 NV)&lt;br&gt; Pesic, BRANKO, architect, university professor (1921, Belgrade) Lit.Lexicon Serbian builders,&lt;br&gt; Belgrade 2002, Maric D., Guide to modern architecture, Belgrade 2002; S.G.Bogunovic,&lt;br&gt; AEB, vol.2, Beograd 2005; M.Lukic, attendance builder.Installed themselves in eternity, &amp;quot;Politika&amp;quot;, 11XI&lt;br&gt; 2006; possible determinants Author: Milan Milovanovic, architect, architectural historian; entries&lt;br&gt; Category 2 (020a)&lt;br&gt; Pesic, John - sculptor, caricaturist, journalist LEJ 2, 556, (1866 to 1936).Category 2 (020 NV)&lt;br&gt; Pesic, Ratomir - Ra - painter, graphic artist, Kat.1 (020M)&lt;br&gt; Beer, a monastery dedicated to the Assumption of the Virgin, 1586, Category 4 (020 SV)&lt;br&gt; Pivac, Nada (Capljina 1926), painter, floor.1 (020M)&lt;br&gt; PIJADE, Mo&amp;scaron;a S.(Uncle Janko) - painter, art critic, writer, journalist, politician, (Belgrade,&lt;br&gt; 1890 - Paris, 1957).cat.3 (020M)&lt;br&gt; PIJS (PANČEVAČKI INTERNATIONAL BIENNIAL OF YUGOSLAV sculpture) - Category 2 (020.M)&lt;br&gt; PIKSIJADES, Ana - applied artist, Kat.2 (020M)&lt;br&gt; piktores Greci, Greek painters 13thand 14century in Dubrovnik and Kotor, a category 2 (020 SV)&lt;br&gt; pictorial (image) - Category 1 (020.M)&lt;br&gt; PILASANOVIĆ, Joseph, architect (1940, Sombor), category 1 (020a)&lt;br&gt; PILIPOVIĆ, Nikola - lik.umetnik, Kat.2 (020M)&lt;br&gt; Pilic, Peter - painter, 1848 - 1850, Senta.Category 1 (020 NV)&lt;br&gt; Piperski, Živojin - sculptor, a member of ULUS - and, prof.Academy of Applied Arts in Belgrade.cat.&lt;br&gt; 2 (020M)&lt;br&gt; Pyrgos, Pyrgos Category 2 (020 SV)&lt;br&gt; Pirot, Old Church, New Church, Category 3 (020 NV)&lt;br&gt; Pisanjuk, Michael, illustrator, Kat.1 (020M)&lt;br&gt; Plazinić, Bozidar - painter, Kat.2 (020M)&lt;br&gt; Plakat - Category 3 (020a)&lt;br&gt; Pennant, Milutin - art historian, art critic, painter (Boljević, Montenegro, 1894 --&lt;br&gt; Ulcinj, 1985), cat.2.(020M)&lt;br&gt; plenerizam - Category 4 (020.M)&lt;br&gt; Plecnik JOŽE, architect (Ljubljana, 1872 - Ljubljana, 1957) Lit.ELU, vol.III, Zagreb 1964; Z.&lt;br&gt; Manević, Plečnik and Belgrade paper DIUS, no.14 (1983), pp.132-134; F.Kurrent, J.Stabenow, G.&lt;br&gt; Fahr-Becker, Joze Plecnik - Architekt 1872 - 1957, Callwey, 1987; Joze Plecnik: humanist of the&lt;br&gt; interlude between Historicism and modernism, &amp;quot;Space design, 11/1987, 278 p.5 to 48; Krečić P.,&lt;br&gt; Plečnik.The Complete Works, 1993; Allgemeines K&amp;uuml;nstlerlexikon Internationale K&amp;uuml;nstlerdatenbank,&lt;br&gt; URL: http://www.saur.de/akl/; Plecnik in Ljubljana, &amp;quot;The Architectural Review, 1981, 1014, p.&lt;br&gt; 107 to 111; F.Burkhardt, B.Podrecca, Joze Plecnik Architect, MIT Press, 1993; Maric D., Guide&lt;br&gt; through modern architecture, Belgrade 2002; possible determinants Author: Milan Milovanovic,&lt;br&gt; architect, architectural historian; determinant categories 2 (020a)&lt;br&gt; POBLAĆE church from the 16thcentury, Category 1 (020 SV)&lt;br&gt; POBUŽJE, a village near Skopje, with churches from the 16thcentury, Category 1 (020 SV)&lt;br&gt; POGANOVO near Pirot, St..John the Theologian, 14century, a category 3 (020 SV)&lt;br&gt; pograđe in Metohia, two churches from the 16thcentury, the Upper and Lower (St. Nicholas), 16century, Category 1 (020&lt;br&gt; SV)&lt;br&gt; Podvrh, near Bijelo Polje, the Church from the 16century, Category 1 (020 SV)&lt;br&gt; Podlastva (Lastva), a monastery in Grbalj, before 1427, Category 1 (020 SV)&lt;br&gt; PODOSTROG (Maine, Podmaine), a monastery near Budva, before 1630, Category 1 (020 SV)&lt;br&gt; PODREKA Boris, architect (Belgrade 1940), a category 4 (5) (020a)&lt;br&gt; poetics of artistic works - Category 2 (020.M)&lt;br&gt; POZAREVAC, cultural monuments, the Church kn.Milos, the church of Sv.Nicholas, District načelstvo, monument&lt;br&gt; Prince Milos, a category 3 (NV 020)&lt;br&gt; POZDNJAKOV, Tatjana - artist, Kat.1 (020M)&lt;br&gt; Poznanović Bogdanka - vizuel.umetnik, Kat.2 (020M)&lt;br&gt; Pokajnica, church, log cabin near Velika Plana, 19century, a category 2 (020 NV)&lt;br&gt; POKRI&amp;Scaron;KIN, Peter Petrovich - Russian architect and restorer of (1870 - 1921), category 1(020a ST)&lt;br&gt; You Are, Category 1 (020 SV)&lt;br&gt; POLITICAL ART - Category 2 (020.M)&lt;br&gt; POLIHROMIJA, a category 3 (020a)&lt;br&gt; Poloska, St..George, 14century, a category 3 (020 SV)&lt;br&gt; Poljanski, Branko Ve - Valery, Vij, poet, painter, avant-garde artist (Majske Poljana, 1897 --&lt;br&gt; Paris, 1947), cat.3 (020M)&lt;br&gt; Agricultural building, a category 2 (020a)&lt;br&gt; Pomori&amp;scaron;ac, Vasa - by (Ja&amp;scaron;a Tomić, 1893 - Belgrade, 1961).cat.3 (020M)&lt;br&gt; pop art - Category 2 (020.M)&lt;br&gt; Pope, near Novi Pazar, the church from the 17thcentury, Category 1 (020 SV)&lt;br&gt; Popescu, Gorica, designer, Kat.1 (020M)&lt;br&gt; Popivoda, Rajko - sculptor, Kat.2 (020M)&lt;br&gt; POPIN, the Government - graphic artist, Kat.2 (020M)&lt;br&gt; POPOVIC - Novakovic, Tamara - artist, Kat.1 (020M)&lt;br&gt; POPOVIC - Serban, Nedeljko - painter, Zograf, 1737 - 1767, Ecka, Modos, Srbija.M.Timotijevic,&lt;br&gt; Serbian baroque painting, Category 2 (020 NV)&lt;br&gt; POPOVIC BOGDAN character.REVIEWS, Kat.(020M)&lt;br&gt; POPOVIC George character.REVIEWS, kat.3 (020M)&lt;br&gt; Popović Jovan character.REVIEWS, kat.2 (020M)&lt;br&gt; POPOVIC SAVA (1905-1952), a character.REVIEWS, Kat.1 (020M)&lt;br&gt; Popovic Savo, ist.art critic, journalist, kat.1 (020M)&lt;br&gt; POPOVIC, Jeftimije, painter, publisher, (Great Bečkerek, 1794 or - 1859).LEJ 2, 614, Category 2&lt;br&gt; (020 NV)&lt;br&gt; POPOVIC, Averkije - Zograf and icon painter, 1790, the Great Bečkerek, Russia.Category 1 (020 NV)&lt;br&gt; POPOVIC, Branislav, architect, category 1 (020a)&lt;br&gt; Popovic, Branko S.- Painter, architect, critic (Uzice, 1882 - Belgrade, 1944), cat.3 (020M)&lt;br&gt; POPOVIC, Basil - Cico - painter (1914 to 1962).cat.1 (020M)&lt;br&gt; Popovic, Vesna - designer, Kat.2 (020M)&lt;br&gt; POPOVIC, VLADIMIR, architect (1876, Gložan at Svilajnac - 1947, Belgrade) Lit.M.Jovanovic,&lt;br&gt; Architect Vladimir Popovic, &amp;quot;Press&amp;quot;, no.XXIV, Beograd 1992, Serbian lexicon builders, Belgrade&lt;br&gt; 2002; S.G.Bogunovic, AEB, vol.2, Beograd 2005; possible determinants Author: Milan Prosen, historian&lt;br&gt; architecture; determinant Category 1 (020a)&lt;br&gt; POPOVIC, Vukica - art historian (Smude the Pod. Slatina, 1919).cat.1.(020M)&lt;br&gt; POPOVIC, George - painter (d. Ada, 1853).LEJ 2, 613, Category 1 (020 NV)&lt;br&gt; POPOVIC, Gregory - painter, 1775 - 1779, Srem Karlovci, man.Lepavina and Jazak.LEJ 2, 614,&lt;br&gt; Category 1 (020 NV)&lt;br&gt; Popovic, Danica - art historian (Belgrade, 1951), category 3rd(020a ST)&lt;br&gt; Popovic, Dimitrije - sculptor, bakrorezac (1799 - 1852), LEJ 2, 613, Category 1 (020 NV)&lt;br&gt; Popovic, Dimitrije - Zograf, icon painter, (V. Bečkerek, 1727).M.Timotijevic, Serbian baroque&lt;br&gt; painting, Category 3 (020 NV)&lt;br&gt; POPOVIC, by George, a character.critic (1909-1962), LEJ 2, 613, cat.1 (020M)&lt;br&gt; Popovic, Djordje-Djoko - painter (1887 to 1911).LEJ 2, 613, Category 1 (020 NV)&lt;br&gt; POPOVIC, George, architect, educator (1930, Belgrade), category 1 (020a)&lt;br&gt; Popovic, Zora - artist, Kat.2 (020M)&lt;br&gt; POPOVIC, Zoran - visual artist, Kat.2 (020M)&lt;br&gt; Popovic, Ivan - painter, studied in Vienna at the Academy of Art, 1843, Vienna.Category 1 (020 NV)&lt;br&gt; POPOVIC, Ignjat, architect (1904, Belgrade - 1973, Belgrade), category 1 (020a)&lt;br&gt; POPOVIC, Jeremiah - painter, 1820 - 1844, Kragujevac.B.Vujovic, Art renewed Serbian,&lt;br&gt; Category 1 (020 NV)&lt;br&gt; POPOVIC, Jeftimije, painter, publisher, (Great Bečkerek, 1794 or 1797? - 1859).Category 2 (020&lt;br&gt; NV)&lt;br&gt; POPOVIC, John - painter, icon painter, 1761 - 1766, Adis, Szeged, Novi Sad.LEJ 2, 614,&lt;br&gt; Category 2 (020 NV)&lt;br&gt; POPOVIC, John - painter, portraitist (Opovo, 1820 - Pancevo, 1864). LEJ 2, 614, Category 3 (020&lt;br&gt; NV)&lt;br&gt; Popovic, Koca (1908-1992), sr.Surrealism, Kat.1 (2) (020M)&lt;br&gt; POPOVIC, Ljuba - painter, Kat.3 (020M)&lt;br&gt; POPOVIC, Ljubica D.- Art historian, United States (Sabac, 1932).Category 3 (020a ST)&lt;br&gt; POPOVIC, Miodrag - Misa - sculptor, Kat.3 (020M)&lt;br&gt; POPOVIC, Miodrag Mica - by (Loznica, 1923).cat.4 (020M)&lt;br&gt; Popovic, Miroslav Nune, lik.umetnik, Kat.1 (020M)&lt;br&gt; POPOVIC, Mikhail - ikonopisac middle of the 19thcentury, Bjelovar, Karlovac .. LEJ 2, 615, Category 1 (020&lt;br&gt; NV)&lt;br&gt; POPOVIC, Michael - painter (d. Oravita, 1865).LEJ 2.615, Category 1 (020 NV)&lt;br&gt; Popovic, Nebojsa, architect (1950, Belgrade - 1998, Belgrade), category 1 (020a)&lt;br&gt; POPOVIC, Nedeljko - painter, 1737 - 1777, Serbia, Vojvodina.Osn.litterateur Lj.Stosic, Serbian art&lt;br&gt; 1690-1740, 2006.Category 2 (020 NV)&lt;br&gt; Popovic, Nikola - graver 18thcentury, LEJ 2, 616, Category 1 (020 NV)&lt;br&gt; POPOVIC, Paul - critic, Kat.2 (020M)&lt;br&gt; POPOVIC, Pero - painter, teacher of drawing (Prijedor, 1881 - Sarajevo, 1941).cat.1 (020M)&lt;br&gt; Popovic, Peter J., Architect, university professor (1873, Markov Prilep / day Prilep /,&lt;br&gt; Macedonia - 1945, Belgrade) Lit.B.Vujovic, Church Monuments in the area of the city of Belgrade, vol.&lt;br&gt; II, Belgrade 1973; D.Djuric-Zamolo, developers of Belgrade 1815-1914, Beograd 1981, Serbian Academy&lt;br&gt; Arts and Sciences 1886-1986, Belgrade 1987; Z.Bar-Ergela&amp;scaron;ev, Pera J.Popovic - life and&lt;br&gt; activity, ZLUMS, no.16, Novi Sad 1980, a group of authors, higher education in architecture&lt;br&gt; Serbia 1846-1971, Belgrade 1996; Lexicon Serbian builders, Belgrade 2002; S.G.Bogunovic, AEB,&lt;br&gt; vol.2, Beograd 2005; possible determinants Author: Marina Djurdjevic, historian of architecture; entries&lt;br&gt; Category 2 (020a)&lt;br&gt; Popovic, Savo Ivanov - painter, teacher of drawing (Sarajevo, 1887 - Bayreuth, Germany, 1955).cat.1&lt;br&gt; (020M)&lt;br&gt; Popovic, Svetlana - Architect (Belgrade, 1947), category 3rd(020a ST)&lt;br&gt; POPOVIC, Stanoje - Zograf, icon painter, 18 century, the monastery &amp;Scaron;i&amp;scaron;atovac.M.Timotijevic, Serbian baorkno&lt;br&gt; painting, Category 2 (020 NV)&lt;br&gt; POPOVIC, Serban, ikonopisac 18thcentury, LEJ 2, 617, Category 1 (020 NV)&lt;br&gt; Porec Monastery (Porecje), village Manastirec, Holy Virgin, fresco 13thcentury, Nis and Byzantium&lt;br&gt; 2, 2004, 279, Category 1 (020 SV)&lt;br&gt; FAMILY clear Potok (since 1977, MINE) - Category 1 (020.M)&lt;br&gt; Portal Category 2 (020a)&lt;br&gt; Portnoj, Alexander, design of glass and porcelain floor.1 (020M)&lt;br&gt; Portrait - Category 4 (020.M)&lt;br&gt; portrait in medieval art, a category 3 (020 SV)&lt;br&gt; Postmodern Architecture U category 3 (020a)&lt;br&gt; Posavec, Francis, design jewelry, cat.1 (020M)&lt;br&gt; POSNIKOVIĆ, Dimitrije - painter, icon painter (Bijelo Brdo, Osijek, 1814 - Belgrade, 1891).LEJ 2&lt;br&gt; 621, Category 3 (020 NV)&lt;br&gt; SCORE, Cherry - artist, Kat.1 (020M)&lt;br&gt; POSTMODERNA - Category 4 (020.M)&lt;br&gt; POSTNADREALIZAM - Category 2 (020.M)&lt;br&gt; Grace, Peter (Pero) - by (Cetinje, 1878 - Rome, 1963).cat.3 (020M)&lt;br&gt; Grace, Svetomir - sculptor (Ćićevac, 1902 -?), Cat.2 (020M)&lt;br&gt; Počuča, Ana, artist, cat.1 (020M)&lt;br&gt; Počuča, Mirko - a painter, a member of ULUS - and (Gospic, 1915 - Belgrade?).cat.1 (020M)&lt;br&gt; Post 2 At Belgrade (Sava Street 2) determinant of the categories 1 (020a)&lt;br&gt; Praskvica, the monastery in Pastroviceva, near St. Stephen, before 1413, Category 2 (020 SV)&lt;br&gt; Prvanović, Zoran, ceramist, Kat.1 (020M)&lt;br&gt; PRVAČKI, Delia - ceramist, Kat.2 (020M)&lt;br&gt; PRVAČKI, Milenko - painter, Kat.2 (020M)&lt;br&gt; Prvulovic, Nadezhda - artist, Kat.2 (020M)&lt;br&gt; Prevlaka, an island near Tivat, the Monastery of St..Archangel Michael, 12-15.century, a category 2 (020 SV)&lt;br&gt; Predic, Uros - painter (1857 - 1953), Belgrade.M.Jovanovic, Uro&amp;scaron; Predić, a category 4?(020 NV)&lt;br&gt; outness in painting, a category 2 (020.M)&lt;br&gt; Predojevic, Vladimir Jakovljevic - by the church, a Russian immigrant, Kat.2 (020M)&lt;br&gt; Preradovic, Zora - painter (Arad, 1867 - Zagreb, 1927), daughter of the poet Petar Preradovic, Kat.1&lt;br&gt; (020M)&lt;br&gt; Pre&amp;scaron;ić, Marica - visual artist, matematičarka, Kat.2 (020M)&lt;br&gt; COMMERCIAL BUILDING, category 2 (020a)&lt;br&gt; Pridvorica, a village near Studenica, with the Church of the Transfiguration, 13century, Category 1 (020 SV)&lt;br&gt; Prizren, medieval churches, a category 3 (020 SV)&lt;br&gt; Prijic, Alexander, painter (1920-Tivat Niksic 1985), cat.2 (020M)&lt;br&gt; Prilep, medieval churches, a category 3 (020 SV)&lt;br&gt; PRIMARY PAINTING - Category 1 (020.M)&lt;br&gt; Applied Art - Category 5 (020 NV)&lt;br&gt; narthex Category 1 (020a)&lt;br&gt; Pristina, monuments (Imperial Mosque, Church of St. Nicholas, etc.) ...Category 3 (020 NV)&lt;br&gt; Prljević, Miladin, architect (1900, Uzice - 1973, Belgrade) Lit.Lexicon Serbian builders, Belgrade&lt;br&gt; 2002; Maric D., Guide to modern architecture, Belgrade 2002; S.G.Bogunovic, AEB, vol.&lt;br&gt; 2, Beograd 2005; possible determinants Author: Milan Milovanovic, architect, architectural historian;&lt;br&gt; determinant categories 2 (020a)&lt;br&gt; PROtOMAJStOR category 1(020a)&lt;br&gt; PRODANOVIĆ, Bozidar - a painter, a member of ULUS - A cat.2 (020M)&lt;br&gt; PRODANOVIĆ, Mile - painter, writer, cat.2 (020M)&lt;br&gt; production of artistic works (020.M)&lt;br&gt; Rovinj, medieval churches, Category 1, (020 SV)&lt;br&gt; prolović Jadranka, art historian, a category 1 (020a ST)&lt;br&gt; pulpit, a category 1 (020a)&lt;br&gt; SPATIAL PLANNING 3rdCategory (020a)&lt;br&gt; Proskomede (protEZIS) Category 1 (020a)&lt;br&gt; Protic, Branislav Branko-by, cat.3 (020M)&lt;br&gt; Protic, Miodrag B.- - Painter and art critic (Vrnj. Banja, 1922).cat.4 (020M)&lt;br&gt; Protic, Michael - Bata - painter, Kat.2 (020M)&lt;br&gt; PROHOR PCINJA, medieval monastery, a category 3 (4) (020 SV)&lt;br&gt; Procedural ART - Category 1 (020.M)&lt;br&gt; Extended MEDIA - Category 3 (020.M)&lt;br&gt; PRUDNIKOV, George-by, cat.1 (020M)&lt;br&gt; PSAČA, the Monastery of St..Nicholas of Kriva Palanka, before 1355, Category 3 (020 SV)&lt;br&gt; psychology of art - Category 3 (020.M)&lt;br&gt; PUNI&amp;Scaron;IĆ, Dragoslav - Becca - applied artist, Kat.2 (020M)&lt;br&gt; Pure&amp;scaron;ević, Danielle - art historian, journalist, a character.critic, Kat.1 (020M)&lt;br&gt; Purism Category 1 (020a)&lt;br&gt; Desert near Valjevo, the Monastery of the Presentation, before 1622, Category 2 (020 SV)&lt;br&gt; PASSENGERS, George (Đoka) - by (Bela Crkva, 1851).P.Vasic, ..Category 2 (020 NV)&lt;br&gt; PASSENGERS, John - painter, 1898, Vrsac, cathedral.P.Vasic, ..Category 1 (020 NV)&lt;br&gt; PASSENGERS, SVETISLAV, an architect in Belgrade between the two wars (?-?), Category 1 (020a)&lt;br&gt; Pusic, Ljubinko, architect, technical writer, educator (Novi Sad, 1952), category 1 (020a)&lt;br&gt; Pusic, Maria - Aquatics - ist.art, kat.3 (020M)&lt;br&gt; RAVANICA, the monastery at Cuprija, 14century, Category 5 (020 SV)&lt;br&gt; Ravanicki Stefan živopisac and jeweler 18thcentury, LEJ, 703, Category 1 (020 NV)&lt;br&gt; ravelin Category 1 (020a)&lt;br&gt; Radak, Aleksandar-Aca, 19 century by the iconostasis, LEJ 2, 674, Category 1 (020 NV)&lt;br&gt; Radak, Zivko-Zivan, by the iconostasis, 19th platercentury, LEJ 2, 674, Category 1 (020 NV)&lt;br&gt; Radan-Jovin, Mary, architect conservator, category 1(020a ST)&lt;br&gt; work builder - the builder, 14century, category 1(020a ST)&lt;br&gt; Radenkovic, John - painter, Kat.2 (020M)&lt;br&gt; Radial PAINTING (V. Ivan Tabaković) - Category 1 (020.M)&lt;br&gt; Radic, Nenad, ist.arts, museology, Faculty of Philosophy, Belgrade, Kat.1 (020M)&lt;br&gt; Radisic, Božičko - jeweler, 1685, monasteries and Beočin Raca.LEJ 2, 677, Category 1 (020 NV)&lt;br&gt; Radlović, Djuro - mozaičar, Kat.1 (020M)&lt;br&gt; Radovanovic - IVANOVIC, Drink - sculptor, Kat.1 (020M)&lt;br&gt; RADOVANOVIĆ, Jelica, vizuel.umetn., Kat.2 (020M)&lt;br&gt; RADOVANOVIĆ, Vladan - multimedia artist, Kat.3 (020M)&lt;br&gt; RADOVANOVIĆ, Janko, art historian, a category 2 (020a ST)&lt;br&gt; RADOVANOVIĆ, Milica - applied artist, Kat.2 (020M)&lt;br&gt; RADOVANOVIĆ, Mikhail S., Architects, town planners, university professor (1899, Zajecar - around 1980,&lt;br&gt; Belgrade) Lit.Into.Martinovic, Modern, Belgrade 1972; B.Nestorovic Postakademizam in&lt;br&gt; the architecture of Belgrade, GGB, vol.XX 1973; Lexicon Serbian builders, Belgrade 2002; S.G.Bogunovic,&lt;br&gt; AEB, vol.2, Beograd 2005; possible determinants Author: Aleksandar Ignjatovic, a historian of architecture;&lt;br&gt; determinant categories 2 (020a)&lt;br&gt; RADOVANOVIĆ, Paul - Paja-sculptor, Kat.2 (020M)&lt;br&gt; RADOVA&amp;Scaron;NICA, monastery, crka painted several times, the last in 1799, the iconostasis 19thcentury LEJ 2, 684,&lt;br&gt; Category 1 (020 NV)&lt;br&gt; RADOVIĆ, Vlado - painter, Kat.2 (020M)&lt;br&gt; RADOVIĆ, Vuko - painter, professor.drawing, the Minister of Education (Kolasin, 1910 -? 1996).cat.2 (020M)&lt;br&gt; Radovic, Ivan - painter, professor.Art Academy, member of the SASA (Vrsac, 1894 - Belgrade, 1973).cat.4&lt;br&gt; (020M)&lt;br&gt; RADOVIĆ, Ljubica - Beetle - artist, Kat.2 (020M)&lt;br&gt; RADOVIĆ, Ranke, architect, university professor (1935, Podgorica - 2005, Belgrade) Lit.S.&lt;br&gt; Jovanovic, Ranko Radovic, winner Tabaković awards, DANS no.36 (2001), pp.15; Maric D.,&lt;br&gt; Guide to modern architecture, Belgrade 2002; R.Dinulović, on the continuity of ideas and&lt;br&gt; forms in architecture Ranko Radovic, &amp;quot;Architecture-Urbanism&amp;quot;, No.16-17, Belgrade 2005; S.&lt;br&gt; Jovanovic, Ranko Radovic architect (1935-2005), &amp;quot;Diary&amp;quot;, Vol.63, no.20,843, 19February2005; D.&lt;br&gt; Krstic, the architect prof.Dr. Ranko Radovic: (1935-2005): In memoriam, DANS, no.49 (April 2005);&lt;br&gt; S.G.Bogunovic, AEB, vol.2, Beograd 2005; possible determinants Author: Radivoje Dinulović; entries&lt;br&gt; Category 3 (4) (020a)&lt;br&gt; Radojevo, Nebojsa - graphic artist.cat.2 (020M)&lt;br&gt; Radojevic, Aleksandar, architect, university professor (1935, Novi Sad), category 1 (020a)&lt;br&gt; Radojičić, ZORAN, architect (1967, Belgrade), category 1 (020a)&lt;br&gt; Radojičić, Mirko - visual artist, Kat.2 (020M)&lt;br&gt; Radojkovic, Bojana, art historian, a category 3 (020a ST)&lt;br&gt; Radojcic, Mirjana, critic, Kat.1 (020M)&lt;br&gt; Radojcic, Svetozar - art historian, a category 4 (020a ST)&lt;br&gt; Radojcic, Slavoljub - Caja - sculptor, Kat.3 (020M)&lt;br&gt; Radomirovic, Paul - by (Sabac, from 1811 to 1836).LEJ 2, 679, Category 1 (020 NV)&lt;br&gt; Radonic, Novak - painter, writer (Mol, 1826 - Sremska Kamenica, 1890). M.Jovanovic, Novak&lt;br&gt; Radonic.Category 4 (020 NV)&lt;br&gt; Radosavljevic, Dark - ist.art, kat.1 (020M)&lt;br&gt; Radosavljevic, Michael - a participant of the Vienna school of painting, by the Novi Sad, 1782 - 1786thLEJ 2&lt;br&gt; 681, Category 1 (020 NV)&lt;br&gt; Radosavljevic, Peter - by (Pancevo, 1790).LEJ 2, 681, Category 1 (020 NV)&lt;br&gt; Radoslav, miniature painter, 15century, category 1(020a ST)&lt;br&gt; Radotić, Konstantin - architect, builder (1805 - 1885), category 1(020a)&lt;br&gt; Radočaj, Francis - painter, teacher, Kat.2 (020M)&lt;br&gt; Rados, Alexander, photographer, cat.1 (020M)&lt;br&gt; Radujko, Milan, art historian, a category 1 (020a ST)&lt;br&gt; Radul Zain, miniature, 17century, a category 1 (020a ST)&lt;br&gt; Radulov, Zograf, 17century, the 3rd category(020a ST)&lt;br&gt; Radulovic, Branko - painter (Mostar, 1885 - Skopje, 1916).LEJ 2, 686, cat.1 (020M)&lt;br&gt; DEVELOPMENT OF TOWNS IN CROATIA-Category 3 (020a)&lt;br&gt; RAIČEVIĆ, Andrew - Hieromonk, Zograf, Illuminator, 17century, the 3rd category(020a ST)&lt;br&gt; RAJINOVAC, obnovljan monastery in the 18thand 19century, LEJ 2, 689, Category 1 (020 NV)&lt;br&gt; Rajkovic, Sava, by set designer, Kat.1 (020M)&lt;br&gt; Reiner, Miriam, ist.Art (Jerusalem-Belgrade-Zagreb) and judaistika mode.art, art&lt;br&gt; after the Holocaust, Kat.1 (020M)&lt;br&gt; Rajčević, Balsa - sculptor, critic, poet, cat.2 (020M)&lt;br&gt; Rajčević, Simonida - viziuelna artist, Kat.1 (020M)&lt;br&gt; Rajčević, Uglje&amp;scaron;a - ist.art, kat.2 (020M)&lt;br&gt; RAKIĆ - Sefer, Slobodanka - artist, Kat.1 (020M)&lt;br&gt; Rakic, Dragan - sculptor.cat.2 (020M)&lt;br&gt; Rakic, Djordje - painter, 1861 - 1891, Brestovac, Poćetina, Slavonia.LEJ 2, 689, Category 1 (020&lt;br&gt; NV)&lt;br&gt; Rakic, ZORAN, art historian, a category 1 (020a ST)&lt;br&gt; Rakic, Milan, graphic artist, Kat.1 (020M)&lt;br&gt; Rakic, Tamara - sculptor, Kat.1 (020M)&lt;br&gt; RAKIDŽIĆ, John - painter, Kat.2 (020M)&lt;br&gt; RAKOVAC, monastery, B.Kulic, Rakovac monastery, a category 3 (NV 020)&lt;br&gt; Rakovica, MONASTERY IN BELGRADE R iconostasis.Momcilovic, Lit.Reuben, Rakovica Monastery: (with 7&lt;br&gt; image), Belgrade: Printing &amp;quot;Dositije Obradovic, 1909; S.Gavrilovic, D.Kasic: Monastery&lt;br&gt; Rakovica, Proceedings of History, 3 (1971), pp.190; D.Kasic, Monastery Rakovica, Belgrade 1970;&lt;br&gt; Vujovic B., Church Monuments in the area of Belgrade, Belgrade 1973, Vujovic B., Belgrade in the past&lt;br&gt; and present, Belgrade 1994; possible determinants Author: Svetlana V.Nedic; determinant categories 2 (3)&lt;br&gt; (020 NV)&lt;br&gt; RAKONJAC, Alexander, painter - Kat.1 (020M)&lt;br&gt; Rakocevic, MILAN, architect, professor of Faculty of Architecture (1946, Cetinje), category&lt;br&gt; 1 (020a)&lt;br&gt; Rakocevic, Sava, painter, floor.2 (020M)&lt;br&gt; Ralevic, Miodrag, architect, professor at the Faculty of Architecture, category 1 (020a)&lt;br&gt; Raletić, Radoslav, sculptor, Kat.1 (020M)&lt;br&gt; Ramač, medieval monastery, 14century, a category 2 (020 SV)&lt;br&gt; RAMUJKIĆ, Vahid - lik.umetnica, Kat.1 (020M)&lt;br&gt; RAMUJKIĆ, Kemal - painter, Kat.2 (020M)&lt;br&gt; Hurt, George - painter, icon painter, in 1754, Belgrade, Timisoara.M.Timotijevic, Serbian baroque&lt;br&gt; painting, Category 2 (020 NV)&lt;br&gt; Rankovic, Darko, strip, kat.1 (020M)&lt;br&gt; RANKOVIĆ, John, architect, university professor (1902, Belgrade - 1992, Belgrade) Lit.Rankovic&lt;br&gt; John, in: outstanding personality Serbian architecture in the twentieth century, &amp;quot;Time Architecture&amp;quot;, 15, 16; Lexicon&lt;br&gt; Serbian builders, Belgrade 2002; possible determinants Author: Marina Djurdjevic, historian of architecture;&lt;br&gt; determinant Category 1 (020a)&lt;br&gt; RANOSOVIĆ, Peter - by (Edirne, 1858 - Belgrade, 1918), cat.2 (3) (020M)&lt;br&gt; PLOWS, Milan, architect (1943, Belgrade), category 1 (020a)&lt;br&gt; RAS, medieval city, a category 4 (020 SV)&lt;br&gt; RASOLKOSKA - Nikolovski, Zagorka - art historian (Prilep, 1932, Smiljka Gabelić, Category 2&lt;br&gt; (020a ST)&lt;br&gt; Raspopović, Ivanka, architect (Belgrade, 1930) B.Stojanovic, IN.Martinovic, Belgrade 1945-1975.&lt;br&gt; Urbanism.Architecture, Belgrade 1978; A.Brkic, signs in stone.Serbian modern architecture&lt;br&gt; 1930-1980, Belgrade 1992; I.Strauss, Architecture of Yugoslavia 1945-1990, Sarajevo, 1991; Maric D.,&lt;br&gt; Guide to modern architecture, Belgrade 2002; possible determinants Author: Biljana Misic,&lt;br&gt; historian of architecture; determinant categories 2 (020a)&lt;br&gt; Ratac, in Sutomore, medieval monastery, a category 2 (020 SV)&lt;br&gt; Ratkovic - Gavela, Joy - illustrator, Kat.2 (020M)&lt;br&gt; WAR PAINTER, M.Petrovic, war painters, ..Category 1 (020 NV)&lt;br&gt; Raus, Nebojsa, photographer, cat.1 (020M)&lt;br&gt; Rafajlović, Alexander, painter, photographer, cat.2 (020M)&lt;br&gt; Raca, Nenad, sculptor, jewelry, cat.1 (020M)&lt;br&gt; Rationalism category 3 (020a)&lt;br&gt; Raca, last renovated monastery during the 19thcentury wall painting D.Posnikovića, iconostasis&lt;br&gt; G.Bakalović, Category 3 (020 NV)&lt;br&gt; Rack, Mirko - (1879) Croatian painter, 1911.exhibited in Rome in Serbian Pavilion pictures from the cycle of&lt;br&gt; Marko Kraljevic, painted more Kosovo girl, Mother Jugovica, illustrated Smrt Smail age Cengica,&lt;br&gt; cat.3 (020M)&lt;br&gt; Raska school, Category 5 (020 SV)&lt;br&gt; rđavac (ubožac), a monastery near Kosovska Kamenica, before 1548, category 1(020 SV)&lt;br&gt; Realism style painting in 19thcentury, a category 4 (NV 020)&lt;br&gt; Reba, Blagoje, architect (1938th Novi Sad), category 1 (020a)&lt;br&gt; REVITALIZATION category 3 (020a)&lt;br&gt; REGIONAL URBAN.PLANNING Category 1 (020a)&lt;br&gt; Redi, Ivan, architect (1943, Jagodina), category 1 (020a)&lt;br&gt; Rekalić, Slobodan, sculptor, jewelry, cat.1 (020M)&lt;br&gt; RECONSTRUCTION category 3 (020a)&lt;br&gt; Reliquary Category 1 (020 SV)&lt;br&gt; Reliquary Thomas Preljubovića, 14century, category 1(020 SV)&lt;br&gt; relief - Category 1 (020.M)&lt;br&gt; RELJIĆ, Radomir - painter, Kat.3 (020M)&lt;br&gt; Renaissance Palaeologus, a category 3 (020 SV)&lt;br&gt; Renaissance, Renaissance on the seaside renaissance in the works of applied art, ...Category 4 (020&lt;br&gt; NV)&lt;br&gt; performing arts - Category 1 (020.M)&lt;br&gt; Rerih, Peter Hugo - litograf, teacher of drawing, 1851 - 1881, Belgrade., Gallery of Matica Serbian, ..&lt;br&gt; Category 1 (020 NV)&lt;br&gt; RESTORATION 3rdCategory (020a)&lt;br&gt; Solving, sredeovekovni monastery, 15century, Category 5 (020 SV)&lt;br&gt; retinal art - Category 1 (020.M)&lt;br&gt; rhetoric of images - category 2 (020.M)&lt;br&gt; reception of artistic works - Category 2 (020.M)&lt;br&gt; Recane, a village near Suva Reka, St..George, before 1370, Category 2 (020 SV)&lt;br&gt; river, a village near Ohrid, the Church of St..George, 14century, Category 1 (020 SV)&lt;br&gt; Redzic, Branislav, architect (1959?, Belgrade) Lit.Maric D., Guide to modern architecture&lt;br&gt; Belgrade, Belgrade, 2002; A.Kovenc-Vujic, 50 Belgrade Architects (born after 1945) = 50&lt;br&gt; Belgrade Architects (born after 1945), Belgrade 2002; possible determinants Author: Milorad Jevtic,&lt;br&gt; architecture critic, heading category 1 (020a)&lt;br&gt; Ribar, Jurica - painter, Kat.2 (020M)&lt;br&gt; Ribar, Milorad, architect, professor Arch.Faculty, category 1 (020a)&lt;br&gt; Ribnik, Serbian ruler&amp;#39;s castle, near Prizren, 14century, Category 1 (020 SV)&lt;br&gt; RIBNIKAR, Milica - sculptor, Kat.2 (020M)&lt;br&gt; TREASURY Category 1 (020a)&lt;br&gt; Rila, medieval monastery in Bulgaria, 10and 14century, a category 2 (020 SV)&lt;br&gt; Risimović, Bosko-Bogić - Risim - (Cacak, 1925 -?), Painter, floor.2 (020M)&lt;br&gt; Ristic Vlajković, Nadezhda, weaving, Kat.1 (020M)&lt;br&gt; Ristic, Vera - ist.umetnsoti, Category 2 (020 NV)&lt;br&gt; Ristic, Vladislav - art historian, 2nd Category(020a ST)&lt;br&gt; Ristic, Dusan - painter, set designer of the National Theater (Komlosul Mare, Romania, 1913 --&lt;br&gt; Belgrade, 1995).cat.3 (020M)&lt;br&gt; Ristic, George - Architect (Pozarevac, 1909), 1931, Belgrade.Category 1 (020a)&lt;br&gt; Ristic, Marko (1902-1984), writer, artist, Serbian Surrealism, Kat.3?(020M)&lt;br&gt; Ristic, Predrag, architect (1931, Belgrade) Lit.Lexicon Serbian builders, Belgrade 2002; S.G.&lt;br&gt; Bogunovic, AEB, vol.2, Beograd 2005; possible determinants of the author: Free Bogunović; entries&lt;br&gt; Category 2 (020a)&lt;br&gt; Ristic, Slobodan - ist.art, kat.2 (020M)&lt;br&gt; Ristic, Snezana, architect, editor of Radio Belgrade, category 1 (020a)&lt;br&gt; Ristic, Seva (Jelica Živadinović), (1906-1995), sr.Surrealism, Kat.1 (020M)&lt;br&gt; Ristović, Sava, ist.Art, journalist, Kat.1 (020M)&lt;br&gt; Repin, and.Russian by the end of 19 beg 20thcentury, foreign member of the SKA, a category 3 (NV 020)&lt;br&gt; RMANJ, the monastery at Uni, before 1563, OBN.17.and 19century, destroyed in 1941, the Category 1 (020 NV)&lt;br&gt; GOODS MAGAZINE IN BELGRADE (Kralja Petra 16) heading category 1 (020a)&lt;br&gt; Rogan, Srboljub, architect, associate professor at the Faculty of Architecture in Belgrade (1945,&lt;br&gt; Kanizsa), category 2 (020a)&lt;br&gt; ROGAČIĆI near Sarajevo, the remains of medieval churches, Category 1 (020 SV)&lt;br&gt; ROGIĆ, Miodrag - painter, Kat.3 (020M)&lt;br&gt; Rodic, Aleksandar, architect (1962, Belgrade), category 1 (020a)&lt;br&gt; Rodic, Maria, painting, tapestry, graph, design, textiles, floor.1 (020M)&lt;br&gt; Rosette Category 1 (020a)&lt;br&gt; Rozic, Vladimir, ist.art, kat.2 (020M)&lt;br&gt; Rococo style in painting and applied arts 18thcentury.M.Timotijevic, Serbian baroque&lt;br&gt; painting, Category 3 (020 NV)&lt;br&gt; Roksandić, Simeon G (Sima) - sculptor, prof.Art School (Majske Poljana, Clay, 1874 - Belgrade&lt;br&gt; 1943).cat.4 (020M)&lt;br&gt; Roksandić, Slobodan - painter, Kat.2 (020M)&lt;br&gt; Romanesque Category 3 (020 SV)&lt;br&gt; Romanovich, Basil, baroque by 18thcentury lit.M.Timotijevic, Serbian baroque painting,&lt;br&gt; Category 3 (020 NV)&lt;br&gt; Romanovich, Edwin - Kat.I (020M)&lt;br&gt; Romanticism, style in architecture and painting in 19thcentury, M.Jovanovic, Pasko, category&lt;br&gt; 4 (020 NV)&lt;br&gt; Rosandić, Tom - sculptor, prof.Art Academy, (Split, 1878 - Split, 1958).cat.4 (020M)&lt;br&gt; Rosić, George, by ceramist, Kat.1 (020M)&lt;br&gt; Roter-Blagojevic, Mirjana, architect, architectural historian, Associate Professor of Architecture&lt;br&gt; Faculty in Belgrade (1957, Belgrade), category 1 (020a)&lt;br&gt; RUVIDIĆ, Milorad, architect, university professor (1863, Lipolist at Sabac - 1914, Belgrade)&lt;br&gt; Lit.N.Nestorovic, buildings and architects of the last century in Belgrade, Belgrade, 1972 (reprint from&lt;br&gt; 1937); D.Djuric-Zamolo, builder 1815-1914 Belgrade, Belgrade, 1981; D.Zivanovic, Architect&lt;br&gt; Milorad Ruvidić: Life and work of the Belgrade-Pristina, 2004, Lj.Blagojevic, Modernism in Serbia, The&lt;br&gt; Elusive margins of Belgrade Architecture, 1919-1941, 2003, 83-86; A.Kadijevic, Aesthetics&lt;br&gt; academic architecture, Beograd 2005, Serbian lexicon builders, Belgrade 2002; S.G.Bogunovic,&lt;br&gt; AEB, vol.2, Beograd 2005; possible determinants Author: Dusica Zivanovic, historian of architecture;&lt;br&gt; determinant category 3 (020a)&lt;br&gt; RUDENICA church at Trstenik, beg.15.century, a category 2 (020 SV)&lt;br&gt; Rudic, Nikola - caricaturist, Kat.2 (020M)&lt;br&gt; Ruzic, Branko - sculptor, Kat.2 (020M)&lt;br&gt; Ruzic, Dusan - by (Poplat in Stolac, 1889 - New York, 1918), cat.1 (020M)&lt;br&gt; rujan, a monastery near Uzice, the seat of printing in the 16thcentury, Category 1 (020 SV)&lt;br&gt; RUKUMIJA, monasteries, and restoration of paintings 19 century, P.Vasic, painting family Markovic, Category 2&lt;br&gt; (020 NV)&lt;br&gt; RUMENČIĆ, Dragutin - caricaturist, Kat.2 (020M)&lt;br&gt; Rusalic, Dusan - sculptor, Kat.1 (020M)&lt;br&gt; RUSSIAN EMIGRATION IN SERBIAN ART Lit.Russian emigrants in Serbian architecture of the twentieth century, vol.1,&lt;br&gt; Belgrade, 1994; A.Arsenjev, Biographical Directory of Russian immigrants, Russian emigrants in the Serbian&lt;br&gt; 20th culturecentury, vol.2, Belgrade, 1994; A.Kadijevic, the role of Russian &amp;eacute;migr&amp;eacute;s in Belgrade&lt;br&gt; architecture between the two world wars, GGB, vol.49/50 Beograd 2002/2003; category 4 - (5).(020.M)&lt;br&gt; Szabo, Imre, photographer, cat.3 (020M)&lt;br&gt; Cathedral Category 2 (020a)&lt;br&gt; The Cathedral in Belgrade (Sima Markovic 3) Category 3 (4) (020a)&lt;br&gt; SAVARDAK, DUBIROG, &amp;Scaron;ilja Category 1 (020a)&lt;br&gt; Federal Ministry of Defense and the General Staff of the Yugoslav Army in Belgrade entries 3rd - (4)&lt;br&gt; categories (020a)&lt;br&gt; Savin, the monastery at Hercegnovog, 14and 18century, a category 3 (020 SV)&lt;br&gt; Savic - GRAS, Ljubinka - sculptor, medaljerka, Kat.1 (020M)&lt;br&gt; SAVIĆ, Dragan - by - cartoonists (Petrovac na Mlavi, 1923).cat.2 (020M)&lt;br&gt; SAVIĆ, Slobodan - sculptor, conservator, Kat.1 (020M)&lt;br&gt; Savičić, Zorica, architect, category 1 (020a)&lt;br&gt; In MODERN ART - Category 3 (020.M)&lt;br&gt; Savčić, Milos, the architect, construction contractor, industrialist and politician (1865, Svilajnac --&lt;br&gt; 1941, Belgrade) Lit.Fifty years of engineering Milos Savčića, 1889-1939, Belgrade 1939; D.&lt;br&gt; Djuric-Zamolo, builder 1815-1914 Belgrade, Belgrade, 1981; A.Magdić, V.&amp;Scaron;olaja, engineer Milos&lt;br&gt; Savčić, builder, businessman, mayor of Belgrade in 1997; A.Magdić, the first modern slaughterhouse in&lt;br&gt; Serbia - Milos Savčića project engineers, &amp;quot;Pinus Notes&amp;quot; no.4, Belgrade, 1996; A.Magdić, Engineer&lt;br&gt; Milos Savčić, president of the Belgrade municipality 1929-1930.year, &amp;quot;Pinus Records, no.2, Belgrade&lt;br&gt; 1995; M.Jancic, Milos Savčić - builder, businessman, mayor, phlogiston, Vol.3, no.6&lt;br&gt; (1997); S.G.Bogunovic, AEB, vol.2, Beograd 2005; possible determinants of the author: Free Bogunović;&lt;br&gt; determinant categories 2 (020a)&lt;br&gt; Saičić, NIKOLA, architect, university professor (Berane, 1927 - Belgrade, 1986), Lit.A.Brkic,&lt;br&gt; Signs in stone.Serbian modern architecture 1930-1980, Belgrade 1992; I.Strauss, Architecture&lt;br&gt; Yugoslavia 1945-1990, Sarajevo, 1991; Lexicon Serbian builders, Belgrade 2002; possible author&lt;br&gt; determinants: Milorad Jevtic, architecture critic; determinant Category 1 (020a)&lt;br&gt; Sakan, Dragan, Niumi angular design, kat.2 (020M)&lt;br&gt; Vestry Category 1 (020a)&lt;br&gt; Salon of Architecture, an annual exhibition of architectural creativity heading category 2 (020a)&lt;br&gt; Salon independent category 1 (020.M)&lt;br&gt; URBAN PLANNING SALON Category 1 (020a)&lt;br&gt; samodreža, medieval church in Kosovo Polje, Category 1 (020 SV)&lt;br&gt; Samojlov Gregory Ivanovic, architect, university professor (1904, Taganrog, Russia - 1989&lt;br&gt; Belgrade) Lit.Russians without Russia: Russians Serbian, Belgrade 1994; M.Milovanovic, Architect and Gregory.&lt;br&gt; Samojlov in: Russian Emigration in the Serbian culture of the twentieth century / prepared by M.Sibinović et al., Belgrade&lt;br&gt; 1994, pp.308-314; M.Djurdjevic, activity of Russian architects of immigrants in southeastern Serbia,&lt;br&gt; &amp;quot;Leskovac Proceedings, vol.XXXIX, Leskovac, 1999, pp.188-9; Ibid. Gregory Samojlov&lt;br&gt; (architectural opus), GGB, vol.XLIV, Belgrade 1997, pp.257-272; Lexicon Serbian builders,&lt;br&gt; Belgrade 2002; S.G.Bogunovic, AEB, vol.2, Beograd 2005; Architect Gregory Samojlov Museum&lt;br&gt; science and technology [and] Gallery of Science and Technology of the Serbian Academy of Sciences and Arts, Belgrade, May&lt;br&gt; 2006; possible determinants Author: Milan Prosen, historian of architecture; heading category 3 (020a)&lt;br&gt; Independently umetn.grupa - Category 2 (020.M)&lt;br&gt; Samurović, Svetozar - painter, Kat.2 (020M)&lt;br&gt; Sandic, Mira - sculptor, Kat.2 (020M)&lt;br&gt; Sandic, Sava - sculptor (Zajecar, 1915).cat.2 (020M)&lt;br&gt; SANDUKHANA (trunk-ODA) Category 1 (020a)&lt;br&gt; Santrač, Zvonimir - lik.umetnik, Kat.2 (020M)&lt;br&gt; TRAFFIC building, a category 2 (020a)&lt;br&gt; SARAJEVO, Seraiah Category 2 (020a)&lt;br&gt; Sarajevo, monuments, Old Church, Cathedral Church, Serbian Church Museum Category 3 (4)&lt;br&gt; (020 NV)&lt;br&gt; Sardis, the medieval city of Shkodra, the remains of 3 churches, Category 1 (020 SV)&lt;br&gt; Saric, Milos - sculptor, Kat.2 (020M)&lt;br&gt; sarcophagus, a category 2 (020 SV)&lt;br&gt; Clock TOWER Category 1 (020a)&lt;br&gt; Everything else, a medieval fortress of Ulcinj, with several old churches, Category 1 (020 SV)&lt;br&gt; Sveta Gora, a category 3 (020 SV)&lt;br&gt; Saint Mary of Mljet, medieval monastery, a category 3 (020 SV)&lt;br&gt; Trinity in Pljevlja, a monastery from the 16thcentury, a category 3 (020 SV)&lt;br&gt; SAINT Archangels near Prizren, - the ruins of the fortified monastery in the gorge Bistrica, 14century,&lt;br&gt; 4th category(020 SV)&lt;br&gt; SAINT Archangel near Prilep, medieval monastery, a category 2 (020 SV)&lt;br&gt; St. George SERAVI THE RIVER IN SKOPJE, medieval monastery, a category 2 (020 SV)&lt;br&gt; fisheries in the St. George church in Podgorica, 12and 17century, Category 1 (020 SV)&lt;br&gt; St. John the forerunner of the menikejskoj worse at Serra, medieval monastery, 14century, Category 2&lt;br&gt; (020 SV)&lt;br&gt; St. Lazar in Tikve&amp;scaron;a, cave church, 14century, Category 1 (020 SV)&lt;br&gt; HOLY STONE Michael in church from the 11thcentury, a category 2 (020 SV)&lt;br&gt; SAINT NIKITA IN SKOPJE, church from the 14thcentury, a category 3 (020 SV)&lt;br&gt; Dabarska St. Nicholas church from the 14thcentury, 4th Category(020 SV)&lt;br&gt; Toplica St. Nicholas church from the 12thcentury, a category 3 (020 SV)&lt;br&gt; SAINT NIKOLA In niri (&amp;Scaron;I&amp;Scaron;EVSKI), the church from the 14thcentury, a category 2 (020 SV)&lt;br&gt; St. Paul, the Holy Monastery, Category 1 (020 SV)&lt;br&gt; St. Panteleimon niche, category 2 (020 SV)&lt;br&gt; SAINT PETER DE CAMP, a monastery near Trebinje (village black), Category 2 (020 SV)&lt;br&gt; St. Peter in the race (N. Pazar), medieval church, a category 3 (020 SV)&lt;br&gt; Saint Sergius and vakh the Bojana, near Shkodra, Benedict.monastery, 13and 14century, Category 1 (020&lt;br&gt; SV)&lt;br&gt; St. Srdj and vakh in podima Hercegnovog the church from the 15thcentury, a category 2 (020 SV)&lt;br&gt; World exhibition, international exhibition in which she participated, had their own pavilions,&lt;br&gt; Kingdom of Serbia 1889thand 1900.in Paris, etc.., lit.N.Makuljevic, Art and the national idea,&lt;br&gt; Category 4 (020 NV)&lt;br&gt; World Exhibition, SERBIAN SERBIAN PAVILION OR Performance Artist YUGOSLAV PAVILION --&lt;br&gt; Category 4 (020.M)&lt;br&gt; SVILENGAĆIN, Alexa - painter, 1820 - 1869, Ketfelj, Rumunija.ELU 4, 355, Category 1 (020 NV)&lt;br&gt; SVILENGAĆIN, Theodore - by 1829, Temi&amp;scaron;var.ELU 4, 355, Category 1 (020 NV)&lt;br&gt; vault, a category 2 (020a)&lt;br&gt; Svrljig, medieval town of Knjazevac, 12and 13century, Category 1 (020 SV)&lt;br&gt; Svrcin, in Ferizaj, medieval castle, one of the capital Nemanjića, Category 1 (020 SV)&lt;br&gt; sezanizam - Category 2 (020.M)&lt;br&gt; Milos Sekulic-Mike, an architect, lives in New York, Category 1 (020a)&lt;br&gt; Sekulic, Aleksandar painter (1877-1942).kat.1 (020M)&lt;br&gt; Sekulic, Aleksandar, architect, university professor (1898, Belgrade - 1981, Belgrade) Lit.D.&lt;br&gt; Popovic, In memoriam.Aleksandar Sekulic, &amp;quot;Nova&amp;quot; predbr.02, nov.1981; Encyclopaedia&lt;br&gt; architectonica.Lexicon Serbian architects 19thand 20century, Belgrade 1999; M.Vukotic Lazar, Old&lt;br&gt; Belgrade Fair, GGB, vol.LI, Belgrade 2004; S.G.Bogunovic, AEB, vol.2, Beograd 2005;&lt;br&gt; determinant Category 1 (020a)&lt;br&gt; Sekulic, Zdravko - painter and restorer (Surduk, 1902 - Belgrade, 1965).cat.2 (020M)&lt;br&gt; Sekulic, Isidora, character.REVIEWS, Kat.1?(020M)&lt;br&gt; Sekulic, JOVAN, art historian, author of the possible determinants: Biljana Misic, historian&lt;br&gt; architecture; determinant categories 2 (020a)&lt;br&gt; Sekulic, MILAN, architect (1895, Sremska Mitrovica - 1970, Belgrade) Lit.V.Mitrovic, M.Silić,&lt;br&gt; The developers of Novi Sad - the second half of XIX - first half of the twentieth century, CD, Novi Sad 2001; S.G.&lt;br&gt; Bogunovic, AEB, vol.2, Beograd 2005; possible determinants Author: Vladimir Mitrovic, historian&lt;br&gt; architecture; determinant Category 1 (020a)&lt;br&gt; Sekulic, Sava - self-taught painter, Kat.1 (020M)&lt;br&gt; Selaković, Rada - visual artist, grafičarka, Kat.2 (020M)&lt;br&gt; Selesković, Momcilo character.REVIEWS, Kat.2 (020M)&lt;br&gt; SELINKIĆ, Slobodan Danko, architect, architectural theorist, Z.M. Slobodan Selinkić, practice a little&lt;br&gt; worth without theory, &amp;quot;Architecture, no.84, dec, Belgrade-Podgorica, 2004; Salon architecture&lt;br&gt; (catalog) 2006; possible determinants Author: Mare Jan&amp;aacute;k-Grujic, historian of architecture; entries&lt;br&gt; Category 1 (020a)&lt;br&gt; SENĐURĐ, the monastery in Banat, 18 century wall paintings, iconostasis, M.Jovanovic, painting&lt;br&gt; Diocese of Timisoara, a category 3 (NV 020)&lt;br&gt; Szentendre - church, museum, lit.D.Medaković, ..Category 5 (020 NV)&lt;br&gt; Rural architecture - Category 3 (020a)&lt;br&gt; Farmhouse category 3 (020a)&lt;br&gt; SERDANOVIĆ, Lazar - Novi Sad by the author of the iconostasis in Sombor, 1771 - 1772ndM.Timotijevic,&lt;br&gt; Serbian baroque painting, Category 2 (020 NV)&lt;br&gt; Secession, a category 3 (020a)&lt;br&gt; Sivački, John - painter, Kat.2 (020M)&lt;br&gt; Signalist - Category 1 (020.M)&lt;br&gt; Sikimić, Rajko - collector, Kat.1 (020M)&lt;br&gt; Szil&amp;aacute;gyi, G&amp;aacute;bor - painter, Kat.2 (020M)&lt;br&gt; Symbolism 3rd category(020.M)&lt;br&gt; Simeon dubrovčanin, a sculptor from the end of 13thcentury, a category 1 (020a ST)&lt;br&gt; SIMEONOVIĆ - GRUNTOVIĆ, Theodore - Zograf, 18century lit.M.Timotijevic, Serbian baroque painting,&lt;br&gt; Category 2 (020 NV)&lt;br&gt; SIMEONOVIĆ - STEEL, John - istor.umetn., Prof.Univ.cat.2 (020M)&lt;br&gt; SIMEONOVIĆ, Vojin, architect (1900, Belgrade - 1978, Belgrade) Lit.G.Gordic, biographies, in: Serbian&lt;br&gt; Architecture 1900-1970, Belgrade 1972, pp.140; B.Nestorovic Postakademizam in architecture&lt;br&gt; Belgrade, GGB, vol.XX, Beograd 1973; Encyclopaedia architectonica.Lexicon Serbian architects&lt;br&gt; 19.and 20veka, Beograd 1999, Serbian lexicon builders, Belgrade 2002, Maric D., Guide&lt;br&gt; modern architecture, Belgrade 2002; S.G.Bogunovic, AEB, vol.2, Belgrade 2005ije; possible&lt;br&gt; Author guidelines: Milan Prosen, historian of architecture; determinant categories 2 (020a)&lt;br&gt; Simic - MILOVANOVIĆ, Zora - art historian, painter (Rogača, 1901 - Belgrade?) Category&lt;br&gt; 3 (020 NV)&lt;br&gt; Simic, Gordana - art historian (Belgrade, 1950): Category 1 (020a ST)&lt;br&gt; Simic, Paul - a painter, iconographer (Novi Sad, from 1818 to 1876).About.Mikic, Paul Simic Work ..&lt;br&gt; Category 3 (4) (020 NV)&lt;br&gt; Lazar Simic-Draginja, art historian, a category 1 (020a ST)&lt;br&gt; Simovic, Ljubisa, ist.Art, Kraljevo, Kat.1 (020M)&lt;br&gt; Simovic, Ljubomir (020M)&lt;br&gt; Simonopetra, Holy Monastery, rebuilt by despot Jovan Uglje&amp;scaron;a in the 14thcentury, Category 1 (020&lt;br&gt; SV)&lt;br&gt; Synagogue category 3 (020a)&lt;br&gt; SINAN - Pasha Mosque - Prizren, a category 2 (020a)&lt;br&gt; sinkević Ida, art historian, a category 1 (020a ST)&lt;br&gt; Sisojevac, medieval monastery, a category 2 - (020 SV)&lt;br&gt; Shkoder, a town on the shores of Lake Skadar, Albania, medieval churches, a category 2 (020 SV)&lt;br&gt; Skadar lake, medieval monasteries and churches, a category 4 (020 SV)&lt;br&gt; Skovran, Anika, art historian, a category 1 (020a ST)&lt;br&gt; Skovran, Maja - artist, Kat.1 (020M)&lt;br&gt; SKOPJE, Serbian cultural monuments, a category 4 (NV 020)&lt;br&gt; SKRIPtORIJUM Category 1 (020 SV)&lt;br&gt; SCULPTURE IN ENG.Arch.3rd Category(020 SV)&lt;br&gt; SCULPTURE - Category 4 (020.M)&lt;br&gt; Slavica, Government, architect (1947, Belgrade) Lit.Maric D., Guide to modern architecture of Belgrade,&lt;br&gt; Belgrade 2002; A.Kovenc-Vujic, 50 Belgrade Architects (born after 1945) = 50 Belgrade&lt;br&gt; Architects (born after 1945), Belgrade 2002; V.Jovanovic, Architecture, Beogradska Arena:&lt;br&gt; architect Vlada Slavica, &amp;quot;Planet&amp;quot;, no.10, sept.2004; possible determinants Author: Milan Milovanovic,&lt;br&gt; architect, architectural historian; determinant categories 2 (020a)&lt;br&gt; Slavkovica, medieval church, Category 1 (020 SV)&lt;br&gt; Slankamen, Church St..Nicholas, 15century, Category 1 (020 SV)&lt;br&gt; Slijepcevic, Ljiljana - ist.art, kat.1 (020M)&lt;br&gt; PAINTING - Category 4 (020.M)&lt;br&gt; Smederevac, John, architect, construction contractor (1854, Bavani&amp;scaron;te -1920 near Pancevo, Belgrade)&lt;br&gt; Lit.S.Stojanovic, Serbian builder.Description of the construction works and production of images, Belgrade 1912; D.&lt;br&gt; Djuric-Zamolo, builder 1815-1914 Belgrade, Belgrade, 1981; M.Sotirović, engineers in Serbian&lt;br&gt; Railways of the 1880thto 1914.years, in: Serbian Roads engineering during the nineteenth century, Belgrade 1994;&lt;br&gt; S.G.Bogunovic, AEB, vol.2, Beograd 2005; possible determinants Author: Mirjana Roter-Blagojevic,&lt;br&gt; historian of architecture, a category 1 (020a)&lt;br&gt; Smederevac, Peter, a jeweler from textile, 16century art historian, 2nd Category(020a ST)&lt;br&gt; Smederevo, monuments, medieval town and church, new church, church cemetery Category&lt;br&gt; 4 (5) (020 NV)&lt;br&gt; SOVILJ, Veso, by (loved the Kljuc, 1954), graduated from the Academy of character.Arts in Belgrade in 1981, 1&lt;br&gt; (020M)&lt;br&gt; SOđUKLUK, SOGUKLUK category 1(020a)&lt;br&gt; Stilt house category 2 (020a)&lt;br&gt; Sokić, Ljubica - Cuca - painter, professor.Univ., Kat.3 (020M)&lt;br&gt; HAWK, medieval town in western Serbia, near Krupanj, before 1402, Category 1 (020 SV)&lt;br&gt; Sokolac (Sokolnik), mediaeval fortress in Sokobanja, before 1412, Category 1 (020 SV)&lt;br&gt; Sokolovic, Michael - aristocrat, painter, 1773 - 1776, Srem Karlovci, Vienna, Buda.ELU 4, 252,&lt;br&gt; Category 1 (020 NV)&lt;br&gt; Solak, Nenkova Dmitrov - Sarajevo by, 1684thELU 4, 252, Category 1 (020 NV)&lt;br&gt; SOLDATOVIĆ, John - sculptor (Cerevic, 1920 - Novi Sad?).cat.3 (020M)&lt;br&gt; Thessaloniki, artistic resources, a category 3 (020 SV)&lt;br&gt; Szombathy, Balint, conc.insert., Kat.2 (020M)&lt;br&gt; Sombor, the Church of Saint George, P.Vasic, Art topography .., a category 3 (4) (020 NV)&lt;br&gt; Sombor, Milos, the architect, urban (1902, Zagreb 1983) Lit.Encyclopaedia architectonica,&lt;br&gt; Lexicon Serbian architects 19thand 20century, Belgrade 1999; possible determinants Author: Predrag V.&lt;br&gt; Milosevic, the architect, historian and theorist of architecture; determinant Category 1 (020a)&lt;br&gt; stunning in Gorazde, a medieval church, 15century, Category 1 (020 SV)&lt;br&gt; SOPOCANI, a monastery near Novi Pazar, 13century, Category 5 (020 SV)&lt;br&gt; Soretić, Fedor - Feđa - painter, Kat.2 (020M)&lt;br&gt; Sofra, category 1(020a)&lt;br&gt; Socialist realism in the SRP.Arch.Category 3 (020a)&lt;br&gt; Socialist realism - Category 2 (020.M)&lt;br&gt; SOCIAL arch.Category 2 (020a)&lt;br&gt; SOCIAL Realism - Category 2 (020.M)&lt;br&gt; sociology of art - Category 3 (020.M)&lt;br&gt; Spajić Rosemary, Tanasije, mozaičar, Kat.1 (020M)&lt;br&gt; Spalajković, Vojislav - by (? - St. Petersburg, 1915).Category 1 (020 NV)&lt;br&gt; Spasovic of Velbazhd, medieval church, 14century, a category 2 (020 SV)&lt;br&gt; Spasojčević, Branislav, ceramist, Kat.1 (020M)&lt;br&gt; Spirovska, Mira, painter, floor.1 (020M)&lt;br&gt; Spitz, the end of Sutomore with several medieval churches, 2nd Category(020 SV)&lt;br&gt; MEMORIAL COLLECTION / GALLERY Category 4 (020.M)&lt;br&gt; Srbinović, Mladen - painter and graphic artist (Susica, 1925), cat.3 (020M)&lt;br&gt; SRDIĆ, Blagoje - Bonifacio - painter, Kat.1 (020M)&lt;br&gt; SRDIĆ, Vladan, designer, Kat.1 (020M)&lt;br&gt; SRDIĆ, Dragana, a visual artist, Kat.1 (020M)&lt;br&gt; Mount Srđ sin, probably one of the builders and stone-mason Decani, mid-14thcentury, the category 1&lt;br&gt; (020a ST)&lt;br&gt; Srđević at Gacko village with the church Sv.Nicholas, prior to 1598, category 1(020 SV)&lt;br&gt; SREBOTNJAK-PRI&amp;Scaron;IĆ, Lydia, vizuel.umetn., Kat.2 (020M)&lt;br&gt; Srebrenica, in eastern Bosnia, the medieval castle and church, before 1395, Category 1 (020 SV)&lt;br&gt; Alam - Petrovic, Slavko - sculptor, medaljerka, Kat.1 (020M)&lt;br&gt; Sredska, a village near Prizren, more churches, category 1(020 SV)&lt;br&gt; Sremska Kamenica, Church of the Nativity BOGORODICA Category 1, (020a)&lt;br&gt; SREMSKI KARLOVCI, monuments, DOM ANASTASIJEVIĆ SABOVA Lit.P.Vasic, Art&lt;br&gt; topography Sremski Karlovac, Novi Sad 1978; D.Medaković, Serbian art in the eighteenth century, Belgrade&lt;br&gt; 1980; possible determinants Author: Vladimir Mitrovic, a historian of architecture; heading category 1;&lt;br&gt; Patriarch&amp;#39;s Palace Lit.P.Vasic, Art topography Sremski Karlovac, Novi Sad 1978; M.&lt;br&gt; Jovanovic, Th&amp;eacute;ophile Hanzen, hanzenatika and Hanzen Serbian students, Proceedings of the Serbian Matica&lt;br&gt; Art, no.21 (1985); D.Stancic, architect Vladimir Nikolić, Novi Sad 1999; possible&lt;br&gt; Author guidelines: Vladimir Mitrovic, a historian of architecture; heading category 2; Cathedral&lt;br&gt; ST.NICHOLAS (Trg Branka Radičevića) Lit.P.Vasic, Art topography Sremski Karlovac, New&lt;br&gt; Sad 1978; D.Medaković, Serbian art in the eighteenth century, Belgrade 1980; possible determinants Author:&lt;br&gt; Vladimir Mitrovic, architectural historian, other churches, the term category 4 (5) (020 NV)&lt;br&gt; SRETENOVIĆ, Dejan, ist.Art - Cat.1 (020M)&lt;br&gt; SERBIAN KOVIN (Rack), on the island of Csepel in Budapest, the Assumption Church, 1440, 16century, M.&lt;br&gt; Timotijevic, Serbian baroque painting, Category 2 (020 NV)&lt;br&gt; Pasko Byzantine style, Category 3 (020 SV)&lt;br&gt; Pasko ARTISTIC ASSOCIATION (1907-1912) - Category 1 (020.M)&lt;br&gt; Stajević, Branislav, ceramist, Kat.1 (020M)&lt;br&gt; STAJIC - To&amp;scaron;ković, John - painter (1799 to 1824).ELU 4, 302, Category 2 (020 NV)&lt;br&gt; STAJIC - To&amp;scaron;ković, Lazar - painter, 1798 - 1816, rare, endemic, Klenak.ELU 4, 301, Category 1 (020&lt;br&gt; NV)&lt;br&gt; Stakic, Dimitrije - by, 19 century, Novi Sad., N.Kusovac, Pasko 18thand 19century, 158,&lt;br&gt; Category 1 (020 NV)&lt;br&gt; Stalać, medieval city, with the church, 14century, Category 1 (020 SV)&lt;br&gt; Residential architecture (St. building) Category 3 (020a)&lt;br&gt; Stambolic, Milun, architect (1948, Ivanjica), category 1 (020a)&lt;br&gt; Stamenkovic, Miroljub - Comanche - sculptor, Kat.2 (020M)&lt;br&gt; Stamenović, DRAGAN, architect, assistant to the Arch.Faculty in Belgrade (1956, Belgrade), Category 1&lt;br&gt; (020a)&lt;br&gt; Stanarčević, Vera, sculptor, Kat.1 (020M)&lt;br&gt; STANARČEVIĆ, Mary -, painter, prim.mind.cat.1 (020M)&lt;br&gt; STANAĆEV, Dragana - artist, Kat.2 (020M)&lt;br&gt; Standardization in ENG.Arch.Category 3 (020a)&lt;br&gt; Stanisavljevic, John - painter (1816 to 1842).Gallery of Matica Serbian, Category 1 (020 NV)&lt;br&gt; Stanisavljevic, Milan - painter, Kat.1 (020M)&lt;br&gt; Stanic, Vojislav Vojo - by (Podgorica, 1924), cat.2 (020M)&lt;br&gt; Stanic, Desanka - artist, Kat.1 (020M)&lt;br&gt; Stanic, Radomir - art historian (Trnava, 1932 - Belgrade, 1996), G.Subotic, In memoriam:&lt;br&gt; Radomir Stanic (1932 to 1996).Cultural Heritage without guards, &amp;quot;Press&amp;quot;, no.27-28 (1995-1996),&lt;br&gt; Belgrade 1997; S.Djordjevic, Radomir Stanic (1932-1996), &amp;quot;Charter&amp;quot;, 27, 1 / 2, Kraljevo 1997; M.&lt;br&gt; Jevtic, Istočnici Radomir Stanic, Belgrade 1997, 3rd category(020a ST)&lt;br&gt; Stanic, Stevan - ist.Art, journalist, Kat.1 (020M)&lt;br&gt; Staničenje, medieval church, a category 2 (020 SV)&lt;br&gt; Stanisic, Gordana - ist.art, kat.1 (020M)&lt;br&gt; STANKOVIC, Branko - Tulips - by (Bresnica, 1915).cat.2 (020M)&lt;br&gt; STANKOVIC, Ljubomir, architect (1944, Nis), category 1 (020a)&lt;br&gt; STANKOVIC, Milic - Milic of Mačva - painter, Kat.2 (020M)&lt;br&gt; STANKOVIC, Rade - sculptor, prof.Academy of character.Art (Vienna, 1905 -?).cat.2 (020M)&lt;br&gt; STANKOVIC, Slavoljub - Vava - sculptor, Kat.2 (020M)&lt;br&gt; STANKOVIC, Sladjana -, artist, London-Belgrade, Kat.1 (020M)&lt;br&gt; Stanojev, Milan - graphic artist, Kat.2 (020M)&lt;br&gt; STANOJEVIC, Veljko - painter, (Belgrade 1892 - Belgrade? 1967).cat.2 (020M)&lt;br&gt; Stara Pavlica, the remains of medieval churches, Category 1 (020 SV)&lt;br&gt; Stari Trg in Trepca, medieval church, a category 2 (020 SV)&lt;br&gt; OLD NAGORIČINO, a village near Kumanovo, the church of Sv.George, 1312/1313, Category 4 (020 SV)&lt;br&gt; status of a work of art - 2 (020.M)&lt;br&gt; Stasevic, Milan - painter, graphic artist, Kat.2 (020M)&lt;br&gt; STA&amp;Scaron;EVSKI, Valeria, architect (?, 1882 -?, 1945) Lit.M.Djurdjevic, Contribution to the study of activity&lt;br&gt; architect Valery Vladimirovich Sta&amp;scaron;evskog, GGB, vol.XLV-XLVI, Belgrade, 1998-99; S.To&amp;scaron;eva, Employment&lt;br&gt; Russian architects of the Ministry of Construction in the period between two wars, GGB, vol LI, Belgrade 2004;&lt;br&gt; S.G.Bogunovic, AEB, vol.2, Beograd 2005; possible determinants Author: Snezana To&amp;scaron;eva, historian&lt;br&gt; architecture; determinant Category 1 (020a)&lt;br&gt; Stevanovic, Andre, architect, university professor (1859, Belgrade - 1929, Belgrade); P.J.&lt;br&gt; Popovic, Andra Stevanovic, SKG, vol.No. XXIX.5, March 1930; N.Nestorović, Buildings and architects in&lt;br&gt; Belgrade last century, Belgrade 1972nd(reprint 1937); D.Djuric-Zamolo, developers Belgrade&lt;br&gt; 1815-1914, Belgrade 1981; B.Nestorovic, Belgrade architect Andra and Nikola Stevanovic&lt;br&gt; Nestorovic GGB vol.XXII, Belgrade 1975; A.Kadijevic, academic aesthetics of architecture, Belgrade&lt;br&gt; 2005; Lexicon Serbian builders, Belgrade 2002; S.G.Bogunovic, AEB, vol.2, Beograd 2005; M.Roter&lt;br&gt; Blagojevic, Belgrade residential architecture in the 19thand early 20thcentury, Belgrade 2006; possible author&lt;br&gt; determinants: Mirjana Roter-Blagojevic, historian of architecture; entries 3rd - (4) categories (020a)&lt;br&gt; Stevanovic, Borivoje Bora - a painter, a member of the SASA (Nis, 1878 - Belgrade,?).cat.2 (020M)&lt;br&gt; Stevanovic, Vera - the characters.Artist, Kat.2 (020M)&lt;br&gt; Stevanovic, Milica - painter, professor.Univ.cat.2 (020M)&lt;br&gt; Stevanovic, Momcilo Moma - painter, ist.Art, art critic, curator, National Museum&lt;br&gt; (Belgrade, 1903 - Belgrade, 198 ???).cat.3 (020M)&lt;br&gt; Stevanovic, Rados - painter, illustrator, Kat.2 (020M)&lt;br&gt; Stevanovic, Todor - painter, Kat.2 (020M)&lt;br&gt; Stevic, Radomir - Ras - designer.cat.2 (020M)&lt;br&gt; Stevović Ivan, art historian, a category 1 (020a ST)&lt;br&gt; Stepanov, Milorad - painter, conservator, Kat.1 (020M)&lt;br&gt; Stepanov, Sava, character.Critics, Kat.2 (020M)&lt;br&gt; Stepančić, Eduard - lik.umetnik, painter, designer, Kat.2 (020M)&lt;br&gt; Stepančić, Igor - a visual artist, Kat.2 (020M)&lt;br&gt; STERIJEVIĆ, John (Janja - painter) - painter, from 1822 to 1844, Barič, Topcider.B, Vujovic, Art&lt;br&gt; renewed Serbian, Category 2 (020 NV)&lt;br&gt;STEFAN RAVANIČANIN / Ravanicki - Hieromonk man.Ravanica, Zograf (d. 1730). Lj.Stosic, Serbian&lt;br&gt; Art.Category 1 (020 NV)&lt;br&gt; Stefanov, Leontius - Russian icon painter, in 1687, the monastery of Great Remeta.Category 2 (020 NV)&lt;br&gt; STEFANOVIĆ, Adam - painter and lithographer (Perlez, from 1832 to 1887). V.Kraut, Serbian Graphics Category 2&lt;br&gt; (020 NV)&lt;br&gt; STEFANOVIĆ, George, architect (? - 1994, Rovinj), category 2 (020a)&lt;br&gt; STEFANOVIĆ, Kosara, ist.art, kat.1 (020M)&lt;br&gt; STEFANOVIĆ, Nastase, by icon painter (painted in the Cathedral Church in Belgrade, Veliko Gradiste,&lt;br&gt; Petrovac na Mlavi ...) Cat.2 (020M)&lt;br&gt; STEFANOVIĆ, Theodore (Gologlavac) - živopisac, icon painter, from 1753 to 1754, Div&amp;scaron;a.M.Timotijevic,&lt;br&gt; Serbian baroque painting, Category 3 (020 NV)&lt;br&gt; STEFANCIC, Zarko - painter, Kat.1 (020M)&lt;br&gt; Stijović, Risto - sculptor, member of the SASA (Podgorica, 1894 - Podgorica, Budva? 1974).Category 4&lt;br&gt; (020M)&lt;br&gt; artistic styles and orientations - Category 2 (020.M)&lt;br&gt; Stjepanovic, Alexander, architect, university professor (1931, Belgrade) Lit.Architecture&lt;br&gt; Engineering, 1948-1995, Belgrade 1996.; Encyclopaedia architectonica, Lexicon Serbian architects 19th&lt;br&gt; and 20veka, Beograd 1999, Serbian lexicon builders, Belgrade 2002, Maric D., Guide to Modern&lt;br&gt; Architecture, Belgrade 2002; S.G.Bogunovic, AEB, vol.2, Beograd 2005; possible author&lt;br&gt; determinants: Aleksandar Ignjatovic, a historian of architecture; heading category 3 (020a)&lt;br&gt; Stoiljković, Milivoje - Mica - painter, illustrator, Kat.2 (020M)&lt;br&gt; STOIĆEVIĆ, Elijah, Zograf 19thcentury B.Vujovic, renewed Serbian Art, Category 1 (020 NV)&lt;br&gt; Stojadinov, Gavril, painter, N.Kusovac, Pasko 18thand 19century, Category 1 (020 NV)&lt;br&gt; Stojadinovic, Ratomir - sculptor, Kat.2 (020M)&lt;br&gt; Stojakovic (b. Mandaric), Anka, art historian, university professor (1925, Mogorić)&lt;br&gt; Lit.A group of authors, higher education architecture in Serbia 1846-1971, Belgrade 1996;&lt;br&gt; Biography A.Stojakovic in the archives of AAS-A: URL: http / /: www.AAS.org.yu; possible determinants Author:&lt;br&gt; Free Bogunović; determinant categories 2 (020a)&lt;br&gt; Stojakovic, Vladeta, architect (1925, Belgrade - 1997, Belgrade), category 1 (020a)&lt;br&gt; STOJANOVIĆ - Videnović, Dagmar - production designer, Kat.2 (020M)&lt;br&gt; STOJANOVIĆ - Piletić, Ljiljana, ist.Art, curator Museum of Contemporary Art, cat.1 (020M)&lt;br&gt; STOJANOVIĆ, Branislav, architect, professor of Faculty of Architecture (1950, Zemun),&lt;br&gt; Category 1 (020a)&lt;br&gt; STOJANOVIĆ, Bratislava, architect, urban (1912, Belgrade - 23 12th 1996, Belgrade) Lit.J.&lt;br&gt; Jevtovic, Double Life Bratislava Stojanovic.Painter, graphic artist and builder, &amp;quot;Politika&amp;quot;, 7II&lt;br&gt; 1997; Lexicon Serbian builders, Belgrade 2002; S.G.Bogunovic, AEB, vol.2, Beograd 2005; possible&lt;br&gt; Author guidelines: Milan Milovanovic, architect, architectural historian; determinant Category 1&lt;br&gt; (020a)&lt;br&gt; STOJANOVIĆ, George - painter, icon painter, bakrorezac, 1737 - 1746, M.Timotijevic, Serbian&lt;br&gt; Baroque painting, Category 2 (020 NV)&lt;br&gt; STOJANOVIĆ, Good - graphic artist, Kat.2 (020M)&lt;br&gt; STOJANOVIĆ, Dobrila - art historian (Ferizaj, 1925).Category 2 (020M)&lt;br&gt; STOJANOVIĆ, Dragoslav - Sip - painter and graphic artist (1920).Category 2 (020M)&lt;br&gt; STOJANOVIĆ, Dragoslav - painter and caricaturist, a teacher of art-craft school (Aranđelovac,&lt;br&gt; 1891 -?).cat.2 (020M)&lt;br&gt; Stojanovic, Zaga, prof., Textiles, floor.2 (020M)&lt;br&gt; Stojanovic, Jelena, ist.Art, now a professor in the U.S., (a curator at MSU), cat.1 (020M)&lt;br&gt; STOJANOVIĆ, Ljiljana - grafičarka, Kat.2 (020M)&lt;br&gt; STOJANOVIĆ, Sreten - sculptor, prof.Likov.umetnosti Academy, a member of the SASA (Prijedor, 1898 - Belgrade&lt;br&gt; 1960).Category 4 (020M)&lt;br&gt; STOJANOVIĆ, Trajko - Kosovac - graphic artist, Kat.2 (020M)&lt;br&gt; Stojic, Vojin - sculptor, Kat.2 (020M)&lt;br&gt; Stojkov, Bogdan, architect (?, 1912 to 1993, Belgrade), category 1 (020a)&lt;br&gt; Stojkov, Borislav, architects, town planners, urban planner Lit.S.G.Bogunovic, AEB, vol.2, Belgrade&lt;br&gt; 2005; possible determinants Author: Mare Jan&amp;aacute;k-Grujic, historian of architecture; determinant categories&lt;br&gt; 2 (020a)&lt;br&gt; Stojkov, Dragan - painter, Kat.1 (020M)&lt;br&gt; Stojkov, Sava - by an amateur, Kat.1?(020M)&lt;br&gt; Stojnić, Zoran, arhkitekta and enterijerista, Kat.1 (020M)&lt;br&gt; Stojsavljević, Zivko - by (Benkovac, 1900 - Belgrade,?).cat.1 (020M)&lt;br&gt; Stojsavljević, Nevenka - artist, Kat.1 (020M)&lt;br&gt; STOLIV, a village in the Bay, with several churches, a category 2 (020 SV)&lt;br&gt; STOLPOVIĆ, Tatjana - sculptor, Kat.1 (020M)&lt;br&gt; STONE, a town on the Peljesac peninsula, in Serbian possession until 1333, several medieval churches, a category 2 (020&lt;br&gt; SV)&lt;br&gt; Stosic, Ljiljana, ist.Art, Category 1, the editors-(020 NV)&lt;br&gt; Strajnić, Costa - painter, art critic (Križevci, 1887 - Dubrovnik,?).cat.2 (020M)&lt;br&gt; Guards, Svetislav Stanislav?- Painter, professor.(Bogdane&amp;scaron;ći, Romania 1891 - Belgrade, 1957), cat.&lt;br&gt; 2 (020M)&lt;br&gt; Strahinja FROM Budimlja, by 16/17.century, a category 2 (020a ST)&lt;br&gt; STRIP - Category 3 (020.M)&lt;br&gt; Stričević, George - art historian, 3rd category(020a ST)&lt;br&gt; Structural PAINTING - Category 1 (020.M)&lt;br&gt; STUB Category 1 (020a)&lt;br&gt; Studenica Hvosno, medieval church, a category 3 (020 SV)&lt;br&gt; STUDENICA, medieval monastery, Category 5 (020 SV)&lt;br&gt; Studin, Marin - sculptor, Kat.2 (020M)&lt;br&gt; STUPAR Slobodanka - Boba - visual artist, Kat.2 (020M)&lt;br&gt; STUPOVSKI, Milorad - sculptor, Kat.2 (020M)&lt;br&gt; SUBOTIC, Branislav - Sube - tapestry artist, Kat.2 (020M)&lt;br&gt; SUBOTIC, Vladan - painter, Kat.2 (020M)&lt;br&gt; SUBOTIC, Gojko, art historian, a category 4 (020a ST)&lt;br&gt; SUBOTIC, Irina, art historian, Kat.3 (020M)&lt;br&gt; SUBOTIC, John - painter and gilder (u. com. Mitrovica 1849).ELU 4, 343, Category 1 (020 NV)&lt;br&gt; SUBOTIC, Moses - a painter, a student of the Vienna Academy of painting (d. Martinci 1789).M.Timotijevic,&lt;br&gt; Serbian baroque painting, Category 2 (020 NV)&lt;br&gt; SUBOTIC, Stefan - painter (1770), ELU 4, 343, category 1(020 NV)&lt;br&gt; SUBOTICA, monuments, Rajhl PALATA Lit.B.Durance, a variant of Art Nouveau in Hungary&lt;br&gt; Vojvodina, Proceedings of the National Museum, no.XII-2, Belgrade, 1985; O.&amp;Scaron;ram, B.Durance, K.Martinovic -&lt;br&gt; Cvijin, Palace Rajhl: 1904-2004/05, Subotica: Towards Modern Art Gallery, 2005; B.Durance,&lt;br&gt; Ferenc J.Rajhl architect with Vojvodina turn of the century, Collection of Fine Arts, no.17&lt;br&gt; (1981), pp.263-280; possible determinants Author: Vladimir Mitrovic, a historian of architecture, church,&lt;br&gt; Synagogue, ELU 4, 342-343, heading Category 3 (020 NV)&lt;br&gt; Subotica, Radivoj - Lala - sculptor, Kat.2 (020M)&lt;br&gt; Sudarević, Athanasius - by (Irig 1765).ELU 4, 343, Category 1 (020 NV)&lt;br&gt; Sujic, Basil - ist.art, kat.1 (020M)&lt;br&gt; Sukov&amp;aacute;, a monastery near Pirot, frescoes from 1606, iconostasis ELU 4, 344, Category 2 (020 NV)&lt;br&gt; SULUJ - Category 1 (020.M)&lt;br&gt; Supek, Jaroslav, vizuel.umetn, theorist - kat.1 (020M)&lt;br&gt; Sutjeska, to Bosnia, the residence of the Bosnian kings 14thand 15century (020 SV)&lt;br&gt; SUSIC IN SKOPJE, medieval church, Category 1 (020 SV)&lt;br&gt; Tabakovic, Alexander - architect, painter (1856 to 1880).cat.1 (020M)&lt;br&gt; Tabakovic, George, architect (1897, Arad, Hungary - 1971, Novi Sad) Lit.V.Mitrovic, M.Silić,&lt;br&gt; The developers of Novi Sad - the second half of XIX - first half of the twentieth century, CD, Novi Sad 2001; Lexicon&lt;br&gt; Serbian builders, Belgrade 2002; V.Mitrovic, architect George Tabakovic Petrovaradin 2005; possible&lt;br&gt; Author guidelines: Vladimir Mitrovic, a historian of architecture; heading 4thcategories (020a)&lt;br&gt; Tabakovic, John - painter, graphic artist, ceramist, a member of SASA, a university professor (Arad, 1898 --&lt;br&gt; Belgrade, 1977).cat.4 (020M)&lt;br&gt; Tabakovic MILAN, architect (1860, Arad, Hungary - 1946, Novi Sad) Lit.Ž.Skalamera, Architect&lt;br&gt; Tabaković Milan (1860-1946), Collection of Fine Arts, no.6 (1970); V.Mitrovic, Architect&lt;br&gt; Milan Tabakovic DANS, no.37 (March 2002; possible determinants Author: Vladimir Mitrovic, historian&lt;br&gt; architecture); determinant categories 2 (020a)&lt;br&gt; Tabakovic Ratislava - applied artist, Kat.2 (020M)&lt;br&gt; Tabaković AWARD FOR ARCHITECTURE Category 1 (020a)&lt;br&gt; TABAČKI, Miodrag - Mica - set designer, costume designer, Kat.3 (020M)&lt;br&gt; TABIJA Category 1 (020a)&lt;br&gt; TABOR category 1(020a)&lt;br&gt; Tavna (dark), a monastery near Bijeljina, 16century, Category 1 (020 SV)&lt;br&gt; Tadic, Dimitrije, artist, cat.1 (020M)&lt;br&gt; TADIC, Dragomir, architect (1895, Valjevo - 1976, Belgrade) Lit.M.Milovanovic, builder fortune-teller.Of&lt;br&gt; Palace of the narthex, Vracar Gazette, no.33 July 2000; M.Jovanovic, the Serbian church&lt;br&gt; architecture and painting of recent times, the Belgrade-Kragujevac 1987; Lexicon Serbian builders,&lt;br&gt; Belgrade 2002; S.G.Bogunovic, AEB, vol.2, Beograd 2005; possible determinants Author: Milan Prosen,&lt;br&gt; historian of architecture; determinant categories 2 (020a)&lt;br&gt; TADIC, Radoslav - (Sarajevo, 1946), painter, professor.the Akad.character.mind.in Sarajevo until 1993 - Cat.1&lt;br&gt; (020M)&lt;br&gt; Takacs, Maria - tapiseristkinja, Kat.2 (020M)&lt;br&gt; TAKOVO, church, log cabin, late 18thcentury, the iconostasis, 19thcentury.ELU 4, 394, Category 2 (020 NV)&lt;br&gt; David Talbot Rice, art historian, a category 1 (020a ST)&lt;br&gt; TALENT (Peric, Vladimir) concept.artist, Kat.2 (020M)&lt;br&gt; talpara Category 1 (020a)&lt;br&gt; Tambour Category 1 (020a)&lt;br&gt; TANAZEVIĆ, Branko, architect, university professor (1876, Čakovo in Banat - 1948, Belgrade) Lit.&lt;br&gt; S.Stojanovic, Serbian builder.Description of the construction works and production of images, Belgrade 1912; Ž.&lt;br&gt; Skalamera, Serbian Renewal of style in architecture, ZLUMS, no.5, Novi Sad 1969; D.Djuric-Zamolo,&lt;br&gt; The developers of Belgrade 1815-1914, Belgrade 1981; Lexicon Serbian builders, Belgrade 2002; S.G.&lt;br&gt; Bogunovic, AEB, vol.2, Beograd 2005; possible determinants Author: Mirjana Roter-Blagojevic,&lt;br&gt; historian of architecture; heading category 3 (020a)&lt;br&gt; Tanasijević, Dragan, photographer, cat.1 (020M)&lt;br&gt; TAPAVIČKI, Ljubica - character.teacher, artist, cat.1 (020M)&lt;br&gt; Tapestries - Category 4 (020.M)&lt;br&gt; Tara, the Monastery of St..archangel Michael, in Montenegro, before 1591, Category 1 (020 SV)&lt;br&gt; Tarnowski, Tanja - tapiseristkinja, Kat.2 (020M)&lt;br&gt; Tartalja Marin, the painter (Zagreb 1894), 1914-1915 volunteer in the Serbian army, living in 1926-1931&lt;br&gt; Belgrade, Kat.3 (020M)&lt;br&gt; Tasic, Dusan, art historian, a category 2 (020a ST)&lt;br&gt; Tasic, Zorica - grafičarka, Kat.2 (020M)&lt;br&gt; Tasic, Milan - designer, Kat.1 (020M)&lt;br&gt; Tasovac, Maria - Textile artist, Kat.2 (020M)&lt;br&gt; Tatic - ĐURIĆ, Mirjana - art historian (Belgrade, 1924), 3rd category(020a ST)&lt;br&gt; Tatic, Zarko - architect, art historian, curator, National Museum (Belgrade, from 1894 to 1931),&lt;br&gt; 2nd category(020a ST)&lt;br&gt; Tatic, Rajko, architect (1900, Nis - 1979, Belgrade) Lit.Lexicon Serbian builders, Belgrade 2002;&lt;br&gt; S.G.Bogunovic, AEB, vol.2, Beograd 2005; possible determinants Author: Milan Prosen, historian&lt;br&gt; architecture; determinant categories 2 (020a)&lt;br&gt; Tachisme Category 1 (020.M)&lt;br&gt; Tvrdo&amp;scaron;, a monastery near Trebinje, before 1510, Category 1 (020 SV)&lt;br&gt; FORTRESS category 3 (020a)&lt;br&gt; Tekelija, Sava-one of the most important art patrons, Serbian 18thand 19century, left and&lt;br&gt; more drawings, a category 3 (NV 020)&lt;br&gt; Tekija Category 1 (020a)&lt;br&gt; Text ART - Category 1 (020.M)&lt;br&gt; TV Tower Avala (demolished) Category 2 (020a)&lt;br&gt; BODY ART - BODY ART - Category 2 (020.M)&lt;br&gt; TELEPHONE HEAD OFFICE IN BELGRADE (Kosovska 47) Category 1 (020a)&lt;br&gt; TIMISOARA, monuments (cathedral, St. George, mechanisms, Bishop&amp;#39;s Palace, etc.)&lt;br&gt; M.Jovanovic, Painting Timisoara diocese ..Category 4 (020 NV)&lt;br&gt; Temska, a monastery near Pirot, 16and 17century, Petkovic, review, 322-324, Category 2 (020 SV)&lt;br&gt; TENECKI, Athanasius-Baroque painter, M.Timotijevic, Serbian baroque painting, cat.1 (020 NV)&lt;br&gt; TENECKI, George - painter, 1753 - 1785, Zemun, Veliki Bečkerek.ELU 4, 411, Category 2 (020 NV)&lt;br&gt; TENECKI, Michael Baroque painter, M.Timotijevic, Serbian baroque painting, Category 1 (020 NV)&lt;br&gt; TENECKI, Stephen - Senator Arad, painter, Zograf, 1752 - 1785.M.Timotijevic, Serbian baroque&lt;br&gt; painting, Category 3 (020 NV)&lt;br&gt; TENKOVIĆ, Milos - painter (1849 to 1890). D.Medaković, Serbian painters.Category 3 (020 NV)&lt;br&gt; Theodore SAVIN - by Kotor, 14century, category 1(020a ST)&lt;br&gt; Theodore, Zograf, beg.15 century, category 1(020a ST)&lt;br&gt; Theodore, Zograf, mid-18thcentury - the author added &amp;quot;Horrible court&amp;quot; in the monastery Dobricevo in Trebinje.&lt;br&gt; ELU 4, 412, Category 1 (020 NV)&lt;br&gt; Theodore, Hieromonk, printer from Mile&amp;scaron;eva, 16century, category 1(020a ST)&lt;br&gt; Teodorovic, Arsenije - painter (1767 to 1826).Lit.About.Mikic, L.&amp;Scaron;elmić, Work Arsenija Teodorovic,&lt;br&gt; Category 4 (020 NV)&lt;br&gt; Teodorovic, Đurđe - painter, set designer, university professor (Obrovac, back, 1907 - Belgrade,?)&lt;br&gt; Category 2 (020 NV)&lt;br&gt; Teokarević, Nevena - artist, Kat.1 (020M)&lt;br&gt; Theory - Category 3 (020.M)&lt;br&gt; TEORIJANOS, John, by Ohrid, 14century, 2nd Category(020a ST)&lt;br&gt; theory of modern art - Category 4 (020.M)&lt;br&gt; Teofanović, Bogoljub - designer, Kat.2 (020M)&lt;br&gt; Teofanović, Mirjana - ist.art, kat.1 (020M)&lt;br&gt; Teocak, medieval town of Zvornik, 15century, Category 1 (020 SV)&lt;br&gt; Tepavac, Milan - painter, Kat.1 (020M)&lt;br&gt; Tepavac, Milorad - sculptor, Kat.1 (020M)&lt;br&gt; Technique, in modern art - Category 4 (020.M)&lt;br&gt; TEHNIČARSKA COMPANY Category 1 (020a)&lt;br&gt; TECHNOLOGY AND ARH.Category 3 (020a)&lt;br&gt; Tijardović POPOVIC, clearly, - ist.art, kat.1.(020M)&lt;br&gt; TIKVE&amp;Scaron;, Halil - graphic artist, Kat.2 (020M)&lt;br&gt; Tilica, Beautiful - grafičarka, Kat.1 (020M)&lt;br&gt; Tilica, Zvonko - graphic artist, Kat.2 (020M)&lt;br&gt; Timotijevic, Miroslav - art historian (Kraljevo, 1950).Category 3 (020 NV)&lt;br&gt; Timotijevic, Michael, architect, professor of Faculty of Architecture (1949, Belgrade)&lt;br&gt; Category 1 (020a)&lt;br&gt; Timotijevic, Slavko - ist.art, kat.1 (020M)&lt;br&gt; TIRANA, Olga - painter, konzervatorka, Kat.1 (020M)&lt;br&gt; Tirnanić, Bogdan - critic, Kat.1 (020M)&lt;br&gt; Tyrol, Dimitrije - by (Čakovo / Timisoara, 1842 - Vienna?).ELU 4, 425, Category 2 (020 NV)&lt;br&gt; TITELBAH, Vladislav F.- Painter, teacher, illustrator, ethnographer, set designer (1847 to 1925).&lt;br&gt; Gallery Serbian Matica, a category 3 (NV 020)&lt;br&gt; TITELBAH, Stojan, architect (1877, Belgrade - 1916, Corfu, Greece) Lit.D.Djuric-Zamolo, developers&lt;br&gt; 1815-1914 Belgrade, Belgrade, 1981; Lexicon Serbian builders, Belgrade 2002; S.G.Bogunovic, AEB,&lt;br&gt; vol.2, Beograd 2005; M.Roter Blagojevic, Belgrade residential architecture in the 19thand early 20th&lt;br&gt; century, Belgrade 2006; possible determinants Author: Svetlana V.Nedic; heading category 3 (020a)&lt;br&gt; Ti&amp;scaron;ma, Andrei - visual artist, critic, Kat.2 (020M)&lt;br&gt; Ti&amp;scaron;ma, Maria - applied artist, Kat.2 (020M)&lt;br&gt; Tobolka, Etelka, Atelier 61, textiles, floor.1 (020M)&lt;br&gt; Todic, Branislav - art historian, 3rd category(020a ST)&lt;br&gt; Todic, Milanka - ist.art, kat.3 (020M)&lt;br&gt; Todovic, Zoran, graphic-kat.2 (020M)&lt;br&gt; Todorić, Vojislav - painter, Kat.1 (020M)&lt;br&gt; TODOROVIĆ, Vladimir - painter, Kat.1 (020M)&lt;br&gt; TODOROVIĆ, Vladislav - &amp;Scaron;ilja - painter, Kat.2 (020M)&lt;br&gt; TODOROVIĆ, Dragomir-Dragan - ist.Art, painter, Category 1 (020a ST)&lt;br&gt; TODOROVIĆ, Dusan - painter, professor.Univ.- Cat.2 (020M)&lt;br&gt; TODOROVIĆ, Zoran - visual artist, Kat.2 (020M)&lt;br&gt; TODOROVIĆ, Milica (Mica) - painter (Sarajevo, 1900 - Sarajevo,?).cat.2 (020M)&lt;br&gt; TODOROVIĆ, Miroljub - Signalism theorist, Kat.2 (020M)&lt;br&gt; TODOROVIĆ, Poleksija St.(Half) - painter (Belgrade, from 1848 to 1939).N.Kusovac, Pasko&lt;br&gt; 18.i 19thcentury, Category 2 (020 NV)&lt;br&gt; TODOROVIĆ, Stevan - painter, gymnast, fencer, (Novi Sad, 1833rd or 1832? - Belgrade, 1926.&lt;br&gt; or 1925?).N.Kusovac, ..Steve Todorovic, a category 4 (NV 020)&lt;br&gt; TODOROVIĆ, Tomislav - sculptor, Kat.2 (020M)&lt;br&gt; Todorovic MILOVANOVIĆ, Stanka - grafičarka, Kat.1 (020M)&lt;br&gt; Todosijevic, Dragoljub - Rasa - visual artist, writer, cat.2 (020M)&lt;br&gt; Tokin, Bosko, a character.REVIEWS, Kat.2 (020M)&lt;br&gt; Tokin, Vesna, video artist, Kat.1.(020M)&lt;br&gt; Tomanovic, Luke - sculptor, director of the School of Applied Arts (Lepetane, 1909 - Herceg Novi,&lt;br&gt; 1992).cat.1 (020M)&lt;br&gt; Tomasevic, Aleksandar - painter, Kat.3 (020M)&lt;br&gt; Tomasevic, Sladoje, goldsmith, 18century, ELU 4, 435, Category 1 (020 NV)&lt;br&gt; TOMEKOVIĆ, Svetlana - art historian, 2nd Category(020a ST)&lt;br&gt; Tomic - Djurovic, Desanka - applied artist, Kat.2 (020M)&lt;br&gt; TOMIC, Biljana - ist.art, kat.2 (020M)&lt;br&gt; TOMIC, Bozidar - architect, Associate.prof.Faculty of Architecture in Belgrade (&amp;Scaron;avnik, 1899).&lt;br&gt; Category 1 (020a)&lt;br&gt; TOMIC, Vladimir - painter, Kat.1 (020M)&lt;br&gt; TOMIC, Milica - visual artist, Kat.2 (020M)&lt;br&gt; TOMIC, Michael - sculptor (Kladovo, 1902), cat.2 (020M)&lt;br&gt; TOMIC, Oliver, art historian, a category 1 (020a ST)&lt;br&gt; Tomovski Krum (1924), architect and professional writer, category 1(020a ST)&lt;br&gt; POPLAR (Karađorđev-city church, Oplenac), lit.M.Jovanovic, Oplenac, a category 4 (5) (020 NV)&lt;br&gt; Topcider, the palace complex of Prince Milos (Church, iconostasis, and Steve Painter Janja Todorovic, konak&lt;br&gt; with the first collection of paintings, park, sculpture), lit.K.Mitrovic, ...Category 3 (020 NV)&lt;br&gt; To&amp;scaron;eva, Snezana, ist.arhitekture, category 1 (020a)&lt;br&gt; Tosic, B.Dragoljub, photographer, cat.1 (020M)&lt;br&gt; TOSIC, Dragutin, ist.art, kat.2 (020M)&lt;br&gt; To&amp;scaron;ković, Uros - painter, illustrator, Kat.2 (020M)&lt;br&gt; TRAVANOV, Srboljub - the Serbs - a painter, Kat.2 (020M)&lt;br&gt; travej-category 1 (020a)&lt;br&gt; TRADITIONAL arch.U category 3 (020a)&lt;br&gt; Trajkovic, Slobodan - painter, Kat.2 (020M)&lt;br&gt; Transept-category 1 (020a)&lt;br&gt; TRBOJEVIC, Ranke, architect, university professor (1927, Belgrade) Lit.A.Brkic, Signs in&lt;br&gt; stone.Serbian modern architecture 1930-1980, Belgrade 1992, a group of authors, higher education&lt;br&gt; architecture in Serbia 1846-1971, Belgrade 1996; Lexicon Serbian builders, Belgrade 2002; possible&lt;br&gt; Author guidelines:?; determinant Category 1 (020a)&lt;br&gt; TRG, City Category 1 (020a)&lt;br&gt; Commercial building.Category 2 (020a)&lt;br&gt; porch category 2 (020a)&lt;br&gt; Treskavac, medieval monastery in Prilep, 13and 14century, a category 3 (020 SV)&lt;br&gt; Trzan, shopping Category 1 (020a)&lt;br&gt; TRIJEBANJ, a village near Stolac, St..Nicholas from the 16thcentury, Category 1 (020 SV)&lt;br&gt; trikonhos Category 2 (020 SV)&lt;br&gt; TRIMČEVIĆ, Mirko - painter, Kat.2 (020M)&lt;br&gt; TRIPTYCH Category 1 (020 NV)&lt;br&gt; Tryphon Kotor, goldsmith, 15century, ELU 4, 452, and 5-30; Alexander Nitić, category 1 (020a ST)&lt;br&gt; Truffaut Category 1 (020a)&lt;br&gt; Trifunovic, George - painter, professor of the Third Gymnasium (u. Belgrade, 1905). N.Kusovac, Serbian&lt;br&gt; Painting 18thand 19century, Category 1 (020 NV)&lt;br&gt; Trifunovic, Lazar - art historian (Belgrade, 1929 - Paris, 1983), cat.4 (020M)&lt;br&gt; Tričković, Milivoje, architect, university professor (1895, Negotin - 1981, Belgrade) Lit.&lt;br&gt; Lexicon Serbian builders, Belgrade 2002; S.G.Bogunovic, AEB, vol.2, Beograd 2005; possible author&lt;br&gt; determinants: Aleksandar Ignjatovic, a historian of architecture; determinant Category 1 (020a)&lt;br&gt; TRKULJA, John, a visual artist, Kat.1 (020M)&lt;br&gt; Trkulja, Radislav - painter, Kat.1 (020M)&lt;br&gt; Trnava IN Cacak, Church of Annunciation, 1554, Category 1 (020 SV)&lt;br&gt; Trnavac, Radovan - Mica - painter, Kat.1 (020M)&lt;br&gt; TROMPA categories of 1 (020a)&lt;br&gt; Tronosa, a monastery near Loznica, 16and 19century B.Vujovic, Tronosa Monastery, a category 2 (020 NV)&lt;br&gt; Trpkovic, Jelena - artist, Kat.1 (020M)&lt;br&gt; Trpkovic, Miodrag, architect (1960, Pristina), category 1 (020a)&lt;br&gt; TRIESTE, St..Spiridon, D.Medaković Serbs in Trieste, a category 3 (NV 020)&lt;br&gt; Trumić, Stojan - painter and art critic (Titel, 1912 -).cat.2 (020M)&lt;br&gt; Truhelka, Ciro - archaeologist and art historian, category 1(020a ST)&lt;br&gt; reed church, medieval church, Category 1 (020 SV)&lt;br&gt; TUJKOVIĆ, Maxim, icon painter, Lj.Stosic, Serbian art ..., Category 2 (020 NV)&lt;br&gt; Tumane, monasteries, churches 19thand 20 century, the iconostasis, Đ.The passenger, a category 2 (020 NV)&lt;br&gt; TURBO Category 1 (020a)&lt;br&gt; Turinski, Živojin - painter, critic, Kat.2 (020M)&lt;br&gt; Tutin, medieval church of Sv.Peter and Paul, Category 1 (020 SV)&lt;br&gt; Tufegdzic, Leposava - art teacher, Kat.1 (020M)&lt;br&gt; ĆELE Tower Category 2 (020 NV)&lt;br&gt; STEEL, Stojan - painter, graphic artist, essayist (New 1925-Belgrade 1992), cat.4 (020M)&lt;br&gt; ćEPENAK category 1(020a)&lt;br&gt; CERT CONNECTION category 1(020a)&lt;br&gt; Ceramida category 1(020a)&lt;br&gt; ćERPIč categories 2nd(020a)&lt;br&gt; Cetkovic, Vjekoslav - painter, art teacher, Kat.1 (020M)&lt;br&gt; carpet, Serbian - rugs izrađivani late 19thcentury, according to the designs of artists.He is best known carpet&lt;br&gt; &amp;quot;Diploma&amp;quot; the draft Đ.Milovanovic, a category 3 (NV 020)&lt;br&gt; Cinkul, Ljiljana - ist.Art critic, Kat.1 (020M)&lt;br&gt; Ciric, Vera - by (Kraljevo, 1914 - Belgrade, 1954).cat.1 (020M)&lt;br&gt; Ciric, Vukan - primenj.umetnik, Kat.1 (020M)&lt;br&gt; Ciric, Ida - primenj.umetnik, Kat.1 (020M)&lt;br&gt; Ciric, Milorad - painter, cartoonist, journalist (Vranje, 1912 -? 1994).cat.2 (020M)&lt;br&gt; Ciric, Milos - primenj.umetnik, Kat.2 (020M)&lt;br&gt; Ciric, Rastko - implement.artist, illustrator, Kat.2 (020M)&lt;br&gt; Cirkovic, Vera, architect (1911, Dimitrovgrad), category 1 (020a)&lt;br&gt; Cirkovic, Jelena - painter, grafičarka (Pozarevac, 1910 - Belgrade,?).cat.2 (020M)&lt;br&gt; Corovic - Ljubinković, Mirjana - art historian (1910 - 1996), ELU 3, 352; Branka Ivanic,&lt;br&gt; Category 2 (020a ST)&lt;br&gt; Corovic, Milorad - by (Sarajevo, 1932).cat.1 (020M)&lt;br&gt; COSIC, Christmas, ist.Art, (Museum of Contemporary Art, Belgrade), 1 (020M)&lt;br&gt; corner, Category 1 (020a)&lt;br&gt; ĆUPRIJA Category 1 (020a)&lt;br&gt; Ćurčin, Peter - painter, Kat.1 (020M)&lt;br&gt; ĆURČIĆ, Slobodan - a historian of architecture (1940), category 3rd(020a ST)&lt;br&gt; Ubavkic, Peter - sculptor, medaljer (Belgrade, 1852 - Belgrade, 1910).N.Simic, Petar Ubavkic,&lt;br&gt; Category 4 (020 NV)&lt;br&gt; Ugren, Dragomir - painter, Kat.2 (020M)&lt;br&gt; Ugrinovic, Ivan (Dživan), painter, 15century, category 1(020a ST)&lt;br&gt; ASSOCIATION OF SERBIAN architects and urban planners, a category 4 (020a)&lt;br&gt; Association of Artists, a category 4 (020.M)&lt;br&gt; ICE, monuments, medieval rgad, St..George, a category 3 (NV 020)&lt;br&gt; Uzelac, Milan - esthetician character.critic, Kat.1 (020M)&lt;br&gt; ujmir (unjemir), the village of Dobre Vode, Kosovo, with the remains of St. poznosrednjovekovne.Apostles,&lt;br&gt; Category 1 (020 SV)&lt;br&gt; STREET Category 1 (020a)&lt;br&gt; ULUPUDS - Category 3 (020.M)&lt;br&gt; ULUS - Category 4 (020.M)&lt;br&gt; Ulcinj, a medieval fortress, the remains of old churches, a category 3 (020 SV)&lt;br&gt; Artistic embroidery, L.Mirkovic, Church Embroidery Art, Belgrade 1940, Category 4 (020 SV)&lt;br&gt; HANDICRAFT art-school in Belgrade (1905 -) Category 2 (020.M)&lt;br&gt; UNDERGROUND ART - Category 1 (020.M)&lt;br&gt; Unković, Milivoje - sculptor (Nevesinje 1944), graduated from the Academy for the character.Art in Belgrade,&lt;br&gt; Professor of the Academy of Fine Arts in Sarajevo, Kat.1 (020M)&lt;br&gt; Interior Architecture (interior) Category 3 (020a)&lt;br&gt; Administrative building (020a)&lt;br&gt; urban Equipment (furniture) - Category 1 (020a)&lt;br&gt; URBANA reconstruction and revitalization of category 3 (020a)&lt;br&gt; Urbanism in Serbia Category 3 (020a)&lt;br&gt; URBAN legislation in Serbia Category 2 (020a)&lt;br&gt; URBAN INSTITUTE OF BELGRADE; possible determinants Author: Predrag V.Milosevic, the architect,&lt;br&gt; historian and theorist of architecture; determinant Category 1 (020a)&lt;br&gt; Urban Planning, Category 3 (020a)&lt;br&gt; URKOM Gergely - conceptual artist, Kat.1 (020M)&lt;br&gt; Studied painting - Category 1 (020.M)&lt;br&gt; confluence of Studenica medieval church of the Temple, Category 1, (020 SV)&lt;br&gt; Pleat, Joseph - painter, professor of drawing in the gymnasium (1863 to 1896). ELU 2, 250, Category 2&lt;br&gt; (020 NV)&lt;br&gt; Fantastic paintings (fantastic painting) - Category 2 (020.M)&lt;br&gt; Farkas, Imre, architect (Novalja, 24 2nd 1924), category 1 (020a)&lt;br&gt; FEMINIST ART - Category 1 (020.M)&lt;br&gt; Ferencak, Miodrag, architect, urban (1943 Jewelers), category 1 (020a)&lt;br&gt; FERENČEVIĆ, by Michael 19thcentury, ELU 2, 262, Category 1 (020 NV)&lt;br&gt; FIA, Art Association, the group - Category 1 (020.M)&lt;br&gt; Figuratively ART - Category 4 (020.M)&lt;br&gt; Filakovac, Vladimir - painter, graphic artist, Kat.1 (020M)&lt;br&gt; Fileki, Stephen, Professor FPU, Kat.1 (020M)&lt;br&gt; Filimonović, Michael (Miho) - painter (1830 to 1857). ... Serbian Matica GalleryCategory 2 (020&lt;br&gt; NV)&lt;br&gt; Filipovic - LAZAREVIĆ, Ljubica - painter (Rijeka, 1885 - Kragujevac, 1975).cat.1 (020M)&lt;br&gt; Filipovic, Branko - Filo - by (Cetinje, 1924).cat.3 (020M)&lt;br&gt; Filipovic, Peter - drvorezbar, 19century, ELU 2, 272, Category 1 (020 NV)&lt;br&gt; film artists - Category 1 (020.M)&lt;br&gt; philosophy of art category 3 (020.M)&lt;br&gt; Fisković Cvito, ist.Art, Category 1 (020a ST)&lt;br&gt; Folic, Ljubisa, architect (1954, Djakovica) Lit.Salon architecture (catalog), Belgrade 1993; Salon&lt;br&gt; architecture (catalog), Beograd 1994, Serbian lexicon builders, Belgrade 2002; possible author&lt;br&gt; determinants: Milan Milovanovic, architect, architectural historian; determinant Category 1 (020a)&lt;br&gt; formalism in the visual arts and architecture - Category 2 (020.M)&lt;br&gt; Fortification architecture, a category 4 (020a)&lt;br&gt; Fotić, Branislav, graph.designer, Kat.1 (020M)&lt;br&gt; Shooting - category 2 (020.M)&lt;br&gt; - Category 4 (020.M)&lt;br&gt; Photography, Artistic - Category 4 (020.M)&lt;br&gt; FRESCOES-painting Category 3 (020 SV)&lt;br&gt; Frieze Category 1 (020a)&lt;br&gt; FRUHT, Miroslav - design theorist, Kat.2 (020M)&lt;br&gt; Fruskogorska Monastery - architecture, painting, treasure B.Kulic-Category 5 (020 NV)&lt;br&gt; Fulgosi, Danielle - artist, Kat.2 (020M)&lt;br&gt; FURUNOVIĆ, Zoran - painter, Kat.2 (020M)&lt;br&gt; Futurism (V. Jovan Bijelić) - Category 1 (020.M)&lt;br&gt; High-indifference, in Sutomore, a medieval fortress and the church, 15century, Category 1 (020 SV)&lt;br&gt; High-tech architecture U - Category 1 (020a)&lt;br&gt; Hakman, Costa - Artist, University of.Professor (Bosanska Krupa, 1899 - Opatija, 1961).cat.3 (020M)&lt;br&gt; Hakman, Stevan character.REVIEWS, Kat.1 (020M)&lt;br&gt; halensleben Horst, art historian, a category 2 (020a ST)&lt;br&gt; HALKOZOVIĆ, Janko - Novi Sad by, icon painter (d. Novi Sad, 1794).M.Timotijevic, Serbian&lt;br&gt; Baroque painting, Category 3 (020 NV)&lt;br&gt; HALUGIN, Sava - sculptor, Kat.2 (020M)&lt;br&gt; Halupova, Zuzana - a naive artist, Kat.1 (020M)&lt;br&gt; Haman-meklin Richard, art historian, a category 2 (020a ST)&lt;br&gt; Hamzic, Michael - Dubrovnik by, beg.16.century, the 3rd category(020a ST)&lt;br&gt; HAN Category 1 (020a)&lt;br&gt; HAN, Verena, nee.Mancha - art historian, curator, (Vukovar, 1912 - Belgrade, 1993).Category&lt;br&gt; 2 (020a ST)&lt;br&gt; Hanzen, Aleksaj Vasiljevic - painter, Kat.1 (020M)&lt;br&gt; Hanzen, Th&amp;eacute;ophile, architect (1813, Kebenhaven-1891, Vienna) Lit.R.Wagner-Rieger, M, Reissberger,&lt;br&gt; Theophil von Hansen, Wiesbaden 1980;; Encyclopedia of Fine Arts, vol.2, Zagreb 1962; M.&lt;br&gt; Jovanovic, Th&amp;eacute;ophile Hanzen, hanzenatika and Hanzen Serbian students, Proceedings of the Serbian Matica&lt;br&gt; Art, no.21 (1985), pp.235-258;; Curl J.S., A Dictionary of Architecture,&lt;br&gt; Oxford University Press, 1999; Allgemeines Lexikon der bildenden K&amp;uuml;nstler: von der antike bis&lt;br&gt; zur Gegenwart, Leipzig 1999; Neoclassical Architecture in Copenhagen and Athens / guest editors&lt;br&gt; Lisbet Balslev Jorgensen &amp;amp; Demetri Porphyrios /, London 1987; Allgemeines K&amp;uuml;nstlerlexikon&lt;br&gt; Internationale K&amp;uuml;nstlerdatenbank, URL: http://www.saur.de/akl/; possible determinants Author: Du&amp;scaron;ica&lt;br&gt; Heidegger; determinant categories 2 (020a)&lt;br&gt; HANZENATIKA, architectural expression that cultivate its Serbian students prof.Theophilus Hanzen, M.&lt;br&gt; Jovanovic, Th&amp;eacute;ophile Hanzen and hanzenatika, Category 3 (020 NV)&lt;br&gt; HAPSANA Category 1 (020a)&lt;br&gt; HARARE, HARAREt Category 1 (020a)&lt;br&gt; HAREMLUK-selamluk Category 1 (020a)&lt;br&gt; HARISIJADES, Mara, a character.REVIEWS, Kat.2 (020M)&lt;br&gt; HARITONOV, Nikolai (Vasilyevich) - painter, set designer (Guberniya Yaroslavl, Russia, 1880 - New York,&lt;br&gt; 1944).cat.1 (020M)&lt;br&gt; HADZI - Damjanovic, Vojislav - by (Sarajevo, 1895 -?).cat.1 (020M)&lt;br&gt; HADZI - Jovančić, Nevenka - artist, Kat.1 (020M)&lt;br&gt; HADZI - Reuben (Neskovic - Nenadović, Rafailo) - painter, drvorezbar (1754-1804).B.Vujovic,&lt;br&gt; The Art of renewed Serbian, a category 3 (NV 020)&lt;br&gt; Hvar, the island in the Adriatic, to 12century part of the Serbian principality Neretljana, medieval church from the&lt;br&gt; time, lit.D.Beric, N.Dubokovics-Nadalina, M.Nikolanci, List of monuments island of Hvar, Split&lt;br&gt; 1958), Category 1 (020 SV)&lt;br&gt; Happening - Category 1 (020.M)&lt;br&gt; HILANDAR - Serbian monastery on Mount Athos, 12century, Category 5 (020 SV)&lt;br&gt; HIPERREALIZAM - Category 1 (020.M)&lt;br&gt; Hirsl Free - graphic artist, painter, floor.1 (020M)&lt;br&gt; Hirsl, Radovan, a painter, Belgrade-Zurich, Kat.1 (020M)&lt;br&gt; hodidjed, near Sarajevo, medieval trvđava, KR.14/poč.15.century, Category 1 (020 SV)&lt;br&gt; HOPOVO - Star ELU 2, 568, Category 3 (020 NV)&lt;br&gt; HOPOVO-New, T iconostasis.Kračun, ELU 2, 568, Category 3 (020 NV)&lt;br&gt; CHORUS Category 1 (020a)&lt;br&gt; Hotel &amp;quot;Moscow&amp;quot; in Belgrade (Balkan 1) Category 2 (020a)&lt;br&gt; Hotel building, a category 2 (020a)&lt;br&gt; HOFMAN, Costa - prof.Academy of Fine Arts in Belgrade.cat.1 (020M)&lt;br&gt; Hodzic, Sabahudin - painter, cartoonist, journalist (1909 to 1982).cat.2 (020M)&lt;br&gt; Temple of Saint Sava in Belgrade (Svetosavski Square) Category 3 (020a)&lt;br&gt; Temple, shrine - Category 2 (020a)&lt;br&gt; HRISOGONOV, Mikhail (Mikhailovich) - by (about 1891 - Caracas, Venezuela, 1982).cat.1 (020M)&lt;br&gt; HUTER, Anton - by (Crikvenica, 1905 - Belgrade, 1961).cat.2 (020M)&lt;br&gt; HU&amp;Scaron;VET, Louis - by (Brod, 1894 - Sombor, 1956).cat.2 (020M)&lt;br&gt; Cagić, Predrag, architect, university professor (1941, Belgrade) Lit.Z.Manević, Cagić, Belgrade&lt;br&gt; 1992; Encyclopaedia architectonica, Lexicon Serbian architects 19thand 20century, Belgrade 1999,&lt;br&gt; pp.181; Maric D., Guide to modern architecture, Belgrade 2002; S.G.Bogunovic, AEB,&lt;br&gt; vol.2, Beograd 2005, 746-747; possible determinants Author: Milan Milovanovic, architect, historian&lt;br&gt; architecture; heading category 3 (020a)&lt;br&gt; CAR, Joseph - critic, Kat.2 (020M)&lt;br&gt; Carano, Nikola - character.artist, Kat.1 (020M)&lt;br&gt; CARANOVIĆ, Predrag - ist.Art, character.artist, Kat.1 (020M)&lt;br&gt; Constantinople, art links, Category 4 (020 SV)&lt;br&gt; imperial gates, a category 1 (020 SV)&lt;br&gt; Cvejic, Jasminka, landscape architect, university professor, a category 1 (020a)&lt;br&gt; Cvetko, John - painter, Kat.1 (020M)&lt;br&gt; Cvetko, miniaturist, 16century, category 1(020a ST)&lt;br&gt; CVETKOVIĆ, Alexander - Artist, Kat.2 (020M)&lt;br&gt; CVETKOVIĆ, Arsenije, jeweler 18thcentury, ELU 1, 710, Category 1 (020 NV)&lt;br&gt; CVETKOVIĆ, Branislav Đ.(Dam) - painter, writer, director (Knjaževac, 1875 - Belgrade, 1942).cat.1&lt;br&gt; (020M)&lt;br&gt; CVETKOVIĆ, Natalia - painter (Smederevo, 1888 - Belgrade, 1928).cat.3 (020M)&lt;br&gt; Flower Zuzorić - gallery pavilion, a category 3 (020.M)&lt;br&gt; Cvijić, Miodrag, architect (1944, Bjelovar), category 1 (020a)&lt;br&gt; Cvjetinović, Predrag, arch.design, floor.1 (020M)&lt;br&gt; CENTERS, URBAN category 3 (020a)&lt;br&gt; Sava Center in Belgrade category 2 (020a)&lt;br&gt; Zepter, the Palace, the term category 2 (020a)&lt;br&gt; CEROVIC Natalia, ist.Art, curator of &amp;quot;Cvijete Zuzoric, Kat.1 (020M)&lt;br&gt; Cetinje monastery, the monastery with the violation.15.century, a category 2 (020 SV)&lt;br&gt; ciborijum-category 1 (020a)&lt;br&gt; CIGANOVIĆ-Djordjevic, Joan, the architect-urbanist, category 1 (020a)&lt;br&gt; CIGARČIĆ, Dragutin - a painter, a member of ULUS - and (Vranje, 1922).cat.3 (020M)&lt;br&gt; Cikota, Bogoljub, reporter-photographer, cat.1 (020M)&lt;br&gt; Cmelić, Milan - painter, Kat.2 (020M)&lt;br&gt; COBELJ, Stefka, ist.Art (Museum of Contemporary Art, Belgrade), cat.1 (020M)&lt;br&gt; Colic, Joost - a painter and conservator, a category 1 (020a ST)&lt;br&gt; Conic, Branko - designer, Kat.1 (020M)&lt;br&gt; Church architecture, a category 4 (020a)&lt;br&gt; Crkolez, Church of Sts.John, 14century, Category 1 (020 SV)&lt;br&gt; BLACK RIVER NEAR Tutin, monastery 16thcentury, a category 2 (020 SV)&lt;br&gt; CRNILOVIĆ, Christopher - by (Vlasotinci, 1886).ELU 1, 690thcollecting material on Zograf,&lt;br&gt; Category 2 (020 NV)&lt;br&gt; CRNOJEVICA Printing, 15th Printingcentury, a category 3 (020 SV)&lt;br&gt; Crnčević, Đorđije - sculptor, Kat.2 (020M)&lt;br&gt; Crnjanski, Milos, art criticism, cat.2?(020M)&lt;br&gt; Turkeys, Franz, technology, medieval textile conservator, category 1 (020a ST)&lt;br&gt; čAtMARA Category 1 (020a)&lt;br&gt; ČAĐEVIĆ, Milica - painter, 1911 - 1927, Belgrade.cat.2 (020M)&lt;br&gt; Cajnice, church s kr.15.century, a new church, ELU 1, 712-713, a category 3 (NV 020)&lt;br&gt; Čak&amp;scaron;iran, Bori, set and costume design, floor.1 (020M)&lt;br&gt; CALICO, Stevan - painter, Kat.1 (020M)&lt;br&gt; Canak, Michael, architect (1932, Belgrade) Lit.Lexicon Serbian builders, Belgrade 2002; M.J.,&lt;br&gt; Michael Čanak: Memories of the Belgrade 5, &amp;quot;Architecture, no.91, Belgrade-Podgorica, 2005; S.G.&lt;br&gt; Bogunovic, AEB, vol.2, Beograd 2005; possible determinants Author: Milan Milovanovic, architects,&lt;br&gt; historian of architecture; heading category 3 (020a)&lt;br&gt; Canak-Medic, Milka, architect, architectural historian, university professor (1929, Zrenjanin)&lt;br&gt; Lit.About.Kandic, Biography Milka Canak-Medic, &amp;quot;Press&amp;quot;, no.34, (2002) Belgrade, 2003; G.&lt;br&gt; Simic, Bibliography Milka Canak-Medic, &amp;quot;Press&amp;quot;, no.34, (2002) Belgrade, 2003; M.Jevtic,&lt;br&gt; Incentives Milka Canak-Medic, Belgrade 2003; possible determinants Author: Mirjana Roter-Blagojevic,&lt;br&gt; historian of architecture; heading category 3 (020a ST)&lt;br&gt; Cardak Category 1 (020a)&lt;br&gt; bazaar category 3 (020a)&lt;br&gt; JOURNALS, Art, Category 3 (020.M)&lt;br&gt; Caco, Titko - painter, Kat.1 (020M)&lt;br&gt; CASE, SERBIAN, glasses with Serbian coat of arms, which are izrađivane the glass factory in Jagodina and Paracin,&lt;br&gt; Category 2 (020 NV)&lt;br&gt; Čvorović, Slavoljub - painter, graphic artist, Kat.2 (020M)&lt;br&gt; ČEBAČAREV, Lazar - painter, painted Orthodox church in Zagreb, 19 century, Zagreb.cat.1 (020M)&lt;br&gt; Hammer, John - visual artist, Kat.2 (020M)&lt;br&gt; Čelebonović, Alexa Alexander - a painter and art critic (Lausanne, 1917 - Belgrade, 1987).cat.3&lt;br&gt; (020M)&lt;br&gt; Čelebonović, Marko - painter, professor at the Academy LU (Belgrade, 1902 -?).cat.4 (020M)&lt;br&gt; Čelopek, near Tetovo, the church from the 14thcentury, Category 1 (020 SV)&lt;br&gt; ČEREPOV, George (Filipovic) - painter, set designer (Kalipanjani, 1909 -?).cat.1 (020M)&lt;br&gt; Cermak, Jaroslav - Czech painter (1831 to 1878).painted scenes from the life of Serbs and Montenegrins.ELU 1&lt;br&gt; 721-722, Category 3 (020 NV)&lt;br&gt; FOUNTAIN, kladenci, springs, fountains, Category 3 (020a)&lt;br&gt; Four Group - Category 2 (020.M)&lt;br&gt; ČETIĆ, Milan - by (Prijedor, 1904 - Belgrade, 1970?).cat.1 (020M)&lt;br&gt; Chetniks, Milan - sculptor, Kat.1 (020M)&lt;br&gt; Če&amp;scaron;ljar - Mirkovic, Katie - painter (1932), cat.1 (020M)&lt;br&gt; čIZIJA Category 1 (020a)&lt;br&gt; Ciplic - Kuruzović, Mirjana - artist, Kat.1 (020M)&lt;br&gt; Covic, Jelena - by (Subotica, 1879 - Subotica, 1951).cat.1 (020M)&lt;br&gt; ČOGURIĆ, NEW - designer, Kat.1 (020M)&lt;br&gt; ***, Zlatan - grafičarka, Kat.1 (020M)&lt;br&gt; ČOKE&amp;Scaron;INA, church, rebuilt in the 19thcentury, ELU 1, 736, Category 1 (020 NV)&lt;br&gt; Colakovic, Zivan - icon painter (1786 to 1846).ELU 1, 737, Category 1 (020 NV)&lt;br&gt; Colakovic, Danilo - icon painter, 19 century.ELU 1, 737, Category 1 (020 NV)&lt;br&gt; Colovic, Branko, ist.Art, Category 1 (020a ST)&lt;br&gt; Colovic, Misa - painter, Kat.1 (020M)&lt;br&gt; Čonkić, Nenad - designer, Kat.1 (020M)&lt;br&gt; ČORTANOVIĆ, Paul - a painter, icon painter, litograf (1832 to 1903).ELU 1, 737, Category 2 (020 NV)&lt;br&gt; ČORTANOVIĆ, Peter - by icons and portraits (from 1800 to 1868).ELU 1, 737, Category 2 (020 NV)&lt;br&gt; ČOHADŽIĆ - RADOVANOVIĆ, Vera - painter (Belgrade, 1910 - Belgrade,?).cat.2 (020M)&lt;br&gt; ČOHADŽIĆ, Miroslav Mira - applied artist, Kat.2 (020M)&lt;br&gt; ČUBRAKOVIĆ, Milena - artist, Kat.2 (020M)&lt;br&gt; Cubrilo, jasmine, ist.Art, Art Academy in Novi Sad, Kat.1.(020M)&lt;br&gt; ČUBRIĆ, Ljiljana - historian, Kat.1 (020M)&lt;br&gt; ČUDOV, Dimitrije - painter, Kat.1 (020M)&lt;br&gt; Miraculous Icon, Virgin Mary Three Hands, Virgin Bođanska, Čajnička Virgin, Virgin&lt;br&gt; Pec, Virgin Bezdinska M.Timotijevic, Serbian baroque painting, Category 3 (020 NV)&lt;br&gt; Cukic, Stevan, textiles, floor.1 (020M)&lt;br&gt; Čumić, Michael - painter, Kat.1 (020M)&lt;br&gt; ČUPIĆ, Simon (1974), cur.Art, Professor, Faculty of Philosophy, Belgrade floor.1 (020M)&lt;br&gt; MOSQUE category 3 (020a)&lt;br&gt; Džamonja, Dusan - sculptor, Kat.4?(020M)&lt;br&gt; Jaffe, Nikola - multimedia artist, Kat.1 (020M)&lt;br&gt; DŽMERKOVIĆ, Bozidar - graphic artist, Kat.1 (020M)&lt;br&gt; Džumhur Zuko, painter, caricaturist, Kat.2 (020M)&lt;br&gt; Sabac, St..Peter and Paul ... About.Mikic, Work Paul Simic, Kat.2 (020 NV)&lt;br&gt; Shadrvani, &amp;Scaron;EDRVAN Category 1 (020a)&lt;br&gt; &amp;Scaron;akota, Mirjana - art historian (Brod, 1927), 3rd category(020a ST)&lt;br&gt; &amp;Scaron;aletić, Alexander, architect (1928, Belgrade - 1993, Belgrade) Lit.P.Vasic, Applied Arts&lt;br&gt; Serbia 1900-1978, Belgrade 1981; Lexicon Serbian builders, Belgrade 2002, Maric D., Guide&lt;br&gt; modern architecture, Belgrade 2002; S.G.Bogunovic, AEB, vol.2, Beograd 2005; possible&lt;br&gt; Author guidelines: Milorad Jevtic, architecture critic, heading 2nd category(020a)&lt;br&gt; &amp;Scaron;AMBON, Albania, urban (Varzim, France, 1847 - Brussels, 1928) Lit.&amp;quot;Press&amp;quot;, 10X 1913; M.&lt;br&gt; Milatovic, Alban &amp;Scaron;ambon: Master Plan of Belgrade, GGB, vol.XXVII, Belgrade 1980;&lt;br&gt; possible determinants Author: Svetlana V.Nedic; determinant categories 2 (020a)&lt;br&gt; Sarcevic Grozdana, ist.umetnosti, curator MSLU, Novi Sad, Kat.1 (020M)&lt;br&gt; hours, the village on the Drin, Albania, the remains of medieval churches from the time of King Milutin, Category 1&lt;br&gt; (020 SV)&lt;br&gt; &amp;Scaron;atornja, the monastery of mine, Category 1 (020 SV)&lt;br&gt; Safarik, Janko, a researcher of antiquities, the keeper of the National Museum D.Medaković, Category 2 (020 NV)&lt;br&gt; &amp;Scaron;vabić, John, graphics, cat.1 (020M)&lt;br&gt; Svrakic, Todor - painter, teacher of drawing in high school (Prijedor, 1882 - Sarajevo, 1931).cat.1&lt;br&gt; (020M)&lt;br&gt; &amp;Scaron;EBEKOVIĆ, Tomislav - painter, graphic artist, Kat.1 (020M)&lt;br&gt; Sevo, Biljana, art historian, a category 1 (020a ST)&lt;br&gt; Sevo, Bosko, graph.designer - floor.2 (020M)&lt;br&gt; Shake, Leonid - painter, writer, cat.4 (020M)&lt;br&gt; &amp;Scaron;ejtinac, Bora, illustrator, Kat.1 (020M)&lt;br&gt; &amp;Scaron;elmić, Leposava - Becca - ist.Art, Category 3 (020 NV)&lt;br&gt; &amp;Scaron;ELOUMOV, Afanasij Ivanovich - painter, Kat.1 (020M)&lt;br&gt; &amp;Scaron;EMLJUG - Monastery in Banat, M.Jovanovic, Painting Diocese of Timisoara, a category 2 (020 NV)&lt;br&gt; Serban, Milenko - painter, set designer, costume designer, prof.Univ.(Cerevic, 1907 - Belgrade, 1979).&lt;br&gt; cat.3 (020M)&lt;br&gt; Serban, Sonja, costume, cat.1 (020M)&lt;br&gt; &amp;scaron;erović, Peter, a researcher of medieval monuments in the Bay, a category 1 (020a ST)&lt;br&gt; &amp;Scaron;ERCER, NIKOLA, architect (1911 Solkan, Nova Gorica), category 1 (020a)&lt;br&gt; Six, a group of category-3 (020.M)&lt;br&gt; &amp;Scaron;e&amp;scaron;um, Dusan - painter, conservator, Kat.1 (020M)&lt;br&gt; Sijan, Slobodan - painter, filmmaker, Kat.2 (020M)&lt;br&gt; syndrome, Simla - Category 1 (020a)&lt;br&gt; Sipan, an island near Dubrovnik, Dubrovnik in possession of 11century, with a larger number of old churches, the&lt;br&gt; which 6 preromaničkih, S.Puhiera, medieval church at Sipan, Starinar 5-6, 1954, 227-245.&lt;br&gt; (020 SV)&lt;br&gt; Sipos, Mirjana - artist, Kat.2 (020M)&lt;br&gt; Sisatovac, monastery, lit.Monastery Sisatovac, Proceedings, Category 3 (020 NV)&lt;br&gt; Sisic, in the Bay, St..George, a category 1 (020 SV)&lt;br&gt; Skalamera, Zeljko, cartographer, art historian, author of the possible determinants: Svetlana V.Nedic;&lt;br&gt; determinant categories 2 (020a)&lt;br&gt; &amp;Scaron;KART, insert.Association - Category 2 (020.M)&lt;br&gt; SCHOOLS, ART - Category 4 (020.M)&lt;br&gt; School building.Category 2 (020a)&lt;br&gt; &amp;Scaron;LOMOVIĆ, Erich, collector, Kat.3 (020M)&lt;br&gt; &amp;Scaron;MUCER, Matthias Jakob - painter, bakrorezac, (1733 to 1811).D.David, Serbian graphics categories&lt;br&gt; 2 (020 NV)&lt;br&gt; &amp;Scaron;OAMOVIĆ, Mo&amp;scaron;a - by (Nis, 1874 - Camp Drum, Nis, 1942).cat.1 (020M)&lt;br&gt; &amp;Scaron;obajić, Elijah - graphic artist and painter (Crikvenica, 1876 - Belgrade, 1953).cat.1 (020M)&lt;br&gt; &amp;Scaron;obajić, Milos - painter, graphic artist, Kat.3 (020M)&lt;br&gt; Sober, Elizabeth - sculptor, Kat.2 (020M)&lt;br&gt; &amp;Scaron;obot Slobodanka - artist, Kat.1 (020M)&lt;br&gt; SOR category 1 (020a)&lt;br&gt; Sotra, Branko - painter, graphic artist, sculptor (Pje&amp;scaron;evac, chair, 1906 - Stockholm, 1960).cat.3 (020M)&lt;br&gt; Schreiber, Marina - artist, Kat.2 (020M)&lt;br&gt; &amp;Scaron;REPLOVIĆ, Costa - architect (1836 - 1872), Lit.B.Nestorovic Serbian architecture in the 19thcentury&lt;br&gt; (manuscript), SANU Archives, historical collection number 14, category 2 (020a)&lt;br&gt; paragraph by Bruce, St..Mine, 17century, Category 1 (020 SV)&lt;br&gt; Sterile, K&amp;aacute;roly - by (&amp;Scaron;tajerlak, 1821 - Pest, 1862). N.Kusovac, Pasko 18thand 19&lt;br&gt; century, a category 2 (020 NV)&lt;br&gt; &amp;Scaron;TERIĆ, Milica, architect (1914, Smederevo - 1998, Belgrade) Lit.And.Mlađenović, 11 [Eleven]&lt;br&gt; prominent architects of Yugoslavia, vol.4, Belgrade, 1989; Z.Manević, &amp;Scaron;terić Milica, Belgrade, 1991;&lt;br&gt; S.Bradarić, In memoriam.Milica &amp;Scaron;terić, &amp;quot;Politika&amp;quot;, 26And 1998; Lexicon Serbian builders,&lt;br&gt; Belgrade 2002, Maric D., Guide to modern architecture, Belgrade 2002; S.G.Bogunovic,&lt;br&gt; AEB, vol.2, Beograd 2005; possible determinants of the author: Free Bogunović; determinant Category 3&lt;br&gt; (020a)&lt;br&gt; Stimlje, the church from the 19thcentury, a category 2 (020 NV)&lt;br&gt; Stip, Macedonia city, several medieval churches (Holy Archangels, St.. Spas, St. John), ELU&lt;br&gt; 4, 381, Category 3 (020 SV)&lt;br&gt; &amp;Scaron;titar, St..Nicholas church from the 17thcentury, Category 1 (020 SV)&lt;br&gt; &amp;scaron;trigovski Joseph (1862-1941), Austrian art historian, ELU 4, 338, category 1(020a ST)&lt;br&gt; Scepan field, two churches 15thcentury, a category 2 (020 SV)&lt;br&gt; &amp;Scaron;ĆEPANOVIĆ, Slavko - painter, Kat.1 (020M)&lt;br&gt; Suvakovic, Mike - art theorist, Kat.3 (020M)&lt;br&gt; &amp;scaron;udikova, the Monastery of the Presentation of Berane, in ruins, ELU 4, 383, Category 1 (020 SV)&lt;br&gt; Suica, Nada - ist.art, kat.1 (020M)&lt;br&gt; Suica, Nikola - ist.art, kat.1 (020M)&lt;br&gt; &amp;Scaron;umanović, Sava - by (Vinkovci, 1896 - Sremska Mitrovica, 1942).cat.4 (5) (020M)&lt;br&gt; &amp;Scaron;uput, Bogdan - painter and graphic artist (Sisak, 1914 - Novi Sad, 1942).cat.2 (020M)&lt;br&gt; &amp;Scaron;uput, Borislav, sculptor, Kat.2 (020M) (020M)&lt;br&gt; &amp;Scaron;uput, Marica - art historian (Otocac, 1943), 3rd category(020a ST)&lt;/div&gt;&lt;br&gt;&lt;hr size=&quot;1&quot;&gt;&lt;br/&gt;</description></item><item><title>mikrointervencije</title><link>http://maldini.wetpaint.com/page/mikrointervencije</link><author>maldini</author><guid isPermaLink="false">http://maldini.wetpaint.com/page/mikrointervencije</guid><pubDate>Mon, 23 Nov 2009 08:01:00 CST</pubDate><description>  &lt;table align=&quot;bottom&quot; class=&quot;wp-border-none&quot; width=&quot;560&quot;&gt;  &lt;tbody&gt;  &lt;tr&gt;  &lt;td align=&quot;middle&quot; class=&quot;wp-border-none&quot; width=&quot;33%&quot;&gt;   &lt;br&gt;&lt;br&gt;Type your photo caption or credit here.&lt;/td&gt;  &lt;td align=&quot;middle&quot; class=&quot;wp-border-none&quot; width=&quot;33%&quot;&gt;   &lt;br&gt;&lt;br&gt;Type your photo caption or credit here.&lt;/td&gt;  &lt;td align=&quot;middle&quot; class=&quot;wp-border-none&quot; width=&quot;33%&quot;&gt;   &lt;br&gt;&lt;br&gt;Type your photo caption or credit here.&lt;/td&gt;&lt;/tr&gt;  &lt;tr&gt;  &lt;td align=&quot;middle&quot; class=&quot;wp-border-none&quot; width=&quot;33%&quot;&gt;  &lt;br&gt; &lt;br&gt;&lt;br&gt;Type your photo caption or credit here.&lt;/td&gt;  &lt;td align=&quot;middle&quot; class=&quot;wp-border-none&quot; width=&quot;33%&quot;&gt;  &lt;br&gt; &lt;br&gt;&lt;br&gt;Type your photo caption or credit here.&lt;/td&gt;  &lt;td align=&quot;middle&quot; class=&quot;wp-border-none&quot; width=&quot;33%&quot;&gt;  &lt;br&gt; &lt;br&gt;&lt;br&gt;Type your photo caption or credit here.&lt;/td&gt;&lt;/tr&gt;  &lt;tr&gt;  &lt;td align=&quot;middle&quot; class=&quot;wp-border-none&quot; width=&quot;33%&quot;&gt;  &lt;br&gt; &lt;br&gt;&lt;br&gt;Type your photo caption or credit here.&lt;/td&gt;  &lt;td align=&quot;middle&quot; class=&quot;wp-border-none&quot; width=&quot;33%&quot;&gt;  &lt;br&gt; &lt;br&gt;&lt;br&gt;Type your photo caption or credit here.&lt;/td&gt;  &lt;td align=&quot;middle&quot; class=&quot;wp-border-none&quot; width=&quot;33%&quot;&gt;  &lt;br&gt; &lt;br&gt;&lt;br&gt;Type your photo caption or credit here.&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br&gt;&lt;hr size=&quot;1&quot;&gt;&lt;br/&gt;</description></item><item><title>standardi u stambenoj izgradnji, projektni zadatak</title><link>http://maldini.wetpaint.com/page/standardi+u+stambenoj+izgradnji%2C+projektni+zadatak</link><author>tamarch</author><guid isPermaLink="false">http://maldini.wetpaint.com/page/standardi+u+stambenoj+izgradnji%2C+projektni+zadatak</guid><pubDate>Sat, 14 Nov 2009 13:17:29 CST</pubDate><description>&lt;br&gt;&lt;br&gt;(PRIMER JEDNOG PROJEKTNOG ZADATKA ZA PROJEKTOVANJE STAMBENE ZGRADE)&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;b&gt;SLOBODAN MALDINI: &lt;/b&gt;&lt;br&gt;&lt;br&gt;&lt;b&gt;PROJEKTNI ZADATAK &lt;/b&gt;&lt;br&gt;&lt;br&gt;&lt;b&gt;ZA IZRADU IDEJNOG RE&amp;Scaron;ENJA &lt;/b&gt;&lt;br&gt;&lt;b&gt;STAMBENOG OBJEKTA &lt;/b&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;b&gt;PROJEKTNI ZADATAK ZA IZRADU IDEJNOG RE&amp;Scaron;ENJA STAMBENOG OBJEKTA &lt;/b&gt;&lt;br&gt;  &lt;table cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;MsoTableGrid&quot; width=&quot;759&quot;&gt;  &lt;tbody&gt;&lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;1&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;LOKACIJA:&lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;&lt;br&gt;&lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;2&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;BLOK:&lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;&lt;br&gt;&lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;3&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;BROJ OBJEKTA:&lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   Objekat 1    &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;4&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;LAMELA: &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;&lt;br&gt;&lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;5&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;TIPARHITEKTONSKOG OBJEKTA:&lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   Stambeni   arhitektonski objekat, sa poslovnim funkcijama u prizemlju objekta   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;6&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;INVESTITOR:&lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;&lt;br&gt;&lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;7&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;PROJECT MANAGEMENT:&lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;&lt;br&gt;&lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;8&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;IZRADIO PROJEKTNI ZADATAK: &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;&lt;br&gt;&lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;9&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;DATUM IZRADE PROJEKTNOG ZADATKA: &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;&lt;br&gt;&lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;10&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;URBANISTIČKE KARAKTERISTIKE OBJEKTA: &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Objekat je tipa kolektivnog        stanovanja, &lt;/li&gt;&lt;/ul&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;sa funkcijama op&amp;scaron;tegradskog linijskog        centra u prizemlju. &lt;/li&gt;&lt;/ul&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;lokacija objekta: naselje &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;objekat 1, &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;lamela 1, &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;u produžetku ulice &lt;br&gt;&lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;11&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;URBANISTIČKO &amp;ndash; ARHITEKTONSKE        KARAKTERISTIKE OBJEKTA: &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Stambeni objekat sa jednim ulazom&lt;/li&gt;&lt;/ul&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Spratnost objekta: P+4+Pk&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Predvidjene dimenzije u odnosu na        regulacionu, odnosno gradjevinsku liniju:  &lt;br&gt;&lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;12&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;URBANISTIČKO &amp;ndash; ARHITEKTONSKA        OGRANIČENJA &lt;/li&gt;&lt;/ol&gt;   &lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Predvidjeno je projektovanje stambenog objekta sa sledećom        dispozicijom:&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;U Planu detaljne regulacije definisane        su regulacione linije na osnovu kojih je izvr&amp;scaron;ena urbanistička        regulacija&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Gradjevinske linije se poklapaju sa        regulacionim linijama, tako da je moguće u gradjevinskom pogledu        dispoziciju objekata izvr&amp;scaron;iti prema gradjevinskim i regulacionim        linijama&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Objekti se postavljaju na osnovu        postojeće ili planirane regulacione linije, koja je istovremeno i        gradjevinska linija&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Konačnim definisanjem gabarita moguća        su odstupanja do maksimalno 10%&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Visina objekta je definisana brojem        nadzemnih etaža &lt;/li&gt;&lt;/ul&gt;   &lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;   &lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;- Obzirom da se   regulaciona i gradjevinska linija poklapaju, moguće je projektovanje objekta   po osnovu obe linije &lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;- Obzirom da je   visina objekta definisana brojem nadzemnih etaža, moguće je prilikom   projektovanja odrediti visinu etaža po osnovu potreba i funkcionalnih   zahteva prostora   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;13&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;SADRŽAJ STAMBENE ZGRADE &amp;ndash; ZAJEDNIČKE        PROSTORIJE: &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Stambena zgrada sadrži sledeće        zajedničke prostorije:&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Vertikalne komunikacije&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Horizontalne komunikacije&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Toplotne podstanice (toplotnu        podstanicu)&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Ostavu pribora za či&amp;scaron;ćenje zgrade&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Uredjaj za povećanje pritiska vode        (pumpe)&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Gasnu podstanicu &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prostore ili prostorije za vodomere&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prostor za glavni razvodni ormar (GRO)&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prostor za po&amp;scaron;tanske sandučiće i sl.&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prostorije i prostori koji nisu        obavezni su:&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Stanarske ostave&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Ostave za bicikle i kolica&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Zajedničke lodje i terase se ne        preporučuju&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Stanarske ostave za potrebe stanara        nisu obavezne, a lociraju se van stana i grupi&amp;scaron;u se u najnižoj etaži ili        na podestima, ali nikako u tavanu&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prostorije za sme&amp;scaron;taj pribora za        či&amp;scaron;ćenje zgrade &amp;ndash; ostava za spremačice je obavezna. Ove prostorije imaju        najmanju povr&amp;scaron;inu 2,0m2, a najmanju &amp;scaron;irinu 1,20m. U        prostoriji treba predvideti jedno točeće mesto i slivnik u podu&lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;14&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;VERTIKALNE KOMUNIKACIJE: &lt;/li&gt;&lt;/ol&gt;   &lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt; &lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Stepeni&amp;scaron;ni prostor mora imati prirodno        provetravanje i osvetljavanje preko prozora zenitalnim putem ili preko        prodora na fasadi.&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Zenitalno osvetljenje treba predvideti        samo do P+4 sprata bez potkrovlja.&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Minimalna svetla &amp;scaron;irina stepeni&amp;scaron;nog        kraka iznosi 110cm, a minimalna svetla &amp;scaron;irina podesta 120cm, odnosno        140cm ako se sa podesta ulazi u stanove ili lift&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Svetla visina izmedju dva stepeni&amp;scaron;na        kraka ne sme da bude manja od 220cm&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Veličina stepenika u okviru formule 2        visine+&amp;scaron;irina gazi&amp;scaron;ta = 60 &amp;ndash; 65cm, s tim &amp;scaron;to je min. &amp;scaron;irina gazi&amp;scaron;ta        stepenika 28cm, a max. visina 18cm&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Osobne liftove moraju da imaju        stambene zgrade od P+4 etaže i vi&amp;scaron;e i to u saglasnosti sa potrebnim        kapacitetom i odgovarajućim karakteristikama zgrade&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Kod stambenih zgrada do najvi&amp;scaron;e P+6        treba predvideti jedan osobni lift za 7 osoba nosivosti 630kg sa        automatskim vratima i min. unutra&amp;scaron;njim dim. kabine 110/140cm u koji može        da stane invalid sa kolicima. Mogu se koristiti evropske norme EN-1,2&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Obezbediti nesmetan prilaz        hendikepiranim osobama u kolicima sa kote prilaza zgrade do nivoa        prizemlja, odnosno, glavne najniže stanice lifta, putem rampe max. nagiba        1:12, u svemu prema važećim propisima . &lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;    &lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;      &lt;ol start=&quot;15&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;HORIZONTALNE KOMUNIKACIJE:        &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;      &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Vetrobran se mora predvideti na        glavnom ulazu svake stambene zgrade&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Vetrobran se mora obezbediti od        prodora vlage spolja&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Min. dimenzije vetrobrana su: &amp;scaron;irina        180cm, dužina 200cm, visina 240cm&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Rastojanje od vertikalne komunikacije do        najudaljenijeg stana ne može da bude veća od 30m&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Hodnici duži od 15m moraju da imaju        direktno prirodno osvetljenje i provetravanje&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Hodnik koji opslužuje stanove ima min.        svetlu &amp;scaron;irinu 140cm, a min. svetlu visinu 240cm&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;U nestambenim etažama min. svetla        &amp;scaron;irina iznosi 120cm&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Kod galerijskog sistema ne dozvoljava        se orijentacija dnevnih i spavaćih soba prema galeriji&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Parapeti prozora koji izlaze na        galeriju imaju min. visinu od 170cm&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Min. svetla &amp;scaron;irina galerije je 140cm,        a min. svetla visina 240cm&lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;16&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;SERVISNE PROSTORIJE : &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Deponije smeća se lociraju po pravilu        izvan objekta, kao posebni otvoreni i/ili zatvoreni prostori, a prema        UTU&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Zatvorena sekundarna veza zgrade sa        zatvorenim prostorom deponije smeća izvan zgrade dozvoljena je samo        preko dobro provetrenog prostora (koridora)&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Zatvorena deponija smeća mora da ima        pored prirodnog i ve&amp;scaron;tačko provetravanje i prirodno osvetljavanje        prostorije&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Stanovi moraju da imaju min. 1 rezervni        dimnjak&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Moguće je projektovanje dimnjaka, za        potrebe izgradnje kamina u stanovima i potrebe ve&amp;scaron;tačke ventilacije u        stanovima&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Dimnjak treba tako izvesti da bude na        50cm iznad slemena, a najmanje 200cm iznad povr&amp;scaron;ine ravnog krova.&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Zidani samostalni dimnjak čistog        preseka vi&amp;scaron;e od 300cm2 raditi kao troslojni od        prefabrikovanih elemenata sa        atestom&lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;17&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;DISPOZICIJA STANOVA: &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Stanovi se koncentri&amp;scaron;u oko stepeni&amp;scaron;ta        oko koridora i uz galerije&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Kod galerijskog sistema stambene        prostorije ne smeju biti orijentisane ka severnoj strani&lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;18&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;ORIJENTACIJA STANOVA: &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Stanovi u objektu mogu da budu        orijentisani na:&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Jednu stranu&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Dve dodirne strane&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Dve naspramne strane&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Tri i&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Četiri strane&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Stanovi orijentisani samo na jednu        stranu ne treba da budu okrenuti prema severu, sem u slučaju izuzetnih        urbanističko tehničkih uslova&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Kod stanova orijentisanih na dve        dodirne strane ne preporučuje se severna orijentacija stambenih prostora&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Kod stanova orijentisanih na dve        naspramne strane, kao i onih koji        izlaze na tri ili četiri strane treba izbegavati položaj stambenih        prostorija ka severu.&lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;19&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;ORGANIZACIJA STANA: &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Organizacioni sklop stana defini&amp;scaron;emo        prema funkcionalnim odnosima osnovnih struktura stana izraženih sistemom        medjusobnih komunikacionih veza&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Pod komunikacijama stana podrazumeva        se isključivo ulazni deo (predsoblje), hodnik i degažman preko kojih se        moraju ostvariti sve primarne komunikacione veze unutar stana.&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Komunikacione veze takodje mogu da        budu ostvarene kod dupleks stanova preko unutra&amp;scaron;njih stepeni&amp;scaron;ta za koje        je poželjno da polaze iz ulaznog dela &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Pristup prostoriji za obedovanje iz        prostorije za pripremu hrane mora da bude direktan&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Dnevna soba može da ima direktnu vezu        sa prostorijama za spavanje, ali ona mora da ima sekundaran karakter &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Sobe za spavanje ne mogu da budu        prolazne&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Dnevna soba može da bude prolazna samo        za pristup do prostora za obedovanje uz postojanje sekundarne veze do prostora        za obedovanje preko kuhinje&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Veza kuhinje i soba sa sanitarnim        prostorijama ostvaruje se isključivo preko komunikacija stana &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;U stanovima sa zoniranjem (2,5 sobni i        veći) degažman treba da je direktno vezan sa ulaznim delom a ne da se do        njega dolazi prolaženjem, na primer, kroz dnevnu sobu.&lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;20&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;BROJ SOBA U STANOVIMA I BROJ POSTELJA:        &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Predvidjen je sledeći broj postelja za        različite tipove stambenih jedinica:&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Garsonjere: 1&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Jednosobni: 1-2&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Jednoiposobni: 2-3&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Dvosobni: 3&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Dvoiposobni: 4&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Trosobni: 4&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Troiposobni: 5&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Četvorosobni: 6&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Četvoroiposobni: 7&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Petosobni: 8&lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;21&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;VELIČINA STANA: &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Minimalna &amp;scaron;irina ulaznog prostora u        stanovima iznosi 120cm, a sekundarnih komunikacija 90cm&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Konstruktivna visina sprata mora da        bude modularna u koraku od 10cm&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Čista min. visina stambenih prostorija        je 260cm&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Veće visine se dozvoljavaju ako to        odredjuju urbanističko tehnički uslovi (definisana kota venca)&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Kod dupleksa se dozvoljava minimalna        visina spavaćih soba od 240cm, a pomoćnih prostorija od 220cm&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Minimalna visina parapeta je 90cm&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Minimalna &amp;scaron;irina dnevne sobe je 360cm&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Min. &amp;scaron;irina spavaće sobe sa bračnim        ležajem je 270cm &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Min. &amp;scaron;irina spavaće sobe sa dva ležaja        (dečija soba) je 240cm&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Min. &amp;scaron;irina sobe sa jednom posteljom        je 190cm&lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;22&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;MINIMALNE POVR&amp;Scaron;INE PROSTORIJA I        STANOVA (m2) - GARSONJERE:        &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Dnevna soba: 16&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prostorija za obedovanje: 4&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prostor za pripremanje hrane: 4,5&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prostorija za pripremu hrane u kojoj        se obeduje: 8,5&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Kupatilo sa WC-om: 3,3&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Neto povr&amp;scaron;ina stana: 24&lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;23&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;MINIMALNE POVR&amp;Scaron;INE PROSTORIJA I        STANOVA (m2) &amp;ndash; JEDNOSOBNI STANOVI &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Dnevna soba: 17&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prostorija za obedovanje: 4&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prostorija za pripremanje hrane: 4,5&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prostorija za pripremu hrane u kojoj        se obeduje: 8,5&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Izdvojena prostorija za hranu &amp;ndash;        ostava: 1&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Plakarska ostava: 0,6&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Kupatilo sa WC-om: 3,3&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Neto povr&amp;scaron;ina stana: 33&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Neredukovane povr&amp;scaron;ine balkona, lodja i        terasa: 1,0&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Ukupna povr&amp;scaron;ina stana: 34,0 &lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;24&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;MINIMALNE POVR&amp;Scaron;INE PROSTORIJA I        STANOVA (m2) &amp;ndash; JEDNOIPOSOBNI STANOVI &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Dnevna soba: 17&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Spavaća soba sa jednim krevetom: 6 - 9&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prostorija za obedovanje: 4&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prostorija za pripremanje hrane: 4,5&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prostorija za pripremu hrane u kojoj        se obeduje: 8,5&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Izdvojena prostorija za hranu &amp;ndash;        ostava: 1,4&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Plakarska ostava: 0,6&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Kupatilo sa WC-om: 3,3&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Neto povr&amp;scaron;ina stana: 40&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Neredukovane povr&amp;scaron;ine balkona, lodja i        terasa: 2,0&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Ukupna povr&amp;scaron;ina stana: 42,0&lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;25&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;MINIMALNE POVR&amp;Scaron;INE PROSTORIJA I        STANOVA (m2) &amp;ndash; DVOSOBNI STANOVI: &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Dnevna soba: 18&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Spavaća soba: 11&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prostorija za obedovanje: 4,8&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prostorija za pripremanje hrane: 5,0&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prostorija za pripremu hrane u kojoj        se obeduje: 9,0&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Izdvojena prostorija za hranu &amp;ndash;        ostava: 1,4&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Plakarska ostava: 0,6&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Kupatilo sa WC-om: 3,5&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Neto povr&amp;scaron;ina stana: 46&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Neredukovane povr&amp;scaron;ine balkona, lodja i        terasa: 2,0&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Ukupna povr&amp;scaron;ina stana: 48,0&lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;26&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;MINIMALNE POVR&amp;Scaron;INE PROSTORIJA I        STANOVA (m2) &amp;ndash; DVOIPOSOBNI STANOVI: &lt;/li&gt;&lt;/ol&gt;      &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Dnevna soba: 18&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Roditeljska soba: 11&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Spavaća soba sa jednim krevetom: min        6,max 9&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prostorija za obedovanje: 5,8 &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prostorija za pripremu hrane: 5,5&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prostorija za pripremu hrane u kojoj        se obeduje: 9,5&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Izdvojena prostorija za hranu &amp;ndash;        ostava: 1,6&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Plakarska ostava: 0,6&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Kupatilo sa WC-om: 3,5&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Kupatilo bez WC-a: 2,4&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;WC &amp;ndash; posebna prostorija: 1,2&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Neto povr&amp;scaron;ina stana: 58&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Neredukovane povr&amp;scaron;ine balkona, lodja i        terasa: 2,0&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Ukupna povr&amp;scaron;ina stana: 60,0 &lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;27&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;MINIMALNE POVR&amp;Scaron;INE PROSTORIJA I        STANOVA (m2) &amp;ndash; TROSOBNI STANOVI: &lt;/li&gt;&lt;/ol&gt;      &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Dnevna soba: 18&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Roditeljska soba: 11&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Spavaća soba sa dva kreveta: 11 &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;moguća varijanta spavaća soba sa        jednim krevetom min 6, max 9&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prostorija za obedovanje: 5,8&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prostorija za pripremanje hrane: 6,0&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prostorija za pripremu hrane u kojoj        se obeduje: 9,5&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Izdvojena prostorija za hranu &amp;ndash;        ostava: 1,6&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Plakarska ostava: 0,6&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Kupatilo sa WC-om: 3,7&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;WC &amp;ndash; posebna prostorija: 1,2&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Neto povr&amp;scaron;ina stana: 66&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Neredukovane povr&amp;scaron;ine balkona, lodja i        terasa: 2,0&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Ukupna povr&amp;scaron;ina stana: 68,0 &lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;28&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;MINIMALNE POVR&amp;Scaron;INE PROSTORIJA        I STANOVA (m2) &amp;ndash; TROIPOSOBNI STANOVI: &lt;/li&gt;&lt;/ol&gt;      &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Dnevna soba: 18&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Roditeljska soba: 11&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Spavaća soba sa dva kreveta: 11 &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;spavaća soba sa jednim krevetom min 6,        max 9&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prostorija za obedovanje: 6,9&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prostorija za pripremanje hrane: 6,5&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prostorija za pripremu hrane u kojoj        se obeduje: 11,0&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Izdvojena prostorija za hranu &amp;ndash;        ostava: 1,8&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Plakarska ostava: 0,6&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Kupatilo sa WC-om: 3,7&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;WC &amp;ndash; posebna prostorija: 1,2&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Neto povr&amp;scaron;ina stana: 78&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Neredukovane povr&amp;scaron;ine balkona, lodja i        terasa: 2,0&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Ukupna povr&amp;scaron;ina stana: 80,0&lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;29&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;MINIMALNE POVR&amp;Scaron;INE PROSTORIJA        I STANOVA (m2) &amp;ndash; ČETVOROSOBNI STANOVI: &lt;/li&gt;&lt;/ol&gt;      &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Dnevna soba: 19 &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Roditeljska soba: 11&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;2x spavaća soba sa dva kreveta: 11 ili&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;2x spavaća soba sa jednim krevetom        min. 6, max 9&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prostorija za obedovanje: 7,9&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prostorija za pripremanje hrane: 6,5&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Izdvojena prostorija za hranu &amp;ndash;        ostava: 1,8&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Plakarska ostava: 0,6&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Kupatilo sa WC-om: 3,8&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;WC &amp;ndash; posebna prostorija: 1,2&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Neto povr&amp;scaron;ina stana: 86&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Neredukovane povr&amp;scaron;ine balkona, lodja i        terasa: 2,0&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Ukupna povr&amp;scaron;ina stana: 88,0 &lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;30&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;MINIMALNE POVR&amp;Scaron;INE PROSTORIJA I STANOVA (m2) &amp;ndash;        ČETVOROIPOSOBNI STANOVI: &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Dnevna soba: 20 &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Roditeljska soba: 11&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;2x spavaća soba sa dva kreveta: 11 ili&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;2 x spavaća soba sa dva kreveta 11 i        spavaća soba sa jednim krevetom min 6, max 9&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;1x spavaća soba sa jednim krevetom min        6, max 9&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prostorija za obedovanje: 8,3&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prostorija za pripremanje hrane: 6,5&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Izdvojena prostorija za hranu &amp;ndash;        ostava: 2,0&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Kupatilo sa WC-om: 3,8&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;WC &amp;ndash; posebna prostorija: 1,2 &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Neto povr&amp;scaron;ina stana: 98&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Neredukovane povr&amp;scaron;ine balkona, lodja i        terasa: 2,0&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Ukupna povr&amp;scaron;ina stana: 100,0 &lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;31&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;MINIMALNE POVR&amp;Scaron;INE PROSTORIJA I STANOVA (m2) &amp;ndash;        PETOSOBNI STANOVI: &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Dnevna soba: 21 &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Roditeljska soba: 11&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;2x spavaća soba sa dva kreveta: 11 &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;2 x spavaća soba sa dva kreveta 11 i        spavaća soba sa jednim krevetom min 6, max 9&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prostorija za obedovanje: 8,5&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prostorija za pripremanje hrane: 6,5&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Izdvojena prostorija za hranu &amp;ndash;        ostava: 2,0&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Kupatilo sa WC-om: 3,8&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;WC &amp;ndash; posebna prostorija: 1,2 &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Neto povr&amp;scaron;ina stana: 105&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Neredukovane povr&amp;scaron;ine balkona, lodja i        terasa: 2,0 &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Ukupna povr&amp;scaron;ina stana: 107,0 &lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;32&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;POVR&amp;Scaron;INA STAMBENIH JEDINICA PREMA PDR-e: &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prema Planu detaljne regulacije,        očekovana je prosečna povr&amp;scaron;ina stana 52,5kvm;&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Ovo je manje od proseka za grad Novi        Sad iz 2004. godine, koji je iznosio 60,6 kvm&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prema PDR-e, predvidjena minimalna        povr&amp;scaron;ina stana je 50kvm&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;U projektu se teži ostvarenju veće        prosečne povr&amp;scaron;ine stana, a predložena prosečna povr&amp;scaron;ina je min. 60 kvm&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Minimalna povr&amp;scaron;ina jedne stambene        jedinice je 24 kvm neto. Ispod ove povr&amp;scaron;ine nije dozvoljeno projektovanje i izgradnja        stanova.&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Maksimalna povr&amp;scaron;ina stana u PDR-e nije        definisana i u zavisnosti je od        projekta, potreba i funkcije objekta.&lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;33&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;STANDARD I NIVO OPREMLJENOSTI STAMBENIH JEDINICA: &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Standard i nivo opremljenosti        stambenih jedinica nisu definisani planom, medjutim, potrebno je        primeniti visok standard pri projektovanju stambenih jedinica, materijala        za ugradnju i opreme &lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;34&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;FUNKCIONALNE KARAKTERISTIKE OBJEKTA &amp;ndash; PRIZEMLJE: &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prema Planu detaljne regulacije (PDR),        u prizemljima vi&amp;scaron;eporodičnih objekata bloka 15/10,        duž produžetaka ulica Bate Brkića i Braće Dronjak, predvidjeno je        ostvarenje funkcija op&amp;scaron;tegradskog linijskog centra &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prizemlje objekta može da sadrži javne        namene poslovanja i&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;sadržaje trgovine&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;uz sadržaje trgovine potrebno je        projektovati i magacinske prostore&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;u svrhu magacinskih prostorija moguće        je koristiti dvonamenski prostor skloni&amp;scaron;ta, pa je u tom pogledu potrebno        prilagoditi projekat&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prema PDR-e, nije dato ograničenje u        pogledu visine prostora prizemne etaže. &lt;/li&gt;&lt;/ul&gt;   &lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prizemlje objekta sadrži javne        funkcije: ulazni prostor, hol, predliftovski prostor, kao i eventualne        zajedničke prostorije (biciklana, prostor za obezbedjenje objekta i        video nadzor, prostor zimske ostave (cveće, alat) i dr. &lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;   &lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;- Potrebno je, u   skladu sa UT uslovima, istražiti mogućnost povećanja spratne visine prizemlja.&lt;br&gt;- Ukoliko je   moguće dobro je u sklopu spratne visine prizemlja predvideti galerijski   prostor. &lt;br&gt;- Na taj način   moguće je izdvojiti javne od internih funkcija poslovnog prostora.&lt;br&gt;- Rezultat je   povećanje kvaliteta poslovno &amp;ndash; trgovačkih funkcija prizemlja objekta    &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;35&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;FUNKCIONALNE KARAKTERISTIKE        OBJEKTA - SUTEREN&lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prema PDR-e, nije predvidjena        izgradnja suterenske etaže, iz razloga vrlo visokog nivoa podzemnih voda&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Minimalan nivo podzemnih voda za        područje Bistrice je: 74,00 do 75,85&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Maksimalni nivo podzrmnih voda za        područje Bistrice je: 78,10 do 78,50&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Potrebno je fundirati i projektovati        prizemne etaže obzirom na uslove minimalnog i maksimalnog nivoa        podzemnih voda za ovo područje &lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;36&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;FUNKCIONALNE KARAKTERISTIKE &amp;ndash; TIPSKI SPRAT &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Tipski sprat ima funkcionalne        karakteristike stambenog objekta, sa stanovima postavljenim oko        vertikalnih komunikacija &amp;ndash; osobnog dizala (lifta) i zajedničkog        stepeni&amp;scaron;ta &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Moguće je projektovanje nekoliko        karakterističnih funkcionalnih tipova sprata, kao &amp;scaron;to su: &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Tipski sprat koji sadrži dva, tri,        četiri ili vi&amp;scaron;e stanova na stepeni&amp;scaron;tu&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Sprat koji sadrži tri ili vi&amp;scaron;e stanova        na dva stepeni&amp;scaron;ta &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Sprat koji sadrži stanove komponovane        u dva nivoa (dupleksi)&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Sprat sa terasasto postavljenim        stambenim jedinicama &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Sprat sa atrijumskim sistemom        dispozicije stambenih jedinica &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Sprat sa koridorom&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Sprat bez koridora&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Sprat sa galerijski re&amp;scaron;enim koridorom&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Sprat sa individualnim direktnim        ulazima u stanove (moguće je ovo re&amp;scaron;enje dati na poslednjoj spratnoj        etaži)&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Bez obzira &amp;scaron;to se radi o visini        stambenog objekta P+4+Pk, potrebno je projektovati lift ili osobnu dizalicu.        &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Pri tom, posebnu pažnju treba        posvetiti dovoljnom dimenzionisanju lifta, koji treba da bude vi&amp;scaron;enamenski: osobni i laki        teretni. &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Stepeni&amp;scaron;te se dimenzioni&amp;scaron;e na taj        način da je moguća njegova upotreba prilikom no&amp;scaron;enja kabastih &amp;ndash;        gabaritnih predmeta i stvari&lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;   &lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;- Potrebno je   težiti organizaciji sprata sa manjim brojem stambenih jedinica&lt;br&gt;- Idealno je   ostvarenje 2 do tri stambene jedinice po jednoj spratnoj etaži &lt;br&gt;- Takodje, potrebno je izbegavati veći broj manjih   stambenih jedinica na jednom spratu   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;37&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;FUNKCIONALNE KARAKTERISTIKE        &amp;ndash; POTKROVNA I KROVNA ETAŽA &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prema PDR-e, predvidjena je izrada        potkrovne etaže koja je zavr&amp;scaron;ena kosom krovnom konstrukcijom sa        vertikalnim nadzitkom, ili&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Kao puna etaža manjeg horizontalnog        gabarita, koja je povučena u odnosu na obodne gradjevinske linije i        pokrivena kosim krovom&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;U potkrovnoj etaži može da postoji        samo jedna etaža, odnosno, nije dozvoljeno formiranje dve ili vi&amp;scaron;e        potkrovnih etaža &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Ovo ne ograničava mogućnost formiranja        dupleks stambenih jedinica na poslednjoj spratnoj etaži, pri čemu        potkrovna etaža može da pripadne povr&amp;scaron;ini stana ispod&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Moguće je formirati i tripleks        stambene jedinice&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Postoji mogućnost formiranja stambenih        jedinica sa galerijom ili galerijama iznad&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Moguća je kompozicija odvojenih        stambenih jedinica po vertikalnim ravnima, umesto po horizontalnim &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Takodje, moguća je kompozicija        odvojenih stambenih jedinica u kombinovanim vertikalno-horizontalnim        kompozicijama&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Objekte je potrebno projektovati sa kosim krovom nagiba do        30 stepeni &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Nisu dozvoljeni ravni krovovi na        stambenim zgradama&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Nisu dozvoljeni mansardni krovovi na        stambenim zgradama&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Nije definisana vrsta krovnog pokrivača, pa je moguće        upotrebiti sve vrste krovnih pokrivača koji odgovaraju standardima &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Takodje, nije definisana vrsta &amp;ndash; tip        krovne konstrukcije, pa je moguće        primeniti različite tipove krovnih konstrukcija i konstruktivnih sistema&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Predlažem primenu savremenih        konstruktivnih sistema &amp;ndash; konvencionalnih ali i nekonvencionalnih        konstruktivnih sistema&lt;/li&gt;&lt;/ul&gt;      &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;   &lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;- U slučaju kada   se radi o punoj etaži manjeg horizontalnog gabarita koja je povučena, logično   je da je tada moguće u povučenom delu formirati krovnu terasu. &lt;br&gt;- formiranje   dupleks jedinica nije definisano Planom detaljne regulacije. Moguće je   formirati dupleks stambene jedinice, kako na spratnim etažama, tako i u   okviru poslednje spratne etaže, s tim da je potkrovna etaža gornja spratna   etaža dupleksa    &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;38&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;FUNKCIONALNE KARAKTERISTIKE STANOVA - GARSONJERE &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Garsonjera je stan minimalne povr&amp;scaron;ine funkcionalno        organizovan za život jedne do dve osobe &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Sadrži jedinstven prostor za boravak:        dnevni i noćni, kuhinjsku ni&amp;scaron;u i kupatilo&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Kupatilo sadrži WC, tu&amp;scaron; kadu veličine        min. 80/80cm, a dubine 30cm, umivaonik, ma&amp;scaron;inu za pranje rublja i        slivnik&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prema PDR-e, nije dozvoljeno        projektovanje stanova povr&amp;scaron;ine manje od 24 kvm &lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;39&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;FUNKCIONALNE KARAKTERISTIKE STANOVA- JEDNOSOBNI        STANOVI, JEDNOIPOSOBNI STANOVI: &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Jednosobni stan ima izdvojene funkcije        obedovanja i pripremanja hrane, dok jednoiposobni ima mogućnost        izdvajanja noćnih od dnevnih funkcija.&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Ovi stanovi sadrže: &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;prostorije za komuniciranje u stanu        (predsoblje, hodnik),&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;prostoriju za pripremanje hrane        (kuhinju),&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;prostor za obedovanje, &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;sobe, &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;kupatilo sa WC-om, tu&amp;scaron; kadom (min. 80/80cm,        dubine 30cm) ili kadu min. dužine        140cm, umivaonik, ma&amp;scaron;inu za        pranje rublja i slivnik&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;ostavu za hranu koja može da bude        hladna (na lodji) ili u okviru stana, ili kao plakarska ostava za        namirnice &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Broj jednosobnih stanova po PDR-e nije        definisan, medjutim, postavljena je preporuka o ostvarenju minimalne        prosečne neto povr&amp;scaron;ine od 60 kvm.        &lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;40&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;FUNKCIONALNE KARAKTERISTIKE STANOVA &amp;ndash; DVOSOBNI STANOVI        &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Osnovni sadržaji dvosobnih stanova su        isti kao kod jednosobnih i jednoiposobnih stanova (prethodna tačka). &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Ovaj tip stambenih jedinica ima        jednostavnu i logičnu shemu komunikacija, preko ulaznog prostora.&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Obzirom na postojanje dve odvojene        sobe, moguće je projektom izdvojiti        dnevne i noćne funkcije u stanu. &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;To ujedno podrazumeva i izdvajanje,        zoniranje tihih i bučnih funkcija u stanu. Tako ovaj tip stana dobija        izdvojen spavaći deo u mirnoj, noćnoj zoni.&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Kupatilo se u funkcionalnom pogledu vezuje        za noćni boravak. &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Kod luksuznijih varijanti dvosobnih stanova        moguće je projektovati i dva odvojena mokra čvora: WC i kupatilo sa        WC-om. U tom slučaju poželjno je projektovati WC uz javni deo stana &amp;ndash;        ulaz i dnevni boravak.&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prostor za pripremanje hrane sa        ostavom i prostorom za obedovanje može biti projektovan kao izdvojena        celina ili&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;prostorija za obedovanje može da se        prisajedini dnevnom boravku i sa njim da čini funkcionalnu celinu ili&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;prostorija za obedovanje projektom        može da bude izdvojena kako od kuhinje tako i od dnevnog boravka &lt;/li&gt;&lt;/ul&gt;      &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;41&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;FUNKCIONALNE KARAKTERISTIKE STANOVA &amp;ndash; DVOIPOSOBAN, TROSOBAN STAN &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;U funkcionalno organizacionom smislu kod        trosobnih i većih stanova projektom se formira jasna segregacija dnevnog        i noćnog boravka, javnog i intimnog, bučnog i tihog. &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Osnovne funkcionalne celine su: &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prostorije za komunikaciju u stanu        koje usmeravaju i izdvajaju zone dnevnog i noćnog boravka. &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prostorije dnevnog, javnog, bučnog        boravka koje obuhvataju: dnevnu sobu, kuhinju i trpezariju, i koje        projektom mogu da se medjusobno povezuju ili razdvajaju u raznim        prostornim kombinacijama. Uz ovaj blok prostorija može da se        projektuje i boravak na otvorenom: lodja, balkon ili terasa.&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prostorije noćnog, intimnog, tihog        boravka koje obuhvataju blok spavaćih soba sa pratećim (servisnim)        sadržajima i, moguće, prostorom za boravak na otvorenom.&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prostorije za ličnu higijenu: kupatilo        sa WC-om, tu&amp;scaron; kadom min. dimenzija 90/90cm i dubine 30cm ili kadom min. dužine        160cm, umivaonikom, (ma&amp;scaron;inom za pranje rublja) i slivnikom, koje se        projektuje uz zonu spavaćih soba i izdvojeni WC sa umivaonikom, (ma&amp;scaron;inom        za pranje rublja i slivnikom) u zoni ulaza u stambenu jedinicu. &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;U trosobnim i većim stanovima poželjan        je i bide u kupatilu. &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Servisni prostori u stanu.&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Izdvojen servisni prostor za ma&amp;scaron;inu za        pranje rublja sa slivnikom. Ovaj prostor može da ima i druge servisne        sadržaje, a može da se projektuje        i u okviru prostorije izdvojenog WC-a ili u okviru kupatila. &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Garderoba - garderober &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Plakar za ostavljanje kućnog pribora&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Ostava za hranu je obavezna, a može da bude hladna (na        lodji) ili u okviru stana &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Postoje različite mogućnosti dispozicije ovog tipa stanova.        &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prema orjentaciji: jednostrano,        dvostrano i vi&amp;scaron;estrano orjentisan stan &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prema dispoziciji prostorija: &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;stan sa centralnim dnevnim boravkom i        spavaćim sobama grupisanim okolo njega&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;stan sa centralnim dnevnim boravkom i        spavaćim sobana koncentrisanim u zoni izvan dnevnog boravka&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;stan sa izdvojenim dnevnim boravkom u        odnosu na ostali deo stana &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;stan sa dnevnim i noćnim boravkom        postavljenim oko centralnog koridora        stana&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;stan sa dnevnim/javnim funkcijama (kuhinja,        trpezarija i dnevni boravak, te servisne funkcije) na jednom nivou, noćnim/intimnim        funkcijama (spavaće sobe sa blokom za higijenu) na drugom nivou&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;stan sa dnevnim boravkom i kuhinjom u        istom nivou, dok su spavaće sobe koncentrisane oko galerije iznad dnevne        sobe&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prema dispoziciji ulazne partije,        moguće je formirati sledeće kompozicije trosobnog stana: &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Sa ulaznom partijom u centralnoj        stambenoj zoni&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Sa ulaznom partijom postavljenom u        vezi sa koridorom &amp;ndash; hodnikom koji povezuje stambene prostore&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Sa ulaznom partijom u nivou dnevnog        boravka i kuhinje, na nižem (donjem) nivou ili&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Sa ulaznom partijom postavljenom na        gornjem nivou stana &lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;42&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;FUNKCIONALNE KARAKTERISTIKE STANOVA &amp;ndash; TROIPOSOBNI STAN &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;U funkcionalno organizacionom smislu projektuje        se isto kao i standardan trosoban stan, kojem je dodata soba male        kvadrature (6-10kvm)&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Sve ostale karakteristike su iste kao        i kod trosobnog stana&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Kod troiposobnog stana obavezna je        upotreba dva odvojena mokra čvora: WC-a i kupatila, a bolje je re&amp;scaron;enje projektovanje        dva odvojena kupatila. Jedno od dva kupatila ujedno može da ima i        servisnu funkciju sa ma&amp;scaron;inom za pranje rublja. &lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;43&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;FUNKCIONALNE KARAKTERISTIKE STANOVA &amp;ndash;        ČETVOROSOBAN, ČETVOROIPOSOBAN, PETOSOBAN I VEĆI STAN &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Standard četvorosobnog stana        podrazumeva: &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Potpuno odvojene funkcionalne celine        dnevnog i noćnog boravka, noćnog boravka roditelja od noćnog boravka        dece, noćnog boravka, dnevnog boravka i sobe za rad&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Odvojene funkcionalne celine kuhinje i        trpezarije, kuhinje i ostave, servisa&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Odvojene funkcionalne celine ulaza za        posetioce i servisnog ulaza u stan&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Odvojene celine kupatila za roditelje        (master kupatilo) i kupatila za decu, poseban WC koji je vezan za dnevni        boravak ili ulaznu partiju u stan &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Odvojene celine dnevnog i radnog        prostora&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Ovaj tip stana podrazumeva minimalno        dve lodje ili veliku terasu koja može da primi stambene funkcije &lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;44&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;FUNKCIONALNE KARAKTERISTIKE STANOVA &amp;ndash; PENTHAUS &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Predstavlja stan na poslednjoj etaži        stambene zgrade, u prvobitnom značenju to je stan na krovnoj terasi,        naslonjen na stranu susedne vi&amp;scaron;e zgrade. U savremenom značenju, to je        stan, najče&amp;scaron;će jedini stan na zavr&amp;scaron;noj etaži, u jednom ili dva nivoa, okružen        terasama, visokog kvaliteta stanovanja i sa izuzetno atraktivnim vizurama.        &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Moguće je formiranje penthausa kao        jedinog stana na etaži ili kao jednog od dva stana na etaži.&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Moguće je formiranje penthaus stana u        jednom ili vi&amp;scaron;e nivoa.&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Ukoliko je penthaus formiran na        dva nivoa, prema PDR-e, donja        etaža nije potkrovna etaža.&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Takodje, prema PDR-e, moguće je        formirati ovaj tip stana putem povlačenja zavr&amp;scaron;ne etaže u odnosu na fasadu objekta. U tom slučaju, moguće        je formirati i krovnu terasu na delu krova.&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Pentahus može da ima lift koji se        zavr&amp;scaron;ava unutar prostora samog stana, odnosno, predstavlja privatan lift        na toj etaži. U tom slučaju, lift se nalazi u holu stana ili čak u delu        stana koji je namenjen dnevnom boravku. Ostali korisnici ne mogu da        koriste lift na etaži penthausa, osim ukoliko ne poseduju ključ.&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Funkcionalna dispozicija prostora kod        penthausa je slobodna i nekonvencionalna.&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Čest je slučaj da se penthaus formira        okolo sredi&amp;scaron;njeg prostora dnevnog boravka ili ateljea, koji ima izuzetno        veliku visinu i dobro je prosvetljen, jer je, po pravilu, jedan ceo zid        projektovan da bude u staklu, ili je zenitalno osvetljen. &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Moguće je formiranje penthausa u        jednom, dva ili vi&amp;scaron;e nivoa.&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Moguće je formiranje krovne ba&amp;scaron;te,        staklenika, pa čak i atrijuma na krovu.&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Nije redak slučaj projektovanja bazena        za plivanje na krovnoj etaži ili krovnoj terasi.&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Takodje, nije redak slučaj formiranja        unutra&amp;scaron;njeg bazena za plivanje u ovom tipu stana.&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Penthaus može da bude projektovan i u        formi ateljea. U tom slučaju, projekat i dispozicija funkcionalnih        celina je nekonvencionalan i različit od projekta do projekta. &lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;45&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;FUNKCIONALNE KARAKTERISTIKE STANOVA &amp;ndash;        KROVNI ATELJEI &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Projektuju se na nekonvencionalan        način, uz primenu principa za projektovanje penthausa&lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;46&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;FUNKCIJE SPORTA I REKREACIJE U SKLOPU STAMBENE        ZGRADE &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;U prostore za sport i aktivnu i        pasivnu rekreaciju spadaju:&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Sale za fizičko vežbanje: fitnes dvorane,        trim sale, teretane i dr.&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prostori za fizički oporavak i pasivnu        rekreaciju: prostorije za masažu, saune (sa pripadajućim prostorijama),        prostorije za fizički odmor i dr.&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prostori za sportove u vodi: bazeni,        individualni i zajednički bazeni&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Bazeni za masažu &lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;47&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;FUNKCIJE ZA ODRŽAVANJE I KUĆNE SERVISE U SKLOPU        STAMBENE ZGRADE &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;U ove prostore spadaju :&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prostorije za pranje i su&amp;scaron;enje rublja&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prostorije za peglanje rublja&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Ostali kućni servisni prostori&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prostori za bavljenje hobijem i        okupljanje stanara&lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;48&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;ZAJEDNIČKE PROSTORIJE ZA DRŽANJE BICIKALA, MOPEDA        I DR. &lt;/li&gt;&lt;/ol&gt;   &lt;br&gt;&lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Potrebno je obezbediti:&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Zajedničku prostoriju ili vi&amp;scaron;e        zajedničkih prostorija za držanje bicikala, mopeda i drugih malih        saobraćajnih sredstava i sportskih rekvizita &lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;   &lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;49&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;ULAZNI HOL: &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Ulazni hol u zgradu treba da bude        projektovan kao reprezentativan prostor&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Posebnu pažnju treba posvetiti        enterijerskoj obradi hola i upotrebljenim materijalima, koji treba da        budu atraktivni i kvalitetni&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Ulazni hol treba da sadrži: vetrobran,        denivelaciju za slučaj vremenskih nepogoda i snežnih padavina, dupla        ulazna vrata sa tampon zonom, prostor za po&amp;scaron;tanske sandučiće, reklamni        materijal.&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;U sklopu ulaznog hola moguće je        projektovati prostoriju za osobu fizičko-tehničke za&amp;scaron;tite objekta i        video nadzora objekta&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Takodje, u sklopu hola je moguće        projektovati prostoriju za sme&amp;scaron;taj bicikala, mopeda i drugih        mikroprevoznih sredstava&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Hol treba da sadrži opremu namenjenu        hendikepiranim i starim osobama, koja im olak&amp;scaron;ava kretanje&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Osvetljenje hola treba da bude        kvalitetno i dovoljne jačine&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Ulazni hol treba da bude oplemenjen        ukrasnim zelenilom &lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;50&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;ZAJEDNIČKI HODNICI: &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Zajednički hodnici i koridori, kao i        liftovski predprostori na spratovima, treba da budu dimenzionisani u skladu sa potrebama preno&amp;scaron;enja kabastih predmeta        i prolaz hendikepiranih osoba.&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Bitna je prirodna osvetljenost        zajedničkih hodnika i njihova prirodna provetrenost.&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Svi pravci kretanja treba da budu        jasni i logični.&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Ispred ulaznih vrata svakog stana        takodje je potrebno je predvideti prostor optimalnih dimenzija koji je        namenjen manipulaciji korisnika &lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;51&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;TERASE: &lt;/li&gt;&lt;/ol&gt;   &lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;U projektnoj dokumentaciji je potrebno        posebnu pažnju posvetiti projektima terasa, lodja i krovnih terasa.&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Terase, odnosno lodje, treba        projektovati uz sve tipove stambenih jedinica, ukoliko za to postoje        uslovi.&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prema standardima, balkone, lodje i        terase treba da imaju svi stanovi izuzev garsonjera.&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Minimalna povr&amp;scaron;ina ovih prostora,        zavisno od sobnosti stana, treba da se kreće od min. 2,0 do 4,0m2 &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Minimalna dubina je 140cm&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Najbolji položaj ovih prostora je        ispred dnevne sobe ili prostorije za obedovanje.&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Terase, odnosno lodje, treba        projektovati kao: terase za boravak i kao servisne lodje.&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Servisne lodje treba postaviti        neposredno uz kuhinjski odnosno trpezarijski blok.&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Boravi&amp;scaron;ne lodje treba postaviti        neposredno uz prostor za dnevni boravak ili uz spavaće sobe.&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Za tipove trosobnih i većih stanova        treba predvideti najmanje dve lodje.&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Na zavr&amp;scaron;noj &amp;ndash; potkrovnoj etaži moguće        je predvideti krovnu terasu u onom delu u kojem je zavr&amp;scaron;na etaža        povučena u odnosu na fasadu objekta.&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Lodje i terase treba snabdeti opremom,        kao &amp;scaron;to su: nadstre&amp;scaron;nice, vetrobrani, tranzene, brisoleji, tende i dr.&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Potrebno je terase i lodje opremiti        plakarima, po potrebi.&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Ograde na terasama treba projektovati        u skladu sa standardima, na visini i uz upotrebu standardnih materijala.&lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;   &lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;52&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;FASADE: &lt;/li&gt;&lt;/ol&gt;   &lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Potrebno je posebnu pažnju posvetiti        projektu fasade.&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;PDR nije definisao projekte fasada,        medjutim, dao je naznake da arhitektura stambenih blokova u naselju        &amp;raquo;Bistrica&amp;laquo; treba da bude modernog izraza&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Predlažem da arhitektura fasada,kako u        estetskom oblikovanju, tako i u materijalizaciji, bude u skladu sa savremenim        tokovima u arhitekturi&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Fasade treba projektovati na taj način da u potpunosti        zadovolje funkcionalne karakteristike: za&amp;scaron;titu od prekomernog sunčevog        zračenja, za&amp;scaron;titu od atmosferskih nepogoda, zadovoljenje konstruktivnih        potreba, zadovoljenje estetskih potreba, omogućenje dobre insolacije stanova, omogućenje        dobre provetrenosti stanova i dr.&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prilikom projektovanja fasada, moguće        je koristiti savremena sredstva arhitektonskog izraza: kompoziciju masa,        kompoziciju punih i praznih povr&amp;scaron;ina, boja, tekstura, predvideti        upotrebu savremenih materijala... &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Fasada treba da oblikuje i jasno        izrazi arhitektonski izraz jednog objekta i svaki aspekt njegove        funkcije&lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;   &lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;53&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;JAVNO SKLONI&amp;Scaron;TE &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Potrebno je predvideti prostor &amp;ndash;        objekat javnog skloni&amp;scaron;ta &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prema uslovima koje daje PDR Bistrica,        u okviru svakog stambenog objekta predvidjeno je skloni&amp;scaron;te&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Takodje, prema istom PDR, predvidjena        je izgradnja skloni&amp;scaron;ta u sastavu objekata koji se nalaze u produžetku        ulice Bate Brkića, u okviru svakog stambenog objekta&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Skloni&amp;scaron;te se dimenzioni&amp;scaron;e za        kori&amp;scaron;ćenje 50% stanovnika objekta (ili bloka)&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Skloni&amp;scaron;te treba projektovati sa        otporno&amp;scaron;ću 100kPa &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Skloni&amp;scaron;te treba da sadrži minimalno 3        skloni&amp;scaron;na mesta&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Skloni&amp;scaron;te se projektuje kao        dvonamensko skloni&amp;scaron;te &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Drugu namenu skloni&amp;scaron;ta treba        prilagoditi potrebama korisnika stambenog bloka &amp;ndash; stambene zgrade &lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;   &lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;- moguće je   projektovanje objekta skloni&amp;scaron;ta sa drugom namenom kao:&lt;br&gt;- zajednička   prostorija,&lt;br&gt;- magacin lokala   koji se nalazi u prizemlju&lt;br&gt;- neka druga   poslovna namena   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;54&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;JAVNE GARAŽE U STAMBENIM BLOKOVIMA: &lt;/li&gt;&lt;/ol&gt;   &lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prema PDR-e, predvidjena je izgradnja        garaža unutar povr&amp;scaron;ina stambenih blokova &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Garaže su predvidjene kao privatne        garaže&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Garaže se grade u okviru pojedinih        vi&amp;scaron;eporodičnih objekata&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prema PDR-e, predvidjeno je da na        jednu stambenu jedinicu bude obezbedjeno jedno parking mesto, s tim da        najmanje 50% vozila treba da bude sme&amp;scaron;teno u garažama&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Takodje, prema PDR-e, predvidjena je        izgradnja parking prostora na dve etaže&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Izgradnjom dvoetažnih parkirali&amp;scaron;ta,        prizemna etaža može da ima funkciju individualnih garaža &lt;/li&gt;&lt;/ul&gt;      &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;   &lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;55&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;ELEMENTI KONSTRUKCIJA, MATERIJALI I        OBRADA ZGRADE: &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Stambena zgrada mora da bude trajnog        karaktera&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prema Generalnom planu, ne mogu se        graditi objekti vi&amp;scaron;i od P+6, odnosno, sedam nadzemnih etaža&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prizemljem sa stanovima se smatra        etaža čija je kota poda min. 60cm, a max. 150cm u odnosu na kotu za&amp;scaron;titnog        trotoara&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Materijali koji se upotrebljavaju za gradnju        u stambenoj izgradnji moraju da imaju dovoljan stepen otpornosti prema        svim uticajima kojima mogu da budu izloženi&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;U gradnji mogu da budu kori&amp;scaron;ćeni svi        provereni i atestirani materijali.&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;U izboru materijala prednost imaju po        pravilu lokalni materijali i to prvenstveno glineni&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Kod projektovanja konstrukcije treba        se pridržavati svih važećih propisa, pravilnika i standarda &lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;56&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;KONSTRUKCIJA STEPENI&amp;Scaron;TA:&lt;/li&gt;&lt;/ol&gt;      &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;U konstruktivnom pogledu stepeni&amp;scaron;ta        moraju da budu izvedena u skladu sa važećim tehničkim propisima&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Stepeni&amp;scaron;te treba da vodi od najniže do        najvi&amp;scaron;e etaže u zgradi&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Stepeni&amp;scaron;ni prostor od prostorije        podruma i tavana mora da bude odvojen vratima sigurnosnim od požara&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Kod objekata vi&amp;scaron;im od jednog sprata        stepeni&amp;scaron;te mora da bude izgradjeno u masivnim zidovima u zasebnom        prostoru, sa podestima i tavanicom od armiranog betona ili nekog drugog        negorivog materijala&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Izmedju spratova mora da bude        odmori&amp;scaron;te ako je spratna visina veća od 3,00m&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Konstruktivni deo ograde stepeni&amp;scaron;ta        mora da bude izradjen od metala&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Materijali koji se upotrebljavaju za        stepenice moraju da budu otporni na požar &lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;57&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;KROVOVI: &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Krovovi treba da budu kosi, konstruktivno        stabilni, izvedeni od trajnih materijala&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Ravan krov se može primeniti samo u        izuzetnim slučajevima u skladu sa urbanističko-tehničkim uslovima &lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;58&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;DIMNJACI:&lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Dimnjaci se izvode za priključenje        loži&amp;scaron;ta za centralno grejanje objekta, etažno centralno grejanje        stanova, lokalno grejanje pećima ili kao sigurnosni dimnjaci&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Dimnjaci treba da ispunjavaju zahteve        važećih propisa u vezi za&amp;scaron;tite od požara, buke, zdravlja, higijene,        bezbednosti, za&amp;scaron;tite okoline, kao i zahteve mehaničke otpornosti i        stabilnosti, za&amp;scaron;tite od toplote i dimnih gasova&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Dimnjaci počinju od najniže etaže i        moraju da budu troslojni i vertikalni&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Dozvoljava se eventualno skretanje,        ali najvi&amp;scaron;e 300 u odnosu na vertikalu&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Kod krovova sa nagibom do 200        ili ravnih, visina dimnjaka treba da iznosi 1m iznad krovne ravni &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Ukoliko je ugao nagiba krova veći od        200, visina dimnjaka od krovne ravni odredjuje se u        zavisnosti od udaljenosti dimnjaka od slemena, prema podacima iz        tehničke literature&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Na jedan kanal mogu se priključiti dve        peći na istoj etaži, a max. do tri peći&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Pri tome visinska razlika na istom        kanalu mora da bude min 30cm&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Dimnjaci ne mogu da služe kao noseći        elementi&lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;59&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;SPOLJNI PROZORI I VRATA: &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Svi prozori i vrata na objektu        moraju u svemu da odgovaraju        zahtevima važećih standarda&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Dimenzije prozora, balkonskih i drugih        spolja&amp;scaron;njih vrata u stanovima moraju da budu uskladjene sa modularnom        koordinacijom mera i konstruktivnim sistemom gradjenja&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prozori se izradjuju od kvalitetnih        materijala, a mogu da budu drveni, PVC, aluminijumski ili u kombinaciji        drvo-aluminijum i sl.&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prozori i balkonska vrata moraju da        zadovolje važeće standarde za za&amp;scaron;titu od buke, vode i gasova, a naročito        za&amp;scaron;titu od gubitaka toplote&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Ulazna vrata u stambenu zgradu moraju        da budu izradjena od kvalitetnog materijala i da zadovolje sve zakonom        propisane standarde &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Ulazna vrata u zgradu moraju da se        otvaraju u polje (van zgrade)&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Najmanja &amp;scaron;irina ulaznih vrata je 1,20m        &lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;60&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;UNUTRA&amp;Scaron;NJA VRATA:&lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Unutra&amp;scaron;nja vrata u stanovima moraju da        odgovaraju važećim standardima&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;U industrijalizovanoj gradnji obavezna        je upotreba serijskih proizvoda&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Dovratnici mogu da budu metalni ili        drveni &lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;61&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;ZAVR&amp;Scaron;NI RADOVI NA ZGRADI: &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Zavr&amp;scaron;ni radovi se izvode u eksterijeru        i enterijeru objekta i to na:&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Fasadama&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;krovovima&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Unutra&amp;scaron;njim zidovima, &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Plafonima,&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;podovima, &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;kao sanitarna oprema&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;termo oprema &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;elektro oprema...&lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;62&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;PARKINZI &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Predvidjena je izgradnja parking mesta        duž obodnih ulica bloka 15/10&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Za svaku stambenu jedinicu potrebno je        obezbediti minimalno jedno parking mesto&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Postoji mogućnost izgradnje dvoetažnih        parkirali&amp;scaron;ta&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Parkiranje individualnih motornih        vozila je predvidjeno duž obodnih ulica i unutar bloka, na mestima gde        je regulacionim planom to predvidjeno&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Parkiranje u ulicama se vr&amp;scaron;i        postavljanjem motornog vozila upravno na kolovoz &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Predvidjena je &amp;scaron;irina parking prostora        za parkiranje upravno na saobraćajnicu 2,30-2,50m, &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Dužina mesta za parkiranje upravno na        saobraćajnicu iznosi od 4,60 m. &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Radi se parking mesto sa prepustom,        koji se preporučuje zbog u&amp;scaron;tede prostora, pri tom je dužina parking        mesta 5,0m &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;U slučaju podužnog parkiranja,        dimenzije parking mesta su: 5,5x2,0m&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Parkinzi mogu da se rade, kao i        trotoari, od montažnih betonskih elemenata i ploča&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Ovi gradjevinski elementi mogu da budu        u boji&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Potrebno je obezbediti propisan broj        parking mesta za hendikepirane i invalide&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Za projektovanje parkinga za invalide        upotrebljava se standard JUS U.A9.204 &lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;63&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;DEČJA IGRALI&amp;Scaron;TA: &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Unutar blokova potrebno je        projektovati dečja igrali&amp;scaron;ta&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Igrali&amp;scaron;ta se projektuju za različiti        uzrast dece&lt;/li&gt;&lt;/ul&gt;   &lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;U zavisnosti od uzrasta dece, treba        predvideti različitu opremu dečjeg igrali&amp;scaron;ta&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Uz dečja igrali&amp;scaron;ta treba predvideti        prostor za odrasle &amp;ndash; pratioce za decu &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Odvojeno od dečjih igrali&amp;scaron;ta        projektuju se sportski tereni za mlade: teren za ko&amp;scaron;arku, odbojku, tenis        i sl.&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Posebnu pažnju treba posvetiti        hendikepiranim osobama, za koje se projektuju posebna igrali&amp;scaron;ta, ili se        u okviru dečjeg igrali&amp;scaron;ta projektuju sprave za upotrebu hendikepiranih        osoba &lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;   &lt;br&gt;&lt;br&gt;&lt;br&gt;- Potrebno je   projektovati igrali&amp;scaron;te za decu do 6 godina, potom za decu od 7 do 12 godina,   kao i za mlade od 12 do 18 godina   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;64&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;HENDIKEPIRANE OSOBE, STARE OSOBE I        INVALIDI: &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Posebnu pažnju treba pokloniti        hendikepiranim osobama, starim osobama i invalidima. Za njih treba        projektovati sledeće prostore:&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Parking mesta&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prilazne rampe ulazima u objekat koje        mogu da koriste osobe koje se kreću u invalidskim kolicima&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prilazne rampe unutar ulaznog hola        objekta&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Liftove sa &amp;scaron;irinom vrata prilagodjenom        potrebama hendikepiranih osoba koje se kreću u kolicima&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Unutra&amp;scaron;nje hodnike i koridore        dimenzionisane za hendikepirane osobe&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Terene za igru hendikepirane dece&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Sportske terene prilagodjene za        rekreaciju hendikepiranih osoba&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Potrebno je posebnu pažnju posvetiti        eventualnih budućim korisnicima stanova, a koji su hendikepirane osobe &amp;ndash;        osobe sa posebnim potrebama. Za takve korisnike je potrebno izvr&amp;scaron;iti        izmene u projektu stana, odnosno prilagoditi stan njihovim potrebama &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prilikom projektovanja zajedničkih i        individualnih stepeni&amp;scaron;ta, posebnu pažnju treba posvetiti njihovom        pravilnom dimenzionisanju, obzirom na potrebe starih i hendikepiranih        osoba &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Sve rukohvate na stepeni&amp;scaron;tima treba        prilagoditi starim i hendikepiranim osobama &lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;   &lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;- U tu svrhu dimenzioni&amp;scaron;u   se vrata u stanu prema &amp;scaron;irini invalidskih kolica&lt;br&gt;- Takodje,   dimenzioni&amp;scaron;u se visine kuhinskih elemenata i pulta, visine utičnica i   prekidača za svetlo, posebno se opremaju kupatila   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;65&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;PROJEKTOVANJE KOLOVOZA: &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Najmanja &amp;scaron;irina kolovoza koju treba projektovati je 5m        za izvanblokovske saobraćajnice&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Za unutarblokovske saobraćajnice,        minimalna &amp;scaron;irina kolovoza je 3m&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Radijusi krivina na mestima ukr&amp;scaron;tanja        saobraćajnica izvan bloka su min. 6m&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Radijusi krivina na ukr&amp;scaron;tanju        saobraćajnica unutar bloka su min. 4m&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Privatni kolski prolazi su        projektovane minimalne &amp;scaron;irine 2,5m&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Pasaži &amp;ndash; kolski prolazi kroz objekte        su minimalne &amp;scaron;irine 3,5m, a njihova minimalna visina je 4m&lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;   &lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;-Minimalna visina   pasaža od 4m predstavlja visinsko ograničenje za projektovanje prizemne etaže,   čija minimalna visina, u tom slučaju, može da iznosi 4m    &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;66&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;PROJEKTOVANJE TROTOARA:&lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Predvidjeno je projektovanje trotoara        čija je minimalna &amp;scaron;irina 1,5m&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Moguća je izgradnja trotoara od        tipskih ploča i drugih elemenata za popločavanje, koji mogu da budu u        boji &lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;67&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;PROJEKTOVANJE BICIKLISTIČKE STAZE:&lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Predvidjeno je projektovanje        biciklističke staze u okviru kompleksa bloka 15/10&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Minimalna predvidjena &amp;scaron;irina biciklističke        staze je 2m&lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;68&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;VIZUELNE KOMUNIKACIJE: &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Potrebno je izraditi projekt dizajna        vizuelnih komunikacija na nivou bloka 15/10&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Vizuelne komunikacije obuhvataju        sledeće:&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Vizuelne znakove &amp;ndash; saobraćajne kolske        znakove, upozorenja, obave&amp;scaron;tenja i dr.&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Saobraćajne pe&amp;scaron;ačke znakove&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Oglasne table i informacione table        (punktove)&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Vizuelna obave&amp;scaron;tenja i upozorenja        (naznaka ulaza u zgradu, izlaza, požarnog puta)&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Informaciona obave&amp;scaron;tenja &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Vizuelna obave&amp;scaron;tenja komercijalnog        sadržaja&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Vizuelna obave&amp;scaron;tenja trajnog i        privremenog karaktera i dr. &lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;   &lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;- obave&amp;scaron;tenja o   arhitekturi bloka, informacije o kori&amp;scaron;ćenju objekata u bloku, informacije o   kućnom redu, stanovnicima bloka, informacije o saobraćaju, redu vožnje i dr.   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;69&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;HORTIKULTURNO RE&amp;Scaron;ENJE: &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Potrebno je izraditi projekat        hortikulturnog re&amp;scaron;enja objekta, odnosno, slobodnih povr&amp;scaron;ina neposredno        uz stambeni objekat&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Hortikulturno re&amp;scaron;enje treba da        obuhvati:&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Plan sadnje i održavanja visokog        zelenila&lt;/li&gt;&lt;/ul&gt;   &lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Plan sadnje i održavanja niskog        zelenila &lt;/li&gt;&lt;/ul&gt;   &lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Plan sejanja i održavanja travnjaka i        travnatih povr&amp;scaron;ina&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Plan postavljanja saksijskog ukrasnog        bilja (ispred ulaza i dr.)&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Plan postavljanja klupa, fontana,        gazebo-a, aleja, staza&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Plan postavljanja dekorativne spoljne        rasvete i dr.&lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;   &lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;- Potrebno je   predvideti drvorede&lt;br&gt;- u tom pogledu,   PDR predvidja sadnju drvoreda duž trotoara i parkirali&amp;scaron;ta&lt;br&gt;- potrebno je   obezbediti 1 drvo na svaka 4 parking mesta&lt;br&gt;- U planu sadnje i   održavanja niskog zelenila treba definisati:&lt;br&gt;- Grupe niskog   zelenila,&lt;br&gt;- alpinetume   (alpinarijume)&lt;br&gt;- cvetne leje &amp;ndash;   mesta za sadnju cvetnog bilja, po mesecima cvetanja    &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;70&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;PRIKLJUČAK NA VODU: &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Predvidjeno je da se izvede jedan        priključak na gradsku vodovodnu mrežu za jedan ulaz u stambenu zgradu &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;U okviru projekta zgrade potrebno je        projektovati prostoriju vodovodne podstanice &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;u podstanici će da budu sme&amp;scaron;teni        priključni uredjaji za gradski vodovod i vodovodne pumpe, kao i uredjaj        za regulaciju vodovodnog pritiska u zgradi&lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;   -Poželjno je da se   projektom predvidi ugradnja vodomera za svaku stambenu jedinicu pojedinačno   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;71&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;ODVODJENJE OTPADNIH I ATMOSFERSKIH        VODA:&lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Projektom je potrebno predvideti        priključak na gradsku mrežu odvoda otpadnih i atmosferskih voda &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Projektnim zadatkom je predvidjen 1        priključak na gradsku kanalizacionu mrežu za svaki ulaz posebno&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Priključak na mrežu za odvodjenje        otpadnih i atmosferskih voda treba projektovati unutar propisima        definisanog &amp;scaron;ahta koji treba da se nalazi na udaljenosti najvi&amp;scaron;e 0,5m od        regulacione linije objekta&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Ukoliko postoje suterenske prostorije,        potrebno je takodje izvr&amp;scaron;iti njihovo priključivanje na mrežu za odvodjenje        otpadnih voda&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;U slučaju priključivanja suterenskih        prostorija, potrebno je obezbediti priključak sa autonomnim sistemom za        prepumpavanje&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;U tom smislu, potrebno je projektovati        muljnu jamu &lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;72&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;PRIKLJUČENJE NA ELEKTRO ENERGETSKU        MREŽU: &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Priključenje zgrade na        elektroenergetsku mrežu je potrebno izvr&amp;scaron;iti putem:&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Povezivanja na distributivnu        transformatorsku stanicu, ili &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Putem ugradnje jo&amp;scaron; jednog        transformatora u postojeću transformatorsku stanicu, &amp;scaron;to zavisi od broja        projektovanih stambenih jedinica &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Trafo stanice moraju da budu locirane        izvan gabarita stambenih zgrada &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Za zgrade vi&amp;scaron;e od 22m, treba        predvideti prostorije za sme&amp;scaron;taj agregata za napajanje električnom        energijom&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Posebno treba uzeti u obzir projekat        javne rasvete i u odnosu na ograničenja ovog projekta treba prilagoditi        arhitektonski i elektro projekat novog objekta &lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;73&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;PRIKLJUČAK NA TOPLOVODNU        MREŽU :&lt;/li&gt;&lt;/ol&gt;   &lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prilikom projektovanja arhitektonskog        objekta, potrebno je obezbediti odgovarajuću prostoriju za potrebe        priključka zgrade na toplovodnu mrežu&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prostoriju toplotne podstanice treba        projektovati u prostoru podruma ili prizemlja objekta&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Ovim prostorijama treba obezbediti        prirodnu ili prinudnu ventilaciju&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Okolnim stambenim jedinicama treba        obezbediti dobru akustičnu izolaciju &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Treba predvideti &amp;scaron;olju za česmu sa        priključkom u prostoriji i vezu sa kanalizacijom preko slivnika sa        kanalizacionom cevi min. Prečnika 110mm &lt;/li&gt;&lt;/ul&gt;      &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;   &lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;74&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;TEMPERATURE GREJANIH PROSTORIJA: &lt;/li&gt;&lt;/ol&gt;   &lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;U stambenim zgradama sa centralnim        grejanjem moraju se obezbediti sledeće računske temperature pojedinih        prostorija:&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Dnevna soba: +200C&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Kupatilo sa izdvojenim WC-om i sa        WC-om: +220C&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Spavaće sobe, kuhinje, komunikacije u        stanu: +200C&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;WC kao posebna prostorija: +200C&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Su&amp;scaron;ionica rublja bez provetravanja:        +200C&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Su&amp;scaron;ionica rublja sa provetravanjem:        +160C &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Poslovne prostorije, kancelarije,        lokali: +200C&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Magacinske prostorije u sklopu lokala,        hidroforska postrojenja: +100C&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Garaža: +50C&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Stepeni&amp;scaron;ta, toplotne podstanice i        ostave se ne greju&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Proračun potrebne količine toplote za        grejanje prostorija i zgrada vr&amp;scaron;i se prema priznatim propisima&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Proračun i izbor koeficijenata prolaza toplote &amp;raquo;K&amp;laquo; vr&amp;scaron;i        se prema vrsti pregrada i materijala preciziranih u        arhitektonsko-gradjevinskom projektu, prema projektu toplotne za&amp;scaron;tite        objekta i u skladu sa postojećim standardima i propisima (JUS.U.J5.510.)&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Treba predvideti mogućnost merenja        utro&amp;scaron;ka toplotne energije za svaki stan posebno &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Kao grejna tela mogu da se predvide radijatori,        registri od glatkih cevi i ostala        grejna tela savremene konstrukcije, uz saglasnost investitora&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Grejna tela se postavljaju po pravilu        ispod prozora, izuzetno i na drugom pogodnom mestu u prostoriji&lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;   &lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;75&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;PRIKLJUČAK NA VRELOVODNU MREŽU:&lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Potrebno je obezbediti u projektu        prostoriju podstanice za priključak na gradsku mrežu vrelovoda &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prostorije za uredjaje za povećanje        pritiska vode (pumpe) predvidjaju se za zgrade kod kojih su neophodni        ovi uredjaji u kućnoj mreži zbog visine zgrade, velike potro&amp;scaron;nje vode,        povremenog pada pritiska, hidrantske mreže i sl.&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Ova prostorija treba da je zvučno        izolovana od stambenih i radnih prostorija&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;One moraju da imaju slivnik min. &amp;Oslash;100        u podu&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prostorije za vodomere obavezne su        tamo gde pored stanova ima i poslovnih prostorija&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Takodje, potrebno je obezbediti        izgradnju vrelovodnog priključka od vrelovoda do podstanice &lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;76&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;PRIKLJUČAK NA GASOVODNU        MREŽU: &lt;/li&gt;&lt;/ol&gt;   &lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Potrebno je projektom obuhvatiti        priključivanje zgrade na gradsku gasovodnu mrežu&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Gas se koristi kao energija za pripremu grejnog medijuma za grejanje i za        pripremu tople potro&amp;scaron;ne vode&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Gas se može neposredno koristiti i za &amp;scaron;tednjake u        kuhinjama&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;U sklopu gasnog priključka, potrebno        je predvideti prostoriju minimalne kvadrature namenjenu za gasnu        podstanicu &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Projekat treba izvesti u svemu prema        datim uslovima i standardima za ovu oblast &lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;   &lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;77&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;INSTALACIJA LIFTOVA: &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Osobni liftovi u stambenoj zgradi u slučaju spratnosti        P+4 i vi&amp;scaron;e&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Potrebno je uraditi poseban projekat        lifta, koji je usagla&amp;scaron;en sa gradjevinskim instalacijama&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Potrebno je ugraditi lift sa sledećim        karakteristikama:&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Nosivost 450gk ili 6 osoba &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Brzina vožnje V/V2=0,8/0,2m/sek&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Pogon, hidraulični lift ili asinhroni        motor sa dve grupe polova &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Broj uključaka na čas: 180 &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Sa električnom komandom, sabirnom        prema dole&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Potrebno je na glavnoj stanici        predvideti signalizaciju položaja kabine, kao i smera kretanja kabine&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Na svim ostalim stanicama treba predvideti samo signal pristajanja&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Lift mora imati ma&amp;scaron;insku kućicu &lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;78&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;VENTILACIJA: &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Za odvojene prostorije: ostave za        hranu, plakarske ostave za hranu i za kućni pribor, kupatila i WC-e,        koje nisu prirodno osvetljene i ventilisane, mora se predvideti prirodna        ventilacija putem ventilacionih kanala&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Isto važi i za prostorije za        pripremanje hrane kada su osvetljene preko prostorije za obedovanje&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Prirodnu ventilaciju treba tako        izvesti da svaka od pomenutih prostorija ima poseban ventilacioni kanal        od te prostorije do krova &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Ako to nije moguće, ventilaciju        izvesti sa jednim sabirnim kanalom po vertikali za prostorije slične        namene i jednim priključkom po etaži sa dislociranim uključenjem u        sabirni kanal&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Predlažem izvodjenje sistema prinudne        ventilacije (mehaničke)&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;U garažama za putničke automobile mora        se obezbediti provetravanje radi uklanjanja &amp;scaron;tetnih gasova i para        zapaljivih tečnosti od motora sa unutra&amp;scaron;njim sagorevanjem&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Kod nadzemnih zatvorenih garaža se        provetravanje može re&amp;scaron;iti kao prirodno ili prinudno, dok je kod        podzemnih garaža obavezno prinudno provetravanje&lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;79&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;PRIKLJUČAK NA TELEKOMUNIKACIONU MREŽU: &lt;/li&gt;&lt;/ol&gt;   &lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Priključak na telekomunikacionu mrežu        treba izvr&amp;scaron;iti preko tipskog TT priključka&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Kablovsku instalaciju do ormana, mesto        koncentracije instalacionih vodova, vrstu i veličinu priključnog ormana        treba odrediti u saglasnosti sa preduzećem TT saobraćaja&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Od ormana koncentracije do pojedinih        stanova vodove instalacije telefona treba polagati isključivo u cevi (za        sve tehnologije gradjena) u stepeni&amp;scaron;nim i drugim stalno pristupačnim        prostorijama, vodeći računa o optimizaciji dužine vodova &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;U svakom stanu treba predvideti min.        jedan priključak za direktnu telefonsku liniju i to u ulaznom delu,        odnosno, degažmanu&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Za stanove veće od trosobnog, treba        predvideti dva priključka za istu telefonsku liniju (ulazni deo i        spavaća soba) &lt;/li&gt;&lt;/ul&gt;      &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;   &lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;80&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;RTV ANTENE I/ILI KDS &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Za zgradu treba predvideti zajedničku        RTV antenu i/ili priključak na KDS, za koje po montiranju treba        pribaviti atest&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Antena se postavlja na krovu zgrade,        vodeći računa o tehničkim uslovima za prijemna antenska postrojenja, kao        i o uticaju izvora smetnji (elektromotora za lift, krovni ventilator i sl.)&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Priključak na KDS može da bude na        krovu ili u prizemlju zgrade, u skladu sa uslovima lokalnog KDS        operatera i/ili RTV&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Nosač RTV antene povezuje se sa        gromobranskom instalacijom ili temeljnim uzemljivačem objekta&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Antensko, odnosno, KDS pojačalo sme&amp;scaron;ta        se u suvu prostoriju u potkrovlju, odnosno u prizemlju objekta&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Antenske vodove treba uvući u        instalacione izolacione cevi&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Antensku priključnicu treba postaviti        u svakoj sobi &lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;81&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;INSTALACIJE INFORMACIONIH TEHNOLOGIJA:        &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Za polaganje instalacionih vodova        informacionih tehnologija potrebno je predvideti jednu instalacionu        izolacionu cev &amp;Oslash;36 u stepeni&amp;scaron;nom prostoru, od podruma do tavana, sa        razvodnim kutijama na svakom spratu&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Od razvodnih kutija do ulaznog dela        svakog stana položiti po jednu instalacionu izolacionu cev &amp;Oslash;16 &lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;82&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;INSTALACIJE NUŽNOG OSVETLJENJA, ZVUČNE        POŽARNE SIGNALIZACIJE I REZERVNOG IZVORA NAPAJANJA: &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Treba predvideti nužno osvetljenje sa        pojedinačnim izvorom napajanja&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;U stepeni&amp;scaron;nom prostoru potrebno je        predvideti zvučnu požarnu signalizaciju        sa tasterima za aktiviranje na svakom stepeni&amp;scaron;nom podestu &lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;   -Moguće i poželjno   je predvideti razvod ovih instalacija i u okviru pojedinačnih stambenih   jedinica   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;83&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;GROMOBRANSKA INSTALACIJA I UZEMLJIVAČ :&lt;/li&gt;&lt;/ol&gt;      &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Gromobranska instalacija predvidja se        u skladu sa tehničkim propisima, s tim da gromobran bude izveden kao        jedinstvena i trajna celina sa objektom&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Za odvode koristi se pocinkovana        čelična traka &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Za odvod može da se koristi i armatura        betonskih konstrukcija, koju pre betoniranja treba zavarivanjem povezati        tako da se uspostavi neprekidan galvanski spoj od hvataljki do        uzemljivača&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Uzemljivač treba izvesti kao temeljni        uzemljivač objekta&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Temeljni uzemljivač se ugradjuje u        temelje spoljnih zidova zgrade u obliku zatvorenog prstena, a kod većih        objekata treba ga izvesti i u temeljima nekih unutra&amp;scaron;njih zidova&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Za temeljni uzemljivač treba koristiti        armaturu temelja objekta ili ga treba izvesti posebno položenom        pocinkovanom čeličnom trakom&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Traku treba na &amp;scaron;to vi&amp;scaron;e mesta (10m)        spojiti varovima ili zavrtnjevima sa armaturom temelja &lt;/li&gt;&lt;/ul&gt;      &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;84&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;PROJEKAT POSTAVLJANJA KLIMA UREDJAJA: &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Potrebno je projektom obuhvatiti        problem instalacije uredjaja klimatizacije unutar stambenih i poslovnih        jedinica&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Potrebno je predvideti mesta na fasadi        za postavljanje spoljnih jedinica uredjaja za klimatizaciju&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Spoljne jedinice treba postaviti na        taj način da mogu nesmetano da funkcioni&amp;scaron;u, a da pr tom ne naru&amp;scaron;avaju        estetiku i arhitektonsku vrednost fasada objekta&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;U tom pogledu, potrebno je        projektovati posebna mesta na fasadi, uključujući i moguće fasadne        elemente (tranzene, brisoleje, pregrade i sl.) koji će da sakriju        spolja&amp;scaron;nje jedinice klima uredjaja &lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;85&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;VIDEO NADZOR: &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Projektom je potrebno izraditi plan i        tehničku shemu video nadzora nad objektom&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Posebno se video nadzorom pokriva        prostor ispred objekta, a posebno prostor unutar objekta&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Sistem video nadzora može da bude        centralni i u tom slučaju se nalazi u prostoriji iz koje se upravlja i        kontroli&amp;scaron;e sistemom&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Takodje, moguće je predvideti        individualne sisteme nadzora, pri čemu svaka stambena jedinica,        pojedinačno, ima mogućnost vizuelnog nadzora&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Ovaj sistem je moguće povezati sa        sistemom interfona &lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;86&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;INTERFON: &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Projektom je potrebno predvideti        ugradnju interfonskog sistema, koji povezuje sve stambene jedinice sa        audio-vizuelnim uredjajem postavljenim ispred uličnog ulaza u objekat&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Ovaj sistem sadrži mogućnost        daljinskog otključavanja ulaznih vrata &amp;ndash; iz svakog stana&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Ovaj sistem može da bude povezan sa        svim ulazima u objekat, uključujući i garaže &lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;87&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;TEHNIČKO OBEZBEDJENJE STANOVA I ULAZA: &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Potrebno je projektom predvideti        tehničko obezbedjenje stanova&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Ovo obezbedjenje se vr&amp;scaron;i instalacijom        i upotrebom sistema alarma&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Sistem alarma se primenjuje na taj        način da alarm reaguje na: nedozvoljen kontakt sa vratima ili prozorima,        poku&amp;scaron;aj provale ili reaguje u trenutku provale &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Sistem uključuje alarm, a takodje,        obave&amp;scaron;tava službu FTO o provali. Istovremeno, putem mobilnog telefona,        obave&amp;scaron;tava vlasnika stana o provali ili poku&amp;scaron;aju provale&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Tehničko obezbedjenje stanova se        takodje vr&amp;scaron;i ugradnjom blindiranih vrata sa protivprovalnim bravama&lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;88&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;SAKUPLJANJE OTPADAKA: &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Projektom treba predvideti sabirni        punkt za sme&amp;scaron;tanje sabirnih posuda &amp;ndash; kontejnera&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Takodje, postavljaju se        kontejneri za sekundarne        sirovine: papir, staklo (različiti po bojama stakla), metal, plastiku i        dr.&lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;   -U sklopu   sudopere, u kuhinjama stanova, je   moguće predvideti ugradnju sistema za usitnjavanje organskog otpada   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;89&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;ZA&amp;Scaron;TITA OD BUKE: &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Najvi&amp;scaron;i nivo dozvoljene buke na        prostoru ulice je 55db (A) noću, a 65db (A) danju&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Unutar stambenog objekta, najvi&amp;scaron;i        dozvoljeni nivo buke je 25db (A)        noću i 30 db (A) danju&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Za&amp;scaron;tita od buke na prostoru izvan        objekta se obezbedjuje uspostavljanjem pravilnog sistema saobraćaja i        režima saobraćaja, pravilnom dispozicijom saobraćajnica i povlačenjem        zgrade od prometnih saobraćajnica&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Za&amp;scaron;tita od buke unutar objekta se        postiže upotrebom savremenih materijala i opreme u izgradnji&lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;90&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;ZA&amp;Scaron;TITA OD ELEMENTARNIH I TEHNIČKIH        NEPOGODA: &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Potrebno je projektom omogućiti        za&amp;scaron;titu objekta od poplava&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;U tom smislu, potrebno je projektovati        podizanje objekta na bezbednu kotu, koja nije ugrožena eventualnom        poplavom&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Ne preporučuje se izgradnja podzemnih        etaža, zbog vrlo visokog nivoa podzemnih voda &lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;91&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;SEIZMIČKA ZA&amp;Scaron;TITA:&lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Potrebno je projektom obuhvatiti sve        elemente seizmičke za&amp;scaron;tite objekta&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Konstruktivno re&amp;scaron;enje mora da sadrži        elemente za&amp;scaron;tite objekta od zemljotresa&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Ovi elementi uključuju: seizmička        ukrućenja objekta, izgradnju seizmičkih zidova, kao i proračun        konstrukcije na dejstvo eventualnih seizmičkih sila&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Područje naselja &amp;raquo;Bistrica&amp;laquo; nalazi se        u zoni 8&amp;deg; MCS &lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;92&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;MERE ZA&amp;Scaron;TITE OD POŽARA: &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Postoje pasivne i aktivne mere za&amp;scaron;tite        od požara, a u projektu treba primeniti sve raspoložive pasivne mere        za&amp;scaron;tite protiv požara, kao &amp;scaron;to su: &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Gradnja objekta od vatrootpornih        materijala&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Obezbedjenje prilaza objektima za        slučaj potrebe ga&amp;scaron;enja požara&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Potrebno je predvideti ulazna vrata u        stambene jedinice koja sadrže protivpožarna svojstva, odnosno, ne        dozvoljavaju preno&amp;scaron;enje požara iz koridora u unutra&amp;scaron;njost stambene        jedinice &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Takodje, potrebno je projektovati sve        instalacione duktove u skladu sa propisima protivpožarne za&amp;scaron;tite&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;U smislu obezbedjenja prilaza objektu        u slučaju požara, potrebno je projektom omogućiti pristup protivpožarnom        kamionskom vozilu neposredan prilaz fasadama objekta, uključujući sve        unutra&amp;scaron;nje fasade&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Treba omogućiti kolske prolaze za        pristup protivpožarnom vozilu&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Dužina prilaza mestu ga&amp;scaron;enja požara        definisana je dužinom protipožanog creva i dužinom protipožarnih lestvi &lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;   -Moguće i poželjno   je projektom predvideti i aktivne protivpožarne mere u svim pojedinačnim   stambenim jedinicama razvodom ovih instalacija i u okviru stanova, sa   javljačima i sprinklerima u svim prostorijama   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;93&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;INTELIGENTNA KUĆA &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;U okviru projekta moguće je primeniti        sisteme upravljanja i održavanja pojedinih ili svih stanova po principu        &amp;raquo;inteligentne kuće&amp;laquo;&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Ovaj sistem je poznat u svetu i odnosi        se na automatizaciju upravljanja i kontrole: elektroinstalacija visoke        struje, instalacija niske struje, grejanja i klimatizacije, osvetljenja        prostora, uključivanja i i sključivanja pojedinih ili svih uredjaja u stanu, upravljanje        sistemom protivprovalne za&amp;scaron;tite, upravljanje sistemom protivpožarne        za&amp;scaron;tite, sistemom spu&amp;scaron;tanja i        podizanja roletni, sve do upravljanja audio-vizuelnim sistemom u        stanovima&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Ovaj sistem se takodje primenjuje u        sadejstvu sa drugim sistemima, kao &amp;scaron;to su:&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Sistem solarnog grejanja vode i        prostora, individualni sistem za proizvodnju električne energije i dr. &lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;94&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;SPECIFIČNI SISTEMI U STANOVIMA: &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Potrebno je predvideti mogućnost        ugradnje specifičnih pojedinih sistema, kao &amp;scaron;to su:&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Sistem spu&amp;scaron;tanja i podizalja        prozorskih roletni, vezano za stepen osunčanosti prozora&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Sistem blind prozora. Blind prozori se        koriste posebno na mestima velikih staklenih povr&amp;scaron;ina, balkonskih i        terasnih vrata. Ovaj sistem se primenjuje na mestima gde postoji bojazan        da, prilikom loma klasičnog stakla može da dodje do povrede stanovnika,        posebno dece.&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Ulazna vrata treba izraditi u sistemu        blind stakla (ranije se koristilo armirano staklo), koje je tokom        upotrebe izloženo udarima. &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Ista vrsta stakla se primenjuje na        stepeni&amp;scaron;nim, balkonskim i drugim ogradama &lt;/li&gt;&lt;/ul&gt;   &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;   &lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;95&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;PODIZANJE ESTETSKOG NIVOA ENTERIJERA        ZAJEDNIČKIH PROSTORA: &lt;/li&gt;&lt;/ol&gt;   &lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &lt;ul&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Ulazni hol i zajednički hodnici i        koridori u stambenoj zgradi predstavljaju kako mesta komunikacije samih        korisnika, tako i prvi i presudan vizuelni kontakt spoljnih posetilaca        sa samim objektom. &lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;U tom pogledu, potrebno je te prostore        enterijerski obraditi &amp;scaron;to reprezentativnije, luksuznijim materijalima i        opremom.&lt;/li&gt;&lt;li class=&quot;MsoNormal&quot;&gt;Takodje, zajedničke prostore treba        oplemeniti,&lt;/li&gt;&lt;/ul&gt;    humanizovati. &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;   &lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;-Zidovi mogu da se   ukra&amp;scaron;avaju reprodukcijama slika, grafika, mozaicima, plakatima i dr.)&lt;br&gt;-Unutar prostora   hola mogu da se unose i izlažu umetnička vajarska dela, te ona upotrebne   vrednosti (mini fontane, česme i dr.)&lt;br&gt;- Uvodi se   zelenilo: cvetni aranžmani, drveće i dr.   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;96&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;LOKALI ZA NAMENU TRGOVINE I USLUGA &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &amp;middot;   Prema   PDR-e, predvidjena je izgradnja lokala sa namenom trgovine, u sklopu gradskog   linearnog centra&lt;br&gt;&amp;middot;   Lokale   je moguće projektovati na uličnoj strani stambenog objekta, sa ulazima iz   pravca produžetka ulice Braće Dronjak &lt;br&gt;&amp;middot;   Ulaz u   svaki lokal treba da bude za&amp;scaron;tićen vetrobranom ili putem trema i sl. &lt;br&gt;&amp;middot;   Svaki   lokal namenjen trgovini treba da sadrži svu potrebnu opremu i instalacije   koje su neophodne za obavljanje trgovinske delatnosti, a u zavisnosti od   vrste i namene lokala&lt;br&gt;&amp;middot;   Nije   dozvoljeno bavljenje bučnim uslužnim   aktivnostima, kao ni aktivnostima koje naru&amp;scaron;avaju ekolo&amp;scaron;ke standarde (na pr.:   restorani sa zagadjivačima &amp;ndash; ro&amp;scaron;tiljem, a bez neophodnih filtera) &lt;br&gt;&amp;middot;   Uz   lokale je projektom predvidjen:&lt;br&gt;&amp;middot;   Magacinski   prostor. Moguće je omogućiti kori&amp;scaron;ćenje dvonamenskog skloni&amp;scaron;ta u funkciji   magacina &lt;br&gt;&amp;middot;   Sanitarni   prostor, koji sadrži WC sa tu&amp;scaron; kabinom, garderobu, mesto za presvlačenje i   odmor &lt;br&gt;&amp;middot;   Magacin   priručnog materijala za održavanje higijene&lt;br&gt;&amp;middot;   Ulazi   u lokale namenjene trgovini su locirani direktno sa strane ulice&lt;br&gt;&amp;middot;   Snabdevanje   je poželjno organizovati neovisno od ulaza za posetioce&lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;97&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;LOKALI ZA NAMENU POSLOVANJA &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &amp;middot;   U   prizemlju objekta je predvidjena izgradnja lokala i drugih objekata &amp;ndash;   prostora za namene poslovanja &lt;br&gt;&amp;middot;   Nije   dato nikakvo ograničenje u pogledu veličine i dimenzionih karakteristika ovih   prostorija, pa je njih moguće projektovati u skladu sa zahtevima i potrebama   investitora&lt;br&gt;&amp;middot;   Uz   lokale poslovnog karaktera su predvidjeni:&lt;br&gt;&amp;middot;   Sanitarni   prostor sa WC-om i lavaboom (i tu&amp;scaron;em)&lt;br&gt;&amp;middot;   Prostor   garderobe&lt;br&gt;&amp;middot;   Prostor   za sme&amp;scaron;taj priručnih sredstava održavanja &lt;br&gt;&amp;middot;   Prostor   sa mogućno&amp;scaron;ću funkcije sme&amp;scaron;taja arhive&lt;br&gt;&amp;middot;   Ulaze   u lokale namenjene poslovanju je moguće postaviti na uličnu fasadu zgrade&lt;br&gt;&amp;middot;   Takodje,   moguće je ulaze u pojedine lokale postaviti iz unutra&amp;scaron;njeg ulaznog hola   objekta&lt;br&gt;&amp;middot;   Ovaj   hol treba da bude u potpunosti izdvojen od ulaznog hola u stambeni deo objekta&lt;br&gt;&amp;middot;   Svaki   poslovni prostor treba da ima:&lt;br&gt;&amp;middot;   Dovoljan   broj telefonskih ISDN priključaka&lt;br&gt;&amp;middot;   Dovoljan   broj kompjuterskih mrežnih i internet   priključaka (min. 1 za svako radno mesto)&lt;br&gt;&amp;middot;   Video   nadzor sa snimanjem&lt;br&gt;&amp;middot;   Služba   obezbedjenja može da bude organizovana na nivou pojedinih lokala, ali je   bolje da bude organizovana na nivou cele zgrade, uključujući i lokale &lt;br&gt;&amp;middot;   Svaki   lokal treba da ima dovoljan broj parking mesta, kako za zaposlene, tako i za   posetioce    &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;98&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;OSTALI TIPOVI LOKALA: &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &amp;middot;   Moguće   je predvideti i druge tipove lokala, sa različitim funkcionalnim   karakteristikama, kao &amp;scaron;to su:&lt;br&gt;&amp;middot;   Funkcije   obrazovanja (stručne &amp;scaron;kole i kursevi)&lt;br&gt;&amp;middot;   Funkcije   usluga i servisa (frizer, hemijsko či&amp;scaron;ćenje i sl.) i dr&lt;br&gt;&amp;middot;   Prostor   lokala sa specifičnom funkcijom će biti tretiran i projektovan u skladu sa   funkcijom    &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;99&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;POSEBNI PROSTORI ZA REKREACIJU;        ZATVORENI BAZEN SA PRATEĆIM FUNKCIJAMA I PRATEĆIM PROSTORIMA &lt;/li&gt;&lt;/ol&gt;   &lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &amp;middot;   U   okviru jedne od etaža objekta (prizemna, prizeman dvori&amp;scaron;ni prostor bloka ili   potkrovna etaža) moguće je realizovati poseban prostor za rekreaciju &amp;ndash;   zatvoreni bazen sa pratećim funkcijama i pratećim prostorima&lt;br&gt;&amp;middot;   bazen   treba da bude projektovan kao rekreativni bazen, u aneksu zgrade, sa posebnim   ulazom iz objekta ili iz vana&lt;br&gt;&amp;middot;   bazen   je zatvorenog tipa, za stanovnike stambene zgrade, a po mogućstvu, mogu da ga   koriste i korisnici koji ne žive u stambenoj zgradi&lt;br&gt;&amp;middot;   bazen   treba da predstavlja funkcionalnu   celinu za sebe, koja je funkcijom i konstruktivno odvojena od ostalog dela   zgrade &lt;br&gt;&amp;middot;   osnovne   funkcionalne celine bazena su: &lt;br&gt;&amp;middot;   bazenska   sala, pokrivena, grejana i   provetravana &amp;ndash; klimatizovana, sa pratećim prostorima i sadržajima,&lt;br&gt;&amp;middot;   prilazni   hol &lt;br&gt;&amp;middot;   garderobe   za presvlačenje (mu&amp;scaron;ke i ženske)&lt;br&gt;&amp;middot;   tu&amp;scaron;evi&lt;br&gt;&amp;middot;   prateće   prostorije, medju kojima su:&lt;br&gt;&amp;middot;   prostor   za masažu,&lt;br&gt;&amp;middot;   solarijum,&lt;br&gt;&amp;middot;   trim   sala,&lt;br&gt;&amp;middot;   teretana,&lt;br&gt;&amp;middot;   sauna   sa posebnim pretprostorom i kabinama&lt;br&gt;&amp;middot;   soba   za sme&amp;scaron;taj rekvizita &lt;br&gt;&amp;middot;   bar i   dr.    &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;   &lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;308&quot;&gt;   &lt;ol start=&quot;100&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;PRIVATNE GARAŽE: &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;296&quot;&gt;   &amp;middot;   U   prostoru prizemlja objekta ili u pro&amp;scaron;irenom prostoru prizemlja koji se nalazi   u dvori&amp;scaron;nom delu stambenog bloka, moguće je izgraditi sadržaje pokrivene   zatvorene garaže&lt;br&gt;&amp;middot;   Garažu   je potrebno projektovati kao zatvoreni   prostor, unutar kojeg su sagradjeni medjusobno zatvoreni i odvojeni prostori   individualnih garaža&lt;br&gt;&amp;middot;   Prilaz   garaži je kontrolisan i ograničen samo na vlasnike individualnih garaža &amp;ndash;   garažnih mesta i ovla&amp;scaron;ćene korisnike garaža&lt;br&gt;&amp;middot;   Svaka   individualna garaža je opremljena:&lt;br&gt;&amp;middot;   vratima   sa automatskim &amp;ndash; daljinskim otvaranjem i zatvaranjem, &lt;br&gt;&amp;middot;   video   nadzorom 24h,&lt;br&gt;&amp;middot;   jednim   točećim mestom &amp;ndash; lavaboom,&lt;br&gt;&amp;middot;   sistemom   za daljinsko grejanje&lt;br&gt;&amp;middot;   garaža   je povezana sa unutra&amp;scaron;njosti stambene zgrade pokrivenim i zatvorenim koridorom   i vertikalnom stepeni&amp;scaron;nom i liftovskom komunikacijom&lt;br&gt;&amp;middot;   postoji   mogućnost daljinskih komandi otključavanja, paljenja svetla, grejanja, pa čak   i paljenja motornih vozila iz stana zgrade&lt;br&gt;&amp;middot;   garaža   je pokrivena automatskim sistemom video nadzora&lt;br&gt;&amp;middot;   kao i automatskim sistemom kontrole ulaska i izlaska u nju    &lt;/td&gt;   &lt;td width=&quot;155&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt; &lt;/tbody&gt;&lt;/table&gt;  &lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;PROJEKTNI ZADATAK SA UKLJUČENIM FUNKCIONALNIM CELINAMA I NJIHOVOM OKVIRNOM POVR&amp;Scaron;INOM &lt;br&gt;&lt;br&gt;LAMELA 1 &lt;br&gt;&lt;br&gt;REKAPITULACIJA POVR&amp;Scaron;INA PREDVIDJENIH PROJEKTNIM ZADATKOM:&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;BRUTO POVR&amp;Scaron;INA TIPSKE ETAŽE &lt;br&gt;DEFINISANA REGULACIONOM &amp;ndash; &lt;br&gt;GRADJEVINSKOM LINIJOM:   693,00 m2&lt;br&gt;&lt;br&gt;PREDVIDJENA NETO POVR&amp;Scaron;INA TIPSKE ETAŽE:   623,70 m2&lt;br&gt;&lt;br&gt;PREDVIDJENA NETO POVR&amp;Scaron;INA PRIZEMLJA:  623,70 m2&lt;br&gt;&lt;br&gt;PREDVIDJENA NETO POVR&amp;Scaron;INA POTKROVLJA:  580,00 m2&lt;br&gt;&lt;br&gt;PREDVIDJENA NETO POVR&amp;Scaron;INA LAMELE 1 &lt;br&gt;(BEZ GARAŽE I SKLONI&amp;Scaron;TA):  3.698,50 m2&lt;br&gt;&lt;br&gt;NETO POVR&amp;Scaron;INA GARAŽE: 300,00 m2 &lt;br&gt;&lt;br&gt;NETO POVR&amp;Scaron;INA SKLONI&amp;Scaron;TA: 200,00 m2&lt;br&gt;&lt;br&gt;UKUPNA PREDVIDJENA NETO POVR&amp;Scaron;INA OBJEKTA:  4.198,50 m2  &lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;i&gt;Napomena:&lt;/i&gt;&lt;br&gt;&lt;br&gt;&lt;i&gt;Date povr&amp;scaron;ine su okvirne i mogu se promeniti u odnosu na tip i vrstu projektovane konstrukcije, debljine zidova i drugih elemenata koje obuhvata arhitektonski projekat. &lt;/i&gt;&lt;br&gt;&lt;i&gt;U datu povr&amp;scaron;inu nije u&amp;scaron;ao objekat prostora za sport i rekreaciju sa bazenom, koji se nalazi u prizemlju unutarblokovske povr&amp;scaron;ine.&lt;/i&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;PRIZEMNA ETAŽA: &lt;br&gt;&lt;br&gt;ZAJEDNIČKE PROSTORIJE : &lt;br&gt;  &lt;table cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;MsoTableGrid&quot;&gt;  &lt;tbody&gt;&lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   FUNKCIONALAN TIP   PROSTORA   &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;   PREDVIDJENA   POVR&amp;Scaron;INA PROSTORA U m2   &lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;   NAPOMENA   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;&lt;br&gt;&lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;&lt;br&gt;&lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   &lt;ol start=&quot;1&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;ULAZNI VETROBRAN &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;&lt;br&gt;&lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   &lt;ol start=&quot;2&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;ULAZNI HOL U STAMBENI DEO ZGRADE &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;    20    &lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   &lt;ol start=&quot;3&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;LIFTOVSKI PREDPROSTOR&lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;    6   &lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   &lt;ol start=&quot;4&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;STEPENI&amp;Scaron;NI PROSTOR&lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;&lt;br&gt;&lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   &lt;ol start=&quot;5&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;OSTAVA ZA BICIKLE, KOLICA I DR.&lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;    12   &lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   &lt;ol start=&quot;6&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;SERVISNI PROSTOR &amp;ndash; PROSTOR ZA SREDSTVA        ODRŽAVANJA STAMBENE ZGRADE&lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;    6   &lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   &lt;ol start=&quot;7&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;PROSTORIJA ZA SME&amp;Scaron;TAJ UREDJAJA ZA        POVEĆANJE PRITISKA VODE I VODOMERA&lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;    6   &lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   &lt;ol start=&quot;8&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;PROSTORIJA ZA SME&amp;Scaron;TAJ PRIKLJUČAKA: RAZVODNE TABLE        ELEKTROINSTALACIJA, PRIKLJUČKA TELEFONSKE INSTALACIJE, KOMPJUTERSKE        INFORMACIONE INSTALACIJE, PRIKLJUČKA ANTENSKOG POJAČALA KDS INSTALACIJE        I RTV INSTALACIJE&lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;    8   &lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   &lt;ol start=&quot;9&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;PROSTORIJA ZA SME&amp;Scaron;TAJ        OBEZBEDJENJA OBJEKTA, EVENTUALNO PORTIRA I VR&amp;Scaron;ENJE        VIDEO NADZORA &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;    6   &lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   &lt;ol start=&quot;10&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;PROSTORIJA TOPLOTNE PODSTANICE&lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;    6    &lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   &lt;ol start=&quot;11&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;PROSTORIJA PODSTANICE GASNE        INSTALACIJE&lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;    6   &lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   &lt;ol start=&quot;12&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;SERVISNA PROSTORIJA LIFTA &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;    6   &lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;   &amp;middot;   Ukoliko   je lift hidraulični, servisna   prostorija je u prizemlju.&lt;br&gt;&amp;middot;   Medjutim,   za elektromotorni lift, ova prostorija se nalazi na zavr&amp;scaron;noj etaži zgrade   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   &lt;ol start=&quot;13&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;PROSTORIJA ZA SME&amp;Scaron;TAJ APA UREDJAJA -        AKUMULATORSKOG SISTEMA OSVETLJENJA &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;    6    &lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   &lt;ol start=&quot;14&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;ZAJEDNIČKA PROSTORIJA &amp;ndash; PROSTORIJA SKUP&amp;Scaron;TINE        STANARA&lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;   12-16    &lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;   &amp;middot;   Ova   prostorija nije obavezujuća, ali je poželjno predvideti je   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;&lt;br&gt;&lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;&lt;br&gt;&lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;&lt;br&gt;&lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;&lt;br&gt;&lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;&lt;br&gt;&lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;&lt;br&gt;&lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt; &lt;/tbody&gt;&lt;/table&gt;  &lt;br&gt;&lt;br&gt;TRGOVAČKE I POSLOVNE PROSTORIJE: &lt;br&gt;  &lt;table cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;MsoTableGrid&quot;&gt;  &lt;tbody&gt;&lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   FUNKCIONALAN TIP   PROSTORA    &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;   PREDVIDJENA POVR&amp;Scaron;INA PROSTORA U m2   &lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;   NAPOMENA   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   &lt;ol start=&quot;15&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;LOKALI ZA NAMENU TRGOVINE &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;   300    &lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;   &amp;middot;   Uz   lokale projektovati i mokre čvorove, kao i magacinski prostor&lt;br&gt;&amp;middot;   Moguće   je kori&amp;scaron;ćenje u funkciji magacinskog prostora dvonamensko skloni&amp;scaron;te   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   &lt;ol start=&quot;16&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;LOKALI ZA NAMENU POSLOVANJA &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;   200   &lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   &lt;ol start=&quot;17&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;LOKALI ZA OSTALE NAMENE&lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;&lt;br&gt;&lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;   &amp;middot;   Obračunava   se povr&amp;scaron;ina po potrebi   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;&lt;br&gt;&lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;&lt;br&gt;&lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;&lt;br&gt;&lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;&lt;br&gt;&lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;&lt;br&gt;&lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;&lt;br&gt;&lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt; &lt;/tbody&gt;&lt;/table&gt;  &lt;br&gt;&lt;br&gt;&lt;br&gt;PRIVATNE GARAŽE: &lt;br&gt;  &lt;table cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;MsoTableGrid&quot;&gt;  &lt;tbody&gt;&lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   FUNKCIONALAN TIP   PROSTORA    &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;   PREDVIDJENA   POVR&amp;Scaron;INA PROSTORA U m2   &lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;   NAPOMENA   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   &lt;ol start=&quot;18&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;PRIVATNI PROSTOR GARAŽA&lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;   300   &lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   &lt;ol start=&quot;19&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;KOMUNIKACIJE I PRETPROSTOR GARAŽE &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;   100   &lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt; &lt;/tbody&gt;&lt;/table&gt;  &lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;SKLONI&amp;Scaron;TE: &lt;br&gt;  &lt;table cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;MsoTableGrid&quot;&gt;  &lt;tbody&gt;&lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   FUNKCIONALAN TIP   PROSTORA    &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;   PREDVIDJENA   POVR&amp;Scaron;INA PROSTORA U m2   &lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;   NAPOMENA   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   &lt;ol start=&quot;20&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;PROSTOR SKLONI&amp;Scaron;TA&lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;   200   &lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt; &lt;/tbody&gt;&lt;/table&gt;  &lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;POSEBNI PROSTORI ZA REKREACIJU: ZATVORENI BAZEN SA PRATEĆIM FUNKCIJAMA I PRATEĆIM PROSTORIMA: &lt;br&gt; &lt;br&gt;  &lt;table cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;MsoTableGrid&quot;&gt;  &lt;tbody&gt;&lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   FUNKCIONALAN TIP   PROSTORA    &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;   PREDVIDJENA   POVR&amp;Scaron;INA PROSTORA U m2   &lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;   NAPOMENA   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   &lt;ol start=&quot;21&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;BAZENSKA SALA &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;   180   &lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   &lt;ol start=&quot;22&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;ULAZNI HOL U SALU SA BAZENOM&lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;    25   &lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   &lt;ol start=&quot;23&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;GARDEROBE&lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;    20   &lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   &lt;ol start=&quot;24&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;TU&amp;Scaron;EVI&lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;    10   &lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   &lt;ol start=&quot;25&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;BAR&lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;    10   &lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   &lt;ol start=&quot;26&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;SOLARIJUM&lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;    20   &lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   &lt;ol start=&quot;27&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;FITNES SALA&lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;    50   &lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   &lt;ol start=&quot;28&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;TERETANA&lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;    50   &lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   &lt;ol start=&quot;29&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;SAUNA&lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;    20   &lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   &lt;ol start=&quot;30&quot;&gt;&lt;li class=&quot;MsoNormal&quot;&gt;SOBA ZA MASAŽU &lt;/li&gt;&lt;/ol&gt;   &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;    20   &lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt; &lt;/tbody&gt;&lt;/table&gt;  &lt;br&gt;&lt;br&gt; &lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;TIPSKI SPRAT VARIJANTA 1 : &lt;br&gt;&lt;br&gt;  &lt;table cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;MsoTableGrid&quot;&gt;  &lt;tbody&gt;&lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   FUNKCIONALAN TIP   PROSTORA    &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;   PREDVIDJENA   POVR&amp;Scaron;INA PROSTORA U m2   &lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;   NAPOMENA   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   ČETVOROSOBAN STAN   &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;   120   &lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   TROIPOSOBAN STAN   &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;   100   &lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   TROSOBAN STAN   &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;    80   &lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   DVOIPOSOBAN STAN   &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;    60   &lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   DVOSOBAN STAN   &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;    60   &lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   JEDNOIPOSOBAN STAN   &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;    40   &lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   JEDNOIPOSOBAN STAN   &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;    40   &lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt; &lt;/tbody&gt;&lt;/table&gt;  &lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;TIPSKI SPRAT VARIJANTA 2 : &lt;br&gt;&lt;br&gt;  &lt;table cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;MsoTableGrid&quot;&gt;  &lt;tbody&gt;&lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   FUNKCIONALAN TIP   PROSTORA    &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;   PREDVIDJENA   POVR&amp;Scaron;INA PROSTORA U m2   &lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;   NAPOMENA   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   TROIPOSOBAN STAN   &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;   100    &lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   TROIPOSOBAN STAN   &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;   100   &lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   TROSOBAN STAN   &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;   100   &lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   DVOIPOSOBAN STAN   &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;    60   &lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   DVOIPOSOBAN STAN   &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;    60   &lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   DVOSOBAN STAN   &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;    50   &lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   JEDNOIPOSOBAN STAN   &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;    50   &lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt; &lt;/tbody&gt;&lt;/table&gt;  &lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;TIPSKI SPRAT VARIJANTA 3 : &lt;br&gt;&lt;br&gt;  &lt;table cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;MsoTableGrid&quot;&gt;  &lt;tbody&gt;&lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   FUNKCIONALAN TIP   PROSTORA    &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;   PREDVIDJENA   POVR&amp;Scaron;INA PROSTORA U m2   &lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;   NAPOMENA   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   ČETVOROSOBAN STAN   &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;   120   &lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   ČETVOROSOBAN STAN   &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;   120   &lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   TROSOBAN STAN   &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;   100    &lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   DVOIPOSOBAN STAN   &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;    80   &lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   DVOIPOSOBAN STAN   &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;    80   &lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   JEDNOIPOSOBAN STAN   &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;    40   &lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   JEDNOSOBAN STAN   &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;    40   &lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt; &lt;/tbody&gt;&lt;/table&gt;  &lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;TIPSKI SPRAT VARIJANTA 4 : &lt;br&gt;&lt;br&gt;  &lt;table cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;MsoTableGrid&quot;&gt;  &lt;tbody&gt;&lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   FUNKCIONALAN TIP   PROSTORA    &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;   PREDVIDJENA   POVR&amp;Scaron;INA PROSTORA U m2   &lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;   NAPOMENA   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   PETOSOBAN STAN   &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;   160   &lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   TROIPOSOBAN STAN   &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;   100   &lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   TROSOBAN STAN   &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;    80   &lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   DVOIPOSOBAN STAN   &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;    80   &lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   DVOIPOSOBAN STAN   &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;    80   &lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   JEDNOIPOSOBAN STAN   &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;    40   &lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   JEDNOIPOSOBAN STAN   &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;    40   &lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt; &lt;/tbody&gt;&lt;/table&gt;  &lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;POTKROVNA ETAŽA : &lt;br&gt;&lt;br&gt;  &lt;table cellpadding=&quot;0&quot; cellspacing=&quot;0&quot; class=&quot;MsoTableGrid&quot;&gt;  &lt;tbody&gt;&lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   FUNKCIONALAN TIP   PROSTORA    &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;   PREDVIDJENA   POVR&amp;Scaron;INA PROSTORA U m2   &lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;   NAPOMENA   &lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   PENTHAUS   &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;   180+80 krovna   terasa   &lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   PENTHAUS   &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;   160   &lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt;  &lt;tr&gt;   &lt;td width=&quot;309&quot;&gt;   PENTHAUS   &lt;/td&gt;   &lt;td width=&quot;165&quot;&gt;   160   &lt;/td&gt;   &lt;td width=&quot;264&quot;&gt;&lt;br&gt;&lt;/td&gt;  &lt;/tr&gt; &lt;/tbody&gt;&lt;/table&gt;  &lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;hr size=&quot;1&quot;&gt;&lt;br/&gt;</description></item><item><title>Porno i pank neoarhitektura</title><link>http://maldini.wetpaint.com/page/Porno+i+pank+neoarhitektura</link><author>maldini</author><guid isPermaLink="false">http://maldini.wetpaint.com/page/Porno+i+pank+neoarhitektura</guid><pubDate>Tue, 06 Oct 2009 03:26:52 CDT</pubDate><description> &lt;br&gt;&lt;hr size=&quot;1&quot;&gt;&lt;br/&gt;</description></item><item><title>arhitektonski fakultet u beogradu</title><link>http://maldini.wetpaint.com/page/arhitektonski+fakultet+u+beogradu</link><author>maldini</author><guid isPermaLink="false">http://maldini.wetpaint.com/page/arhitektonski+fakultet+u+beogradu</guid><pubDate>Tue, 22 Sep 2009 12:25:08 CDT</pubDate><description>&lt;br&gt;  &lt;b&gt;ARHITEKTONSKI FAKULTET U BEOGRADU&lt;/b&gt; &lt;br&gt;&lt;br&gt;U istoriji Srbije, obrazovanje i kulturno prosvetiteljstvo je imalo svoje razvojne uspone i padove. Zajedno sa dolaskom Turaka i nestankom srednjovekovne srpske države, prosvetiteljsvo i kultura je izgubila svoje institucije. Tek u periodu XIX veka, nakon oslobodjenja Srbije od turske vlasti, nastali su prvi institucionalni temelji srpskog prosvetiteljstva. Godine 1808. otvorena je Karadjordjeva Velika &amp;Scaron;kola, čiji su osnivači bili Dositej Obradović i Ivan Jugović. Medjutim, nakon propasti Prvog srpskog ustanka, ova &amp;scaron;kola je zatvorena. Godine 1830. knez Milo&amp;scaron; je pozvao učene Srbe iz Vojvodine, pa je sa njima i Vukon Stefanovićem Karadžićem pokrenui osnivanje &amp;scaron;kola po Srbiji. Prva gimnazija otvorena je 1835., a prva vi&amp;scaron;a &amp;scaron;kola, u to vreme, osnovana je takodje 1830. u Beogradu. U periodu prve polovine XIX veka, u Srbiji se planski osnivaju nove varo&amp;scaron;i, u kojima se podižu brojne gradjevine. U ovoj situaciji, arhitektura dobija sve veći značaj, jer su i potrebe za gradnjom bile sve veće. U prvom periodu izgradnje zemlje, angažovani su tzv. &amp;bdquo;narodni majstori&amp;ldquo;, koji su poticali iz Južne i Jugoistočne Srbije, a oni su podizali jednostavnu tradicionalnu folklornu arhitekturu. Medju ovim majstorima, najznačajniji su bili: Janja Mihajlović, Nikola Djordjević, Karapa&amp;scaron;a, Naum Dimitrov, Boža Jadranin, a posebno Hadži Nikola Živković. Istovremeno, stvarani su sve brojniji kontakti sa gradjevinarima iz okolnih zemalja, posebno iz Austrije i Italije. U nedostatku domaćih stručnjaka, Knez Milož je angažovao graditelje izvan granica Srbije. Medju njima, bili su zapaženi arhitekti Srbi iz Vojvodine, kao &amp;scaron;to su Konstantin Radotić, Pavle Djakonović i Filip Hristović. Medju arhitektima koji su do&amp;scaron;li u Srbiju najznačajniji je bio Čeh Jan Nevole, koji je sagradio prelepu palatu, Kapetan Mi&amp;scaron;ino zdanje u Beogradu.&lt;br&gt; Narastajuće potrebe nove države uticale su da se u nastavi najvi&amp;scaron;e &amp;scaron;kole pojavi i predmet &amp;bdquo;arhitektura&amp;ldquo;, zajedno sa predmetima matematika, zemljomerje i dr. &amp;Scaron;kola je imala vi&amp;scaron;i rang od gimnazije, a krajem 1833. godine preseljena je iz Beograda u Kragujevac. Da bi se &amp;scaron;kola bolje organizovala, Dimitrije Davidović je 1835. godine preložio novu organizaciju, tako da je &amp;scaron;kola pretvorena u gimnaziju sa 4 razerda a zatim je dobila 5. i 6. razred. Medjutim, prvu vi&amp;scaron;u &amp;scaron;kolu Srbije je osnovala 1838. godine, pod imenom Licej. Iste godine je osnovano i ministarstvo prosvete, čiji je prvi ministar bio Stefan Stefanović-Tenka, a njegov pomoćnik Dimitrije Isailović, pod čijim uticajem je dotada&amp;scaron;nja gimnazija preimenovana u Licej. Već nakon tri godine, Licej je iz Kragujevca preseljen u Beograd, gde je bio sme&amp;scaron;ten u posebnu zgradu koja se nalazila nedaleko od Saborne crkve. Godine 1844., za vreme kneza Aleksandra Karadjordjevića, Licej je preseljen u konak Kneginje Ljubice. Istovremeno, uvodi se na filozofskom odeljenju Liceja i predmet &amp;bdquo;arhitektura&amp;ldquo;, pod imenom &amp;bdquo;Gradjanska arhitektura&amp;ldquo;, za razliku od crkvene, koja nije predavana. Medju prvim predavačima na ovom predmetu bio je Simeon Prica, a posle njega predmet drži Atanasije Nikolić. Godine 1853., donet je zakon o &amp;bdquo;ustrojstvu Liceja&amp;ldquo;, a osnovano je novo &amp;bdquo;jestestvoslovno-tehničesko odeljenje&amp;ldquo;, koje predstavlja preteču kasnijeg fakulteta. U to vreme, na Liceju je predavao poznati arhitekta Filip Hristović, a od 1863., arhitekturu je predavao i Dimitrije Ne&amp;scaron;ić.&lt;br&gt; Na razvoj liceja bez sumnje je mnogo uticao Emilijan Josimović, koji je predavao Vitruvijevu teoriju, o kojoj je pisao i u svojoj knjizi&amp;ldquo;Gradjanska arhitektura i gradjenje putova&amp;ldquo;. Emilijan Josimović unosi novi kvalitet nastave na Liceju i utiče na razvoj novih mladih generacija graditelja. Medjutim, sve to jo&amp;scaron; uvek nije bilo dovoljno da bi se upotpunosti obrazovale prve generacije srpskih arhitekata. Radi usavr&amp;scaron;avanja, državni pitomci su bili slani u inostranstvo na visoke &amp;scaron;kole za arhitekturu. Najpoznatiji medju njima bili su: Kosta &amp;Scaron;repalović, Mihajlo Valtrović i Dragutin Milutinović, poslednja dvojica su po zavr&amp;scaron;etku specijalizacije bili profesori arhitekture na Velikoj &amp;scaron;koli i članovi Srpskog učenog dru&amp;scaron;tva.&lt;br&gt; Godine 1846. načinjen je poku&amp;scaron;aj da se osnuje prava &amp;bdquo;inžinirska &amp;scaron;kola&amp;ldquo;, po zahtevu ministra Ilije Gara&amp;scaron;anina. Gara&amp;scaron;anin je predlagao da se osnuje posebna, inženjerska &amp;scaron;kola, u kojoj bi se studenti mogli dodatno usavr&amp;scaron;avati. Iste godine &amp;scaron;kola je osnovana, a medju njenim profesorima bio je i Jan Nevole, koji je predavao crtanje. Medjutim, ova &amp;scaron;kola je kratko trajala, ali bez obzira na to, formirala je nekolicinu značajnih arhitekata, medju kojima su bili Nikola Jovanović i Jovan Ristić. Smatra se da je ova &amp;scaron;kola izvr&amp;scaron;ila neposredni uticaj za osnivanje posebnog Tehnolo&amp;scaron;kog fakulteta na budućoj Velikoj &amp;scaron;koli.&lt;br&gt; Iako je aktivnost Liceja trajala je punih 25 godina, nivo obrazovanja kojeg je pružao nije bio dovoljan u to vreme. I dalje seu angažovani arhitekti iz Vojvodine, ali i iz Če&amp;scaron;ke i Nemačke. Godine 1859. razmatra se nova reforma &amp;scaron;kolstva i ukazuje se na potrebu osnivanja Univerziteta. Rektor Liceja, Konstantin Bogdanović je dobio ovla&amp;scaron;ćenje da predloži nov zakon o visokom &amp;scaron;kolstvu. Njegov predlog je prihvaćen samo delimično, a Licej je preimenovan u Veliku &amp;scaron;kolu. &amp;Scaron;kola je sme&amp;scaron;tena u Kapetan Mi&amp;scaron;ino zdanje, bila je pod vrhovnim staranjem Ministarstva prosvete, njom je upravljao Rektor zajedno sa Akademskim savetom. Umesto prethodnih odeljenja u Liceju, Velika &amp;scaron;kola je imala tri posebna fakulteta: filozofski, tehnički i pravni. Prvi rektor bio je Konstantin Branković.&lt;br&gt; Tehnički fakultet Velike &amp;scaron;kole trajao je 4 godine. Veliki uticaj na nastavu ponovo je imao Emilijan Josimović, dok su pored njega bili zapaženi Mihajlo Petković koji je predavao nacrtnu geometriju i Dimitrije Ne&amp;scaron;ić, koji je predavao vi&amp;scaron;u matematiku, praktičnu geometriju, arhitekturu i političku računicu.&lt;br&gt; Medjutim, već tri godine nakon osnivanja Tehničkog fakulteta Velike &amp;scaron;kole, predlaže se nova reforma nastave. Godine 1868. zaključuje se da je tehnički fakultet nedovoljan za postojeće potrebe i kao takav nekoristan. Dat je predlog da se uvede vi&amp;scaron;e novih predmeta, medju kojima je bilo desetak usko stručnih predmeta. Medjutim, no ova reforma nije zadovoljila ni studente a ni profesore Tehničkog fakulteta, pa su već 1874. i 1875. godine zatražene nove reforme. 1875. godine, pored Mihajla Valtrovića, postavljeni su i novi profesori Tehničkog fakulteta, medju kojima su bili: Ljubomir Klerić, Dimitrije Stojanović i Djordje Milovanović. Valtrović je osnovao Kabinet za arhitekturu, koji će prerasti u Arhitektonski odsek. &lt;br&gt;U periodu 1880-tih godina studirali su i diplomirali na Tehničkom fakultetu i: Andra Stevanović, Josif &amp;Scaron;mit (Kovačević), Milan Kapetanović, Milorad Ruvidić, Nikola Nestorović. Počev od 1882. godine, kada je postavljen na mesto profesora arhitekture Dragutim Milutinović, ovaj predmet dobija veći značaj. Milutinović je u predmet arhitekture uneo i: gradjevinske konstrukcije, statiku, projektovanje javnih i privatnih gradjevina, nauku o stilovima a kasnije i nauku o gradnji. 1888. godine za profesora nacrtne geometrije je postavljen arhitekta Milan Kapetqanović, koji je predmet primio od honorarnog profesora Dimitrija Stojanovića, a za suplenta za nižu matematiku Bogdan Gavrilović.&lt;br&gt;Tokom 1888/89 godine, Tehnički fakultet se izdvaja iz Velike &amp;scaron;kole. Prvi stare&amp;scaron;ina fakulteta bio je Milan Andonović, a naredni Dragutin Milutibnović. Postojali su sledeći kabineti: za arhitekturu, nacrtnu geometriju i za crtanje. U poslednjim decenijama XIX veka vr&amp;scaron;e se poku&amp;scaron;aji unapredjenja nastave, kada je traženo da se Tehniči fakultet podeli u odseke i da se osnuje novi Arhitektonski odsek. U to vreme, profesori su bili: Milan Kapetanović, Bogdan Gavrilović, Milan Andonović, Kosta Glavinić, Djordje Stanojević, Vladan Todorović, Dragutin Milutinović, Andra Stevanović, Djordje Milovanović.&lt;br&gt;Godine 1897. objavljen je nov zakon sa dopunama i izmenama Zakona o Velikoj &amp;scaron;koli iz 1863. godine, u kojem se nalazi i Uredba Tehničkog fakulteta, po kojoj se predavanja dele u tri odseka: gradjevinsko-inženjerski, arhitektonski i ma&amp;scaron;insko-tehnički. Novi Arhitektonski odsek Tehničkog fakulteta odgovarao je po svojoj strukturi sličnim &amp;scaron;kolama Srednje Evrope, a uglavnom je bio zasnovan na programu nemačke Politehnike. Tokom četiri godine studija, nastava je bila predmetna, po principu održavanja predavanja i vežbanja, po pojedinim disciplinama koje su razvijane po ugledu na inostrane &amp;scaron;kole, naročito u Nemačkoj. Veća pažnja obraćana je klasičnoj stilskoj arhitekturi, arhitektonskim vežbama i istorijskim predmetima. Takodje, nastava je bila usmerena na proučavanje srpske srednjovekovne arhitekture pod nazivom Vizantijska arhitektura&amp;ldquo;, koju je uveo Mihajlo Valtrović. Studenti su radili projekte, po standardima koji su vladali u to vreme u Evropi; posebna pažnja obraćala se na konstruktivno i funkcionalno re&amp;scaron;enje, ali i na kompoziciono oblikovanje fasada.&lt;br&gt;Uporedo sa osnivanjem novog odseka 1898. godine, birani su i novi profesori, koji su uglavnom dolazili iz redova Ministarstva gradjevina. Medju njima bili su: Dragutin Djordjević, Nikola Nestorović, a kasnije i Milorad Ruvidić, Josif Kovačević, Petar Ranosović. Nastavnici Velike &amp;scaron;kole mogli su da budu: redovni, vanredni i honorarni profesori, docenti i učitelji. Prvi stare&amp;scaron;ina Arhitektonskog odseka bio je Dragutin Milutinović, a njega je, nakon smrti 1900. godine zamenio Milan Kapetanović.&lt;br&gt;Na kraju perioda Velike &amp;scaron;kole, pred otvaranje Univerziteta, na Arhitektonskom odseku su studirali: Vladeimir Simić, Dimitrije Dimitrijević, Kosta Stojanović, Kosta &amp;Scaron;ijački, Milorad Živanović, Momir Korunović, Svetozar Jovanović, Tihobran Madžarević.&lt;br&gt;Godine 1898 podnet je projekat Zakona o osnivanju Univerziteta, a naredni prelog je izradjen 1901. Po tom projektu, predloženo je da se Velika &amp;scaron;kola u Beogradu proglasi Univerzitetom. Projekat je izglasan u Skup&amp;scaron;tini 1905. godine. čime je osnovan Univerzitet. Na Univerzitetu su osnovani fakulteti: bogoslovski, filozofski, pravnički, medicinski i tehnički. &lt;br&gt;Godine 1906. doneta je uredba Tehničkog fakulteta, kojom su utvrdjeni odseci: za gradjevinske inženjere, za arhitekte i za ma&amp;scaron;inske inženjere. Prvi dekan fakulteta bio je Nikola Stamenković, a prodekan je bio Andra Stevanović, koji je takodje bio i prvi stare&amp;scaron;ina Arhitektonskog odseka. Nastava je bila podeljena na osam semestara, sa pripremnim ispitom posle druge godine i stručnim ispitom na kraju četvrte godine.&lt;br&gt;Odmah po otvaranju Univerziteta, izabrani su za stalne nastavnike Arhitektonskog odseka: Andra Stevanović, Dragutin Djordjević, Nikola Nestorović, Milorad Ruvidić, Petar Bajalović, Branko Tanazević, Petar Ranosević, a ukupan broj profesora su upotpunjavali mnogi koji su dolazili sa drugih odseka i fakulteta da predaju na arhitektonskom odseku. Od 1911. godine na Arhitektonskom odseku uvodi se novi predmet &amp;bdquo;Beton i armirani beton&amp;ldquo;, koji je predavao Djordje Mijović. &lt;br&gt; Za vreme Balkanskih ratova, od 1912. godine, nastava na Arhitektonskom odseku se prekida, a obnoviće se tek po zavr&amp;scaron;etku Prvog svetskog rata. Tokom rata, zgrada Kapetan Mi&amp;scaron;inog zdanja je pretrpela velika o&amp;scaron;tećenja nakon bombardovanja. Tom prilikom je uni&amp;scaron;tena zbirka Arhitektonskog odseka. Dok se zgrada opravljala, Arhitektonski odsek je bio sme&amp;scaron;ten u tzv. Novu zgradu Vojne akademije, u Resavskoj ulici. Nakon zavr&amp;scaron;etka zgrade izmedju ulice Vuka Karadžića i ulice 1300 kaplara, koju je projektovao Petar Gačić, u nju se uselio Tehnički fakultet. U dvori&amp;scaron;tu Kapetan Mi&amp;scaron;inog zdanja bila je podignuta mala zgrada koja je služila kao atelje Branka Tanazevića a u njoj su držane vežbe studenata. U jednom periodu, studenti arhitekture su vežbe održavali i u prostorijama kubeta zgrade Akademije nauka. Tek kada je podignuta nova zgrada u Bulevaru Kralja Aleksandra, koju su projektovali Nikola Nestorović i Branko Tanazević, bile su zadovoljene potrebe svih odseka fakulteta.&lt;br&gt;Godine 1918., Tehnički fakultet je dobio nekoliko prostorija u novoj zgradi Vojne akademije u ulici Resavskoj, a tu su 1919. godine počela predavanja. Novi profesori, koji su do&amp;scaron;li na mesta umrlih, bili su: Petar Popović, Miho Marinković i Borivoje Radenković. Godine 1922. počeo je rad na obnovi Tehničkog fakulteta. Zbog nedostatka nastavnika, a zbog povećanog obima nastave, u periodu izmedju 1921. i 1924. godine izabran je veći broj ruskih emigranata na mesta ugovornih profesora. Mada nijedan nije predavao direktno na Arhitektonskom odseku, neki od njih su predavali pojedine predmete. Medju njima bili su: Jakov Hlitčijev, Petar Zajončovski, Dimitrije Krasenski i Ivan Svi&amp;scaron;čev. 1923. na mesto profesora dolaze Svetozar Jovanović. U periodu 1925/26, na mesta asistenata dolaze: Milan Zloković, Bogdan Nestorović, Petar Krstić, Mihajlo Radovanović, a na mesto asistenta volontera postavljen je Aleksandar Deroko. U periodu 1929-1934. na mesta vanrednog profesora izabran je Dimitrije Leko, dok su za docente izabrani: Aleksandar Deroko, Milan Zloković, Bogdan Nestorović, Petar Krstić, Mihajlo Radovanović. Asistenti su postali: Branislav Kojić, Milivoje Tričković, dok su asistenti volonteri bili: Branislav Marinković, Petar Anagnosti, Grigorije Samojlov, Dragoslav Radosavljević, Jovan Jovanović, Djurdje Bo&amp;scaron;ković. Potom su za asistente postavljeni: Milivoje Babić, Branko Krstić, Bo&amp;scaron;ko Tomić. 1925/26. Arhitektonski odsek vodi Branko Tanazević, a 1926/27 Nikola Nestorović preuredjuje odsek.&lt;br&gt; 1925. godine je doneta odluka da se za potrebe Tehničkog fakulteta izgradi kompleks zgrada u Buleravu Revolucije. 1926. godine je započeta gradnja po projetima Nikole Nestorovića i Branka Tanazevića, a zgrada je zavr&amp;scaron;ena 1931. godine. &lt;br&gt;Godine 1930. donet je novi Zakon o obrazovanju, kojim je definisan novi nastavni plan Arhitektonskog odseka. Ovom Uredbom prihvaćeno je da se zadatak za diplomski rad može uzeti i iz predmeta Privatne gradjevine, dok su raniji diplomski zadaci bili iz javnih gradjevina i vizantijske arhitekture.&lt;br&gt; Iste godine osnovan je i Arhitektonski muzej, a za prvog upravnika odredjen je Petar Krstić, a od 1938. godine Branislav Kojić. 1934. godine odvojen je predmet Uredjenje gradova, a uveden je novi predmet Monumentalne gradjevine. Predmet Vizantijska arhitektura pretvoren je u Narodnu arhitekturu. U to doba, redovni profesori na Arhitektonskom odseku bili su: Branko Tanazević, Petar Bajalović, Branko Popović i Svetozar Jovanović.&lt;br&gt;Arhitektonski odsek je tokom Drugog svetskog rata radio po produženom planu nastave, i tokom leta, ali samo sa apsolventima. 1941. godine doneta je Uredba o Univerzitetu, po kojoj je Univerzitet postao najvi&amp;scaron;a prosvetna ustanova Srbije. Po Uredbi, Arhitektonski odsek je imao sledeće katedre: za arhitektonske konstrukcije, za projektovanje zgrada i uredjenje naselja i katedru za arhitektoniku. &lt;br&gt;Tokom Drugog svetskog rata zgrada Tehničkog fakulteta bila je te&amp;scaron;ko o&amp;scaron;tećena. Tokom 1945/46 godine, nastava je održana u ru&amp;scaron;evnoj zgradi fakulteta. Krajem 1948. godine, dotada&amp;scaron;nji Tehnički fakultet je izdvojen iz Univerziteta i podeljen u 6 novih fakulteta, koji su sačinjavali Tehničku veliku &amp;scaron;kolu. Tada je svoj rad počeo i nezavisni Arhitektonski fakultet.&lt;br&gt;1954. godine, na osnovu Op&amp;scaron;teg zakona o Univerzitetu, bila je ukinuta Tehnička velika &amp;scaron;kola, a svi njeni fakulteti bili su priključeni Univerzitetu. Tokom perioda od 1945. do 1971., nastava na Arhitektonskom fakultetu nije pretrpela bitnije promene, mada je često kritikovana zbog toga &amp;scaron;to sistem nastave nije pratio sve brži tehničko-tehnolo&amp;scaron;ki razvoj, pa su svr&amp;scaron;eni studenti sve vi&amp;scaron;e imali problema da se uključe u praktičan rad u dru&amp;scaron;tvu.&lt;br&gt;1971. godine, veće Arhitektonskog fakulteta je izradilo novi plan i program nastave, a njegova realizacija započela je &amp;scaron;kolske 1971/72. godine. Novi plan je imao sledeće karakteristike: intenziviranje nastave, optimalizacija nastave, uvodjenje proučavanja životne sredine, timski rad u nastavi u kojem grupe rade pod rukovodstvom jednog mentora, obrada pojedinih tema koje su vezane za život i pradksu, interdisciplinaran pristup nastavi. Nastava traje četiri godine koje nisu podeljene u semestre već u trimestre. U trećoj godini studija postoje izborni predmeti, a četvrta godina je u celini posvećena diferenciranoj nastavi. U prve dve godine nastava je jedinstvena za sve studente, dok se u trećoj i četvrtoj razvije u dva odvojena ciklusa. U četvrtoj godini se razradjuju kompleksni problemi a studenti se uvode u metode naučnoistraživačkog rada. Diplomski rad se brani u posebnom, trinaestom trimestru.&lt;br&gt;U periodu neposredno posle rata na Arhitektonskom fakultetu su bili aktivni sledeći profesori: Svetozar Jovanović, Dimitrije Leko, Aleksandar Deroko, Milan Zloković, docenti: Petar Krstić, Branislav Kojić, Bogdan Nestorović, Mihajlo Radovanović, Djurdje Bo&amp;scaron;ković. U kasnijem periodu izabrani su sledeći nastavnici: Nikola Dobrović, Mate Bajlon, Branko Maksimović, Stanko Kliska, docenti: Božidar Tomić, Predrag Zrnić, Josif Najman. Predavači su bili: Gojko Vujaklija, Branko Krstić, Prvoslav Karamatijević, Grigorije Samojlov, Miodrag Petrović, Djordje Smiljanić, Ratomir Bogojević, Slobodan Romić. Asistenti: Jovan Krunić, Milan Djokić, Vojislav Damjanović, Branislav Vulović, Djordje Simonović, Slobodan Nenadović, Bogdan Bogdanović, Anka Stojaković, Oliver Minić.&lt;br&gt;U periodu druge polovine XX veka, dekani Arhitektonskog fakulteta su bili: Nikola Dobrović, Aleksandar Deroko, Milan Zloković, Dimitrije Leko, Stanko Kliska, Božidar Tomić, Djurdje Bo&amp;scaron;ković, Branislav Kojić, Uro&amp;scaron; Martinović, Petar Anagnosti, Stanko Mandić, Bogdan Bogdanović, Branislav Milenković, Ranko Trbojević, Zoran Petrović, Milorad Dimitrijević, Vojislav Damjanović, Borko Novaković, Aleksandar Stjepanović, Dimitrije Rajić, Milan Lazić, Mihailo Živadinović, Milan Rakočević.&lt;br&gt;&lt;br&gt;Literatura: Visoko&amp;scaron;kolska nastava arhitekture u Srbiji 1846-1071, AF, 1996.&lt;br&gt;&lt;br&gt;SLOBODAN MALDINI&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;  &lt;br&gt;&lt;hr size=&quot;1&quot;&gt;&lt;br/&gt;</description></item><item><title>dictionary of exorcism</title><link>http://maldini.wetpaint.com/page/dictionary+of+exorcism</link><author>maldini</author><guid isPermaLink="false">http://maldini.wetpaint.com/page/dictionary+of+exorcism</guid><pubDate>Thu, 23 Jul 2009 06:01:32 CDT</pubDate><description> &lt;br&gt;&lt;br&gt;RADNA VERZIJA:&lt;br&gt;&lt;br&gt;    &lt;b&gt;Abbey&lt;/b&gt; A monastery headed by an abbot or a convent of nuns headed by an abbess; a church or building belonging to an abbey; cloister. An abbot is a man who is head of an abbey of monks and an abbess is a woman who is head of an abbey of nuns. &lt;br&gt;&lt;b&gt;Ablution&lt;/b&gt; Ceremonial washing of the body, whether a literal washing of uncleanliness before participating in a ritual or representing a spiritual purification. Ablution also includes washing of ceremonial objects, such as vessels. &lt;br&gt;&lt;b&gt;Absolute&lt;/b&gt; Consummate qualities of God: perfect, complete, whole, real, definite, eternal (as compared to the relative nature or subjective character of mankind). Absolutism in philosophy is doctrine involving the existence of an absolute -- something existing in and by itself, or focus on the one over the many (monism, oneness, ultimate reality is one). In theology it is predestination. &lt;br&gt;&lt;b&gt;Absolution&lt;/b&gt; Forgiveness and remission of sins; final phase of the sacrament of penance within the Roman Catholic Church by which a priest pardons post-baptismal sins, thereby making reconciliation between the sinner, the Church, and God (John 20:21-23). &lt;br&gt;&lt;b&gt;Abyss&lt;/b&gt; Luke 8:30, Revelation 9:1-11, 11:7, 17:8, 20:1-3 &lt;br&gt;&lt;b&gt;Acrostic&lt;/b&gt; Poetical arrangement in which certain letters taken from each line spell out a word when put in order. Various Old Testament writings are acrostic, such as Psalms 9, 10, 25, 34, 37, 111, 112, 119, 145, and Lamentations, in which the first letters of each original verse make up the Hebrew alphabet. &lt;br&gt;&lt;b&gt;Actual Sin&lt;/b&gt; Sin committed by an individual of their own free will, as opposed to the original sin of Adam and Eve that led to the fall of mankind. &lt;br&gt;&lt;b&gt;A.D.&lt;/b&gt; Latin, &lt;i&gt;Anno Domini,&lt;/i&gt; &amp;quot;In the year of the Lord.&amp;quot; In the given year since the beginning of the Christian era. &lt;i&gt;Anno Mundi&lt;/i&gt; is &amp;quot;in the year of the world,&amp;quot; or in the given year since the supposed creation of the world. &lt;br&gt;&lt;b&gt;Adonai&lt;/b&gt; Hebrew, &lt;i&gt;my Lord.&lt;/i&gt; Used as a substitute for the ineffable or unspeakable name of God (YHWH or JHVH). &lt;br&gt;&lt;b&gt;Advent&lt;/b&gt; Birth of Christ. In Catholocism, the beginning of the ecclesiastical year, including the four Sundays before Christmas, with the first Sunday being Advent Sunday. &lt;br&gt;&lt;b&gt;Adventism&lt;/b&gt; Belief that the Second Coming of Christ and the Last Judgment will soon occur, whereby Christ will bring an end to the world order and establish his own earthly kingdom for a thousand years (Revelation 20:1-6). This includes the Rapture, or first resurrection of the dead, when those who died for Christ are raised from the dead and rule with him (1 Thessalonians 4:13-18). It also generally includes seven years of devastation upon the earth as has never before been experienced (Matthew 24, Mark 13, Luke 21). Postmillenialists believe that Christians will live through the seven years of devastation and that the kingdom of God will be established on earth by his people, ushering in the second coming of Christ after a thousand years. Premillenialists believe that Christians will be raptured before the seven years of devastation, that there is no hope for human reform without Christ, and await his return to establish this thousand-year kingdom himself. Adventist churches are centered in teaching around this subject and include the Seventh Day Adventists. &lt;br&gt;&lt;b&gt;Aesir&lt;/b&gt; The primary gods of Norse Mythology, including Odin, Thor, Balder, Loki, Freya, and Tyr. &lt;br&gt;&lt;b&gt;Aetherius Society&lt;/b&gt; UFO cult founded in 1954 by Dr. George King, encouraging members to be extraterrestrial channels. &lt;br&gt;&lt;b&gt;Affusion&lt;/b&gt; Pouring on of water in baptism. &lt;br&gt;&lt;b&gt;Afterlife&lt;/b&gt; Life after death. &lt;br&gt;&lt;b&gt;Agape&lt;/b&gt; Primarily, God&amp;#39;s divine love. Also, love feast -- a meal shared by early Christians. &lt;br&gt;&lt;b&gt;Aggeus&lt;/b&gt; Douay Bible name for the prophet Haggai. &lt;br&gt;&lt;b&gt;Agnostic&lt;/b&gt; Someone who believes that God is unknowable, or believes that it cannot be determined that God or anything exists beyond physical and material reality (coined by Thomas Huxley in 1870). Agnosticism is this kind of belief system. &lt;br&gt;&lt;b&gt;Agnus Dei&lt;/b&gt; Latin, &lt;i&gt;Lamb of God.&lt;/i&gt; &lt;br&gt;&lt;b&gt;Agora&lt;/b&gt; Israeli coin equal to 1/100 of a shekel. &lt;br&gt;&lt;b&gt;Agrapha&lt;/b&gt; Sayings ascribed to Jesus but not found in the Gospels. &lt;br&gt;&lt;b&gt;A.H.&lt;/b&gt; Latin, &lt;i&gt;Anno Hegirae,&lt;/i&gt; &amp;quot;In the year of the Hegira.&amp;quot; &lt;br&gt;&lt;b&gt;Alb&lt;/b&gt; Long, white linen robe worn by a Catholic priest at Mass. &lt;br&gt;&lt;b&gt;Albigenses&lt;/b&gt; Heretical religious sect in the south of France, cerca A.D. 1020 - 1250. &lt;br&gt;&lt;b&gt;Aliyah&lt;/b&gt; Modern Hebrew, &amp;quot;ascent&amp;quot; -- immigration of Jews to Israel. &lt;br&gt;&lt;b&gt;Allah&lt;/b&gt; Arabic, &amp;quot;the God&amp;quot; (&lt;i&gt;al,&lt;/i&gt; the + &lt;i&gt;ilah,&lt;/i&gt; god), Muslim name for the Supreme Being (possibly akin to the Hebrew &lt;i&gt;eloah&lt;/i&gt;). Arabian polytheistic beliefs recognized Allah as a Creator and Supreme Provider before the emergence of Islam. Hanifs, the Middle Eastern ascetic religious sect which influenced Muhammed, worshiped Allah as the one and only God. Muhammed preached strict adherance and unconditional obedience to Allah. &lt;br&gt;&lt;b&gt;Alleluia&lt;/b&gt; Latin form of the Hebrew &lt;i&gt;hallelujah,&lt;/i&gt; &amp;quot;Praise the Lord!&amp;quot; &lt;br&gt;&lt;b&gt;All Saints&amp;#39; Day&lt;/b&gt; (Allhallows or Allhallomas) Annual festival celebrated by Roman Catholics on the first of November commemorating all Catholic saints (first Sunday after Pentecost for Greek Catholics). &lt;br&gt;&lt;b&gt;All Souls&amp;#39; Day&lt;/b&gt; November 2, Roman Catholic day of services, prayer, and supplication for the souls in Purgatory. &lt;br&gt;&lt;b&gt;Alms&lt;/b&gt; Term used in the &lt;i&gt;King James Version&lt;/i&gt;, traditionally gifts to the poor, such as money, food or clothing. &lt;br&gt;&lt;b&gt;Almuce&lt;/b&gt; (Amice) Oblong, white linen cloth worn around the neck and shoulders of a Catholic priest during Mass. &lt;br&gt;&lt;b&gt;Almugwood&lt;/b&gt; (Algum) Wood from Ophir (possibly sandalwood), mentioned in 1 Kings 10:11-12, given by the Queen of Sheba to King Solomon and used for the supports for the temple of the LORD and the royal palace. Also, Hebrew &lt;i&gt;algum,&lt;/i&gt; a tree mentioned in 2 Chronicles 2:8 from Lebanon. &lt;br&gt;&lt;b&gt;Alpha and Omega&lt;/b&gt; First and last letters of the Greek alphabet, used by God to describe himself as &amp;quot;the First and the Last; the Beginning and the End; who was, and is, and is to come&amp;quot; (Revelation 1:8, 21:6, 22:13). &lt;br&gt;&lt;b&gt;Altar&lt;/b&gt; Part of the temple where sacrifices are made to God. &lt;br&gt;&lt;b&gt;Altarpiece&lt;/b&gt; &lt;br&gt;&lt;b&gt;Ambiguous&lt;/b&gt; Having more than one possible meaning, vague, or obscure. Not necessarily a Christian term. &lt;br&gt;&lt;b&gt;Ambo&lt;/b&gt; Pulpit or reading stand. &lt;br&gt;&lt;b&gt;A.M.D.G.&lt;/b&gt; Latin, &lt;i&gt;ad majorem Dei gloriam,&lt;/i&gt; &amp;quot;To the greater glory of God&amp;quot; (Jesuit motto). &lt;br&gt;&lt;b&gt;A.M.E.&lt;/b&gt; African Methodist Episcopal Church. &lt;br&gt;&lt;b&gt;Amen&lt;/b&gt; Hebrew, &lt;i&gt;truly or certainly,&lt;/i&gt; &amp;quot;may it be so,&amp;quot; often said at the end of prayer as a form of approval. (Some Protestant churches have an amen corner where people lead the responsive amens to the sermon.) &lt;br&gt;&lt;b&gt;Amethyst&lt;/b&gt; A purple or violet variety of quartz or corundum, one of the precious stones used in the breastpiece for making decisions (Exodus 28:19, 39:12) and one of the stones used to decorate the foundation of the golden city of Jerusalem described in the Book of Revelation (21:20). &lt;br&gt;&lt;b&gt;Amfortas&lt;/b&gt; Parsifal, leader of the knights of the Holy Grail (Medieval legend). &lt;br&gt;&lt;b&gt;Amish&lt;/b&gt; Mennonites of a strict sect founded in the seventeenth century by Jacob Ammann. &lt;br&gt;&lt;b&gt;Amor&lt;/b&gt; (Amour) Latin, &amp;quot;love&amp;quot; -- sexual or illicit desire. &lt;br&gt;&lt;b&gt;Amorite&lt;/b&gt; Descendent of Canaan, son of Ham, son of Noah -- after the flood (Genesis 10:15). &lt;br&gt;&lt;b&gt;Ampula&lt;/b&gt; A round bottle used for holy oil or consecrated wine. &lt;br&gt;&lt;b&gt;Amulet&lt;/b&gt; Piece of jewelry or a charm believed to possess magic power and worn to protect against injury or evil. (Not necessarily a Christian term.) &lt;br&gt;&lt;b&gt;Anabaptist&lt;/b&gt; Member of a Protestant sect originating in Switzerland from the sixteenth century Reformation which denied the validity of infant baptism and instead practiced baptism of consenting adults. &lt;br&gt;&lt;b&gt;Anagogy&lt;/b&gt; (Anagoge) Mystical interpretatation of scripture intened to reveal a hidden, spiritual meaning. &lt;br&gt;&lt;b&gt;Ananda Marga Yoga Society&lt;/b&gt; Hindu cult founded by Shrii Shrii Anandamurti (A.K.A. Prabhat Ranjan Sarkav), in pursuit of Ananda Marga (joy), and employing yogic principles, mantric meditation, dancing, and chanting in harmony with the cosmic father. &lt;br&gt;&lt;b&gt;Anathema&lt;/b&gt; Someone devoted to evil or something dedicated to evil; accursed or damned; formal condemnation. &lt;br&gt;&lt;b&gt;Ancient of Days&lt;/b&gt; God the Judge (Daniel 7:13). &lt;br&gt;&lt;b&gt;Angel&lt;/b&gt; Messenger of God. &lt;br&gt;&lt;b&gt;Angelology&lt;/b&gt; Theological study of angels. &lt;br&gt;&lt;b&gt;Angelus&lt;/b&gt; Prayer in commemoration of the Incarnation. &lt;br&gt;&lt;b&gt;Anglican&lt;/b&gt; Church of England -- Anglia is an ancient form of England, the people of which were Angles. The Anglican Communion is comprised of churches of Anglican descent. Anglo is a combining word meaning English, such as in Anglo-Saxon or Anglo-Catholic. &lt;br&gt;&lt;b&gt;Anima&lt;/b&gt; Soul. Animism is belief in spiritual forces or that all physical creatures have a soul; doctrine that all life is produced from a spiritual force separate from matter. &lt;br&gt;&lt;b&gt;Ankh&lt;/b&gt; (Ansate Cross) Ancient Egyptian symbol of life, a cross with a loop at the top. &lt;br&gt;&lt;b&gt;Annulment&lt;/b&gt; Invalidation of a marriage by the Roman Catholic Church. &lt;br&gt;&lt;b&gt;Annunciation&lt;/b&gt; Announcement of the angel Gabriel to the virgin Mary that she would give birth to Jesus (Luke 1:26-38). &lt;br&gt;&lt;b&gt;Anoint&lt;/b&gt; To consecrate with oil or rub oil on someone in a ceremony of healing. &lt;br&gt;&lt;b&gt;Antependium&lt;/b&gt; A screen hanging from the front of an altar or pulpit. &lt;br&gt;&lt;b&gt;Ankh&lt;/b&gt; Ancient Egyptian symbol of life, a cross with a loop at the top. &lt;br&gt;&lt;b&gt;Anthropocentric&lt;/b&gt; (Anthropogenesis) Belief in man as the center of the universe; conceiving of everything in the universe in terms of human values. &lt;br&gt;&lt;b&gt;Anthropology&lt;/b&gt; The study of man -- culture, customs, social relationships, physical characteristics, institutions, myths, religions, etc. &lt;br&gt;&lt;b&gt;Anthropomorphism&lt;/b&gt; Attributing human shape or characteristics to other bodies or entities, such as animals, objects, or a god. Anthropopathy is attributing human feelings and passion to something else, such as to animals or a god. &lt;br&gt;&lt;b&gt;Anthroposophical Society&lt;/b&gt; An occultic organization based on a philosophy called Anthroposophy (&amp;quot;wisdom of man&amp;quot;) founded by Rudolph Steiner in Germany around the turn of the twentieth century. It incorporates mystical traditions, Hindu practices, reincarnation, mythology, communication with the dead, spiritualism, and Christian beliefs. The basic theory is that man and earth are embarked on an evolutionary journey overseen by supersensible spirit beings. &lt;br&gt;&lt;b&gt;Antichrist&lt;/b&gt; A false Christ who is in opposition to Christ (1 John 2:18). &lt;br&gt;&lt;b&gt;Anticlerical&lt;/b&gt; Opposition to the clergy or church hierarchy, especially against its influence in public affairs. &lt;br&gt;&lt;b&gt;Antinomianism&lt;/b&gt; Doctrine that faith alone and not obedience to the moral law is necessary for salvation. &lt;br&gt;&lt;b&gt;Antiphon&lt;/b&gt; A hymn, song, chant, or canticle sung in responsive, alternating parts. &lt;br&gt;&lt;b&gt;Antipope&lt;/b&gt; A pope set up against the one chosen by the Catholic Church, as in a schism. &lt;br&gt;&lt;b&gt;Anti-Semetic&lt;/b&gt; Prejudice, discrimination, or persecution of Jews. &lt;br&gt;&lt;b&gt;Apocalypse&lt;/b&gt; The ultimate destruction of evil and triumpth of good; Book of Revelation. &lt;br&gt;&lt;b&gt;Apocrypha&lt;/b&gt; Fourteen books of the Septuagint rejected by Judaism, eleven of which are Roman Catholic canon; any such scripturual writing that is of doubtful authenticity or authorship. &lt;br&gt;&lt;b&gt;Apollyon&lt;/b&gt; &amp;quot;Destroyer&amp;quot; (Hebrew &lt;i&gt;Abaddon&lt;/i&gt;), the angel of the Abyss who was king of the destructive locusts in Revelation 9:1-11. &lt;br&gt;&lt;b&gt;Apologetic&lt;/b&gt; Formal defense written of a belief or religion; defending in writing or speech, vindicating. &lt;br&gt;&lt;b&gt;Apologue&lt;/b&gt; Short allegorical story with a moral. &lt;br&gt;&lt;b&gt;Apostasy&lt;/b&gt; Abonding of a faith or belief. &lt;br&gt;&lt;b&gt;Apostle&lt;/b&gt; Any of the twelve disciples originally chosen by CHrist to spread the gospel, including Andrew, Bartholomew, James (the younger, son of Alphaeus), James (the elder, son of Zebedee), John (brother of James, son of Zebedee), Jude (Lebbaeus or Thaddaeus), Judas Iscariot, Matthew (Levi), Philip, Simon (Peter), Simon the Canaanite, and Thomas (Didymus). Matthias was chosen to replace Judas after his death. Saul of Tarsis (Paul) was chosen by Chist to be the &amp;quot;Apostle to the Gentiles.&amp;quot; &lt;br&gt;&lt;b&gt;Apostles&amp;#39; Creed&lt;/b&gt; &amp;quot;I believe in God, the Father Almighty...&amp;quot; &lt;br&gt;&lt;b&gt;Apostolic Succession&lt;/b&gt; Roman Catholic belief in which the authority that Jesus conferred upon Peter and the other Apostles have been passed down through an unbroken succession of bishops. &lt;br&gt;&lt;b&gt;Apotheosis&lt;/b&gt; Deification; raising someone to the status of godhood; glofification of a person, thing, or ideal. &lt;br&gt;&lt;b&gt;Aquinas, Thomas&lt;/b&gt; 1225-74, theologian the philosopher. &lt;br&gt;&lt;b&gt;Aram&lt;/b&gt; Ancient Syria. &lt;br&gt;&lt;b&gt;Aramaic&lt;/b&gt; The Semitic language spoken in the Palestinian region after Israel&amp;#39;s Babylonian captivity, also spoken by Jesus and his disciples. &lt;br&gt;&lt;b&gt;Ararat&lt;/b&gt; 17,000 foot mountain in Turkey near the border of Armenia and Iran where Noah&amp;#39;s ark supposedly landed (Genesis 8:4). &lt;br&gt;&lt;b&gt;Anti-Semetic&lt;/b&gt; Prejudice, discrimination, or persecution of Jews. &lt;br&gt;&lt;b&gt;Archaeology&lt;/b&gt; Scientific study of the life and culture of ancient peoples, often by the excavation of cities and the discovery of relics and artifacts. &lt;br&gt;&lt;b&gt;Archangel&lt;/b&gt; Chief angel or angel of high rank, such as Michael. &lt;br&gt;&lt;b&gt;Archbishop&lt;/b&gt; Chief overseer, bishop of highest rank who oversees a church district (archdiocese). &lt;br&gt;&lt;b&gt;Archdeacon&lt;/b&gt; Church official ranking just below a bishop. &lt;br&gt;&lt;b&gt;Archpriest&lt;/b&gt; Chief priest. &lt;br&gt;&lt;b&gt;ARE&lt;/b&gt; Association for Research and Enlightenment, founded in 1932 in Virginia Beach, Virginia, to research and preserve the antidotal readings of Edgar Cayce, best known as a psychic healer. The ARE exists to index and catalog Cayce&amp;#39;s thousands of readings intended to cure or explain physical and mental illnesses. There are about 400 physicians associated with ARE. (See Cayce, Edgar) &lt;br&gt;&lt;b&gt;Arianism&lt;/b&gt; Doctrines of Arius (A.D. 256-336), an Alexandrian theologian who taught that Jesus was not of the same substance of God, but a created being exalted above all other creatures. &lt;br&gt;&lt;b&gt;Arica Institute, Inc.&lt;/b&gt; Founded by Bolivian philosophy teacher and mystic Oscar Ichazo and based in Arica, Chile, in South America. Arica (&amp;quot;open door&amp;quot;) teaches scientific mysticism and espouses such ideals as unity with emptiness, with the intent of uncovering &amp;quot;the mystical name of the radiant being&amp;quot; (Toham Kum Rah) inside each person. It combines the philosophies of Hinduism, Zen, and Tibetan Lamaism with African dances, Egyptian gymnastics, Hindu mantras, incantations, and breathing techniques to develop a series of exercises called psychocalisthenics designed to awaken vital energy. &lt;br&gt;&lt;b&gt;Ariel&lt;/b&gt; Hebrew &lt;i&gt;Lion of God,&lt;/i&gt; name applied to David&amp;#39;s city, Jerusalem, in Isaiah 29:1-10. &lt;br&gt;&lt;b&gt;Aristotelian Logic&lt;/b&gt; Method of deductive logic charactcerized by the syllogism, developed by Greek philosopher Aristotle (384-322 B.C.), a pupil of Plato noted for his works on logic, metaphysics, ethics, and politics. &lt;br&gt;&lt;b&gt;Ark of the Covenant&lt;/b&gt; Chest containing the two stone tablets with the ten commandements inscribed by God and given to Moses (Exodus 25:10), kept in the holiest part of the Jewish Tabernacle (Holies of Holies). &lt;br&gt;&lt;b&gt;Armageddon&lt;/b&gt; Greek &lt;i&gt;Harmagedon,&lt;/i&gt; Hebrew &lt;i&gt;har meghiddo,&lt;/i&gt; the plain of Megiddo, where the last decisive battle is to be fought between the forces of good and evil before the Day of Judgement (Revelation 16:16). Revelation chapter 16 describes three unclean spirits of demons that come from the mouth of the dragon, the beast, and the false prophet which perform miraculous signs and go out to gather the kings of the whole world for battle on the great day of God Almighty. &lt;br&gt;&lt;b&gt;Arminianism&lt;/b&gt; Doctrines of Jacobus Arminius, Dutch theologian (1560-1609), which stressed man&amp;#39;s freewill as opposed to Calvinistic predestination. &lt;br&gt;&lt;b&gt;A.R.V.&lt;/b&gt; American Revised Version Bible, printed in 1901. &lt;br&gt;&lt;b&gt;Aryan&lt;/b&gt; Traditionally the hypothetical parent language of the Indo-European family or a descendant of the prehistoric peoples who spoke this language -- adapted by German Nazis to mean a Caucasian of non-Jewish descent, particularly of Nordic origin. &lt;br&gt;&lt;b&gt;Asatru Free Assembly&lt;/b&gt; Founded by Steve McNallen in Breckenridge, Texas, in 1971. An organization based on Scandinavian mythology, which promotes Norse neopaganism, Viking ceremonies, celebrations of the forces of nature, and the worship of Norse gods and goddesses (also called Odinism). Asatru (Old Norse, &amp;quot;belief in the gods&amp;quot;) publishes a newspaper called &lt;i&gt;Runestone.&lt;/i&gt; Symbols include ancient Norse amulets and objects of war, such as helmets, swords, animal horns, shields, axes, swastikas, and runes. &lt;br&gt;&lt;b&gt;Asbury, Francis&lt;/b&gt; 1745-1816, first Methodist bishop in the U.S. &lt;br&gt;&lt;b&gt;Ascended Masters&lt;/b&gt; Ideology founded by G. W. Ballard (pen name Godfre Ray King) around 1930, in which spiritual beings are rising up as ascended masters amidst mankind in these end times, signifying the Second Coming. A theology based on Eastern mysticism and metaphysics, with belief in astral projection, trance channeling, reincarnation, gnosticism, and Pelagianism. It teaches that God is a father-mother deity defined as a creative force that has negative and positive polarity. Its primary symbol is a winged flame with seven multi-colored rays and the initials &amp;quot;I AM&amp;quot; (arranged AIM, with the I in the center and twice as tall). &lt;br&gt;&lt;b&gt;Ascension&lt;/b&gt; Bodily ascent of Jesus into heaven forty days after the resurrection (Acts 1:9). Ascension Day is the celebration commemorating this on the fortieth day after Easter. &lt;br&gt;&lt;b&gt;Ascetic&lt;/b&gt; One who leads a life of contemplation, meditation, abstinence, and rigorous self-denial for religious purposes. Asceticism is basically the doctrine that one may attain a higher spiritual state through such self disciplines. &lt;br&gt;&lt;b&gt;Asher&lt;/b&gt; The eighth tribe of Israel descended from the eighth son of Jacob. &lt;br&gt;&lt;b&gt;Ashkenazim&lt;/b&gt; German Jews who settled in middle to northern Europe after the Diaspora, or their descendants -- derived from the descendants of Ashkenaz, son of Gomer, son of Japheth, third son of Noah (Genesis 10:1-3). Ashkenaz was also a kingdom mentioned in Jeremiah 51:27 which would combine forces against Babylon. &lt;br&gt;&lt;b&gt;Ashtoreth&lt;/b&gt; Ancient Phoenician and Syrian goddess of love and fertility, identified with Astarte. &lt;br&gt;&lt;b&gt;Ash Wednesday&lt;/b&gt; First day of Lent and seventh Wednesday before Easter, from the practice of putting ashes on the forehead as a sign of penitence. &lt;br&gt;&lt;b&gt;Asmodeus&lt;/b&gt; Hebrew &lt;i&gt;ashmadai,&lt;/i&gt; an evil spirit or chief demon in Jewish legend. &lt;br&gt;&lt;b&gt;Asperges&lt;/b&gt; Sprinkling of the altar, clergy, and congregation with holy water before High Mass in the Roman Catholic Church; a hymn sung during this ceremony. Aspergillum is a brush or perforated container for sprinkling holy water. Aspersorium is a basin or font for holy water. &lt;br&gt;&lt;b&gt;Assemblies of Yahweh&lt;/b&gt; Begun in the 1930s as the Sacred Name Movement and dedicated to preserving the sacred names of God (Yahweh and Elohim) and Jesus (Yahshua). Several such asseblies exist throughout the U.S. with similar names, all maintaining strict adherence to the laws of the Old Testament and celebration of Jewish festivals. Some of these organizations include: Assembly of YHWH-HOSHUA, founded by Laycher Gonzales in the 1970s; Assemblies of Yahweh in Bethel, Pennsylvania, based on the Sacred Name Broadcast begun in 1966 by Jacob O. Meyer; Assembly of Yavah, foundeed in 1945 by L. D. Snow and E. B. Adam; Scripture Research Association, founded in the 1940s by A. B. Traina; Assemblies of Yahweh, founded in 1939 by C. O. Dodd in Holt, Michigan; Institute of Divine Metaphysical Research, founded in 1931 by Dr. Henry C. Kinley. &lt;br&gt;&lt;b&gt;Assisi, Francis&lt;/b&gt; &lt;br&gt;&lt;b&gt;Assoil&lt;/b&gt; Archaic term for atonement; to absolve or acquit. &lt;br&gt;&lt;b&gt;Assumption&lt;/b&gt; Catholic dogma of the ascention of the Virgin Mary after death, celebrated on August 15. &lt;br&gt;&lt;b&gt;Astara&lt;/b&gt; From Astraea, the Greek goddess of divine justice, Astara (&amp;quot;a place of light&amp;quot;) is an occult foundation based in Upland, California, and is a center for psychic healing and spiritual channeling. It promotes correspondence courses comprised of a mixture of spiritualism, mysticism, Theosophy, yoga, Egyptian mystery schools, Rosicrucianism, Masonry, and Christianity. It was founded by Robert and Earlyne Chaney, its symbol being the seven-pointed Star of the West merging inside with the Lotus of the East. Recruitment flyers offer information about achieving spiritual selfhood, astral projection, and the superconscious mind. &lt;br&gt;&lt;b&gt;Astral Projection&lt;/b&gt; Based on the theosophical term astral, designating a universal substance supposedly existing at a level just beyond normal human perception. &lt;br&gt;&lt;b&gt;Astrology&lt;/b&gt; Pseudo-science that claims to foretell the future by studying the supposed influence of the relative positions of the moon, sun, and stars on human affairs. A primitive astronomy developed by the Chaldeans during the time of the Babylonian Empire, which considered the planets to be gods and their movements as having an effect on the destiny of mankind. Astrology is based on a circular map of the universe (zodiac) with the earth as its center and divided into twelve sections (houses), each named for a constellation within one of the twelve houses. Depending on the position of the planets and stars in the present house at the time of birth, an individual&amp;#39;s horoscope may be determined, which is supposed to aid in foretelling their destiny. &lt;br&gt;&lt;b&gt;Athanasius&lt;/b&gt; A.D. 296-373, Alexandrian bishop and opponent of Arianism. Athanasian Creed, something about the Trinity, celebrated on May 2. &lt;br&gt;&lt;b&gt;Atheism&lt;/b&gt; Greek &lt;i&gt;atheos,&lt;/i&gt; without god -- generally, belief that there is no God or denial that God or gods exist. Originally ascribed to those who didn&amp;#39;t believe in the official Greek gods of the State, later to be identified with Christians who didn&amp;#39;t accept the Roman pagan gods. The basic categories of atheism include the following: explicit denial of God; agnostic disbelief based on a lack of proof; rejection of formal religion; rational freethinking resulting in the unacceptance of supernatural revelation. The difference between an atheist and an unbeliever is primarily that the atheist philosophically rejects God and religion on qualified principles (such as metaphysics, dialectical materialism, existentialism, etc.), whereas an unbeliever, for whatever reasons, doesn&amp;#39;t accept any regilious beliefs, although, no matter how skeptical, they may still believe there is a God.&lt;br&gt;&lt;b&gt;Atman&lt;/b&gt; Hinduism, either the individual ego or the universal soul; source of all individual souls. &lt;br&gt;&lt;b&gt;Atomism&lt;/b&gt; Theory that the universe is made up of tiny, simple, indivisible particles that cannot be destroyed. &lt;br&gt;&lt;b&gt;Atonement&lt;/b&gt; The reconciliation of God to man through the sacrifice of Christ&amp;#39;s death upon the cross; to make amends, reparation, expiate, or reconcile for sins or wrongdoing. &lt;br&gt;&lt;b&gt;Attrition&lt;/b&gt; An imperfect degree of repentance caused by shame or fear of punishment, distinguished from contrition. &lt;br&gt;&lt;b&gt;Augur&lt;/b&gt; One who interpreted omens in ancient Rome; to foretell or prophesy from omens; a soothsayer, prophet, or fortuneteller. Augury is the practice of divination from omens or signs; a ceremony conducted by an augur. An auspex was an augur who watched for omens in the flight of birds. &lt;br&gt;&lt;b&gt;Augustine&lt;/b&gt; A.D. 354-430, Roman Catholic bishop of Hippo in North Africa and early church father, celebrated August 28. &lt;br&gt;&lt;b&gt;Aureole&lt;/b&gt; Halo; radiance encircling the head or body depicting glory, as in religious paintings. &lt;br&gt;&lt;b&gt;Auspice&lt;/b&gt; Divination; watching for omens in the flight of birds, from which the word auspicious is derived, meaning good fortune &lt;br&gt;&lt;b&gt;Authorized King James Version&lt;/b&gt; A revised English translation of the Bible published in 1611 and historically considered to have been authorized by King James I. &lt;br&gt;&lt;b&gt;Autocephalous&lt;/b&gt; Independent or self-governing, said of certain churches within the communion of the Eastern Othodox Church. &lt;br&gt;&lt;b&gt;Autodaf&amp;eacute;&lt;/b&gt; (Autodefe) The public ceremony in which the Inquisition pronounced judgment, passed sentence, and burned a heretic. &lt;br&gt;&lt;b&gt;Avatar&lt;/b&gt; Hinduism, incarnation of a god. &lt;br&gt;&lt;b&gt;Ave Maria&lt;/b&gt; &amp;quot;Hail, Mary&amp;quot; (Luke 1:28), Roman Catholic prayer and song to the Virgin Mary. &lt;br&gt;&lt;b&gt;Averroism&lt;/b&gt; Teachings of Averro&amp;euml;s (A.D. 1126-98), Arab phoilosopher and physician in Spain and Morocco, applying Aristotelian philosophy to religion. &lt;br&gt;&lt;b&gt;Avesta&lt;/b&gt; Sacred writings of the ancient Zoroastrian religion and of the Parsees. &lt;br&gt;&lt;b&gt;Axiology&lt;/b&gt; Branch of philosophy dealing with the nature and types of values, such as morals, aesthetics, religion, and metaphysics. &lt;br&gt;&lt;b&gt;Ayatollah&lt;/b&gt; Arabic, &amp;quot;Sign of God,&amp;quot; a leader of the Shiite sect of Islam, serving as teacher, judge, and administrator. &lt;br&gt;&lt;b&gt;Azan&lt;/b&gt; Islamic summons to prayer called five times a day by the muezzen from a minaret on a mosque. &lt;br&gt;&lt;b&gt;Azazel&lt;/b&gt; Hebrew, &amp;quot;removal,&amp;quot; a scapegoat sent into the desert for making atonement (Leviticus 16:7-10, 20-26). After sacrificing one goat for atonement, the high priest would lay hands on another goat and confess the sins of the Israelites, which would then carry on itself the sins of the Israelites to a solitary place and be released to wander in the desert, thus removing all of their sins. Also one of the angels who rebelled with Satan in John Milton&amp;#39;s &lt;i&gt;Paradise Lost.&lt;/i&gt;. &lt;br&gt;&lt;b&gt;Azrael&lt;/b&gt; Hebrew, &amp;quot;Help of God,&amp;quot; the angel who parts the soul from the body at death, according to ancient Jewish and Islamic belief.&lt;br&gt;&lt;b&gt;Baal&lt;/b&gt; One of several ancient, Semitic fertility gods. &lt;br&gt;&lt;b&gt;Babel&lt;/b&gt; Hebrew, &amp;quot;gate of God&amp;quot; -- a city in Shinar where Noah&amp;#39;s descendants attempted to build a tower to reach the heavens, of which God put an end to by a confusion of tongues (Genesis 11:1-9). &lt;br&gt;&lt;b&gt;Babylon&lt;/b&gt; Capital city of Babylonia, an ancient empire in SW Asia between the Tigris and Euphrates Rivers. It flourished cerca 2100-689 B.C., and rose again between 625-538 B.C. as Chaldea, the &amp;quot;New Babylonia.&amp;quot; The Jews were conquered and deported by King Nebuchadnezzar to Babylon in 597 B.C., then released by King Cyrus of Persia in 538 B.C. &lt;br&gt;&lt;b&gt;Bahaism&lt;/b&gt; (Babism) A universal faith which proclaims religious unity, international government, and planetary interdependence begun in Persia around 1844 by Mirza Ali Muhammed (1819-1850), who claimed to be the Bab (Bab-ud-Din, &amp;quot;Gate of the Faith,&amp;quot; formerly Babism), a forerunner to the Promised One of God. A follower of his, Mirza Husayn Ali, claimed to be this messiah in 1863 and came to be known as Baha&amp;#39;u&amp;#39;llah, &amp;quot;the Glory of God.&amp;quot; Although he died in 1892, he prophesied a worldwide economic cataclysm which would lead to the Baha&amp;#39;i faith uniting all men as brothers. Bahaism was introduced into the U.S. in 1912 and continues to spread through evangelization, primarily through those who have escaped religious persecution in Iran. The Baha&amp;#39;i faith promotes the following principles: oneness of the human race; unity of all religions; a universal language; independent search for truth; equality of men and women; justice with universal peace; a world court; abolition of extreme wealth and poverty; harmony of science and religion; work as worship; universal education; elimination of all prejudice. It forbids slavery, alcoholic consumption, multiple wives, and begging, among other things. With the dictum, &amp;quot;The earth is but one country and mankind its citizens,&amp;quot; it also claims to be the fulfillment of the world&amp;#39;s major religions, including Christianity. &lt;br&gt;&lt;b&gt;Bairam&lt;/b&gt; Either of two Islamic festivals following the fast of Ramadan. &lt;br&gt;&lt;b&gt;Banshee&lt;/b&gt; Irish &lt;i&gt;bean sidhe&lt;/i&gt; (&lt;i&gt;bean,&lt;/i&gt; woman + &lt;i&gt;sith,&lt;/i&gt; fairy) -- from Irish and Scottish folklore, a female spirit believed to wail outside a house as a warning that a death in the family would occur soon. &lt;br&gt;&lt;b&gt;Baptism&lt;/b&gt; Greek and Latin &lt;i&gt;baptisma,&lt;/i&gt; &amp;quot;immersion&amp;quot; or a dipping under -- a symbolic act of a cleansing of sin or spiritual purification by immersion in, pouring on, or sprinkling of water. (Affusion is the pouring on of water and aspersion is the sprinkling of water.) Matthew 3:11, baptism of fire. A baptismal font is a tub or tank in a church for baptizing, also called a baptistery. A baptist is a member of a Protestant church that believes in full immersion of one who has confessed faith in Christ, an act which is seen as crucial to salvation; in a general sense, one who baptizes. &lt;br&gt;&lt;b&gt;Barghest&lt;/b&gt; A doglike goblin in English folklore whose appearance supposedly foreshadows death or bad luck. &lt;br&gt;&lt;b&gt;Barmitzvah&lt;/b&gt; Hebrew &lt;i&gt;bar mitswah,&lt;/i&gt; &amp;quot;son of the commandment&amp;quot; -- the Jewish ceremony celebrating a boy&amp;#39;s thirteenth birthday, the age when he becomes religiously responsible. &lt;br&gt;&lt;b&gt;Barth, Karl&lt;/b&gt; (1886-1968) Swiss theologian. &lt;br&gt;&lt;b&gt;Basil the Great&lt;/b&gt; (A.D. 330-379) Bishop of Caesarea, celebrated June 14. &lt;br&gt;&lt;b&gt;Basilica&lt;/b&gt; Greek &lt;i&gt;basilike,&lt;/i&gt; &amp;quot;royal&amp;quot; -- originally, a royal palace; Christian church built in the style of an ancient Roman building used as a courtroom or public hall: rectangular with a broad nave ending in an apse and flanked by colonnaded aisles. &lt;br&gt;&lt;b&gt;Batmitzvah&lt;/b&gt; Hebrew &lt;i&gt;bat mitswah,&lt;/i&gt; &amp;quot;daughter of the commandment&amp;quot; -- a Jewish ceremony of Conservative and Reform Judaism where a young girl undergoes the transition analogous to a bar mitzvah for boys, wherein she becomes a religiously responsible woman. &lt;br&gt;&lt;b&gt;B.C.&lt;/b&gt; Before Christ. &lt;br&gt;&lt;b&gt;B.C.E.&lt;/b&gt; Before the Common Era &lt;br&gt;&lt;b&gt;Bdellium&lt;/b&gt; Hebrew &lt;i&gt;b&amp;#39;dolah,&lt;/i&gt; a myrrhlike gum resin from a tree of the genus &lt;i&gt;Commiphora,&lt;/i&gt; mentioned in Genesis 2:12 (aromatic resin, also in Numbers 11:7 and possibly similar to &lt;i&gt;natap&lt;/i&gt; in Exodus 30:34), from the land of Havilah on the Pishon River near the original garden of Eden. Many rabbinical interpretations render this as a pearl or carbuncle (red garnet). &lt;br&gt;&lt;b&gt;Beadle&lt;/b&gt; A minor parish officer in the Church of England whose responsibility was to keep order in church (similar to a sexton). &lt;br&gt;&lt;b&gt;Beadroll&lt;/b&gt; An archaic term in the Roman Catholic Church for a list of names of the dead for whose souls prayers are to be said. A beadsman is one who is paid to pray for another&amp;#39;s soul (same as bedesman or bedeswoman). &lt;br&gt;&lt;b&gt;Beatification&lt;/b&gt; Process in the Roman Catholic Church of determining the sanctity of one who has died and declaring him or her to be among the blessed in heaven. They are then entitled to public veneration and usually canonized as a saint. &lt;br&gt;&lt;b&gt;Beatitudes&lt;/b&gt; First part of the Sermon on the Mount (Matthew 5:3-12): &amp;quot;Blessed are the poor in spirit, for theirs is the kingdom of heaven. Blessed are those who mourn, for they will be comforted. Blessed are the meek, for they will inherit the earth. Blessed are those who hunger and thirst for righteousness, for they will be filled. Blessed are the merciful, for they will be shown mercy. Blessed are the pure in heart, for they will see God. Blessed are the peacemakers, for they will be called sons of God. Blessed are those who are persecuted because of righteousness, for theirs is the kingdom of heaven. Blessed are you when people insult you, persecute you and falsely say all kinds of evil against you because of me. Rejoice and be glad, because great is your reward in heaven, for in the same way they persecuted the prophets who were before you.&amp;quot; (NIV) &lt;br&gt;&lt;b&gt;Beelzebub&lt;/b&gt; Hebrew &lt;i&gt;Ba&amp;#39;al zebub,&lt;/i&gt; &amp;quot;god of flies,&amp;quot; and Ugaritic &lt;i&gt;Ba&amp;#39;al zebul,&lt;/i&gt; &amp;quot;lord of the lofty dwelling&amp;quot; -- the chief devil among Satan&amp;#39;s horde, often associated with Satan himself. In Matthew 9:34 and 12:24, the Pharisees accuse Jesus of driving out demons by the power of Beelzebub (Greek &lt;i&gt;Beezeboul&lt;/i&gt; or &lt;i&gt;Beelezeboul&lt;/i&gt;), the prince of demons. Satan&amp;#39;s chief lieutenant among the fallen angels in Milton&amp;#39;s &lt;i&gt;Paradise Lost.&lt;/i&gt; &lt;br&gt;&lt;b&gt;Beget&lt;/b&gt; Procreate; father or sire; bring into being. &lt;br&gt;&lt;b&gt;Behemoth&lt;/b&gt; Job 40:15-24, &amp;quot;Look at the behemoth, which I made along with you and which feeds on grass like an ox. What strength he has in his loins, what power in the muscles of his belly! His tail sways like a cedar; the sinews of his thighs are close-knit. His bones are tubes of bronze, his limbs like rods of iron. He ranks first among the works of God, yet his Maker can approach him with his sword. The hills bring him their produce, and all the wild animals play nearby. Under the lotus plants he lies, hidden among the reeds in the marsh. The lotuses conceal him in their shadow; the poplars by the stream surround him. When the river rages, he is not alarmed; he is secure, though the Jordan should surge against his mouth. Can anyone capture him by the eyes, or trap him and pierce his nose?&amp;quot; Many have thought this to be a description of an elephant or a hippopotamus, however, the discovery of dinosaur bones reveals this to more accurately describe a brachiosaurus or a diplodocus. &lt;br&gt;&lt;b&gt;Bel&lt;/b&gt; Akkadian form of Baal, the Babylonian god of heaven and earth, mentioned in Isaiah 46:1 and Jeremiah 50:2 and 51:44 (also known as Marduk). Akkad was an ancient region in northern Babylonia that flourished cerca 2800-1100 B.C. The prophet Daniel was given the name of Belteshazzar (&amp;quot;Bel, protect his life!&amp;quot;) by King Nubuchadnezzar (Daniel 1:7, 4:8). The name of the last king of Babylon, Belshazzar (Hebrew &lt;i&gt;belshatstsar&lt;/i&gt;), means &amp;quot;may Bel protect the king&amp;quot; (Daniel chapter 5). &lt;br&gt;&lt;b&gt;Belial&lt;/b&gt; (Beliar) Hebrew &lt;i&gt;beliya&amp;#39;al,&lt;/i&gt; &amp;quot;worthlessness&amp;quot; -- wickedness or worthlessness as an evil force (Deuteronomy 13:13), sometimes associated with Satan (2 Corinthians 6:15, Greek &lt;i&gt;Beliar&lt;/i&gt;). &lt;br&gt;&lt;b&gt;Ben&lt;/b&gt; Hebrew &lt;i&gt;ben,&lt;/i&gt; &amp;quot;son&amp;quot; or son of. &lt;br&gt;&lt;b&gt;Benedictine&lt;/b&gt; French monastic order founded in A.D. 529, based on the teachings of St. Benedict of Nursii (A.D. 480-543); also an order of nuns. &lt;br&gt;&lt;b&gt;Benediction&lt;/b&gt; Latin &lt;i&gt;benedictio,&lt;/i&gt; to hallow or bless -- a Roman Catholic devotional service during which a concecrated Host is exposed in a monstrance and a solemn blessing is given with the Host; in general, a blessing or invocation of divine blessing, particularly at the end of a church service. Benedicite (Latin &lt;i&gt;benedicere&lt;/i&gt;) means &amp;quot;bless you!&amp;quot; and is the invocation of a blessing, such as before meals; more specifically, the canticle which begins &lt;i&gt;Benedicite, omnia opera Domini, Domino&lt;/i&gt; (Bless the Lord, all ye works of the Lord). Benedictus is Zecharias&amp;#39; hymn from Luke 1:67-79 about John the Baptist (the first word is Benedictus, &amp;quot;blessed&amp;quot;), sung daily at Lauds; also a short hymn of praise used in Mass, derived from Matthew 21:9, &amp;quot;Blessed is he who comes in the name of the Lord.&amp;quot; &lt;br&gt;&lt;b&gt;Beneficence&lt;/b&gt; Charity, derived from the word benefice, an endowed church office providing a living for a vicar or rector. Beneficent is doing good, being kind, or giving generously (variant of benevolence). &lt;br&gt;&lt;b&gt;Benefit of Clergy&lt;/b&gt; The exemption which the medieval clergy had from trial or punishment except in a church court; an administering or sanctioning by the church. &lt;br&gt;&lt;b&gt;Benjamin&lt;/b&gt; The twelfth tribe of Israel, descended from Jacob&amp;#39;s youngest son. &lt;br&gt;&lt;b&gt;Bergsonism&lt;/b&gt; Teaching of French philosopher Henri Bergson (1859-1941), which maintains that there is an original life force (&lt;i&gt;&amp;eacute;lan vital&lt;/i&gt;) caried through all successive generations, that time or duration is being, and that reality is apprehended by intuition. &lt;br&gt;&lt;b&gt;Berkeleianism&lt;/b&gt; The philosophy of Irish bishop George Berkeley (1685-1753), which holds that physical objects exist only in being perceived by a mind. &lt;br&gt;&lt;b&gt;Bernardine&lt;/b&gt; French order of Cistercian monks founded in 1115 by St. Bernard of Clairvaux (1090-1153, celebrated August 20). &lt;br&gt;&lt;b&gt;Bestiary&lt;/b&gt; Type of medieval natural history book with moralistic or religious fables about actual and mythical animals &lt;br&gt;&lt;b&gt;Bethel&lt;/b&gt; Hebrew &lt;i&gt;beth &amp;#39;el,&lt;/i&gt; &amp;quot;house of God&amp;quot; -- (Genesis 28:10-22) The place between Beersheba and Haran (formerly the ancient city of Luz, located north of Jeresalem) where Jacob stopped to sleep for the night and had a dream of a stairway reaching from earth to heaven, with the angels of God ascending and descending on it, and the LORD appeared and promised the land to his descendants. When Jacob awoke, he set up a stone pillar on the spot and anointed it with oil, calling it God&amp;#39;s house. In a later dream, the Lord addressed himself to Jacob as the God of Bethel (Genesis 31:13). Incidentally, Bethel came to be a city of idol worship (1 Kings chapters 12 and 13, 2 Kings chapter 23, Amos 3:14, 5:5-6). In general, bethel is a holy place of worship to God, such as for seamen or non-Anglican Protestants. &lt;br&gt;&lt;b&gt;Beulah&lt;/b&gt; Hebrew &lt;i&gt;be &amp;#39;ulah,&lt;/i&gt; &amp;quot;married&amp;quot; -- Israel, from Isaiah 62:4. &amp;quot;No longer will they call you Deserted, or name your land Desolate. But you will be called Hephzibah (&amp;quot;my delight is in her&amp;quot;), and your land Beulah; for the LORD will take delight in you, and your land will be married.&amp;quot; &lt;br&gt;&lt;b&gt;Bhagavad-gita&lt;/b&gt; Sanskrit, &amp;quot;Song of the Blessed One&amp;quot; (also known as &lt;i&gt;Gitopanisad&lt;/i&gt;) -- a 700-verse, philosophical dialogue about self-realization between Lord Sri Krsna (&amp;quot;the Supreme Personality of Godhead&amp;quot;) and his intimate devotee Arjuna, a soldier on the battlefield of Kuruksetra, which is considered a sacred Hindu text and found in the ancient Vedic epic, the &lt;i&gt;Mahabharata&lt;/i&gt;. It is considered by many to be the essence of Vedic knowledge and one of the most important &lt;i&gt;Upanisads&lt;/i&gt; (late Vedic metaphysical treatises dealing with man in relation to the universe). &lt;br&gt;&lt;b&gt;Bhakti&lt;/b&gt; Sanskrit, &amp;quot;a share&amp;quot; -- devotion in Hinduism to one god, with all the tasks and activities of life selflessly directed to its service. &lt;br&gt;&lt;b&gt;Bible&lt;/b&gt; Greek &lt;i&gt;biblia,&lt;/i&gt; &amp;quot;collection of writings&amp;quot; -- Christian collection of the books, prophesies, and scripture that make up the Old Testament (39 books) and the gospels and letters that make up the New Testament (27 epistles); in Judaism, all the Scripture of the Old Testament, known as the Torah or Tanach; any translation of the Old Testament from the original Hebrew and Aramaic and of the New Testament from its original Greek. &lt;br&gt;&lt;b&gt;Bible Belt&lt;/b&gt; Term coined in 1925 by H. L. Mencken pertaining to the southern region of the United States where fundamentalist beliefs prevail and the Christian clergy are especially influential. &lt;br&gt;&lt;b&gt;Bible Code&lt;/b&gt; &lt;br&gt;&lt;b&gt;Bible Paper&lt;/b&gt; A thin, strong opaque paper used for mass producing Bibles and other reference sources, such as dictionaries. &lt;br&gt;&lt;b&gt;Biblicist&lt;/b&gt; (Biblist) An expert on the Bible or a specialist in Biblical literature; someone who takes the words of the Bible literally. &lt;br&gt;&lt;b&gt;Bibliomancy&lt;/b&gt; Prediction based on a Bible verse or literary passage chosen at random. &lt;br&gt;&lt;b&gt;Biddle, John&lt;/b&gt; (1615-62) English theologian and founder of English Unitarianism. &lt;br&gt;&lt;b&gt;Big-Bang&lt;/b&gt; A theory of cosmology which holds that the expansion of the universe began with a gigantic explosion. &lt;br&gt;&lt;b&gt;Biretta&lt;/b&gt; Latin &lt;i&gt;birrus,&lt;/i&gt; hood or cloak -- square cap with three projections and a tassel on top, worn by Roman Catholic clergy. &lt;br&gt;&lt;b&gt;Bishop&lt;/b&gt; Latin &lt;i&gt;episcopus&lt;/i&gt; and Greek &lt;i&gt;episkopos,&lt;/i&gt; &amp;quot;overseer&amp;quot; -- a high-ranking Christian clergyman with authority over other clergyman and usually supervising a church district or diocese, known as a bishopric. A coadjutor is an assistant bishop, often a successor. &lt;br&gt;&lt;b&gt;Black Magic&lt;/b&gt; A form of sorcery aimed at harming others (thus the term &amp;quot;black&amp;quot;), it was first introduced into the Americas by slaves from West Africa who practiced supernatural rituals and worshiped the spirits of nature and their ancestors. With the ancient belief that demons dwell in everyone and can be malevolently manipulated through black magic, the spirits are then reached through various means, including necromancy, spells, witchcraft, astrology, potions, charms, Ouija boards, and tarot cards. Along with protection from evil spirits, black magic is often used either for revenge or prosperity, concentrating on inflicting its victims with disease, physical danger, and unfortunate circumstances. It also includes superstitious beliefs in ghosts, vampires, and witches. Specific forms of black magic include Voodoo, Macumba, and Santeria. Black magic is also used by Satanists to summon the power of the Devil and evil spirits to cause harm to others. &lt;br&gt;&lt;b&gt;Black Mass&lt;/b&gt; Requiem Mass in the Roman Catholic Church at which the clergy is dressed in black; a blasphemous parody of the Mass by worshipers of Satan. &lt;br&gt;&lt;b&gt;Black Muslim&lt;/b&gt; Derogatory term for a member of a predominantly black Islamic sect in the United States. &lt;br&gt;&lt;b&gt;Blasphemy&lt;/b&gt; Profane, contemptuous, mocking, irreverent, or disrespectful speech, writing, or actions against God or anything held as divine. Blasphemy against the name of God was punishable by death in Jewish society, according to Leviticus 24:13-16. The Pharisees tried to stone Jesus when he claimed to be one with the Father, because a mere man claimed to be God (John 10:22-33). Stephen was stoned to death by the Sanhedrin for blasphemy when he said he saw heaven open and the Son of Man standing at the right hand of God (Acts 7:56-58). According to Numbers 15:30-31, anyone who sins defiantly blasphemes the LORD and must be cut off from the people because a blasphemer despises the commandments of God. Blasphemy against the Holy Spirit was considered the one unpardonable sin by Jesus, who said, &amp;quot;I tell you the truth, all the sins and blasphemies of men will be forgiven them. But whoever blasphemes against the Holy Spirit will never be forgiven; he is guilty of an eternal sin&amp;quot; (Mark 3:28-29, also Matthew 12:31-32 and Luke 12:10). &lt;br&gt;&lt;b&gt;Blavatsky, Helena Petrovna&lt;/b&gt; (Madame Blavatsky) Russian theosophist (1831-91, born Helena Hahn) &lt;br&gt;&lt;b&gt;Bless&lt;/b&gt; (Blessed, Blessing) Old English &lt;i&gt;bletsian,&lt;/i&gt; right of consecration by sprinkling the altar with blood -- to make or declare holy by spoken formula or a sign; consecrate or hallow; to receive divine favor; to gladden; to become prosperous; to praise or glorify; to favor or endow. Blessed (generally pronounced bless-ed) is holy, sacred, or consecrated; a title applied to someone who has beatified; theologically, those dead whose souls are in heaven. (Blest is past tense or present participle of bless.) Blessing is an invocation or benediction; gift of divine favor; good wishes or approval; grace said at meals. &lt;br&gt;&lt;b&gt;Blessed Sacrament&lt;/b&gt; (see Eucharist) &lt;br&gt;&lt;b&gt;Blessed Virgin&lt;/b&gt; Latin &lt;i&gt;Beata Virgo Maria,&lt;/i&gt; Blessed Virgin Mary (see Virgin Mary). &lt;br&gt;&lt;b&gt;Blimey&lt;/b&gt; &amp;quot;(God) blind me&amp;quot; -- British exclamation of surprise or wonder. &lt;br&gt;&lt;b&gt;Bliss&lt;/b&gt; From the Old English &lt;i&gt;blithe,&lt;/i&gt; carefree, cheerful disposition -- great joy or happiness; spiritual joy or heavenly rapture; ecstasy. &lt;br&gt;&lt;b&gt;Bodhisattva&lt;/b&gt; Sanskrit, one enlightened in essence -- a potential Buddha; one who has achieved great moral and spiritual wisdom, usually rejecting nirvana in order to assist in aleviating the suffering of mankind. &lt;br&gt;&lt;b&gt;Bogy&lt;/b&gt; An imaginary evil being or spirit; goblin; anything that is especially or needlessly feared; bugbear. The bogyman is an imaginary being used to frighten children. &lt;br&gt;&lt;b&gt;B&amp;ouml;hme, Jakob&lt;/b&gt; (1575-1624) German theosophist and mystic. &lt;br&gt;&lt;b&gt;Bonaventura&lt;/b&gt; Italian theologian and scholastic philosopher (1221-74, born Giovanni Fidanza), celebrated July 14. &lt;br&gt;&lt;b&gt;Bondservant&lt;/b&gt; A slave or one bound to service without pay. &lt;br&gt;&lt;b&gt;Book of Common Prayer&lt;/b&gt; Official book of services and prayers for the Church of England and other Anglican churches. &lt;br&gt;&lt;b&gt;Book of Mormon&lt;/b&gt; &lt;br&gt;&lt;b&gt;Book of the Dead&lt;/b&gt; An ancient Egyptian book of prayers and charms intended to assist the soul in the afterworld. &lt;br&gt;&lt;b&gt;Born-again&lt;/b&gt; &lt;br&gt;&lt;b&gt;Boxing Day&lt;/b&gt; The first weekday after Christmas, marked by the giving of Christmas boxes to employees and civil servants, celebrated in Canada and a legal holiday in England. &lt;br&gt;&lt;b&gt;Boy Scouts&lt;/b&gt; International boys&amp;#39; organization founded in England in 1908, which stresses outdoor life and service to others. &lt;br&gt;&lt;b&gt;Brahma&lt;/b&gt; In Hinduism, the supreme and eternal essence or spirit of the universe, who created the universe and is the chief personage of the trinity (including Vishnu and Siva). &lt;br&gt;&lt;b&gt;Brahman&lt;/b&gt; Sanskrit, worship or prayer -- a member of the high, priestly Hindu caste. Brahmanism is the religious system and doctrines of the brahmans. &lt;br&gt;&lt;b&gt;Branham, William&lt;/b&gt; (Branhamism) William Branham (1909-65), was a native of Kentucky who claimed to have had several angelic visitations and was empowered with the gift of spiritual healing. He also made several end time prophecies that were to come about in the twentieth century, most of which were not fulfilled. He claimed himself to be a fulfillment of Malichi 4:5, &amp;quot;See, I will send you the prophet Elijah before that great and dreadful day of the LORD comes.&amp;quot; Although he taught unorthodox Christianity and his scriptual views were often skewed, he developed a devout cult following, generally referred to as Branhamism. &lt;br&gt;&lt;b&gt;Breastplate&lt;/b&gt; (Breastpiece) An embroidered cloth set with twelve jewels representing the twelve tribes of Israel, worn on the breast of the Jewish high priest. &lt;br&gt;&lt;b&gt;Breviary&lt;/b&gt; Latin &lt;i&gt;breviarium,&lt;/i&gt; an abridgment -- a book containing the prayers and hymns that priests and other clergy of the Roman Catholic and Orthodox Eastern Churches are required to recite daily. Brevier is 8 point type, so called from use in the printing of breviaries. &lt;br&gt;&lt;b&gt;Brief&lt;/b&gt; A papal letter of the Roman Catholic Church less formal than a bull. &lt;br&gt;&lt;b&gt;Brimstone&lt;/b&gt; Old English &lt;i&gt;brynstan,&lt;/i&gt; burn and stone -- sulfur. &lt;br&gt;&lt;b&gt;Brith Milah&lt;/b&gt; (Bris) Hebrew &lt;i&gt;berith milah,&lt;/i&gt; &amp;quot;covenant of circumcision&amp;quot; -- the religious rite in Judaism of circumcision on the eighth day after birth, the ceremony of which is known as a bris. &lt;br&gt;&lt;b&gt;Broad Church&lt;/b&gt; Party of the Anglican Church which, in matters of doctrine and communion, holds a position between the ritualism and formality of the High Church and the evangelism of the Low Church. &lt;br&gt;&lt;b&gt;Bruno&lt;/b&gt; Giordano (1548-1600): Italian philosopher burned at the stake by the Inquisition. St. Bruno of Cologne (1030-1101): German monk who founded the Carthusian order, celebrated October 6. &lt;br&gt;&lt;b&gt;Buber, Martin&lt;/b&gt; (1878-1965) Israeli Jewish philosopher and theologian, born in Austria. &lt;br&gt;&lt;b&gt;Buddha&lt;/b&gt; (Buddhism) Sanskrit, the enlightened one -- Siddhartha Gautama (563-483 B.C.), religious philosopher and teacher who lived in India and founded Buddhism in the sixth century B.C., which became a major religious and philosopical system of central and eastern Asia. Buddhism teaches that right thinking and self-denial will enable the soul to reach Nirvana, a divine state of release from misdirected desire. The name Buddha is a a title applied by Buddhists to someone regarded as embodying divine wisdom and virtue. &lt;br&gt;&lt;b&gt;Bugbear&lt;/b&gt; An imaginary hobgoblin or terror used to frighten children into good conduct, such as the bogyman; anything causing seemingly needless fear or anxiety. &lt;br&gt;&lt;b&gt;Bulfinch, Thomas&lt;/b&gt; (1796-1867) U.S. writer and mythologist. &lt;br&gt;&lt;b&gt;Bull&lt;/b&gt; (Bulla) Latin &lt;i&gt;bulla,&lt;/i&gt; a seal -- an official document, edict, or decree from the Pope. A bulla is a round lead seal attached to a bull. &lt;br&gt;&lt;b&gt;Bull-roarer&lt;/b&gt; A flat piece of wood at the end of a string, which makes a roaring noise when whirled, used in religious ceremonies of some peoples. &lt;br&gt;&lt;b&gt;Burnt Offering&lt;/b&gt; An animal or food substance burned at the altar as an offering to God. &lt;br&gt;&lt;b&gt;Byzantine&lt;/b&gt; Of or pertaining to the Eastern Orthodox Church, prevalent during the Byzantine Empire (A.D. 395-1453) in SE Europe and SW Asia, formed by the division of the Roman Empire; of the art and architecture of Byzantium developed between the fourth and fifteenth centuries A.D., characterized, among other traits, by colorful, two-dimensional frescoes and elaborate mosaics, religious symbolism, domes over square areas, and round arches.&lt;br&gt;&lt;b&gt;Cab&lt;/b&gt; Hebrew &lt;i&gt;qab,&lt;/i&gt; &amp;quot;hollow vessel&amp;quot; -- ancient Hebrew dry measure equal to about two quarts (2 Kings 6:25). &lt;br&gt;&lt;b&gt;Cabala&lt;/b&gt; (Cabbala) Hebrew &lt;i&gt;qabbalah,&lt;/i&gt; &amp;quot;received lore&amp;quot; or tradition -- esoteric philosophy of certain Jewish rabbis, particularly during the Middle Ages, based on a mystical interpretation of the Scriptures. Cabalism is an occult doctrine based on the cabala. &lt;br&gt;&lt;b&gt;Cacodemon&lt;/b&gt; (Cacodaemon) Greek &lt;i&gt;kakodaimon, &lt;/i&gt;evil + demon -- an evil spirit or devil. &lt;br&gt;&lt;b&gt;Cadi&lt;/b&gt; Arabic &lt;i&gt;qadi&lt;/i&gt; -- Minor Muslim magistrate. &lt;br&gt;&lt;b&gt;Calefactory&lt;/b&gt; From the Latin &lt;i&gt;calefactorius,&lt;/i&gt; producing heat -- a heated common room in a monastery (Medieval Latin &lt;i&gt;calefactorium&lt;/i&gt;). &lt;br&gt;&lt;b&gt;Calender&lt;/b&gt; Persian &lt;i&gt;qalandar,&lt;/i&gt; member of an order of wandering dervishes among the Sufis. &lt;br&gt;&lt;b&gt;Caliph&lt;/b&gt; (Calif) Arabic &lt;i&gt;khalifa,&lt;/i&gt; &amp;quot;successor&amp;quot; -- a supreme Islamic ruler, the title taken by Muhammed&amp;#39;s successors as both secular and religious heads of Islam. Caliphate is the region ruled by a caliph, or a general term for the rank or reign of a caliph. &lt;br&gt;&lt;b&gt;Caloyer&lt;/b&gt; Modern Greek &lt;i&gt;kalogeros&lt;/i&gt; &amp;quot;monk&amp;quot; (&lt;i&gt;kalos,&lt;/i&gt; beautiful + &lt;i&gt;geros,&lt;/i&gt; old age) -- a monk of the Orthodox Eastern Church (Italian &lt;i&gt;caloiero&lt;/i&gt;). &lt;br&gt;&lt;b&gt;Calvary&lt;/b&gt; Latin &lt;i&gt;calvaria,&lt;/i&gt; &amp;quot;skull&amp;quot; and Greek &lt;i&gt;kranion,&lt;/i&gt; &amp;quot;cranium&amp;quot; -- used by Christian Evangelists to translate the Aramaic &lt;i&gt;gulgultha&lt;/i&gt; (&amp;quot;skull&amp;quot;). Golgotha, a hill shaped like a skull outside Jerusalem, was the place where Jesus was crucified (Matthew 27:33 and Luke 23:33); an outdoor representation of the crucifixion of Christ; any experience involving intense pain or anguish. &lt;br&gt;&lt;b&gt;Calvinism&lt;/b&gt; The theological system of French Protestant reformer John Calvin (1509-1564, born Jean Caulvin), emphasizing the doctrines of predestination and salvation soley by God&amp;#39;s grace. &lt;br&gt;&lt;b&gt;Camerlengo&lt;/b&gt; Italian &lt;i&gt;camarlingo,&lt;/i&gt; &amp;quot;chamberlain&amp;quot; -- a Roman Catholic cardinal in charge of the papal treasury and accounts. &lt;br&gt;&lt;b&gt;Cameron, Richard&lt;/b&gt; (1648-1680) Scottish minister and Covenanter whose followers formed the Reformed Prespyterian Church in 1743. &lt;br&gt;&lt;b&gt;Campbell, Alexander&lt;/b&gt; (1788-1866) U.S. clergyman born in Ireland, founder of the Disciples of Christ. &lt;br&gt;&lt;b&gt;Camp Fire Girls&lt;/b&gt; Girls&amp;#39; organization founded in 1910, as a program to promote health and character-building activities. &lt;br&gt;&lt;b&gt;Camp Meeting&lt;/b&gt; A religious revival held at a campground or in a tent, often for several days. &lt;br&gt;&lt;b&gt;Canaan&lt;/b&gt; The &amp;quot;Promised Land&amp;quot; of the Israelites, a region between the Jordan River and the Mediterranian Sea. &lt;br&gt;&lt;b&gt;Candlemas&lt;/b&gt; A church feast on February 2, commemorating by the burning of candles the purification of the Virgin Mary. &lt;br&gt;&lt;b&gt;Canon&lt;/b&gt; Latin, measuring line or rule (Greek &lt;i&gt;kanon,&lt;/i&gt; rod or bar); Medieval Latin, sacred writings admitted to the catalog according to the rule -- a list of books of the Bible officially accepted by a church or religious body as genuine; part of the Mass, between the Preface and Communion, centering on the consecration of the Host; a list of recognized saints in the Roman Catholic Church; a musical, polyphonic composition in which there are exact repitions of a preceding part in the same or related keys; established rules, principles, criterion, or decree. Latin &lt;i&gt;canonicus,&lt;/i&gt; a cleric -- member of a clerical group living by the established canon, but not under an everlasting vow (canonicals are the clothes prescribed for a canon when conducting services); a canon regular is a regular Roman Catholic priest living under the rule of his institute. A canoness is a woman holding a canonry but, unlike a nun, she doesn&amp;#39;t take an everlasting vow. Canonry is the benefice or position of a canon. Canon law is a law or body of laws of a Christian church (a canonist is an expert in canon law); Canonic is of a musical canon. Canonical is an adjective pertaining to church canon (of, according to, or ordered by church canon); belonging to the canon of the Bible; of a clergyman; in general, authoritative or accepted. To canonize is to declare in formal church procedure a dead person as a saint; to put in the Bible canon; to give church sanction or authorization to; in general, to glorify. &lt;br&gt;&lt;b&gt;Canonical Hour&lt;/b&gt; Any of the seven periods of the day assigned to prayer and worship by the Roman Catholic Church, including matins (with lauds), prime, terce, sext, none, vespers, and complin. &lt;br&gt;&lt;b&gt;Cant&lt;/b&gt; Among other things, religious phraseology used hypocritically; insincere, pious, or meaningless talk; the special words and phrases (jargon) used by those in a certain sect. &lt;br&gt;&lt;b&gt;Canticle&lt;/b&gt; Latin &lt;i&gt;canticilum&lt;/i&gt; or &lt;i&gt;canticum,&lt;/i&gt; &amp;quot;song&amp;quot; (derived from the Latin &lt;i&gt;cantus,&lt;/i&gt; &amp;quot;chant&amp;quot;) -- a song, chant, or hymn, the words of which are taken from Biblical Scripture. Solomon&amp;#39;s Song of Songs is also known as Canticles (or Canticle of Canticles). Cantillation (Latin &lt;i&gt;cantillatus,&lt;/i&gt; to hum or sing low) is a Jewish litergical chant with the reciting of certain prescribed musical phrases indicated by notations. A cantor is a church choir leader (precentor) or a singer of litergical solos in a synagogue who leads the congregation in prayer (hazan). Canto is a main division of a long poem, corresponding to the chapter of a book. &lt;br&gt;&lt;b&gt;Capuchin&lt;/b&gt; A monk of the Friars Minor Capuchin, a branch of the Franciscan order that adheres strictly to the original rule. A capuche is a long, pointed hood worn by these monks. (Cappuccino is derived from the brown color of the capuchin&amp;#39;s habit.) &lt;br&gt;&lt;b&gt;Carbon-date&lt;/b&gt; To establish the approximate age of fossil or archaeological remains by measuring the amount of radioactive carbon 14 remaining in them. &lt;br&gt;&lt;b&gt;Cardinal&lt;/b&gt; Latin &lt;i&gt;cardinalis,&lt;/i&gt; chief or principal -- the chief presbyter; one of the Roman Catholic officials appointed by the Pope to his council, the College of Cardinals; bright red, like the color of the robe of a cardinal. Cardinalate is the position, dignity, or rank of a cardinal; generally, the Pope&amp;#39;s council of cardinals. &lt;br&gt;&lt;b&gt;Cardinal Virtues&lt;/b&gt; The basic virtues of ancient Greek philosophy: justice, prudence, fortitude, and temperance (similar to the theological virtues). &lt;br&gt;&lt;b&gt;Cargo Cult&lt;/b&gt; A quasi-religious cult among some South Sea islanders, based on a belief that the spirits of their ancestors will return with supplies of modern goods and inaugurate a golden age free from poverty and white dominance. &lt;br&gt;&lt;b&gt;Carmelite&lt;/b&gt; A mendicant friar or nun of the order of Our Lady of Mount Carmel, founded in Syria about A.D. 1160. &lt;br&gt;&lt;b&gt;Carnal&lt;/b&gt; Late Latin &lt;i&gt;carnalis,&lt;/i&gt; &amp;quot;fleshly&amp;quot; -- in or of the flesh, bodily, sexual, material, or worldly, as opposed to spiritual or intellectual; pleasures of the flesh, sensual desires, or lust. &lt;br&gt;&lt;b&gt;Carol&lt;/b&gt; Greek &lt;i&gt;choraules,&lt;/i&gt; choral dance accompanied by a flute player, Old French &lt;i&gt;carole,&lt;/i&gt; Christmance song and dance -- traditionally, a Christmas song of joy and praise sung in chorus with others; originally, a circle dance. &lt;br&gt;&lt;b&gt;Casaubon, Isaac&lt;/b&gt; (159-1614) French scholar and theologian, born in Switzerland. &lt;br&gt;&lt;b&gt;Cassock&lt;/b&gt; Persian &lt;i&gt;kazhaghand,&lt;/i&gt; kind of jacket made from silk -- a long, closefitting vestment, usually black, either worn as an outer garment or under the surplice by clergyman and choristers; in general, a clergyman or his position. &lt;br&gt;&lt;b&gt;Catacombs&lt;/b&gt; Latin &lt;i&gt;cata tumbas, &lt;/i&gt;&amp;quot;at the graves&amp;quot; -- any of a series of underground vaults or galleries used as a burial place. &lt;br&gt;&lt;b&gt;Catafalque&lt;/b&gt; Italian &lt;i&gt;catafalco,&lt;/i&gt; funeral canopy -- temporary wooden framework, usually draped, on which the body in a coffin lies during an elaborate funeral; a coffinlike structure used in the Roman Catholic Church to represent the dead in a requiem Mass after the actual burial. &lt;br&gt;&lt;b&gt;Catechism&lt;/b&gt; (Catechumen) A handbook of questions and answers for teaching the principles of religion, from the Greek &lt;i&gt;katechizein,&lt;/i&gt; to catechize: to teach, particularly the principles of a religion, by a method of question and answers; to question searchingly or fully. Catechumen is a person receiving instruction about the fundamentals of Christianity before baptism (from the Greek &lt;i&gt;katechoumenos,&lt;/i&gt; a person instructed). &lt;br&gt;&lt;b&gt;Cathedral&lt;/b&gt; Late Latin &lt;i&gt;cathedralis,&lt;/i&gt; of a bishop&amp;#39;s seat -- the main church of a bishop&amp;#39;s see, containing the cathedra (Latin for a chair or office of a teacher); generally, any large, imposing church. A cathedra is the throne of a bishop, the episcopal see, or any seat of high authority. &lt;br&gt;&lt;b&gt;Catherine Wheel&lt;/b&gt; A spiked wheel symbolizing the instrument of torture involved in the martyrdom of St. Catherine of Alexandria in the fourth century A.D. (celebrated November 25); a firework like a pinwheel that spins and throws out colorful sparks. &lt;br&gt;&lt;b&gt;Catholic&lt;/b&gt; Latin &lt;i&gt;catholicus,&lt;/i&gt; universal, general, or orthodox (Greek &lt;i&gt;katholikos,&lt;/i&gt; completely whole) -- of the Christian church as a whole, specifically, of the ancient, undivided Christian church; any of the orthodox Christian churches or its members, such as the Roman, Greek, Eastern, or Anglo-Catholic, as distinguished from the Protestant or Reformed churches; in general, the Roman Catholic Church headed by the Pope. Catholicism is generally the doctrine, faith, practice, and organization of a Catholic church, especially the Roman Catholic Church. Catholicize is to convert to Catholocism. &lt;br&gt;&lt;b&gt;Cayce, Edgar&lt;/b&gt; Edgar Cayce (1877-1945), a psychic healer and clairvoyant, founded the Association for Research and Enlightenment (ARE) in Virginia Beach, Virginia, in 1932. Over a 43 year period, Cayce proposed thousands of physical and mental healings (called life readings or physical readings) while in a hypnotic state of altered consciousness. His teachings were a mixture of mysticism, occultism, spiritism, reincarnation, and biblical scripture. Cayce also claimed to be a prophet, with about 90% of his prophecies being fulfilled. &lt;br&gt;&lt;b&gt;Celestial&lt;/b&gt; Latin &lt;i&gt;caelestis,&lt;/i&gt; heaven -- heavenly or divine. &lt;br&gt;&lt;b&gt;Cella&lt;/b&gt; Latin, &amp;quot;small cell&amp;quot; -- inner part of an ancient Greek or Roman temple, housing the statue of a god or goddess. &lt;br&gt;&lt;b&gt;Celtic Cross&lt;/b&gt; Latin cross having a wheellike circle around the intersection of the limbs. &lt;br&gt;&lt;b&gt;Cenobite&lt;/b&gt; Greek &lt;i&gt;koinobion,&lt;/i&gt; communal life -- member of a religious order living in a monastery, cloister, or convent (distinguished from anchorite -- a hermit or recluse). &lt;br&gt;&lt;b&gt;Census&lt;/b&gt; Latin &lt;i&gt;censere,&lt;/i&gt; &amp;quot;assess&amp;quot; -- ancient Roman act of counting the people and evaluating their property for taxation. &lt;br&gt;&lt;b&gt;Chalcedony&lt;/b&gt; Greek &lt;i&gt;chalkedon,&lt;/i&gt; a kind of quartz with a waxy luster with various colors, usually grayish or milky, and comprises agate, sard, cat&amp;#39;s-eye, jasper, carnelian, and chrysoprase. Listed in Revelation 21:19 as one of the precious stones decorating the foundations of the Holy City of Jerusalem that comes down out of heaven from God, his new dwelling place among man after the last days. &lt;br&gt;&lt;b&gt;Chaldea&lt;/b&gt; Ancient province of Babylonia in the lower course of the Euphrates River (Persian Gulf), also known as Babylonia during Chaldean supremacy in the sixth century B.C. &lt;br&gt;&lt;b&gt;Chamberlain&lt;/b&gt; An honorary attendant of the Pope; originally, the bedchamber attendant of a ruler or lord; a steward or an officer in charge of the household of a lord&amp;#39;s estate, etc. &lt;br&gt;&lt;b&gt;Chancel&lt;/b&gt; Latin &lt;i&gt;cancellus,&lt;/i&gt; lattice -- the part of a church around the altar, usually at the east end, reserved for use by the clergy and choir, sometimes set off by a railing or screen. &lt;br&gt;&lt;b&gt;Chancellor&lt;/b&gt; Among other definitions, an archdeacon or lay officer in the Anglican Church for legal affairs of a diocese; a Roman Catholic priest in charge of the diocesan chancery, an office that has custody of certain documents and performs secretarial services for the bishop. &lt;br&gt;&lt;b&gt;Channeling&lt;/b&gt; Means of communication with spirits of the dead. &lt;br&gt;&lt;b&gt;Chant&lt;/b&gt; Latin &lt;i&gt;cantus,&lt;/i&gt; &amp;quot;song&amp;quot; -- a simple liturgical song in which a string of syllables or words of a canticle or psalm are sung in each monotonous tone, often a cappella. &lt;br&gt;&lt;b&gt;Chantry&lt;/b&gt; An endowment to the Roman Catholic Church to pay for the saying of Masses and prayers for the soul of a specified person, often the endower; a chapel or altar endowed in the Middle Ages for this purpose. &lt;br&gt;&lt;b&gt;Chanukah&lt;/b&gt; (Hannukah) Hebrew, &amp;quot;dedication&amp;quot; -- Jewish festival commemorating the rededication of the Temple by Judas Maccabaeus in 165 B.C. and celebrated for eight days beginning the 25th day of Kislev (see Hannukah). &lt;br&gt;&lt;b&gt;Chapel&lt;/b&gt; Latin &lt;i&gt;cappa,&lt;/i&gt; &amp;quot;cape&amp;quot; -- originally, the sanctuary in which the cope (or &lt;i&gt;cappa,&lt;/i&gt; cape) of St. Martin was preserved, later to designate any sanctuary; a place of Christian worship smaller than and subordinate to a church, sometimes having its own altar, or a similar room in some Jewish synagogues; any room or building used as a place of worship; any place of worship in Great Britain for those who are not members of an established church. &lt;br&gt;&lt;b&gt;Chaplain&lt;/b&gt; Originally, a custodian of St. Martin&amp;#39;s cloak (see chapel), later to designate the clergyman of a chapel in general; a minister, priest, or rabbi serving in a religious capacity in the armed forces, prisons, hospitals, and other public institutions, often knowledgeable in several religions. &lt;br&gt;&lt;b&gt;Chaplet&lt;/b&gt; Diminutive of chapel, a string of prayer beads one third the length of a full rosary; the prayers said with such beads. Also, a wreath or garland for the head (chapeau). &lt;br&gt;&lt;b&gt;Chapter&lt;/b&gt; Latin &lt;i&gt;capitulum,&lt;/i&gt; &amp;quot;capital&amp;quot; or &lt;i&gt;caput,&lt;/i&gt; &amp;quot;head&amp;quot; (Medieval Latin, church division) -- a formal meeting of canons headed by a dean, or of the members of a religious order, derived from a meeting at which a chapter of monastic rule was read (Late Latin, division of writing). &lt;br&gt;&lt;b&gt;Chapter and Verse&lt;/b&gt; The exact Scriptural reference: book, chapter, and numerical verse of quoted Scripture. &lt;br&gt;&lt;b&gt;Charismatic&lt;/b&gt; Designating a religious group or movement which stresses direct divine inspiration, which is manifested in speaking in tongues, healing, prophesy, etc. Theologically, charisma is a divinely inspired gift, grace, or talent. &lt;br&gt;&lt;b&gt;Charity&lt;/b&gt; Latin &lt;i&gt;caritas&lt;/i&gt; costliness, esteem, or affection -- theologically, the love of God for man or of man for his fellow men; an act of goodwill or affection; benevolence; kindness or leniency in judging others; voluntarily giving to those in need, or the money, services, or goods given; a welfare organization. &lt;br&gt;&lt;b&gt;Charlemagne&lt;/b&gt; (Charles the Great, Charles I) (A.D. 742-814) king of the Franks (768-814) and emperor of the Holy Roman Empire (800-814). &lt;br&gt;&lt;b&gt;Charm&lt;/b&gt; Latin &lt;i&gt;carmen,&lt;/i&gt; song or verse -- originally, an incantation (chanted words supposedly invoking magical powers to either harm or help; an amulet or talisman used with incantations; any action or gesture assumed to have magic power. &lt;br&gt;&lt;b&gt;Charon&lt;/b&gt; The boatman in Greek Mythology who ferried souls of the dead across the River Styx to Hades. &lt;br&gt;&lt;b&gt;Chartreuse&lt;/b&gt; La Grande Chartreuse, a Carthusian monastery in France; a pale, yellowish green liquor made by Carthusian monks. &lt;br&gt;&lt;b&gt;Chasuble&lt;/b&gt; Medieval Latin &lt;i&gt;casubla,&lt;/i&gt; hooded garment -- a sleeveless outer vestment worn over the alb by priests at Mass. &lt;br&gt;&lt;b&gt;Cherub&lt;/b&gt; (Cherubim) Hebrew &lt;i&gt;kerubh,&lt;/i&gt; a winged, heavenly being that supports the throne of God or acts as a guardian spirit (Genesis 3:24, Psalm 80:1, Ezekiel 10); theologically, the second order of angels which rank just below the seraphim. Represented in early art as a winged angel clothed in red, later to be depicted as a winged, chubby child. &lt;br&gt;&lt;b&gt;Childermas&lt;/b&gt; Holy Innocents&amp;#39; Day &lt;br&gt;&lt;b&gt;Children of God&lt;/b&gt; (COG) Founded by David &amp;quot;Moses&amp;quot; Berg in the late 1960s as a radical movement called Teens for Christ, which declared war on the contemporary systems of government, education, religion, and parental control. It later became Children of God (COG) in the 1970s and, finally, Family of Love in the early 1980s. This cult consisted of strictly regulated communes, or colonies, in and around Arizona and Texas, all headed by Berg as an autocratic messiah. Members signed a &amp;quot;Revolutionary Contract,&amp;quot; turning over all possessions and cutting them off from past relationships. Members raised money for the cause by &amp;quot;listening,&amp;quot; or distributing its literature. Female members also brought in income by flirty fishing (&amp;quot;FFing&amp;quot;), by which they basically prostituted themselves for the dual purpose of making money and converting male converts. (Children conceived through FFing were called &amp;quot;Jesus Babes&amp;quot; and the contraction of venereal disease was considered suffering for the cause of Christ.) Other desirable relations, according to Berg&amp;#39;s intimate teachings and his official periodical, &amp;quot;MO Letters,&amp;quot; included lesbianism, incest, adultery, wife-swapping, child molestation, and sexual intercourse with female spirits (succubae or succubus). Primarily focused on sexual promiscuity and parental rebellion, along with its blatant scriptural perversion, it has gained a bad reputation worlwide. Its international headquarters is in Zurich, Switzerland. &lt;br&gt;&lt;b&gt;Chimere&lt;/b&gt; (Chimer) Arabic &lt;i&gt;sammur,&lt;/i&gt; &amp;quot;sable&amp;quot; -- a loose, sleeveless robe worn by Anglican bishops. &lt;br&gt;&lt;b&gt;Chiromancy&lt;/b&gt; Palmistry. &lt;br&gt;&lt;b&gt;Choir&lt;/b&gt; Theology, any of the nine orders of angels; group of church singers. &lt;br&gt;&lt;b&gt;Cholent&lt;/b&gt; From the French &lt;i&gt;chaud,&lt;/i&gt; &amp;quot;hot&amp;quot; -- a beef stew with potatoes, beans, and other vegetables slowly baked for a long time as a traditional Jewish dish prepared on Friday for the Sabbath. &lt;br&gt;&lt;b&gt;Chrism&lt;/b&gt; Latin &lt;i&gt;chrisma,&lt;/i&gt; an anointing or unction (Greek &lt;i&gt;chrisma,&lt;/i&gt; oil used for anointing) -- concecrated oil used in baptism and other sacraments in certain churches or the sacramental anointing with this oil. The container or receptacle for the chrism is called a chrismatory. A chrisom was originally a cloth to keep chrism off the face; a white cloth or robe representing innocence, worn by an infant at baptism (used as a shroud if the infant died within one month of birth); an innocent baby or infant. &lt;br&gt;&lt;b&gt;Christ&lt;/b&gt; Greek &lt;i&gt;christos,&lt;/i&gt; &amp;quot;the anointed&amp;quot; -- originally a Greek title for the Hebrew &lt;i&gt;Yeshua Moshiach,&lt;/i&gt; &amp;quot;Jesus the Anointed One&amp;quot; (or Jesus the Messiah): Jesus the Christ, later to be used simply as part of his name (Jesus Christ); the Messiah whose appearance is prophesied in the Old Testament, believed by Christians to be Jesus of Nazareth &lt;br&gt;&lt;b&gt;Christen&lt;/b&gt; To baptize (originally, to baptize into a particular Christian church); to give a name at baptism. &lt;br&gt;&lt;b&gt;Christendom&lt;/b&gt; The dominion or kingdom of Christ on earth; those parts of the world where most of the inhabitants profess the Christian faith; Christians collectively. &lt;br&gt;&lt;b&gt;Christian&lt;/b&gt; Greek &lt;i&gt;christianos,&lt;/i&gt; a person professing belief in Jesus as the Christ. The disciples of Jesus were first called Christians (&amp;quot;Christ-ones&amp;quot;) at the church of Antioch in the region of Pisidia in Asia Minor around A.D. 43 (Acts 11:26). Christians here were a mix of Gentiles and Greek and Aramaic-speaking Jews. The term was used by King Agrippa when the Apostle Paul attempted to convert him while imprisoned (Acts 26:28). The term was again used by Peter as a name to bear in suffering for Christ (1 Peter 4:16). &lt;br&gt;&lt;b&gt;Christian Brothers&lt;/b&gt; (Brothers of the Christian Schools) Roman Catholic lay order that undertakes the teaching of youths. &lt;br&gt;&lt;b&gt;Christian Era&lt;/b&gt; The era beginning with the year thought to be the birth of Jesus Christ (circa 8-4 B.C.): B.C. marks the dates before and A.D. marks the dates during this era. &lt;br&gt;&lt;b&gt;Christianity&lt;/b&gt; Christians collectively; Christendom; the Christian religion, based on the Old and New Testaments; a particular Christian religious system or sect. &lt;br&gt;&lt;b&gt;Christian Name&lt;/b&gt; The name of an individual given at baptism, distinguished from the surname or family name. &lt;br&gt;&lt;b&gt;Christian Science&lt;/b&gt; (Church of Christ, Scientist) Pseudo Christian religion founded by Mary Baker Eddy around 1866, upholding the idea that disease, sin, and death are caused by errors in thinking and have no real existence. &lt;br&gt;&lt;b&gt;Christlike&lt;/b&gt; Like Jesus Christ in spirit or character. &lt;br&gt;&lt;b&gt;Christmas&lt;/b&gt; Holiday celebrating the birth of Jesus Christ, generally observed on December 25. The evening before is Christmas Eve. Christmastide is Christmas time from Christmas Eve through New Year&amp;#39;s Day (or to Epiphany on January 6). &lt;br&gt;&lt;b&gt;Christology&lt;/b&gt; The study of the work and person of Jesus Christ and of the literature that relates to him. &lt;br&gt;&lt;b&gt;Christ&amp;#39;s-thorn&lt;/b&gt; An Old World spiny shrub (&lt;i&gt;Paliurus spina-christi&lt;/i&gt;) of the buckthorn family, supposed to have been used for Christ&amp;#39;s crown of thorns. &lt;br&gt;&lt;b&gt;Chrysolite&lt;/b&gt; Latin and Greek &lt;i&gt;chrysolithos,&lt;/i&gt; &amp;quot;topaz&amp;quot; -- also known as olivine, an orthorhombic silicate of magnesium and iron, existing usually as green crystals in many highly basic igneous rocks. &lt;br&gt;&lt;b&gt;Chrysoprase&lt;/b&gt; Latin &lt;i&gt;chrysoprasus&lt;/i&gt; and Greek &lt;i&gt;chrysoprasos&lt;/i&gt; (&lt;i&gt;chrysos,&lt;/i&gt; gold + prason, leek) -- a light-green, semi-precious stone; variety of chalcedony. &lt;br&gt;&lt;b&gt;Church&lt;/b&gt; Greek &lt;i&gt;kyriake (oikia),&lt;/i&gt; Lord&amp;#39;s (house) (from &lt;i&gt;kyriakos,&lt;/i&gt; belonging to the Lord) -- a building for organized, public worship, particularly of the Christian faith; the body of all Christians as a whole; the ecclesiastical government of a religious group as opposed to secular government; profession of the clergy; a congregation or group of worshipers. &lt;br&gt;&lt;b&gt;Church of England&lt;/b&gt; The episcopal church of England; Anglican Church; an established church with the sovereign as its head. &lt;br&gt;&lt;b&gt;Church of Jesus Christ of Latter-day Saints&lt;/b&gt; (Latter-day Saints, LDS, Mormons) Mormons &lt;br&gt;&lt;b&gt;Church of Rome&lt;/b&gt; Roman Catholic Church &lt;br&gt;&lt;b&gt;Church Slavic&lt;/b&gt; Old Church Slavic &lt;br&gt;&lt;b&gt;Churchwarden&lt;/b&gt; Either of two lay officers chosen annually in every parish of the Church of England or of the Protestant Episcopal Church to usher at service and attend to certain secular matters. &lt;br&gt;&lt;b&gt;Ciborium&lt;/b&gt; Latin, &amp;quot;cup,&amp;quot; from the Greek &lt;i&gt;kiborion,&lt;/i&gt; seed vessel of the Egyptian water lilly -- a manmade canopy that rests on four columns, usually covering an altar; baldachin; a covered cup for holding the wafers of the Eucharist. &lt;br&gt;&lt;b&gt;Circa&lt;/b&gt; Latin, &amp;quot;about&amp;quot; -- used before an approximate date, usually abbreviated as c. &lt;br&gt;&lt;b&gt;Circuit Rider&lt;/b&gt; A traveling minister who preaches in his mapped circuit. &lt;br&gt;&lt;b&gt;Circumcise&lt;/b&gt; (Circumcision) Latin &lt;i&gt;circumcisus,&lt;/i&gt; to cut around -- to cut off all or part of the foreskin of the genitalia; archaic term for purification or cleansing from sin. The circumcision of Jesus is generally celebrated January 1 &lt;br&gt;&lt;b&gt;Cistercian&lt;/b&gt; A monk or nun of the French monastic order founded in 1098, which follows a strict interpretation of the Benedictine rule. &lt;br&gt;&lt;b&gt;City of God&lt;/b&gt; Heaven (Psalm 46:4). &lt;br&gt;&lt;b&gt;Clairvoyance&lt;/b&gt; Having the supposed ability to perceive things that are not seen; keen insight or perception. &lt;br&gt;&lt;b&gt;Classical&lt;/b&gt; (Classic) Latin &lt;i&gt;classicus,&lt;/i&gt; relating to the highest classes of the Roman people (superior) -- well versed in or devoted to ancient Greek and Roman culture, literature, art, languages, etc. Classicism is the aesthetic principles or qualities regarded as characteristic of ancient Greece and Rome: objectivity, formality, balance, simplicity, restraint, etc. (generally contrasted with Romanticism); knowledge of the literature and art of ancient Greece and Rome; classical scholarship; a Greek or Latin idiom or expression. &lt;br&gt;&lt;b&gt;Classis&lt;/b&gt; A governing body in certain Reformed churches consisting of the ministers and representative elders from the churches in a district, or the district so governed. &lt;br&gt;&lt;b&gt;Clement of Alexandria&lt;/b&gt; Titus Flavius Clemens (circa A.D. 150-215), Greek Christian theologian. &lt;br&gt;&lt;b&gt;Clergy&lt;/b&gt; Persons ordained for religious service (clergymen), such as priests, ministers, rabbis, etc. To collate is to appoint a clergyman to a benefice (an endowed church office providing a living for a vicar or rector). &lt;br&gt;&lt;b&gt;Cleric&lt;/b&gt; Clergyman. &lt;br&gt;&lt;b&gt;Cloister&lt;/b&gt; Latin &lt;i&gt;claustrum,&lt;/i&gt; shut in place -- portion of a monastery closed off to the laity; in general, a place of religious seclusion, such as a monastery, convent, abbey, or priory; monastic life; seclusion from the outside world; an arched way or covered walk along the inside wall or walls of a monastery, convent, church building, etc., with a columned opening along one side leading to a courtyard or garden. &lt;br&gt;&lt;b&gt;Cloth&lt;/b&gt; The identifying dress of the clergy or the clergy collectively (such as the term &amp;quot;man of the cloth&amp;quot;). &lt;br&gt;&lt;b&gt;Codex&lt;/b&gt; Latin, wooden tablet for writing (Late Latin, a book of laws) -- a manuscript volume, such as of classic literature or Scripture; a code or body of laws. For example, Codex Juris Canonici (Code of Canan Law), the official body of laws governing the Roman Catholic Church since 1918. &lt;br&gt;&lt;b&gt;Coeternal&lt;/b&gt; Existing together eternally. &lt;br&gt;&lt;b&gt;College&lt;/b&gt; A clerical group that has been given the legal status of an ecclesiastical corporation, such as the College of Cardinals, the cardinals of the Roman Catholic Church who serve as a privy council to the Pope and for electing his successor. A collegiate church has a chapter of canons (although not a bishop&amp;#39;s see); in Scotland, a church with two or more ministers serving jointly; in the U.S., a church associated with others under a joint body of pastors; in general, such an association of churches. Collegiality is the principle that authority is shared by the Pope and the bishops. &lt;br&gt;&lt;b&gt;Colloquium&lt;/b&gt; Latin, &amp;quot;conversation&amp;quot; -- an organized conference or seminar on some subject involving a number of scholars or experts. &lt;br&gt;&lt;b&gt;Colporteur&lt;/b&gt; French, &amp;quot;peddler&amp;quot; -- someone who goes from place to place distributing or selling Bibles or religious tracts. &lt;br&gt;&lt;b&gt;Comenius, John Amos&lt;/b&gt; (1592-1670) Born Jan Amos Komensky, Moravian educational reformer and theologian. &lt;br&gt;&lt;b&gt;Comity&lt;/b&gt; Agreement among cooperating Christian denominations to avoid duplication of churches, missions, or other similar establishments in specific areas. &lt;br&gt;&lt;b&gt;Commandments&lt;/b&gt; (see Ten Commandments) &lt;br&gt;&lt;b&gt;Commendam&lt;/b&gt; Medieval Latin &lt;i&gt;dare in commendam,&lt;/i&gt; &amp;quot;to give in trust&amp;quot; (commandery) -- temporary holding of a benefice, with the right to its revenues, by a cleric or layman in the absence of proper incumbent. &lt;br&gt;&lt;b&gt;Common Era&lt;/b&gt; Christian Era &lt;br&gt;&lt;b&gt;Communion&lt;/b&gt; (Holy Communion) Latin &lt;i&gt;communio,&lt;/i&gt; &amp;quot;a sharing&amp;quot; -- any of various Christian rites in which bread and wine are received as symbols in memory of the shed blood and bodily sacrifice of Jesus Christ; a sacrament of the Roman Catholic Eucharist in which the bread and wine are concecrated as the body and blood of Christ, also called the Lord&amp;#39;s Supper; in general, a group of Christians professing the same faith and practicing the same rites. &lt;br&gt;&lt;b&gt;Compunction&lt;/b&gt; Latin &lt;i&gt;compunctus,&lt;/i&gt; to prick (Late Latin &lt;i&gt;compunctio,&lt;/i&gt; the pricking of conscience) -- sharp feeling of uneasiness brought on by a sense of guilt; twinge of conscience; remorse; penitence. &lt;br&gt;&lt;b&gt;Concelebrate&lt;/b&gt; Latin &lt;i&gt;concelebratus,&lt;/i&gt; to celebrate a solemnity in large numbers -- prayers said in unison by two or more officiating priests, such as in celebrating the Eucharistic litergy jointly. &lt;br&gt;&lt;b&gt;Conceptualism&lt;/b&gt; Doctrine, intermediate between nominalism and realism, that universals exist explicitly in the mind as concepts and implicitly in the similarities shared by particular objects. &lt;br&gt;&lt;b&gt;Conclave&lt;/b&gt; Latin, a room that may be locked -- the private meeting of Roman Catholic cardinals to elect a pope; the cardinals collectively; in general, any private or secret meeting. &lt;br&gt;&lt;b&gt;Concordance&lt;/b&gt; Latin &lt;i&gt;concordans,&lt;/i&gt; to agree (concord) -- an alphabetical list of the important words used in a book, with references to the passages in which they occur. &lt;br&gt;&lt;b&gt;Concordat&lt;/b&gt; Latin &lt;i&gt;concordatus,&lt;/i&gt; agreement or harmony (concordance) -- an agreement between a pope and a government concerning the regulation of church affairs; in general, a compact, formal agreement, or covenant. &lt;br&gt;&lt;b&gt;Confession&lt;/b&gt; Acknowledgement of sin; admission of guilt; accept fault in a crime; declaration of one&amp;#39;s faith or statement of religious belief; tomb or shrine of a martyr or confessor (a Christian who suffered for their faith but was not martyred). A confessional is a small, enclosed place where a priest listens to confessions. &lt;br&gt;&lt;b&gt;Confirmation&lt;/b&gt; Christian ceremony in which a person is admitted to full membership in a church; Jewish ceremony in which a person reaffirms their belief in the basic spiritual and ethical concepts of Judaism. A confirmand is the person confirmed in a religious ceremnoy. A confiteor is a formal prayer of confession, often said at Mass. &lt;br&gt;&lt;b&gt;Conform&lt;/b&gt; To accept and adhere to the usages of the Established Church. &lt;br&gt;&lt;b&gt;Confraternity&lt;/b&gt; A brotherhood or fraternal association comprised of laymen united in profession or vocation, such as a religious society, with a devotional or charitable purpose. &lt;br&gt;&lt;b&gt;Confucianism&lt;/b&gt; The ethical teachings of Confucius (Latin, &amp;quot;K&amp;#39;ung Fu-tse&amp;quot;), a Chinese philosopher and teacher (circa 551-479 B.C.), introduced into Chinese religion, emphasizing devotion to parents, family and friends, ancestor worship, and the maintenance of justice and peace. &lt;br&gt;&lt;b&gt;Congregation&lt;/b&gt; Latin &lt;i&gt;congregatio,&lt;/i&gt; an assembling (Medieval Latin, a religious community) -- an assembly or gathering of people, usually for religious worship, teaching, and fellowship; Biblically, the whole body or assembly of Israelites. In the Roman Catholic Church: a religious community bound by a common rule; division of an order made up of a group of monasteries; a committee of cardinals in charge of some department of church affairs. &lt;br&gt;&lt;b&gt;Congrgationalism&lt;/b&gt; A Protestant form of church organization established in colonial New England in which each congregation is self-governing -- a congregation being a settlement, town, or parish. &lt;br&gt;&lt;b&gt;Conjure&lt;/b&gt; Latin &lt;i&gt;conjurare,&lt;/i&gt; to swear together -- originally, to be sworn in a conspiracy; to summon a demon or spirit by magic spell as a primitive, superstitious rite; to practice magic or legerdemain. A conjurer is one who is a magician, sorcerer, or one skilled in legerdemain (trickery, sleight of hand, or stage magic). &lt;br&gt;&lt;b&gt;Conscience&lt;/b&gt; Latin &lt;i&gt;conscientia,&lt;/i&gt; consciousness, moral sense (noun) -- a knowledge or sense of right and wrong, with a compulsion to do right; moral judgment that opposes the violation of a previously recognized ethical principle, which leads to feelings of guilt if violated; consciousness; inner thoughts or feelings. Conscious (adjective) is awareness or cognizance; ability to feel and think in a normal waking state; having knowledge or feelings of inner sensations or external forces; aware of oneself as a thinking being or knowing what one is doing and why (self-conscious). Counsiousness is the totality of one&amp;#39;s thoughts, feelings, and impressions (conscious mind). &lt;br&gt;&lt;b&gt;Consecrate&lt;/b&gt; To set apart as holy; make or declare sacred for religious use; to dedicate or devote entirely; to cause to be revered or honored (hallow); to make someone a religious ruler, such as a bishop, by a religious ceremnoy. &lt;br&gt;&lt;b&gt;Conservative&lt;/b&gt; Tending to preserve established traditions or institutions and to resist or oppose any changes in these; moderate, cautious, or safe; designating the major right-wing political parties of Great Britain (Conservative Party) and Canada (Progressive Conservative Party); descriptive of the Republican Party (Grand Old Party) in the U.S., often upholding Christian values and morals; designating a movement in Judaism that accepts moderate adaptation of religious ritual and traditional forms to the framework of modern life. &lt;br&gt;&lt;b&gt;Consistory&lt;/b&gt; Latin &lt;i&gt;consistorium,&lt;/i&gt; council or place of assembly -- originally, a meeting place for a council or court; a church council or court, such as the papal senate or a council of deacons; a session of such a body. &lt;br&gt;&lt;b&gt;Constantine the Great&lt;/b&gt; Born Flavius Valerius Aurelius Constantinus (A.D. 280-337), Constantine I was emperor of Rome from A.D. 306-337. &lt;br&gt;&lt;b&gt;Constellation&lt;/b&gt; Latin &lt;i&gt;constellatus,&lt;/i&gt; &amp;quot;set with stars&amp;quot; -- a number of fixed stars arbitrarily considered as a group, usually named after some object, animal, or mythological being that they supposedly suggest in outline; the grouping of the planets at any particular time, especially at a person&amp;#39;s birthday; one&amp;#39;s disposition or fate as supposedly influenced by such a grouping. &lt;br&gt;&lt;b&gt;Consubstantiation&lt;/b&gt; Theological doctrine that the substance of the bread and wine of the Eucharist exists, after consecration, side by side with the substance of the body and blood of Christ but is not changed into it. (Transubstantiation is the doctrine that the bread and wine actually become the body and blood of Christ.) &lt;br&gt;&lt;b&gt;Context&lt;/b&gt; Latin &lt;i&gt;contextus,&lt;/i&gt; a joining together -- the parts of a sentence, paragraph, discourse, etc., immediately next to or surrounding a specified word or passage and determining its exact meaning; the whole situation, background, or environment relevant to a particular event, personality, creation, etc. &lt;br&gt;&lt;b&gt;Continence&lt;/b&gt; Self-restraint, moderation, or temperance; abstinence in sexual activity. &lt;br&gt;&lt;b&gt;Contrition&lt;/b&gt; Late Latin &lt;i&gt;contritio,&lt;/i&gt; grief -- a feeling of remorse for sins or wrongdoing (see Penitence). &lt;br&gt;&lt;b&gt;Convent&lt;/b&gt; Latin &lt;i&gt;conventus,&lt;/i&gt; &amp;quot;assembly&amp;quot; (Medieval Latin, religious house) -- a community of nuns living under strict religious vows; the building or buildings occupied by such a group, such as a cloister. &lt;br&gt;&lt;b&gt;Conventual, Friars Minor&lt;/b&gt; A branch of the Franciscan order under a modified rule that permits the holding of property in common. &lt;br&gt;&lt;b&gt;Convert&lt;/b&gt; Latin &lt;i&gt;convertere,&lt;/i&gt; to turn together -- to cause to change from one religion, doctrine, or belief to another; a person so converted (convertite). Conversion is generally to change from a lack of faith to accept a religious belief or adoption of a religion. &lt;br&gt;&lt;b&gt;Convocation&lt;/b&gt; An ecclesiastical or academic assembly that has been summoned to convene. &lt;br&gt;&lt;b&gt;Coptic&lt;/b&gt; Arabic &lt;i&gt;Quft&lt;/i&gt; or &lt;i&gt;Qift,&lt;/i&gt; the Copts, Greek &lt;i&gt;Aigyptios,&lt;/i&gt; Egyptian -- of the ancient, Afro-Asiatic inhabitants of Egypt, known as the Copts. The Coptic Church was the native Christian church of Egypt and Ethiopia, Monophysitic in nature (believing that Christ had only one nature, a composite of the physical and spiritual). &lt;br&gt;&lt;b&gt;Cordelier&lt;/b&gt; Old French &lt;i&gt;cordelle,&lt;/i&gt; cord -- a monk of the Franciscan Observants, so named from the knotted cord worn as a girdle. &lt;br&gt;&lt;b&gt;Coreligionist&lt;/b&gt; A person of the same religion or religious denomination. &lt;br&gt;&lt;b&gt;Corporal&lt;/b&gt; A small linen cloth placed on the center of the altar, on which are placed the bread and the chalice for the Eucharist. &lt;br&gt;&lt;b&gt;Corporeal&lt;/b&gt; Latin &lt;i&gt;corporeus,&lt;/i&gt; bodily form -- physical, bodily nature; of a material, not spiritual, substance or existance; tangible or percepible by the human senses. &lt;br&gt;&lt;b&gt;Corposant&lt;/b&gt; Portuguese &lt;i&gt;corpo santo&lt;/i&gt; and Latin &lt;i&gt;corpus sanctum,&lt;/i&gt; &amp;quot;holy body&amp;quot; (see St. Elmo&amp;#39;s Fire). &lt;br&gt;&lt;b&gt;Corpus&lt;/b&gt; Latin, &amp;quot;body&amp;quot; -- a complete or comprehensive collection of laws or writings of a specified type, such as the Corpus Juris Canonici (&amp;quot;Body of Canon Law&amp;quot;), the body of laws governing the Catholic Church up to 1918 (superseded by the Codex Juris Canonici). &lt;br&gt;&lt;b&gt;Corpus Christi&lt;/b&gt; Latin, &amp;quot;Body of Christ&amp;quot; -- a Roman Catholic festival celebrated on the Thursday after Trinity Sunday, in honor of the Eucharist. &lt;br&gt;&lt;b&gt;Cosmos&lt;/b&gt; Greek &lt;i&gt;kosmos,&lt;/i&gt; &amp;quot;universe&amp;quot; or &amp;quot;harmony&amp;quot; -- the universe considerd as a harmonious and orderly system. Cosmogony is the theory of the origin or generation of the universe. Cosmology is the branch of philosophy and science dealing with the study of the universe as a whole and of its form and nature as a physical system. Cosmic is of the universe, exclusive of the earth. &lt;br&gt;&lt;b&gt;Cosmic Energy&lt;/b&gt; Supernatural energy derived or eminating from the cosmos. &lt;br&gt;&lt;b&gt;Counter-Reformation&lt;/b&gt; The reform movement in the Roman Catholic Church in the 16th century, in answer to the Protestant Reformation. &lt;br&gt;&lt;b&gt;Coven&lt;/b&gt; From the Latin &lt;i&gt;convenire,&lt;/i&gt; to come together, convene (Middle English &lt;i&gt;covin,&lt;/i&gt; a group of confederates) -- a gathering or meeting of witches. &lt;br&gt;&lt;b&gt;Covenant&lt;/b&gt; From the Latin &lt;i&gt;convenire,&lt;/i&gt; convene -- a binding and solemn agreement made by two or more individuals or parties to either do or not do a specified act (compact); an agreement among members of a church to defend and maintain is doctrines, polity, faith, etc.; the promises made by God to man, whereby God swore upon his own name. The National Covenant was an agreement of Presbyterians in Scotland in 1638 to oppose episcopacy. The Solemn League and Covenant was an agreement between the parliaments of Scotland and England in 1643 to extend and preserve Presbyterianism. &lt;br&gt;&lt;b&gt;Coverdale, Miles&lt;/b&gt; (1488-1568) English clergyman who translated the Bible into English in 1535. &lt;br&gt;&lt;b&gt;Cowl&lt;/b&gt; Latin &lt;i&gt;cucullus,&lt;/i&gt; cap or hood -- a monk&amp;#39;s hood or a monk&amp;#39;s cloak with a hood. &lt;br&gt;&lt;b&gt;Cranmer, Thomas&lt;/b&gt; (1489-1556) Archbishop of Canterbury from 1533-56. &lt;br&gt;&lt;b&gt;Creationism&lt;/b&gt; The doctrine that ascribes the origin of life to God, as recorded in Genesis; theological doctrine that God creates a new soul for every human being born, as opposed to Traducianism. &lt;br&gt;&lt;b&gt;Cr&amp;egrave;che&lt;/b&gt; French, &amp;quot;crib&amp;quot; (from the Greek &lt;i&gt;krippe&lt;/i&gt;) -- a Christmas display of a stable with figures representing a scene at the birth of Jesus. &lt;br&gt;&lt;b&gt;Credence&lt;/b&gt; A small table at the side of the communion table on which the bread and wine are placed before consecration. &lt;br&gt;&lt;b&gt;Credenda&lt;/b&gt; From the Latin &lt;i&gt;credere,&lt;/i&gt; &amp;quot;creed&amp;quot; -- doctrines to be believed in matters of faith. &lt;br&gt;&lt;b&gt;Creed&lt;/b&gt; Latin &lt;i&gt;credo,&lt;/i&gt; &amp;quot;I believe&amp;quot; (&lt;i&gt;credere,&lt;/i&gt; to trust or believe) -- a brief statement of religious belief or a confession of faith, such as the Apostles&amp;#39; Creed or the Nicene Creed. &lt;br&gt;&lt;b&gt;Crescent&lt;/b&gt; Turkish Muslim emblem, symbol of power. &lt;br&gt;&lt;b&gt;Cross&lt;/b&gt; (Cruciform) Latin &lt;i&gt;crux,&lt;/i&gt; an upright post with a bar across it near the top on which the ancient Romans fastened convicted persons to die; a symbol of this device, representing the crucifixion of Jesus and of Christianity in general. &lt;br&gt;&lt;b&gt;Crucifix&lt;/b&gt; A reproduction of a cross with a figure of Jesus crucified on it as a Christian symbol. &lt;br&gt;&lt;b&gt;Crucifixion&lt;/b&gt; The crucifying of Jesus by the Romans by nailing his hands and feet to a cross, often represented in art. Crucifixion was the capital punishment of ancient Rome, whereby a convicted criminal was either nailed or bound to a cross and left to die of exposure. Crucifixion is also a self-imposed act of mortification of the flesh for ascetic purposes. &lt;br&gt;&lt;b&gt;Crusades&lt;/b&gt; From the Medieval Latin &lt;i&gt;cruciata,&lt;/i&gt; to mark with a cross -- a series of Christian military expeditions sanctioned by the Catholic Church between the late 11th to the late 13th centuries to recover the Holy Land from the Muslims. &lt;br&gt;&lt;b&gt;Crystal&lt;/b&gt; From the Latin &lt;i&gt;crystallum,&lt;/i&gt; ice, and Greek &lt;i&gt;krystallos,&lt;/i&gt; frost -- a solidified form of substance in which the atoms or molecules are arranged in a definite pattern repeated regularly in three dimensions; a clear, transparent quartz, often cut in the form of an ornament. Quartz is a brilliant, hexagonally crystalline mineral, silicon dioxide (SiO2), made primarily from sand. Crystal gazing is the practice of gazing into a ball of rock crystal (usually glass) and professing to see certain images or future events. &lt;br&gt;&lt;b&gt;Cubit&lt;/b&gt; Latin &lt;i&gt;cubitum,&lt;/i&gt; &amp;quot;elbow&amp;quot; -- ancient measure of length, about 18-22 inches, approximately the length of the forearm from the elbow to the tip of the middle finger. &lt;br&gt;&lt;b&gt;Cult&lt;/b&gt; Latin &lt;i&gt;cultus,&lt;/i&gt; cultivation -- a system of religious worship or ritual requiring strict devotion, a term often used by Christians regarding a pseudo-Christian sect that is either apostate or has integrated Christian beliefs into its basic tenants, along with teachings from various other religions. &lt;br&gt;&lt;b&gt;Cuneiform&lt;/b&gt; Latin &lt;i&gt;cuneus,&lt;/i&gt; wedge -- wedge-shaped form of characters used in the ancient inscriptions of the Akkadians, Assyrians, Babylonians, and Persians. &lt;br&gt;&lt;b&gt;Curate&lt;/b&gt; Medieval Latin &lt;i&gt;curatus,&lt;/i&gt; one responsible for the care of souls -- originally, any clergyman; a clergyman who assists a vicor or rector. Cur&amp;eacute; (derived from &lt;i&gt;curatus&lt;/i&gt;) is a French parish priest. &lt;br&gt;&lt;b&gt;Curse&lt;/b&gt; Old English &lt;i&gt;cursian&lt;/i&gt; and Old French &lt;i&gt;corocier,&lt;/i&gt; to call down wrath upon -- a calling on God or the gods to send evil or injury on some person or thing; a person or thing that has been cursed or damned; a profane, obscene, or blasphemous oath or imprecation expressing hatred, anger, or vexation, often out of revenge. &lt;br&gt;&lt;b&gt;Cutty Stool&lt;/b&gt; A low stool, formerly a seat in a Scottish church in which offenders against chastity had to sit and be publicly rebuked by the minister. &lt;br&gt;&lt;b&gt;Cyril&lt;/b&gt; Greek &lt;i&gt;Kyrillos,&lt;/i&gt; &amp;quot;lordly&amp;quot; -- (A.D. 376-444) Christian theologian and archbishop of Alexandria from 412-444, saint whose day celebrated February 9; (A.D. 827-869) born Constantine, Greek prelate and missionary, apostle to the Slavs, saint whose day is celebrated July 7 (Cyrillic is the Slavic alphabet attributed to him, still used in Russia and Bulgaria).&lt;br&gt;&lt;b&gt;Dagan&lt;/b&gt; Hebrew &amp;quot;grain&amp;quot; -- Babylonian god of the earth. Dagon, a variant of the Hebrew &lt;i&gt;dagan,&lt;/i&gt; was a god of agriculture and the main god of the ancient Phillistines and Phoenicians, represented as half man and half fish. &lt;br&gt;&lt;b&gt;Dalai Lama&lt;/b&gt; (Grand Lama) Mongolian &lt;i&gt;dalai,&lt;/i&gt; &amp;quot;ocean&amp;quot; + Tibetan &lt;i&gt;blama,&lt;/i&gt; &amp;quot;chief&amp;quot; or &amp;quot;high priest&amp;quot; -- the traditional high priest of Lamaism, a form of Buddhism practiced in Mongolia and Tibet, characterized by elaborate ritual and a strong hierarchal organization. &lt;br&gt;&lt;b&gt;Daman&lt;/b&gt; Arabaic &lt;i&gt;daman Israil,&lt;/i&gt; &amp;quot;sheep of Israel&amp;quot; -- (see Hyrax). &lt;br&gt;&lt;b&gt;Daemon&lt;/b&gt; (Daimon) Latin, demon or evil spirit (from the Greek &lt;i&gt;daimon,&lt;/i&gt; divine power, fate, or god) -- any of the secondary divinities in Greek Mythology ranking between the gods and men; guardian, inspiring, or inner spirit; a demon. &lt;br&gt;&lt;b&gt;Damn&lt;/b&gt; Latin &lt;i&gt;damnare,&lt;/i&gt; to condemn -- originally, to condemn as guilty; doom to an unhappy fate; condemn to endless punishment. Damnation comes from the Late Latin &lt;i&gt;damnatio,&lt;/i&gt; &amp;quot;the displeasure of God,&amp;quot; or condemnation. &lt;br&gt;&lt;b&gt;Dan&lt;/b&gt; Hebrew &amp;quot;a judge&amp;quot; -- the fifth son of Jacob and one of the twelve tribes of Israel, settled in northern Palestine. &lt;br&gt;&lt;b&gt;Danite&lt;/b&gt; A member of the Hebrew tribe of Dan (Judges 13:2); a member of a secret Mormon organization formed in 1838. &lt;br&gt;&lt;b&gt;Dante&lt;/b&gt; Born Durante Alighieri (1265-1321), Italian poet who wrote &lt;i&gt;The Divine Comedy&lt;/i&gt;. &lt;br&gt;&lt;b&gt;Dark Ages&lt;/b&gt; The Middle Ages, especially the period from about A.D. 476 to the end of the 10th century, so called from the idea that this period in Europe was characterized by intellectual stagnation, widespread ignorance and poverty, and cultural decline. &lt;br&gt;&lt;b&gt;Darshan&lt;/b&gt; Hindi &lt;i&gt;darsan&lt;/i&gt; and Sanskrit &lt;i&gt;darsana,&lt;/i&gt; &amp;quot;a seeing&amp;quot; (Greek &lt;i&gt;derkomai,&lt;/i&gt; &amp;quot;I see&amp;quot;) -- in Hindu belief, the virtue, uplifting, or blessing one receives in the presence of a great man. &lt;br&gt;&lt;b&gt;Darwinian Theory&lt;/b&gt; (Natural Selection) Theory of evolution from Charles Robert Darwin (1809-82), which holds that all species of plants and animals developed from ealier forms by hereditary transmission of slight variations in successive generations and that the forms which survive are those that are best adapted to the environment. Also known as Natural Selection or Survival of the Fittest. Darwinism is adherence to this theory. &lt;br&gt;&lt;b&gt;Datary&lt;/b&gt; Latin, to be given away (Medieval Latin &lt;i&gt;datarius,&lt;/i&gt; official of the Roman chancery) -- the Roman Catholic office of the Curia that examines candidates for papal benefices and handles the claims of those with rights to pensions; the cardinal in charge of this office. &lt;br&gt;&lt;b&gt;Daven&lt;/b&gt; Yiddish &lt;i&gt;davnen,&lt;/i&gt; to pray -- to recite the prayers of the daily or a holiday liturgy in Judaism. &lt;br&gt;&lt;b&gt;Davy Jones&lt;/b&gt; The spirit of the sea, a humorous name given by sailors. Davy Jones&amp;#39;s locker is the bottom of the ocean, which is the grave of those drowned or buried at sea. &lt;br&gt;&lt;b&gt;Day of Atonement&lt;/b&gt; (see Yom Kippur) &lt;br&gt;&lt;b&gt;Day of Judgment&lt;/b&gt; (see Judgment Day) &lt;br&gt;&lt;b&gt;Deacon&lt;/b&gt; Late Latin &lt;i&gt;diaconus,&lt;/i&gt; a servant of the church (Greek &lt;i&gt;diakonos,&lt;/i&gt; servant or messenger) -- a Christian elder or church officer who helps the minister, primarily in matters not having to do with worship; a cleric ranking just below a priest in the Roman Catholic and Anglican churches; to read a verse aloud before it is sung by the congregation. A deaconess is a female deacon, usually appointed to assist members of the congregation or parish, such as the sick and poor. Diaconal is of a deacon or deacons (adjective). Diaconate is the rank office, or tenure of a deacon, or a board of deacons. &lt;br&gt;&lt;b&gt;Deadly Sins&lt;/b&gt; The seven capital sins that lead to spiritual death: pride, covetousness, lust, anger, gluttony, envy, and sloth &lt;br&gt;&lt;b&gt;Dead Sea&lt;/b&gt; Inland body of salt water between Israel and Jordan, about 370 square miles and 1,290 feet below sea level. &lt;br&gt;&lt;b&gt;Dead Sea Scrolls&lt;/b&gt; A number of scrolls discoverd at various times since 1947, in caves near the Dead Sea, dating between 100 B.C. and A.D. 70 and containing Jewish Scriptual writings and religious writings from an Essenelike community. &lt;br&gt;&lt;b&gt;Dean&lt;/b&gt; Latin &lt;i&gt;decem,&lt;/i&gt; &amp;quot;ten&amp;quot; (Late Latin &lt;i&gt;decanus,&lt;/i&gt; chief of ten soldiers, Late Latin Ecclesiastic for monks) -- the presiding official of a cathedral or collegiate church; a Roman Catholic priest chosen by his bishop to supervise a number of parishes within the diocese; the head administrator of a college or university. Deanery is the position, authority, jurisdiction, or official residence of a dean. Decanal is of a dean or deanery. &lt;br&gt;&lt;b&gt;Decalogue&lt;/b&gt; Greek &lt;i&gt;dekalogos,&lt;/i&gt; &amp;quot;Ten Commandments&amp;quot; &lt;br&gt;&lt;b&gt;Decretal&lt;/b&gt; A decree issues by the Pope on some matter of ecclesiastical discipline; any collection of such decrees, formerly a part of canon law. &lt;br&gt;&lt;b&gt;Defender of the Faith&lt;/b&gt; A title used by English sovereigns, originally conferred upon Henry VIII by Pope Leo X. &lt;br&gt;&lt;b&gt;Defide&lt;/b&gt; Latin term of faith, used to designate Roman Catholic doctrines held to be revealed by God and so requiring the uconditional assent of faith by all. &lt;br&gt;&lt;b&gt;Defrock&lt;/b&gt; (Unfrock) To deprive of the rank or function of priest or minister. &lt;br&gt;&lt;b&gt;Degradation&lt;/b&gt; A punishment whereby a Roman Catholic priest is permanently deprived of the rights of his office. &lt;br&gt;&lt;b&gt;Deil&lt;/b&gt; Scottish variant of &lt;i&gt;devel,&lt;/i&gt; the devil or a mischievous person. &lt;br&gt;&lt;b&gt;Deism&lt;/b&gt; French &lt;i&gt;d&amp;eacute;isme,&lt;/i&gt; from the Latin &lt;i&gt;deus,&lt;/i&gt; &amp;quot;god&amp;quot; -- belief in the existence of a God on purely rational grounds without reliance on revelation or authority; 17th and 18th century doctrine that God created the world and its natural laws, but takes no further part in its functioning. A deist is a believer in deism (as opposed to an atheist). &lt;br&gt;&lt;b&gt;Deity&lt;/b&gt; Late Latin &lt;i&gt;deitas,&lt;/i&gt; &amp;quot;divinity&amp;quot; (from the Latin &lt;i&gt;divinitas&lt;/i&gt;) -- the state of being a god; of divine nature or goodhood; a god or goddess. Deific is deifying or making divine; godlike or divine in nature. Deify is to make a god of, or to look upon or worship as a god; to gloriy exalt, or aodre in an extreme way (idolize). &lt;br&gt;&lt;b&gt;Demigod&lt;/b&gt; A lesser god of mythology or minor deity; the offspring of a god or goddess and a human; a godlike person. &lt;br&gt;&lt;b&gt;Demiurge&lt;/b&gt; Greek &lt;i&gt;demiourgos,&lt;/i&gt; one who works for the people, skilled workman, creator -- in Plato&amp;#39;s philosophy, the deity as creator of the material world; in Gnosticism, a deity subordinate to the supreme deity, sometimes considered the creator of evil; a ruling force or creative power. &lt;br&gt;&lt;b&gt;Demogorgon&lt;/b&gt; In ancient mythology, a terrifying and mysterious god or demon of the underworld (see Gorgon). &lt;br&gt;&lt;b&gt;Demon&lt;/b&gt; (Daemon) Latin &lt;i&gt;daemon,&lt;/i&gt;, demon or evil spirit (from the Greek &lt;i&gt;daimon,&lt;/i&gt; divine power, fate, or god) -- a devil or evil spirit. A demoniac (Greek &lt;i&gt;daimoniakos&lt;/i&gt;) is a person possessed or influenced by a demon. Demonism is belief in the existence and powers of demons. Demonolatry is the worship of demons. Demonology is the study of demons or the beliefs about them. To demonize is to make into a demon or bring under the influence of demons. &lt;br&gt;&lt;b&gt;Demythologize&lt;/b&gt; In theology, to discount mythological elements in the Bible or Christian doctrine in order to facilitate understanding and acceptance. &lt;br&gt;&lt;b&gt;Denomination&lt;/b&gt; Latin &lt;i&gt;denominatio,&lt;/i&gt; to name -- the name of a class of things; a particular religious sect or body with a specific organization and name. Denominational is of, sponsored by, or under the control of a religious denomination (sectarian). Denominationalism is division into denominations, their system and principles, or acceptance or support of such systems and principles. &lt;br&gt;&lt;b&gt;Deontology&lt;/b&gt; From the Greek &lt;i&gt;deon,&lt;/i&gt; that which is binding or of necessity -- the theory of duty or moral obligation (ethics). &lt;br&gt;&lt;b&gt;Deo Volente&lt;/b&gt; Late Latin, &amp;quot;God willing&amp;quot; or &amp;quot;if God is willing.&amp;quot; &lt;br&gt;&lt;b&gt;Deprofundis&lt;/b&gt; Late Latin, &amp;quot;out of the depths&amp;quot; -- from the opening passage of the Latin version of Psalm 130 (&amp;quot;Out of the depths I cry to you, O LORD&amp;quot;), from the deepest sorrow, misery, or despair. &lt;br&gt;&lt;b&gt;Depth Psychology&lt;/b&gt; Any system of psychology dealing with the processes of the unconscious, such as psychonalysis. &lt;br&gt;&lt;b&gt;Dervish&lt;/b&gt; Turkish (from the Persian &lt;i&gt;darvesh,&lt;/i&gt; beggar) -- a member of any of various Muslim orders dedicated to a life of poverty and chastity. Some practice whirling and howling as religious acts. &lt;br&gt;&lt;b&gt;Determinism&lt;/b&gt; The doctrine that everything, especially one&amp;#39;s choice of action, is determined by a sequence of causes independent of one&amp;#39;s will. &lt;br&gt;&lt;b&gt;Deus&lt;/b&gt; Latin, God. &lt;br&gt;&lt;b&gt;Deuterocanonical&lt;/b&gt; From the Greek &lt;i&gt;deutero,&lt;/i&gt; second -- of or constituting a second or subsequent canon; specifically, designating certain Biblical books accepted by the Roman Catholic Church as canonical but held by Protestants to be apocryphal. &lt;br&gt;&lt;b&gt;Deva&lt;/b&gt; Sanskrit, god -- a god or good spirit in Hindu Mythology. &lt;br&gt;&lt;b&gt;Devil&lt;/b&gt; Greek &lt;i&gt;diabolos,&lt;/i&gt; &amp;quot;slanderous&amp;quot; -- the chief evil spirit, a supernatural being subordinate to, and the foe of, God and the tempter of man; any such subordinate beings who rebelled against God and now reside in hell (demons); referred to in the Septuagint as Satan, in the New Testament as the devil. The devil as an individual, demonic angel is often depicted as a man with horns, a tail, and cloven feet. A devilkin is a small devil, or imp. Devilry is a British term for witchcraft or black magic. &lt;br&gt;&lt;b&gt;Devil&amp;#39;s Advocate&lt;/b&gt; Medieval Latin &lt;i&gt;advocatus diaboli&lt;/i&gt; -- a Roman Catholic official selected to critically examine the facts and make objections in the case of a deceased person named for beatification or canonization; a person who upholds the wrong side or an indefensible cause, perversely or for the sake of argument. &lt;br&gt;&lt;b&gt;Devolution&lt;/b&gt; Medieval Latin &lt;i&gt;devolutio,&lt;/i&gt; a rolling back -- biologically, evolution of structures toward greater simplicity or disappearance (degeneration). &lt;br&gt;&lt;b&gt;Devotion&lt;/b&gt; Latin &lt;i&gt;devotio&lt;/i&gt; -- extreme committment, dedication, loyalty, or concecration; piety or devoutness; private prayers or religious worship (devotional). &lt;br&gt;&lt;b&gt;Devout&lt;/b&gt; Latin &lt;i&gt;devotus,&lt;/i&gt; devoted -- very religious or pious; showing reverence; earnest, sincere, or heartfelt in faith to one&amp;#39;s religion or convictions. (&amp;quot;Pious&amp;quot; suggests scrupulous adherence but may connote hypocrisy. &amp;quot;Religious&amp;quot; stresses constant devotion to religious tenets. &amp;quot;Sanctimonious&amp;quot; implies smugness or haughtiness.) &lt;br&gt;&lt;b&gt;Dharma&lt;/b&gt; Sanskrit, law or custom -- in Hinduism and Buddhism, the cosmic order or law, including the natural and moral principles that apply to all beings and things; dutiful observance of this law in one&amp;#39;s life; right conduct. &lt;br&gt;&lt;b&gt;Diabolic&lt;/b&gt; (Diabolical) Late Latin &lt;i&gt;diabolicus,&lt;/i&gt; derived from the Latin &lt;i&gt;diabolus,&lt;/i&gt; &amp;quot;devil&amp;quot; -- of the Devil or devils; wicked, cruel, or fiendish. Diabolism is dealings with the Devil or devils by sorcery or witchcraft, or worship of such creatures; the character or condition of such a develish being. Diablerie is similar, but includes lore about the Devil. &lt;br&gt;&lt;b&gt;Dialogue Mass&lt;/b&gt; A Low Mass in the Roman Catholic Church at which the congregation makes the responses aloud and in unison. &lt;br&gt;&lt;b&gt;Diaspora&lt;/b&gt; Greek, a scattering -- the dispersion of the Jews after the Babylonian exile; the Jews thus dispersed; the places where they settled; any scattering of people with a common origin, background, or beliefs. &lt;br&gt;&lt;b&gt;Didache&lt;/b&gt; Greek, &amp;quot;the teaching&amp;quot; (&lt;i&gt;didache ton dodeka apostolon,&lt;/i&gt; the teaching of the twelve apostles) -- an anonymous Christine treatise of the early second century A.D. &lt;b&gt;Didache&lt;/b&gt;, or &lt;i&gt;Teaching of the Twelve Apostles,&lt;/i&gt; is a collection of early manuscripts dating back to A.D. 1056 (individually composed as early as the second century), compiled into one volume consisting of 16 chapters of basic Christian teachings, with references to the material of the Gospels. Discovered in a monastery in Constantinople and published by P. Bryennios in 1883, its primitive teachings resemble those in the &lt;i&gt;Apostolic Constitutions.&lt;/i&gt; &lt;br&gt;&lt;b&gt;Dies Irae&lt;/b&gt; Latin, &amp;quot;Day of Wrath&amp;quot; -- a medieval Latin hymn about Judgment Day and a part of the Requiem Mass. &lt;br&gt;&lt;b&gt;Diet&lt;/b&gt; Scottish, a day&amp;#39;s session of an assembly, from the Latin &lt;i&gt;dies,&lt;/i&gt; &amp;quot;day&amp;quot; -- a formal assembly of royalty and the elect in the Holy Roman Empire. The Diet of Worms was an assembly in the city of Worms on the Rhine River in Hesse, West Germany, where Martin Luther was condemned by the Roman Catholic Church for heresy in 1521. &lt;br&gt;&lt;b&gt;Dimension&lt;/b&gt; Latin &lt;i&gt;dimensio,&lt;/i&gt; a measuring -- there are four known dimensions, the three space coordinates of length, width, and depth, along with the fourth dimension of time in the theory of relativity. The space-time continuum is a four-dimensional continuum with four coordinates, the three dimensions of space and that of time, in which any event can be located. &lt;br&gt;&lt;b&gt;Diocese&lt;/b&gt; Latin &lt;i&gt;diocesis,&lt;/i&gt; district, government (Greek &lt;i&gt;dioikesis,&lt;/i&gt; administration) -- the district under a bishop&amp;#39;s jurisdiction. A diocesan is the bishop of a diocese. &lt;br&gt;&lt;b&gt;Dionysius Exiguus&lt;/b&gt; Roman monk and Christian theologian of the sixth century A.D., believed to have introduced the current system of numbering years on the basis of the Christian Era. &lt;br&gt;&lt;b&gt;Dirge&lt;/b&gt; Latin &lt;i&gt;dirige,&lt;/i&gt; imperitive of &lt;i&gt;dirigere,&lt;/i&gt; &amp;quot;to direct,&amp;quot; the first word of an antiphon in the Office for the Burial of the Dead (Psalm 5:8) -- a funeral hymn; a slow, sad song, poem, or musical composition expressing grief, mourning, or lament. &lt;br&gt;&lt;b&gt;Disanoint&lt;/b&gt; To annul the anointing of. &lt;br&gt;&lt;b&gt;Discalced&lt;/b&gt; Latin &lt;i&gt;discalceatus,&lt;/i&gt; unshod or without shoes -- barefooted, as members of certain religious orders. &lt;br&gt;&lt;b&gt;Disciple&lt;/b&gt; Latin &lt;i&gt;discipulus,&lt;/i&gt; &amp;quot;learner&amp;quot; -- a pupil or follower of any teacher or school of religion, learning, art, etc.; an early follower of Jesus. &lt;br&gt;&lt;b&gt;Disciples of Christ&lt;/b&gt; A Christian denomination, organized in 1809, that makes the Bible the only basis for faith and practice and baptizes by immersion. &lt;br&gt;&lt;b&gt;Disciplinant&lt;/b&gt; Member of a former Spanish Christian sect who flagellated and otherwise tortured themselves publicly as a means of discipline. &lt;br&gt;&lt;b&gt;Disembody&lt;/b&gt; To free from bodily existence or make incorporeal. &lt;br&gt;&lt;b&gt;Disjectamembra&lt;/b&gt; Latin, scattered parts or fragments, as of an author&amp;#39;s writings. &lt;br&gt;&lt;b&gt;Dispensation&lt;/b&gt; Latin &lt;i&gt;dispensatio,&lt;/i&gt; management or charge -- theologically, the ordering of events under divine authority; an exemption or release from the provisions of a specific Roman Catholic Church law; any religious system. &lt;br&gt;&lt;b&gt;Dissent&lt;/b&gt; Latin &lt;i&gt;dissentire,&lt;/i&gt; apart from thinking or feeling -- to differ in belief or opinion (disagree); to reject the doctrines and forms of an established church (religious nonconformity). Traditionally, a dissenter is a Protestant who refuses to accept the doctrines and forms of the Established Church in England or Scotland. &lt;br&gt;&lt;b&gt;Ditheism&lt;/b&gt; (Dualism) Belief in two supreme gods (dualism). &lt;br&gt;&lt;b&gt;Diurnal&lt;/b&gt; Latin &lt;i&gt;diurnalis,&lt;/i&gt; daily -- a service book containing prayers for the daytime canonical hours. &lt;br&gt;&lt;b&gt;Dives&lt;/b&gt; Latin, rich -- parable of the rich man (Luke 16:19-31) from the Latin Vulgate Bible. &lt;br&gt;&lt;b&gt;Divination&lt;/b&gt; Latin &lt;i&gt;divinatio,&lt;/i&gt; from &lt;i&gt;divinare&lt;/i&gt; (divine) -- the act or practice of foretelling the future or unknown by occult means; a prophecy or augury. A divining rod is a forked branch or stick alleged to reveal hidden matter, such as water, minerals, treasure, or artifacts, by bending downward toward the desired object buried underground (also known as a dowsing rod). &lt;br&gt;&lt;b&gt;Divine&lt;/b&gt; Latin &lt;i&gt;divinus,&lt;/i&gt; from &lt;i&gt;divus&lt;/i&gt; (diety) -- of or like God or a god; given or inspired by God (holy or sacred); devoted to God (religious or sacrosanct); supreme qualities (good, almighty, etc.); having to do with theology or a theologian; a clergyman. The divine right of kings is traditionally the God-given right of kings to rule. Divinity is the quality or condition of being divine; a divine being, god, or deity; a divine power, virtue, trate, or characteristic; theology or the study of religion. To divinize is to deify. &lt;br&gt;&lt;b&gt;Divine Liturgy&lt;/b&gt; The Eucharistic rite of the Eastern Orthodox Church. &lt;br&gt;&lt;b&gt;Divine Office&lt;/b&gt; The prayers assigned to each of the canonical hours. &lt;br&gt;&lt;b&gt;Docetism&lt;/b&gt; Greek &lt;i&gt;Doketai,&lt;/i&gt; name of an early Christian sect which held that Christ merely seemed to have a human body. &lt;br&gt;&lt;b&gt;Doctrine&lt;/b&gt; Latin &lt;i&gt;doctrina,&lt;/i&gt; variant of doctor -- teachings or something taught as the principle or creed of a religion, political party, etc.; tenets (maintenance or defense of a theory or principle); dogma (handed down by authority as true and indisputable); a rule or theory of law, based on carefully worked out principles and advanced by its adherents. &lt;br&gt;&lt;b&gt;Dog Latin&lt;/b&gt; Incorrect or ungrammatical Latin. &lt;br&gt;&lt;b&gt;Dogma&lt;/b&gt; Latin and Greek, an opinion or that which one believes (Late Latin, a decree or order) -- a doctrine, tenet, or belief (individually or collectively); a possitive, arrogant assertion of opinion; theologically, a doctrine or body of doctrines formally and authoritatively affirmed. Dogmatic is doctrinal; asserted without proof (a priori); stating opinion an an assertive or arrogant manner. Dogmatics is the study of religious dogmas, particilarly those of Christianity. Dogmatism (Greek &lt;i&gt;dogmatizein,&lt;/i&gt; to lay down a decree) is dogmatic assertion of opinion, usually without reference to evidence. To dogmatize is to speak or write dogmatically, or formulate or express as dogma. &lt;br&gt;&lt;b&gt;Dom&lt;/b&gt; Latin &lt;i&gt;dominus,&lt;/i&gt; a lord or master -- title given to certain monks and clerics; a title of respect formerly given to gentlemen of Brazil and Portugal, used with the given name. &lt;br&gt;&lt;b&gt;Dominical&lt;/b&gt; Late Latin &lt;i&gt;Dominicus,&lt;/i&gt; &amp;quot;of the Lord&amp;quot; (Latin &lt;i&gt;dominus,&lt;/i&gt; of a lord) -- having to do with Jesus as the Lord; having to do with the Lord&amp;#39;s Day (Sunday). Dominical letter is any of the first seven letters in the alphabet as used in church calendars to indicate Sundays -- the letters are assigned to the first seven days of January, and the letter falling to Sunday is the arbitrary symbol for Sunday the rest of the year. &lt;br&gt;&lt;b&gt;Dominican Order&lt;/b&gt; A mendicant order of friars or nuns founded in 1215 by St. Dominic (1170-1221), a Spanish priest (celebrated August 4). &lt;br&gt;&lt;b&gt;Dominie&lt;/b&gt; From the Latin &lt;i&gt;dominus,&lt;/i&gt; dominate -- a pastor of the U.S. Dutch Reformed Church; generally, any pastor or clergyman; a Scottish schoolmaster. &lt;br&gt;&lt;b&gt;Dominus&lt;/b&gt; Latin, &amp;quot;the Lord,&amp;quot; such as in &lt;i&gt;Dominus vobiscum,&lt;/i&gt; &amp;quot;the Lord be with you.&amp;quot; &lt;br&gt;&lt;b&gt;Donatist&lt;/b&gt; Member of a North African Christian sect formed in the fourth century A.D. by Donatus, Bishop of Casae Nigrae, holding extremely rigorous views concerning purity and sanctity. &lt;br&gt;&lt;b&gt;Doppelganger&lt;/b&gt; Greek &lt;i&gt;doppel,&lt;/i&gt; double + &lt;i&gt;ganger,&lt;/i&gt; goer -- the supposed ghostly double or wraith of a living person. &lt;br&gt;&lt;b&gt;Dossal&lt;/b&gt; (Dossel) Medieval Latin &lt;i&gt;dossale,&lt;/i&gt; variant of &lt;i&gt;dorsalis,&lt;/i&gt; dorsal -- an ornamental cloth hung behind an altar, at the back of a chancel, etc.; formerly, an ornamental upholstery at the back of a chair or throne. &lt;br&gt;&lt;b&gt;Douay Bible&lt;/b&gt; (Douay Version) English version of the Bible translated from the Latin Vulgate edition for the use of Roman Catholics. The New Testament was originally published at Reims in 1582 and the Old Testament at Douai from 1609-10. &lt;br&gt;&lt;b&gt;Doubting Thomas&lt;/b&gt; A chronic skeptic or a person who habitually doubts, so named after the Apostle Thomas. &lt;br&gt;&lt;b&gt;Doxology&lt;/b&gt; Greek &lt;i&gt;doxologia,&lt;/i&gt; a praising -- any of several hymns of praise to God, often beginning with &amp;quot;Praise God from whom all belssings flow.&amp;quot; The greater doxology begins &lt;i&gt;Gloria in excelsis Deo&lt;/i&gt; (&amp;quot;glory to God in the highest&amp;quot;) and the lesser doxology begins &lt;i&gt;Gloria Patri&lt;/i&gt; (&amp;quot;glory to the Father&amp;quot;). &lt;br&gt;&lt;b&gt;Doxy&lt;/b&gt; Abbreviation of orthodoxy: a doctrine or creed, particularly in religion. &lt;br&gt;&lt;b&gt;Drachma&lt;/b&gt; Greek &lt;i&gt;drachme,&lt;/i&gt; &amp;quot;a handful&amp;quot; -- an ancient Greek silver coin and a unit if weight approximately equal to this coin. &lt;br&gt;&lt;b&gt;Dragon&lt;/b&gt; Latin and Greek &lt;i&gt;drakon,&lt;/i&gt; &amp;quot;the seeing one&amp;quot; (dragon or serpent) -- a mythical monster, usually reperesented as a large, fire-breathing reptile with wings and claws; archaic term for a large serpent or snake; a word used in the King James Bible to translate several Hebrew words describing Satan (such as serpent, Old Serpent, jackal, etc.). &lt;br&gt;&lt;b&gt;Dragonade&lt;/b&gt; The persecution of the French Protestants by the troops of Louis XIV, especially by the use of dragoons (heavily armed cavalrymen). &lt;br&gt;&lt;b&gt;Druid&lt;/b&gt; (Druidism) From the Celtic &lt;i&gt;drui,&lt;/i&gt; &amp;quot;oak-wise&amp;quot; -- a member of a Celtic religious order of priests, soothsayers, judges, poets, etc., in ancient Britain, Ireland, and France. A dryad is a wood nymph from Greek and Roman Mythology. &lt;br&gt;&lt;b&gt;Druse&lt;/b&gt; (Druze) A member of a secret Islamic sect in Syria and Lebanon, founded by Ismail al-Durazi (Arabic &lt;i&gt;Duruz,&lt;/i&gt; &amp;quot;tailor&amp;quot;). &lt;br&gt;&lt;b&gt;Dualism&lt;/b&gt; (Dualistic) The theological doctrine that there are two mutually antagonistic principles in the universe, good and evil; the doctrine that man has two natures, physical and spiritual; the philosophical theory that the world is ultimately composed of, or explicable in terms of, two basic entities, mind and matter. &lt;br&gt;&lt;b&gt;Duende&lt;/b&gt; Spanish, &amp;quot;goblin&amp;quot; or &amp;quot;spirit&amp;quot; -- a special quality or charm that makes one irrisistibly attractive. &lt;br&gt;&lt;b&gt;Dugong&lt;/b&gt; A genus of large, whalelike, tropical mammals that live along the shores of the Indian Ocean and feed mostly on seaweed. Biblically, a sea cow. &lt;br&gt;&lt;b&gt;Dukhobors&lt;/b&gt; Russian &lt;i&gt;dukhobortsy,&lt;/i&gt; &amp;quot;spirit wrestlers&amp;quot; -- a Russian religious sect separated from the Orthodox Church in 1785, many of whom emigrated to Western Canada in the 1890&amp;#39;s to escape persecution. &lt;br&gt;&lt;b&gt;Dulia&lt;/b&gt; Greek &lt;i&gt;douleia,&lt;/i&gt; &amp;quot;service&amp;quot; -- homage paid in the Roman Catholic Church to angels and saints. Hyperdulia is a homage paid to the Virgin Mary as holier than any other created being. Latria is worship due to God alone. &lt;br&gt;&lt;b&gt;Dunkers&lt;/b&gt; (Dunkards) Greek &lt;i&gt;tunker,&lt;/i&gt; &amp;quot;dipper&amp;quot; -- Church of the Brethren, a sect of German-American Baptists opposed to military service and the taking of oaths, so named from their practice of baptismal immersion. &lt;br&gt;&lt;b&gt;Duomo&lt;/b&gt; Italian, dome -- a cathedral. &lt;br&gt;&lt;b&gt;Dybbuk&lt;/b&gt; Hebrew &lt;i&gt;dibbuq,&lt;/i&gt; from &lt;i&gt;dabhaq,&lt;/i&gt; to cleave or hold to -- in Jewish folklore, the spirit of a dead person that enters the body of a living person and possesses it.&lt;br&gt;&lt;b&gt;Easter&lt;/b&gt; From Eastre, the dawn goddess, a pagan vernal festival nearly coincident with the paschal festival of the church, an annual Christian festival celebrating the resurrection of Jesus Christ held on the first Sunday after the date of the first full moon that occurs on or after March 21. Eastertide is the period after Easter, extending in various churches to Ascension Day, Whitsunday, or Trinity Sunday. &lt;br&gt;&lt;b&gt;Ebblis&lt;/b&gt; Arabic &lt;i&gt;Iblis,&lt;/i&gt; Muslim for Satan. &lt;br&gt;&lt;b&gt;Ecce Homo&lt;/b&gt; Latin, &amp;quot;behold the man,&amp;quot; Pilate&amp;#39;s words when he presented Jesus to the populace before the crucifixion (John 19:5, Latin Vulgate); a picture or statue of Jesus wearing a crown of thorns. &lt;br&gt;&lt;b&gt;Ecclesia&lt;/b&gt; Assembly of Christians; members of a church or a church building; &lt;br&gt;&lt;b&gt;Ecclesiastes&lt;/b&gt; Hebrew &lt;i&gt;qoheleth,&lt;/i&gt; he who calls together an assembly; member of an ecclesia; a book of the Old Testament written by King Solomon (Septuagint). An ecclesiastic is a clergyman. Ecclesiastical is of the church or the clergy, used in early Latin and Greek writings about Christianity. &lt;br&gt;&lt;b&gt;Ecclesiasticus&lt;/b&gt; (Ecclus) Latin &lt;i&gt;ecclesiasticus liber,&lt;/i&gt; &amp;quot;the church book,&amp;quot; an Apocryphal book of proverbs included as canonical in the Douay Bible. &lt;br&gt;&lt;b&gt;Ecclesiology&lt;/b&gt; The study of church architecture. &lt;br&gt;&lt;b&gt;Ecumenical&lt;/b&gt; Latin &lt;i&gt;oecumenicus,&lt;/i&gt; Greek &lt;i&gt;oikoumenikos,&lt;/i&gt; of or from the whole world; general or universal; concerning the Christian church as a whole; furthering the unity of Christian churches. Ecuminism is the practice or principles of promoting cooperation or better understanding among differing religious faiths; ecumenical movement among Christian churches. &lt;br&gt;&lt;b&gt;Eden&lt;/b&gt; Hebrew &lt;i&gt;edhen,&lt;/i&gt; &amp;quot;delight&amp;quot;; the garden where Adam and Eve first lived; paradise. &lt;br&gt;&lt;b&gt;Edify&lt;/b&gt; (Edification) To instruct or improve morally or spiritually; enlighten. &lt;br&gt;&lt;b&gt;Edom&lt;/b&gt; Ancient kingdom in southwest Asia, south of the Dead Sea, the citizens of which were descendants of Esau, son of Isaac and brother of Jacob. &lt;br&gt;&lt;b&gt;Eleatic&lt;/b&gt; Of an ancient Greek school of philosophy centered in Elea, a Greek colony in Italy, during the 5th and 6th centuries B.C., which held that the singular and unchangeable &amp;quot;Being&amp;quot; was the only reality and that plurality, change, and motion were illusory, its outstanding adherents being Parmenides and Zeno. &lt;br&gt;&lt;b&gt;Elias&lt;/b&gt; Elijah -- spelling used in the New Testament of the King James Version and the Douay Version Bibles. &lt;br&gt;&lt;b&gt;Elohim&lt;/b&gt; Plural form of the Hebrew &lt;i&gt;eloah,&lt;/i&gt; God. Elohist is the unknown author of the parts of the Bible where Elohim is used for God instead of Yahweh. &lt;br&gt;&lt;b&gt;Elysium&lt;/b&gt; (Elysian Plain) Dwelling place of the virtuous after death in Greek Mythology; paradise. &lt;br&gt;&lt;b&gt;Ember&lt;/b&gt; Designation of three days (usually Wednesday, Friday, and Saturday) for prayer and fasting during a specific week out of each of the four seasons of the year, observed primarily in the Roman Catholic Church. &lt;br&gt;&lt;b&gt;Emir&lt;/b&gt; Title given to Mohammed&amp;#39;s descendants through his daughter Fatima; a ruler, prince, or cammander in certain Islamic countries. &lt;br&gt;&lt;b&gt;Empyrean&lt;/b&gt; (Empyreal) The highest heaven, abode of God, sphere of pure light or fire; sky, firmament, or celestial vault. &lt;br&gt;&lt;b&gt;Energumen&lt;/b&gt; Person supposedly possessed by an evil spirit; fanatic or enthusiast. &lt;br&gt;&lt;b&gt;Entelechy&lt;/b&gt; The actualization of potentiality or of true existence in Aristotelian philosophy; vitalism -- the immanent force which controls and directs life and its development. &lt;br&gt;&lt;b&gt;Ephah&lt;/b&gt; An ancient Hebrew dry measure, estimated from 1/3 bushel to just over one bushel. &lt;br&gt;&lt;b&gt;Ephod&lt;/b&gt; Richly embroidered outer vestment worn by Jewish priests &lt;br&gt;&lt;b&gt;Ephraim&lt;/b&gt; Hebrew &lt;i&gt;ephrayim,&lt;/i&gt; &amp;quot;very fruitful&amp;quot; -- one of the twelve tribes of Israel descended from the youngest son of Joseph; the kingdom of Israel. &lt;br&gt;&lt;b&gt;Epicurean&lt;/b&gt; Of the philosophy of Epicurus (341-270 B.C.), a Greek philosopher who taught that the goal of man should be a life of calm pleasure regulated by morality, temperance, serenity, and cultural development. &lt;br&gt;&lt;b&gt;Epigraphy&lt;/b&gt; The study of deciphering, interpreting, and classifying ancient inscriptions. &lt;br&gt;&lt;b&gt;Epiphany&lt;/b&gt; An appearance or manifestation of a supernatural being; a yearly festival (also called the Twelfth Day) held in some Christian churches on January 6, commemorating the revealing of Jesus as Christ to the Gentiles in the persons of the Magi, along with his baptism; a moment of sudden intuitive understanding or a flash of insight. &lt;br&gt;&lt;b&gt;Episcopal&lt;/b&gt; (Episcopalian) Designating any church governed by bishops, based on the theory that government of the church rests in a group of bishops and not an individual. &lt;br&gt;&lt;b&gt;Epistle&lt;/b&gt; Greek &lt;i&gt;epistole,&lt;/i&gt; a letter or message -- a long, formal, instructive letter; any of the letters of the New Testament written by an Apostle. &lt;br&gt;&lt;b&gt;Equinox&lt;/b&gt; When the sun crosses the equator, making night and day of equal length in all parts of the earth. Vernal equinox occurs about March 21, while the Autumnal Equinox occurs about September 22. &lt;br&gt;&lt;b&gt;Erasmus, Desiderius&lt;/b&gt; Born Gerhard Gerhards (1466-1536), Dutch humanist, scholar, and theologian &lt;br&gt;&lt;b&gt;Erastus, Thomas&lt;/b&gt; Born Thomas Liebler (1524-83), German theologian and physician who advocated the supreme authority of the state in church matters. &lt;br&gt;&lt;b&gt;Erebus&lt;/b&gt; Dark place under the earth in Greek Mythology through which the dead passed before entering Hades. &lt;br&gt;&lt;b&gt;Eremite&lt;/b&gt; Hermit or religious recluse. &lt;br&gt;&lt;b&gt;Erlking&lt;/b&gt; A spirit in Germanic folklore who does mischief or evil, especially to children -- from &lt;i&gt;elverkonge,&lt;/i&gt; king of the elves. &lt;br&gt;&lt;b&gt;Eros&lt;/b&gt; The god of love in Greek Mythology, son of Aphrodite, and identified by the Romans with Cupid; sexual love or desire; libido or the psychic energy associated with it. &lt;br&gt;&lt;b&gt;Eschatology&lt;/b&gt; Branch of theology dealing with death, resurrection, judgment, and immortality; biblical study of the end times surrounding the second coming of Christ. &lt;br&gt;&lt;b&gt;Esdras&lt;/b&gt; Douay Bible name for Ezra. &lt;br&gt;&lt;b&gt;Esprit&lt;/b&gt; French, &amp;quot;spirit.&amp;quot; &lt;br&gt;&lt;b&gt;Essene&lt;/b&gt; Member of an ancient Jewish sect of ascetics and mystics existing between the second century B.C. and the second century A.D. &lt;br&gt;&lt;b&gt;Eternal&lt;/b&gt; Without beginning or end; everlasting; unchanging; perpetual; infinite; timeless or beyond time. &lt;br&gt;&lt;b&gt;Ethereal&lt;/b&gt; Heavenly or clestial, from the word &amp;quot;ether,&amp;quot; an imaginary substance filling all space beyond earth, or the hypothetical medium in space for transmitting light waves and radiant energy. &lt;br&gt;&lt;b&gt;Ethics&lt;/b&gt; Humanist study of standards of conduct and moral judgment. &lt;br&gt;&lt;b&gt;Eucharist&lt;/b&gt; Holy Communion; the concecrated bread and wine used for holy communion in the Roman Catholic Church. Eulogia is bread blessed but not concecrated, given to the noncommunicants at Mass, particularly in the Eastern Orthodox Church. Another term for Eucharist is Housel, which is the administration of the Eucharist. &lt;br&gt;&lt;b&gt;Eudaemonia&lt;/b&gt; Aristotle&amp;#39;s philosophy of happiness derived from a life of activity governed by reason as the universal goal. Eudaemonism is the system of ethics that considers the moral value of actions in terms of their ability to produce personal happiness. &lt;br&gt;&lt;b&gt;Evangelism&lt;/b&gt; Greek &lt;i&gt;euangelistes,&lt;/i&gt; &amp;quot;bringer of good news&amp;quot; -- preaching or spreading the Gospel; any zealous effort in propagandizing for a cause. Evangel is another word for Gospel. Evangelical is in, of, or according to the Gospels of the New Testament, generally Protestant churches that emphasize salvation by faith in the atonement of Jesus rather than the efficacy of the sacraments and good works alone. &lt;br&gt;&lt;b&gt;Evensong&lt;/b&gt; Evening worship service in the Anglican Church; same as Vespers in the Roman Catholic Church. &lt;br&gt;&lt;b&gt;Evoke&lt;/b&gt; To summon a spirit or demon. &lt;br&gt;&lt;b&gt;Evolution&lt;/b&gt; Theory developed by Charles Darwin that all species of plants and animals developed from primitive biological forms by hereditary transmission of slight variations in successive generations, mutations, and natural selection. &lt;br&gt;&lt;b&gt;Exalt&lt;/b&gt; To raise on high, lift up in praise, glorify, extol. &lt;br&gt;&lt;b&gt;Excommunicate&lt;/b&gt; To exclude, by an act of ecclesiastical authority, from the sacriments, rights, and priveleges of a church &lt;br&gt;&lt;b&gt;Execrate&lt;/b&gt; To curse, denounce, or call down evil on. &lt;br&gt;&lt;b&gt;Exegesis&lt;/b&gt; Greek, &amp;quot;explanation&amp;quot; -- explanation, critical analysis, or interpretation of biblical scripture. An exegete is an expert in exegesis. &lt;br&gt;&lt;b&gt;Existentialism&lt;/b&gt; Philosophical movement stemming from Kierkegaard and based on the doctrine that existence takes precedence over essence and holds that man is totally free and responsible for his acts, which is the source of dread and anguish that encompass him. &lt;br&gt;&lt;b&gt;Exorcism&lt;/b&gt; Ritual used to drive out evil spirits. &lt;br&gt;&lt;b&gt;Expiate&lt;/b&gt; Atone for sins; amends or reparation. &lt;br&gt;&lt;b&gt;Extrasensory&lt;/b&gt; Perception either apart from the normal senses or in addition to them. &lt;br&gt;&lt;b&gt;Exult&lt;/b&gt; Rejoice; leap for joy.&lt;br&gt;&lt;b&gt;Faith&lt;/b&gt; Latin &lt;i&gt;fides,&lt;/i&gt; &amp;quot;confidence&amp;quot; -- complete trust, confidence, reliance; allegiance, loyalty; unquestioning belief that does not require proof or evidence; firm belief in Christianity. &lt;br&gt;&lt;b&gt;Fakir&lt;/b&gt; Hindu or Muslim ascetic who lives by begging. &lt;br&gt;&lt;b&gt;Faldstool&lt;/b&gt; Portable stool or desk used in praying; backless chair used by a bishop when officiating in a church not his own; a desk in an Anglican Church at which the litany is read. &lt;br&gt;&lt;b&gt;Fall of Man&lt;/b&gt; Original sin -- Adam&amp;#39;s fall from God&amp;#39;s grace as a result of giving into the temptation to eat of the fruit of the tree of the knowledge of good and evil, which led to the curses of all mankind. &lt;br&gt;&lt;b&gt;False Prophet&lt;/b&gt; &lt;br&gt;&lt;b&gt;F.A.M.&lt;/b&gt; Free and Accepted Masons &lt;br&gt;&lt;b&gt;Family Bible&lt;/b&gt; Large, oversized Bible with illuminated pages for recording births, marriages, and deaths. &lt;br&gt;&lt;b&gt;Family of Love&lt;/b&gt; (Children of God) Originally called Children of God, a cult founded by David Brandt Berg based on sexual promiscuity, rebellion against established systems of authority, and perverted interpretations of biblical scripture and Christianity. Due to international disrepute, the organization changed its name to Family of Love and its founder went into hiding. (See Children of God.) &lt;br&gt;&lt;b&gt;Fane&lt;/b&gt; Latin &lt;i&gt;fanum,&lt;/i&gt; sanctuary or temple -- archaic term for a temple or church. &lt;br&gt;&lt;b&gt;Fanon&lt;/b&gt; Capelike vestment worn by the Pope when celebrating a High Mass; maniple. &lt;br&gt;&lt;b&gt;Fasching&lt;/b&gt; Uninhibited revelry celebrated in Austria and Germany prior to Lent. &lt;br&gt;&lt;b&gt;Fast&lt;/b&gt; To abstain from all or certain foods for religious or spiritual purposes; to eat very little or nothing. &lt;br&gt;&lt;b&gt;Fatalism&lt;/b&gt; Belief that all events are inevitable because they are determined by a fate or destiny beyond human control. &lt;br&gt;&lt;b&gt;Father Confessor&lt;/b&gt; Roman Catholic priest who hears confessions. &lt;br&gt;&lt;b&gt;Fatidic&lt;/b&gt; (Fatidical) Latin &lt;i&gt;fatidicus,&lt;/i&gt; &amp;quot;prophesying&amp;quot; -- of divination or prophecy. &lt;br&gt;&lt;b&gt;Feast of Lots&lt;/b&gt; Purim &lt;br&gt;&lt;b&gt;Fellowship&lt;/b&gt; Companionship; friendly association; company; brotherhood; mutual sharing of activity, experience, or interest. &lt;br&gt;&lt;b&gt;Feria&lt;/b&gt; Ancient Roman holidays or festivals; any day except Saturday, Sunday, or one designated a festival or vigil. &lt;br&gt;&lt;b&gt;Fideism&lt;/b&gt; Belief that faith alone is the basis of knowledge rather than reason. &lt;br&gt;&lt;b&gt;Fiery Cross&lt;/b&gt; A burning cross used by the Ku Klux Klan as an emblem or to inspire terror; wooden cross with charred or bloody ends used by ancient Scottish clans as a signal calling men to battle. &lt;br&gt;&lt;b&gt;Firmament&lt;/b&gt; The sky, viewed poetically as a solid arch or vault. &lt;br&gt;&lt;b&gt;First Fruits&lt;/b&gt; The earliest produce or crops of the season (Exodus 23:16); first products, results, or profits of any activity. &lt;br&gt;&lt;b&gt;Fisher of Men&lt;/b&gt; &lt;br&gt;&lt;b&gt;Flabellum&lt;/b&gt; Large fan carried by the Pope&amp;#39;s attendants on ceremonial occassions. &lt;br&gt;&lt;b&gt;Flagellation&lt;/b&gt; To whip or flog oneself with a flagellum (whip) for religious discipline. &lt;br&gt;&lt;b&gt;Fl&amp;egrave;che&lt;/b&gt; Slender spire over the intersection of the nave and transept on some Gothic churches. &lt;br&gt;&lt;b&gt;Flock&lt;/b&gt; (Fold) Members of a church. &lt;br&gt;&lt;b&gt;Flood&lt;/b&gt; (Great Flood) Genesis 7 &lt;br&gt;&lt;b&gt;Flying Buttress&lt;/b&gt; Buttress connected with a wall at some distance by an arch or partial arch which serves to resist outward pressure. &lt;br&gt;&lt;b&gt;Flying Dutchman&lt;/b&gt; Fabled Dutch sailor condemned to sail the seas until Judgment Day, his ghostly ship considered a bad omen by those who think they see it. &lt;br&gt;&lt;b&gt;Folklore&lt;/b&gt; A term for &amp;quot;popular antiquities,&amp;quot; coined by W. J. Thomas in 1846; the traditional beliefs, legends, sayings, and customs of a people; the study and scientific investigation of such traditions. &lt;br&gt;&lt;b&gt;Font&lt;/b&gt; A basin for holy water in a church; a bowl, usually made of stone, which holds the water used in baptismal services; a stoup. &lt;br&gt;&lt;b&gt;Forbidden Fruit&lt;/b&gt; Fruit of the tree of the knowledge of good and evil, forbidden by God for Adam and Eve to eat (Genesis 2:17); any sinful or forbidden pleasure. &lt;br&gt;&lt;b&gt;Foreordain&lt;/b&gt; Predestine &lt;br&gt;&lt;b&gt;Forgive&lt;/b&gt; To give up resentment against or stop being angry with; pardon or overlook sins, crimes, wrongdoing, offenses, etc.; give up all claim to punish or exact revenge; cancel or remit a debt. &lt;br&gt;&lt;b&gt;Forsake&lt;/b&gt; Give up, renounce; abandon, leave. &lt;br&gt;&lt;b&gt;Fra&lt;/b&gt; Brother; title given to an Italian friar or monk. &lt;br&gt;&lt;b&gt;Francis of Assisi&lt;/b&gt; Born Giovanni Bernardone in Assisi, Italy (1181-1226), Italian preacher who lived in poverty, devoted himself to the care of lepers, rebuilt neglected churches, and founded the Francsican order of monks. In response to the general decadence of religious orders throughout the fourteenth century, Francis founded the order of the Friars Minor, or Franciscans (also known as the Gray Friars for their gray robes), in 1209, a religious order of the Roman Catholic Church approved by Pope Innocent III. In response to Jesus&amp;#39; Sermon on the Mount in Matthew 5, Francis dedicated his life and the order to living by the standards of the Gospels and imitating the life of the human Jesus, while still recognizing the authority of the Catholic Church (in opposition to the Cathars). The basic Franciscan principles were to preach the Gospel and obey it literally, care for the sick and suffering, foresake everything for Christ (wealth and learning), and to work in the world to support themselves. Various branches of the Franciscan order exist, including the Conventual and the Capuchin. St. Francis made the crib of the baby Jesus popular at Christmas and his day is celebrated on October 4. &lt;br&gt;&lt;b&gt;Frankincense&lt;/b&gt; Gum resin obtained from various Arabian and NE African trees, often burned as incense. &lt;br&gt;&lt;b&gt;Freemasonry&lt;/b&gt; International secret society with principles of brotherhood, charity, and mutual aid. A freemason was originally a skilled mason (one who builds with stone, brick, or concrete blocks) who travelled from town to town without restraint by local guilds. &lt;br&gt;&lt;b&gt;Freethinker&lt;/b&gt; Someone who forms their opinions about religion independently of established belief, tradition, or authority. &lt;br&gt;&lt;b&gt;Friar&lt;/b&gt; A member of any mendicant order of the Roman Catholic Church, such as an Augustinian, Carmelite, Dominican (Black Friar), or Franciscan; a monk who makes his livelihood by toil or begging. A friary is a place where friars live, such as a monastery. Friar Minor is a member of the Franciscan order which follows the original rules of Francis of Assisi. &lt;br&gt;&lt;b&gt;Frock&lt;/b&gt; Robe worn by a monk, friar, or priest. &lt;br&gt;&lt;b&gt;Frontal&lt;/b&gt; (Frontlet) An ornamental band or phylactery worn on the forehead; an ornamental drapery or its border for the front off an altar; a facade. &lt;br&gt;&lt;b&gt;Frontispiece&lt;/b&gt; Front view of a church. &lt;br&gt;&lt;b&gt;Fruitful&lt;/b&gt; Producing much; productive, prolific; producing results. &lt;br&gt;&lt;b&gt;Fundamentalism&lt;/b&gt; Religious beliefs based on a literal interpretation of all biblical scripture, regarded as fundamental to Christian faith and morals; the twentieth century American Protestant movement based on these literal beliefs.&lt;br&gt;&lt;b&gt;Gad&lt;/b&gt; Hebrew &lt;i&gt;gadh,&lt;/i&gt; &amp;quot;fortune,&amp;quot; one of the twelve tribes of Israel descended from the seventh son of Jacob. Also, a euphamism for God, such as Gadzooks (God&amp;#39;s hooks, or the nails of Christ); a mild oath or expression of surprise. &lt;br&gt;&lt;b&gt;Galilee&lt;/b&gt; Hebrew &lt;i&gt;gliha-hoyim,&lt;/i&gt; &amp;quot;district of the Gentiles&amp;quot; -- region of northern Israel where Jesus came from. Galilean was a term for a Christian. A galilee is a porch or chapel at the western entrance of certain medieval churches, so named because it&amp;#39;s at the less sacred end of the church, compared with the Galilee of the Gentiles. &lt;br&gt;&lt;b&gt;Gallicanism&lt;/b&gt; Principles enunciated by the French Roman Catholic Church in 1682, claiming limited autonomy (as opposed to ultramontanism). From the word Gaul, a part of the Roman Empire that is now mainly France. &lt;br&gt;&lt;b&gt;Gargoyle&lt;/b&gt; A projecting ornament on a building carved in the likeness of an animal or creature with grotesque features, sometimes used as a waterspout. &lt;br&gt;&lt;b&gt;Gehenna&lt;/b&gt; Valley of Hinnom, near Jerusalem, where refuse was burned in biblical times; Douay Bible word for hell; any place of fiery torment. (See Hell) &lt;br&gt;&lt;b&gt;Gemara&lt;/b&gt; Aramaic, &amp;quot;completion&amp;quot; -- the second and supplementary part of the Talmud, providing a commentary on the Mishna, or first part. &lt;br&gt;&lt;b&gt;Genuflect&lt;/b&gt; To bend the knee in reverence, worship, or submission. &lt;br&gt;&lt;b&gt;Gerah&lt;/b&gt; Hebrew, &amp;quot;a bean&amp;quot; -- ancient Hebrew coin and weight equal to 1/20 of a shekel. &lt;br&gt;&lt;b&gt;Gethsemane&lt;/b&gt; (Mount of Olives) Aramaic &lt;i&gt;gath shemani,&lt;/i&gt; &amp;quot;oil press&amp;quot; -- a garden or olive grove outside of Jerusalem where the agony, betrayal, and arrest of Jesus took place (Matthew 26:36-56, Mark 14:32-53, Luke 22:39-54, John 18:1-12). &lt;br&gt;&lt;b&gt;Ghazi&lt;/b&gt; Islamic hero who wars against infidels. &lt;br&gt;&lt;b&gt;Gheber&lt;/b&gt; Persian &lt;i&gt;gabr,&lt;/i&gt; &amp;quot;infidel&amp;quot; -- Islamic name for Zoroastrian. &lt;br&gt;&lt;b&gt;Ghetto&lt;/b&gt; Italian, &amp;quot;foundry&amp;quot; -- quarter in Venice, Italy, where a cannon foundry was located, which was occupied by Jews, later to be known in certain Eurpoean cities as a section of a city to which Jews were restricted, particularly during World War I. It is now a term for any section of a city in which many members of some minority group live, or to which they are restricted by economic pressure or social discrimination. &lt;br&gt;&lt;b&gt;Ghost&lt;/b&gt; Old English &lt;i&gt;gast,&lt;/i&gt; German &lt;i&gt;geist,&lt;/i&gt; soul or spirit; supposedly the disembodied spirit of the deceased that appears to the living as a shadowy, haunting apparition. &lt;br&gt;&lt;b&gt;Ghoul&lt;/b&gt; Arabic &lt;i&gt;ghul,&lt;/i&gt; demon of the mountains -- an evil spirit in Oriental folklore that robs graves and feeds on the flesh of the dead. &lt;br&gt;&lt;b&gt;Giaour&lt;/b&gt; Arabic &lt;i&gt;kafir,&lt;/i&gt; &amp;quot;infidel,&amp;quot; variant of the Persian &lt;i&gt;gabr,&lt;/i&gt; Islamic term for a non-Muslim, especially a Christian. &lt;br&gt;&lt;b&gt;Gideons International&lt;/b&gt; Protestant organization for dispensing Bibles, such as in hotel rooms or hospitals, founded in 1899 by a group of traveling salesmen. &lt;br&gt;&lt;b&gt;Gloria In Excelsis Deo&lt;/b&gt; &amp;quot;Glory to God on high,&amp;quot; the first words of the greater doxology. Gloria Patri is &amp;quot;glory to the Father,&amp;quot; the first words of the lesser doxology. &lt;br&gt;&lt;b&gt;Glorify&lt;/b&gt; Latin &lt;i&gt;gloria facere,&lt;/i&gt; to make glory -- to make glorious or give glory to; worship, exalt, honor, or praise extravagantly. &lt;br&gt;&lt;b&gt;Gloriole&lt;/b&gt; Halo &lt;br&gt;&lt;b&gt;Gnome&lt;/b&gt; Greek, wise or intelligent; according to ancient folklore, any of a race of small misshapen dwarfs supposed to dwell in the earth and guard its treasures -- so called by Paracelsus from the belief that gnomes had occult knowledge of the earth. &lt;br&gt;&lt;b&gt;Gnosticism&lt;/b&gt; From the Greek &lt;i&gt;gnosis,&lt;/i&gt; knowledge, or &lt;i&gt;gnostikos,&lt;/i&gt; having knowledge -- a belief system derived from a combination of Greek philosophy, Oriental mysticism, and Christianity, which stresses salvation through knowledge; positive, intuitive knowledge in spiritual matters. &lt;br&gt;&lt;b&gt;Goblin&lt;/b&gt; Greek &lt;i&gt;kobalos,&lt;/i&gt; &amp;quot;sprite&amp;quot; -- in ancient folklore, an evil or mischievous sprite, ugly or mishapen in form. &lt;br&gt;&lt;b&gt;God&lt;/b&gt; &lt;br&gt;&lt;b&gt;Godparent&lt;/b&gt; A person who sponsors a child, usually at birth or baptism, and assumes responsibility for its faith. &lt;br&gt;&lt;b&gt;Golden Rule&lt;/b&gt; Treat others as you&amp;#39;d heve them treat you (Matthew 7:12, Luke 6:3). &lt;br&gt;&lt;b&gt;Golem&lt;/b&gt; Jewish legend of a man artificially created by cabalistic rites; a kind of robot. &lt;br&gt;&lt;b&gt;Golgotha&lt;/b&gt; Greek &amp;quot;skull&amp;quot; or &amp;quot;The Place of the Skull&amp;quot; (Aramaic &lt;i&gt;gulgaltha&lt;/i&gt;)-- the place where Jesus was crucified outside Jerusalem (Matthew 27:33, Mark 15:22, Luke 23:33, John 19:17). &lt;br&gt;&lt;b&gt;Golly&lt;/b&gt; (Gosh) Euphemism for God; an exclamation of surprise. &lt;br&gt;&lt;b&gt;Good Book&lt;/b&gt; The Bible. &lt;br&gt;&lt;b&gt;Good Friday&lt;/b&gt; The Friday before Easter Sunday, observed in commemoration of the crucifixion of Jesus. &lt;br&gt;&lt;b&gt;Good Samaritan&lt;/b&gt; Someone who helps another unselfishly, from Luke 10:30-37. &lt;br&gt;&lt;b&gt;Good Shepherd&lt;/b&gt; An epithet for Jesus, from John 10:11. &lt;br&gt;&lt;b&gt;Gospel&lt;/b&gt; From the Old English &lt;i&gt;godspell,&lt;/i&gt; meaning &amp;quot;good story&amp;quot; or &amp;quot;good news,&amp;quot; which originated from the Greek &lt;i&gt;euangelion&lt;/i&gt; (evangel). First used to describe the good news of Christ and his teachings of redemption and later ascribed to the New Testament letters of Matthew, Mark, Luke, and John, the first three of which have become known as the Synoptic Gospels due to their harmonized view of the life and teachings of Jesus. A gospeller is either a person who reads the Gospel in church services, one who claims sole possession of gospel truth, or a Puritan. &lt;br&gt;&lt;b&gt;Gothic&lt;/b&gt; Of the Goths or their language -- the Germanic peoples that conquered most of the Roman Empire from the 3rd to 5th century A.D.; a style of architecture developed in Western Europe between the 12th and 16th centuries, characterized by ribbed vaulting, flying buttresses, pointed arches, and steep roofs; medieval, barbarous, or uncivilized; style of literature with a medieval atmosphere, suggesting mystery or horror. &lt;br&gt;&lt;b&gt;Goy&lt;/b&gt; A Gentile or non-Jew. &lt;br&gt;&lt;b&gt;Grace&lt;/b&gt; Mercy or clemency; the unmerited love and favor of God toward man; divine influence acting in man to make him pure and morally strong; a short mealtime prayer of thanks and blessing; title of reverence used in addressing a church official. &lt;br&gt;&lt;b&gt;Gradin&lt;/b&gt; A shelf behind an altar for articles such as candlesticks; one of a series of steps or seats arranged in tiers. &lt;br&gt;&lt;b&gt;Gradual&lt;/b&gt; Book of hymns originally sung on the steps of a pulpit; a verse or chant, especially from the Psalms, presented after the Epistle at Mass in a Catholic church. &lt;br&gt;&lt;b&gt;Gramarye&lt;/b&gt; (Gramary) Magic or occult knowledge. &lt;br&gt;&lt;b&gt;Graven Image&lt;/b&gt; An idol engraved or carved out of wood, stone, precious metals, or constructed from other materials. &lt;br&gt;&lt;b&gt;Great Week&lt;/b&gt; (Holy Week) The week preceding Easter in the Eastern Orhtodox Church. &lt;br&gt;&lt;b&gt;Greek Orthodox Church&lt;/b&gt; The established church of Greece and an autonomous part of the Eastern Orthodox Church. &lt;br&gt;&lt;b&gt;Gregorian&lt;/b&gt; Something introduced either by Pope Gregory I from 590-604 A.D., or Pope Gregory III from 1572-85. Gregorian Chant is a ritual plainsong introduced under Pope Gregory I and used in the Roman Catholic Church: it is unharmonized, unaccompanied, and not divided into measures. The Gregorian Calendar is a corrected form of the Julian calendar, introduced by Pope Gregory XIII in 1582 and now used in most countries of the world: it has a 365-day year and a leap year of 366 days every fourth even year. &lt;br&gt;&lt;b&gt;Gremial&lt;/b&gt; Lap cloth placed across the knees of a bishop when attending Mass. &lt;br&gt;&lt;b&gt;Gris-Gris&lt;/b&gt; Amulet, charm, or spell associated with voodoo. &lt;br&gt;&lt;b&gt;Guru&lt;/b&gt; Hindu spiritual teacher. &lt;br&gt;&lt;b&gt;Gutenberg Bible&lt;/b&gt; Considered to be the first book printed from movable type, a Latin Bible produced at Mainz before 1456 and attributed in part to Guttenberg. &lt;br&gt;&lt;b&gt;Gymnosophist&lt;/b&gt; Member of an ancient Hindu sect of ascetics who wore little or no clothing. &lt;br&gt;&lt;b&gt;Gypsy&lt;/b&gt; Member of a wandering people originated from Egypt (possibly India), with dark skin and black hair, usually known for fortunetelling or as musicians.&lt;br&gt;&lt;b&gt;Habit&lt;/b&gt; Monk&amp;#39;s costume. &lt;br&gt;&lt;b&gt;Hades&lt;/b&gt; Home of the dead beneath the earth in Greek Mythology; euphamism for hell. &lt;br&gt;&lt;b&gt;Hafiz&lt;/b&gt; A Muslim who has memorized the Qur&amp;#39;an. &lt;br&gt;&lt;b&gt;Hag&lt;/b&gt; (Hagge) Originally a female demon or evil spirit; witch or enchantress; an ugly, vicious old woman. &lt;br&gt;&lt;b&gt;Haggadah&lt;/b&gt; (Haggada) Derived from the Hebrew &lt;i&gt;haged,&lt;/i&gt; &amp;quot;to narrate&amp;quot; -- basically, non-legal portions of rabbinic literature, such as legends, stories, homilies, ethics, history, medicine, poetry, theosophy, theology, folklore, etc.; an anecdote or parable that explains or illustrates some point of law (Halachah) in the Talmud; the part of the Talmud devoted to such narratives; a narrative of the Exodus read at the Seder during Passover, called the &lt;i&gt;Seder Haggadah shel Pesach,&lt;/i&gt; &amp;quot;Order of the Narrative of Passover&amp;quot;; a book containing this narrative, called a Midrashim, and the Seder ritual. In the 16th century, all the haggadic material from the Babylonian Talmud was extracted and compiled by Rabbi Jacob Ben Solomon Ibn Habib in a work entitled &lt;i&gt;En Yaakob&lt;/i&gt;. Samuel Jaffe likewise collected the Haggadah from the Palestinian Talmud and compiled it into the &lt;i&gt;Yifeh Mareh&lt;/i&gt;. H. N. Bialik and J. H. Rawnitzki made a collection of the Haggadah of the Talmud and Midrashim, called the &lt;i&gt;Sefer Haggadah&lt;/i&gt;. Professor Louis Ginzberg made a more scientific collection of the Haggadah from the Creation to Esther, published as &lt;i&gt;The Legends of the Jews&lt;/i&gt;. &lt;br&gt;&lt;b&gt;Hagio-&lt;/b&gt; Greek &lt;i&gt;hagios,&lt;/i&gt;&amp;quot;holy&amp;quot; -- prefix meaning holy, sacred, or saintly. &lt;br&gt;&lt;b&gt;Hagiocracy&lt;/b&gt; Rule by priests, saints, or others considered holy; theocracy.. &lt;br&gt;&lt;b&gt;Hagiographa&lt;/b&gt; From the Hebrew &lt;i&gt;kethabhe haqqodhesh,&lt;/i&gt; &amp;quot;writings of holiness&amp;quot; -- those books of the Old Testament not in the Law or the Prophets, comprising the third and final part of the Jewish Scriptures. &lt;br&gt;&lt;b&gt;Hagiography&lt;/b&gt; Historical science which studies documents or writings about holiness, holy persons, and saints, particularly the narratives or biographies. For example, early Christian churches honored the anniversaries of martyrs, of which lists were kept with the dates of each martyrdom along with narratives and biographies. Eusebius of Caesarea (cerca A.D. 260-340) compiled two known books of martyrs documenting their passions. These types of accounts came to be catogorized as Passionaries or Legendaries. The processes involved in Hagiography include establishing the original composition of the texts and determining their historical value. The founder of the more modern science of Hagiography in the early 17th century was Heribert Rosweyde. &lt;br&gt;&lt;b&gt;Hagiology&lt;/b&gt; Sacred writings or literature about the lives of saints, particularly their legends; a published collection of such legends or a catalog of saints. &lt;br&gt;&lt;b&gt;Hagioscope&lt;/b&gt; Narrow opening in an inside wall of a medieval church to allows those in a side aisle, or transept, see the main altar. &lt;br&gt;&lt;b&gt;Hail Mary&lt;/b&gt; (Ave Maria) &lt;br&gt;&lt;b&gt;Hajj&lt;/b&gt; Islamic pilgrimage to Mecca expected of every Muslim to make at least once in their lifetime. Hajji is a title given to a Muslim who has made this pilgrimage. &lt;br&gt;&lt;b&gt;Hakim&lt;/b&gt; A ruler, judge, or governor in Islamic regions; a doctor or physician in Islamic regions. &lt;br&gt;&lt;b&gt;Halakha&lt;/b&gt; (Halacha) Hebrew, rule by which to go -- any of the laws or ordinances not written down in the Scriptures but based on an oral interpretation of them and documented in the Talmud. &lt;br&gt;&lt;b&gt;Halidom&lt;/b&gt; (Halidome) Archaic term for a holy place or sacred relic. &lt;br&gt;&lt;b&gt;Hallah&lt;/b&gt; Traditional loaf of rich white bread, usually twisted or braided, eaten by Jews on the Sabbath and holidays. &lt;br&gt;&lt;b&gt;Hallel&lt;/b&gt; The recital or singing of Psalms 113 to 118 as part of Jewish religious services during certain festivals. &lt;br&gt;&lt;b&gt;Hallelujah&lt;/b&gt; (Halleluiah) Hebrew exclamation, &amp;quot;Praise the Lord!&amp;quot; (Greek &lt;i&gt;hallelouia,&lt;/i&gt; or Latin &lt;i&gt;alleluia.&lt;/i&gt;) &lt;br&gt;&lt;b&gt;Hallow&lt;/b&gt; To make holy or sacred; sanctify; concecrate; venerate; devote. &lt;br&gt;&lt;b&gt;Halloween&lt;/b&gt; All Hallows&amp;#39; Eve, the evening of October 31, followed by All Saints&amp;#39; Day (Allhallows or Hallowmas). &lt;br&gt;&lt;b&gt;Halo&lt;/b&gt; Greek &lt;i&gt;halos,&lt;/i&gt; &amp;quot;round disk,&amp;quot; as of a threshing floor or a heavenly body; the ring of light that appears to encircle luminous objects, such as the sun or moon, resulting from the refraction of light through ice particles in the atmosphere; nimbus -- a symbolic ring or disk around the head of a holy person or saint depicted in art, representing splendor, glory, virtue, innocence, etc. &lt;br&gt;&lt;b&gt;Hamite&lt;/b&gt; A dark-skinned descendant of Ham, Noah&amp;#39;s second son (Genesis 6:10), whose origins are Northeast Africa, particularly Egypt. &lt;br&gt;&lt;b&gt;Hanukkah&lt;/b&gt; (Hanuka) Hebrew, &amp;quot;dedication&amp;quot; -- Jewish festival commemorating the rededication of the Temple by Judas Maccabaeus in 165 B.C. and celebrated for eight days beginning the 25th day of Kislev. &lt;br&gt;&lt;b&gt;Haphtara&lt;/b&gt; Hebrew &lt;i&gt;haphtarah,&lt;/i&gt; &amp;quot;conclusion&amp;quot; -- any of the readings from the Prophets, following a reading of the Pentateuch, in synagogue services on the Sabbath and Jewish holidays. &lt;br&gt;&lt;b&gt;Hare Krishna&lt;/b&gt; Hindi &lt;i&gt;Hari,&lt;/i&gt; one of the names of Vishnu: Hindu cult founded in 1966, involving certain Vedic beliefs and stressing devotion to Krishna. &lt;br&gt;&lt;b&gt;Harrow&lt;/b&gt; Archaic term to enter hell and rescue the righteous, said of Christ. &lt;br&gt;&lt;b&gt;Haruspex&lt;/b&gt; Latin, &amp;quot;inspector of entrails&amp;quot; -- any of a class of lesser priests and soothsayers in ancient Rome who professed to foretell the future by interpreting the entrails of sacrificial animals. &lt;br&gt;&lt;b&gt;Hacidic Jew&lt;/b&gt; (Hasadim) From the Hebrew &lt;i&gt;hasid,&lt;/i&gt; a pious person -- members of a sect of Jewish mystics (Hasadim) founded by Baal Shem Tov (born Israel ben Eliezer, 1700-60) in 18th century Poland, who emphasize joyful worship of an immanent God. &lt;br&gt;&lt;b&gt;Hathor&lt;/b&gt; Goddess of love, joy, and mirth from Egyptian Mythology, usually represented as having the head or ears of a cow. &lt;br&gt;&lt;b&gt;Hazzan&lt;/b&gt; (Hazan) Hebrew &lt;i&gt;khazan,&lt;/i&gt; a cantor in a synagogue. &lt;br&gt;&lt;b&gt;Heart&lt;/b&gt; In relation to human anatomy, the region of the heart -- the central part, essence, or core; source of emotions, feeling, and innermost nature; inmost thought, consciousness, or conscience. &lt;br&gt;&lt;b&gt;Heathen&lt;/b&gt; A member of any nation or people not worshiping the God of Israel; pagan; irreligious; uncivilized or unenlightened. &lt;br&gt;&lt;b&gt;Heaven&lt;/b&gt; The dwelling place of God and his angels and where the blessed will live after death; Providence; the space which overarches the earth in which the stars, sun, and moon appear; firmament; visible sky. &lt;br&gt;&lt;b&gt;Heathen&lt;/b&gt; A member of any nation or people not worshiping the God of Israel; pagan; irreligious; uncivilized or unenlightened. &lt;br&gt;&lt;b&gt;Hebrew&lt;/b&gt; Hebrew &lt;i&gt;ibhri,&lt;/i&gt; &amp;quot;one from across&amp;quot; (the river) -- member of a group of Semetic peoples descended from Abraham, Isaac, and Jacob; an Israelite or Jew; the ancient Semetic language of the Israelites in which most of the Old Testament was written. The Hebrews called their language &amp;quot;the speech of Canaan,&amp;quot; since it was adopted from the language spoken by the inhabitants of the land of Canaan. It was later to be referred to as the Judean language of the Kingdom of Judah, although slightly different than the language spoken by the northern Kingdom of Israel (see Judges 12:5-6 for an example). After the destruction of Judah in 586 B.C., Hebrew became a holy and classical language as it was eventually replaced by Aramaic as the spoken and written language. The modern, Western Eurpoean, form of the traditional, rabbinic, Hebrew language is the official language of the current state of Israel. &lt;br&gt;&lt;b&gt;Hecatomb&lt;/b&gt; Greek &lt;i&gt;hekatombe&lt;/i&gt; (&lt;i&gt;hekaton,&lt;/i&gt; hundred + &lt;i&gt;bous,&lt;/i&gt; ox) -- the large-scale sacrifice of cattle in ancient Greece, specifically the slaughter of one hundred cattle at a time; any large-scale sacrifice or slaughter. &lt;br&gt;&lt;b&gt;Heck&lt;/b&gt; Scottish &lt;i&gt;heigh,&lt;/i&gt; exclamation and euphamism for hell. &lt;br&gt;&lt;b&gt;Heder&lt;/b&gt; (plural, Hedarim) Yiddish &lt;i&gt;hedher,&lt;/i&gt; &amp;quot;chamber&amp;quot; -- a Jewish religious school for young children. &lt;br&gt;&lt;b&gt;Hedonism&lt;/b&gt; From the Greek &lt;i&gt;hedone,&lt;/i&gt; &amp;quot;delight&amp;quot; -- in philosophy, an ethical doctrine that pleasure in the form of happiness of the individual or society is the principle good; in psychology, a theory that a person always acts to seek pleasure and avoid pain (hedonics is a branch of psychology dealing with pleasurable and unpleasurable feelings); in general, the self-indulgent pursuit of pleasure as a way of life. &lt;br&gt;&lt;b&gt;Hegel, Georg Wilhelm Friedrich&lt;/b&gt; German philosopher (1770-1831) who held that every existent idea or fact belongs to an all-embracing mind in which each idea or situation (thesis) evokes it opposite (antithesis) and these two result in a unified whole (synthesis), which in turn becomes a new thesis. &lt;br&gt;&lt;b&gt;Hegira&lt;/b&gt; Arabic &lt;i&gt;hijrah,&lt;/i&gt; &amp;quot;separation&amp;quot; or &amp;quot;flight&amp;quot; (also &lt;i&gt;hajara,&lt;/i&gt; &amp;quot;to leave&amp;quot;) -- the forced journey of Mohammed from Mecca to Medina in A.D. 622, from which the Islamic era dates; any journey made as an escape or for the sake of safety; flight. &lt;br&gt;&lt;b&gt;Hegumen&lt;/b&gt; From the Greek &lt;i&gt;hegeisthai,&lt;/i&gt; &amp;quot;to lead&amp;quot; -- the elected head of a monastery in the Eastern Orthodox Church (corresponding to an abbot in the Roman Catholic Church). &lt;br&gt;&lt;b&gt;Helioloatry&lt;/b&gt; Worship of the sun. The Ancient Egyptians worshiped the sun god Ra. &lt;br&gt;&lt;b&gt;Hell&lt;/b&gt; Old English &lt;i&gt;hel,&lt;/i&gt; &amp;quot;hidden, unseen place&amp;quot; -- generally identified with the Hebrew &lt;i&gt;Sheol&lt;/i&gt; or the Greek &lt;i&gt;Hades,&lt;/i&gt; the place where the spirits of the dead are; the place where the devil and evil spirits live and to which the spirits of the unsaved are doomed to everlasting punishment after death (2 Peter 2:4), much like the Roman &lt;i&gt;Tatarus,&lt;/i&gt; which, according to pagan mythology, was situated as far below Hades as Hades was from the sun. The word &amp;quot;hell&amp;quot; in the New Testament was used interchangeably in the King James Version for Sheol, Hades, and Tartarus. It is also used for the Hebrew &lt;i&gt;Gehenna,&lt;/i&gt; &amp;quot;Valley of Hinnom&amp;quot; -- traditionally a deep gorge in the vicinity of Jerusalem where refuse was continually burned (also a location in 2 Chronicles 28:3 where King Ahaz burned his children in sacrifice to the pagan god Molech), which has become in Christianity a place of fiery torment. This idea of hell (Ghenenna, or Greek &lt;i&gt;geenna&lt;/i&gt;) as a place of everlasting fire reserved for sinners was used primarily by Jesus (Matthew 5:22, 5:29-30, 10:28, 18:9, 23:15, 23:33, Mark 9:43-47, Luke 12:5). Jesus also referred to Hades in Luke 16:23 as a place of fiery torment. Hell as a place of punishment can be traced to prophecies in the Old Testament (compare Daniel 12:2 with Matthew 24:46). In Norse Mythology, Hel was the daughter of Loki and goddess of death and the underworld where the dead not slain in battle were sent. &lt;br&gt;&lt;b&gt;Hellenist&lt;/b&gt; Greek &lt;i&gt;Hellenistes,&lt;/i&gt; &amp;quot;imitator of the Greeks&amp;quot; -- a non-Greek who adopted the Greek language and customs, such as the Jews of the Diaspora; a specialist in the Greek language and learning. From the word Hellene (Greek &lt;i&gt;Hellen&lt;/i&gt;), the ancient Greeks, particularly from the eighth century B.C. to the death of Alexander the Great in 323 B.C. Hellenic is of the Hellenes, a term for Greek. Hellenism is the character, thought, culture, customs, language, or ethical system of ancient Greece; adoption of the ancient Greek ways of life. Hellenistic os of or characteristic of the Hellenists or Hellenism; of Greek history, language, and culture after 323 B.C. Hellenize is to make Greek or Hellenistic &lt;br&gt;&lt;b&gt;Hellvetic&lt;/b&gt; A Swiss Protestant or adherent of Zwingli; Helvetian, of Helvetia (Latin name for Switzerland), an ancient Celtic country of Central Europe in Western Switzerland. &lt;br&gt;&lt;b&gt;Henotheism&lt;/b&gt; Belief in one god, without denying the existence of others (coined in 1860 by Max M&amp;uuml;ller). &lt;br&gt;&lt;b&gt;Heptateuch&lt;/b&gt; Greek heptateuchos (&lt;i&gt;hepta,&lt;/i&gt; seven + &lt;i&gt;teuchos,&lt;/i&gt; tool or book) -- first seven books of the Old Testament (Genesis, Exodus, Leviticus, Numbers, Deuteronomy, Joshua, and Judges). &lt;br&gt;&lt;b&gt;Hereafter&lt;/b&gt; The state after death or life after death. &lt;br&gt;&lt;b&gt;Heresy&lt;/b&gt; Latin &lt;i&gt;haeresis&lt;/i&gt; and Greek &lt;i&gt;hairesis,&lt;/i&gt; a sect or school of thought -- a religious belief opposed to the orthodox doctrines of a church, especially a belief specifically denounced by the church; rejection of a belief that is part of church dogma. A heretic is anyone who holds to beliefs opposed to established church dogma. &lt;br&gt;&lt;b&gt;Hermeneutics&lt;/b&gt; Science of interpretation, particularly the study of the principles of Biblical exegesis or the interpretation of Biblical texts. &lt;br&gt;&lt;b&gt;Hermit&lt;/b&gt; A recluse or one who lives a secluded life for religious motives &lt;br&gt;&lt;b&gt;Herod&lt;/b&gt; Any one of a line of Judean kings descended from Edom who ruled parts of Palestine under Roman authority, beginning with Herod the Great, son of Antipater II, who reigned from 37-4 B.C. and reconstructed the Temple in Jerusalem with a 35-acre outer court. Herod the Great, himself part Jewish and who considered himself to be king of the Jews, ordered the death of all infant boys in and around Bethlehem in an attempt to kill Jesus as recorded in Matthew chapter 2, who was prophesied as the coming king of the Jews. A number of descendants of Herod the Great adopted the name Herod, three of whom were also mentioned in the New Testament. Herod Antipas, son of Herod the Great, was a tetrarch with three brothers who himself ruled over Galilee from about 4 B.C. to A.D. 39., who tried to kill Jesus during his ministry (Luke 13:31-33), had John the Baptist imprisoned and beheaded (Matthew 14:1-12, Mark 6:17-29, Luke 3:19-20, 9:7-9), and became friends with Pilate during the persecution of Jesus (Luke 23:6-12, Acts 4:27). Herod Agrippa I, grandson of Herod the Great, ruled Judea from A.D. 37-44, persecuted the early Christians, had James put to death by the sword and had Peter imprisoned (Acts 12:1-19), and was struck down by an angel of the Lord and eaten to death by worms (Acts 12:21-23). Herod Agrippa II, son of Agrippa I, ruled Judea from A.D. 53-100, and rejected Paul&amp;#39;s testimony during his trial under Festus (Acts 25:13-26:32). &lt;br&gt;&lt;b&gt;Heterodox&lt;/b&gt; Inclining toward heresy; unorthodox; departing from or opposed to established doctrines. &lt;br&gt;&lt;b&gt;Heteroousian&lt;/b&gt; Arian theory that God the Father and God the Son are different in substance. &lt;br&gt;&lt;b&gt;Hexaemeron&lt;/b&gt; Greek &lt;i&gt;hexaemeros,&lt;/i&gt; of or in six days -- the Biblical account in the first chapter of Genesis of the six-day period of the Creation, or a treatise on this subject. &lt;br&gt;&lt;b&gt;Hexapla&lt;/b&gt; Origen&amp;#39;s edition of the New Testament, composed of six versions arranged in parallel columns. &lt;br&gt;&lt;b&gt;Hexateuch&lt;/b&gt; Greek hexteuchos (&lt;i&gt;hexa,&lt;/i&gt; six + &lt;i&gt;teuchos,&lt;/i&gt; tool or book) -- first six books of the Old Testament (Genesis, Exodus, Leviticus, Numbers, Deuteronomy, and Joshua), assumed by some scholars that the Book of Joshua is a continuation of the Torah. &lt;br&gt;&lt;b&gt;Hierarchy&lt;/b&gt; System of church government by priests or other clergy in graded ranks (hierocracy); the officials of such a system (in the Roman Catholic Church, this includes the Pope, metropolitans, archbishops, bishops, priests, and deacons); the chief priest and high priests who preside over sacred rites; a theological term for any of the three divisions of angels; angels in general. &lt;br&gt;&lt;b&gt;Hieroglyphics&lt;/b&gt; Greek &lt;i&gt;hieros,&lt;/i&gt; sacred + &lt;i&gt;glyphein,&lt;/i&gt; to carve or hollow out -- a picture or sysmbol representing a word, syllable, or sound used by some ancient civilizations, particularly the Egyptians, often carved in stone or other hard materials; picture writing, often difficult to decipher. &lt;br&gt;&lt;b&gt;Hierology&lt;/b&gt; The religious lore and literature of a people. &lt;br&gt;&lt;b&gt;Hieronymite&lt;/b&gt; A member of any of the hermit orders named after Saint Jerome. &lt;br&gt;&lt;b&gt;Hierophant&lt;/b&gt; Formerly, a priest who presided at sacred mysteries, especially the high priest of the Eleusinian mysteries; an interpreter of sacred mysteries or esoteric principles. &lt;br&gt;&lt;b&gt;High Church&lt;/b&gt; That party of the Anglican Church which emphasizes the importance of the priesthood and traditional rituals and doctrines (as opposed to Low Church or Broad Church). &lt;br&gt;&lt;b&gt;Higher Criticism&lt;/b&gt; The study of the books of the Bible, their authorship, dates, meaning, etc., using such methods as archaeology, literary criticism, comparative religion, etc. &lt;br&gt;&lt;b&gt;High Holidays&lt;/b&gt; The period encompassing Rosh Hashana and Yom Kippur in the Jewish calendar. &lt;br&gt;&lt;b&gt;High Mass&lt;/b&gt; (Solemn Mass) A sung Mass in the Roman Catholic Church, usually celebrated with the complete ritual and with incense, at which the celebrant is assisted by a deacon and subdeacon. &lt;br&gt;&lt;b&gt;High Priest&lt;/b&gt; Chief priest of the ancient Jewish priesthood. &lt;br&gt;&lt;b&gt;Hillel&lt;/b&gt; Jewish rabbi and scholar in Jerusalem (cerca 60 B.C. to A.D. 10). &lt;br&gt;&lt;b&gt;Hin&lt;/b&gt; Ancient Hebrew liquid measurement, equal to about 1 1/2 gallons. &lt;br&gt;&lt;b&gt;Hinayana&lt;/b&gt; Sanskrit, &amp;quot;lesser vehicle&amp;quot; -- Buddhist branch which stresses the original monastic discipline and the attainment of nirvana through meditation, developed mainly in Ceylon, Burma, Thailand, and Cambodia. &lt;br&gt;&lt;b&gt;Hinduism&lt;/b&gt; From the Persian &lt;i&gt;Hindu,&lt;/i&gt; land of the Indus River (India) -- the peoples of India who speak an Indic language or, more specifically, the people of Hindustan who speak Hindi; the religion and social system of the Hindus, developed from Brahmanism, with elements from Buddhism and Jainism. &lt;br&gt;&lt;b&gt;Hobgoblin&lt;/b&gt; Goblin or an elf; frightening apparition. &lt;br&gt;&lt;b&gt;Holier-Than-Thou&lt;/b&gt; Sanctimonious or self-righteous to an annoying degree. &lt;br&gt;&lt;b&gt;Holiness&lt;/b&gt; Title of the Pope. &lt;br&gt;&lt;b&gt;Holistic&lt;/b&gt; (Holism) The view that an organic or integrated whole has a reality independent of and greater than the sum of its parts. &lt;br&gt;&lt;b&gt;Holocaust&lt;/b&gt; Greek &lt;i&gt;holokauston,&lt;/i&gt; &amp;quot;burnt whole&amp;quot; and Latin &lt;i&gt;holocaustum,&lt;/i&gt; &amp;quot;whole burnt offering&amp;quot; -- burnt offering; great or total destruction of life, particularly by fire; the systematic destruction of over six million European Jews by the Nazis before and during World War II. &lt;br&gt;&lt;b&gt;Holy&lt;/b&gt; Belonging to or coming from God; divine; dedicated to religious use; concecrated; sacred; hallowed; spiritually perfect or pure; untainted by evil or sin; sinless; saintly. &lt;br&gt;&lt;b&gt;Holy Day of Obligation&lt;/b&gt; Any major Roman Catholic festival during which members are obliged to abstain from nonessential manual labor and attend Mass. &lt;br&gt;&lt;b&gt;Holy Spirit&lt;/b&gt; (Holy Ghost) Latin &lt;i&gt;Spiritus Sanctus&lt;/i&gt; -- the third person of the Trinity. &lt;br&gt;&lt;b&gt;Holy Grail&lt;/b&gt; Medieval legend of the cup or platter used by Jesus at the Last Supper and by Joseph of Arimathea to collect drops of Jesus&amp;#39; blood at Crucifixion. &lt;br&gt;&lt;b&gt;Holy Innocents&amp;#39; Day&lt;/b&gt; December 28, commemorating the slaughter of all male children two years old and under within the vicinity of Bethlehem by Herod the Great in an attempt to kill Jesus, the prophesied king of the Jews (Matthew 2:16). &lt;br&gt;&lt;b&gt;Holy Land&lt;/b&gt; Palestine &lt;br&gt;&lt;b&gt;Holy Office&lt;/b&gt; Former name for a Roman Catholic tribunal for the protection of faith and morals and the suppression of heresy. &lt;br&gt;&lt;b&gt;Holy of Holies&lt;/b&gt; Hebrew &lt;i&gt;qodesh haqadoshim&lt;/i&gt; -- the innermost part of the Jewish tabernacle and Temple where the ark of the covenant was kept. &lt;br&gt;&lt;b&gt;Holy Orders&lt;/b&gt; The sacrament or rite of ordination; the position of being an ordained Christian minister or priest; ranks or grades of ministry in various Christian churches, such as the Major and Minor Orders of the Roman Catholic Church or bishops, priests, and deacons in the Anglican Church. &lt;br&gt;&lt;b&gt;Holy Roller&lt;/b&gt; Member of a religious sect or Evangelical Christian church who expresses spiritual emotion by shouting and moving about during services. &lt;br&gt;&lt;b&gt;Holy Roman Empire&lt;/b&gt; The Christianized Roman Empire of West Central Europe, comprising Northen Italy and Germany. Some scholars consider it to have begun in A.D. 800 with the crowning of Pope Charlemagne, while others start it in A.D 962 with the crowning of Otto I. It ended in 1806, with the resignation of Pope Francis II of Austria. &lt;br&gt;&lt;b&gt;Holy Rood&lt;/b&gt; The cross on which Jesus was crucified; any cross or crucifix symbolizing Christianity. &lt;br&gt;&lt;b&gt;Holy Saturday&lt;/b&gt; The Saturday before Easter. &lt;br&gt;&lt;b&gt;Holy Spirit&lt;/b&gt; (Holy Ghost) The Spirit of God and third person of the Trinity. &lt;br&gt;&lt;b&gt;Holy Synod&lt;/b&gt; Administrative council of any branch of trhe Orthodox Eastern Church. &lt;br&gt;&lt;b&gt;Holy Thursday&lt;/b&gt; Maundy Thursday or Ascension Day. &lt;br&gt;&lt;b&gt;Holytide&lt;/b&gt; Archaic term for a holy season, or a day or period of religious observance. &lt;br&gt;&lt;b&gt;Holy Water&lt;/b&gt; Water blessed by a priest. &lt;br&gt;&lt;b&gt;Holy Week&lt;/b&gt; The week before Easter. &lt;br&gt;&lt;b&gt;Holy Writ&lt;/b&gt; The Bible. &lt;br&gt;&lt;b&gt;Homily&lt;/b&gt; Sermon. Homilietics is the theological study of the writing and preaching of sermons. &lt;br&gt;&lt;b&gt;Homoiousian&lt;/b&gt; An adherent to the theological theory that God the Father and God the Son are neither identical nor different in substance, but similar. &lt;br&gt;&lt;b&gt;Homoousian&lt;/b&gt; An adherent to the theological theory that God the Father and God the Son are identical in substance. &lt;br&gt;&lt;b&gt;Hope&lt;/b&gt; A feeling of certainty that what is wanted or believed in will happen; desire accompanied by expectation; trust &lt;br&gt;&lt;b&gt;Horn&lt;/b&gt; Biblically, an emblem of glory, strength, or honor. &lt;br&gt;&lt;b&gt;Horoscope&lt;/b&gt; From the Greek &lt;i&gt;horoskopos,&lt;/i&gt; observer of the hour of birth -- astrological observation of the position of the planets and stars in relation to one another at the time of a person&amp;#39;s birth, used to determine their destiny; an astrological forecast of an individuals&amp;#39; future based on a chart of the zodiacal signs and position of the heavenly bodies. Horoscopy is the practice of drawing up horoscopes. &lt;br&gt;&lt;b&gt;Horus&lt;/b&gt; Ancient Egyptian sun god, represented as having the head of a hawk; son of Osiris and Isis. &lt;br&gt;&lt;b&gt;Hosanna&lt;/b&gt; Greek term from the Hebrew &lt;i&gt;hoshi&amp;#39;ah nna,&lt;/i&gt; &amp;quot;save, we pray&amp;quot; -- an exclamation of praise to God. &lt;br&gt;&lt;b&gt;Hospice&lt;/b&gt; Traditionally, a place of shelter for travelers maintained by monks. &lt;br&gt;&lt;b&gt;Host&lt;/b&gt; A concecrated wafer of the Eucharist. &lt;br&gt;&lt;b&gt;Houri&lt;/b&gt; Any of the beautiful nymphs of the Muslim Paradise, among the rewards of faithful Muslims. &lt;br&gt;&lt;b&gt;Huguenot&lt;/b&gt; Protestants in the Calvinist Reformation in Geneva; general term regarding any French Protestant of the 16th or 17th century. Originally a supporter of a group in Geneva opposing annexation to Savoy, lead by Hugues Besan&amp;ccedil;on; a confederate or ally of such a group. &lt;br&gt;&lt;b&gt;Humane&lt;/b&gt; Having what may be considerd the best qualities of mankind (civility, mercy, kindness, sympathy, etc.). &lt;br&gt;&lt;b&gt;Humanism&lt;/b&gt; Any system of thought or action based on the nature, dignity, interests, and ideals of man; a modern, nontheistic, rationalist movement which holds that man is capable of ethical conduct and self-fulfillment without recourse to supernaturalism; the intellectual, cultural, and secular movement based on the study of classical literature and culture during the Middle Ages which helped give rise to the Rennaisance; study of the humanities (literature, philosophy, history, classical languages such as Greek and Latin, etc.). A humanist is basically a follower of humanism. &lt;br&gt;&lt;b&gt;Humanitarianism&lt;/b&gt; The ethical doctrine that man&amp;#39;s obligations are limited to the welfare of mankind and that man may perfect his own nature without divine aid; the theological doctrine that Jesus was not of divine nature, but of a soley human nature; philanthropy, in a general sense. &lt;br&gt;&lt;b&gt;Humeral Veil&lt;/b&gt; A scarflike cloth worn over the shoulders by a priest during certain litergical functions. &lt;br&gt;&lt;b&gt;Hutterite&lt;/b&gt; Any member of a group of Anabaptists, originally from Moravia, who live communally in the Dakotas, Montana, and Alberta, Canada, and hold beliefs like those of the Mennonites; named after Jacob Hutter, a 16th century Austrian religious reformer. &lt;br&gt;&lt;b&gt;Hutzpah&lt;/b&gt; (Chutzpah) &lt;br&gt;&lt;b&gt;Hylozoism&lt;/b&gt; Greek &lt;i&gt;hylo,&lt;/i&gt; matter + &lt;i&gt;zoe,&lt;/i&gt; life -- doctrine that all matter has life or that life is inseparable from matter. &lt;br&gt;&lt;b&gt;Hymnal&lt;/b&gt; Collection of hymns, which are songs of praise to God. The singing of hymns is a hymnody. Hymnology is either the composition or the study of hymns. &lt;br&gt;&lt;b&gt;Hyperdulia&lt;/b&gt; A special homage in the Roman Catholic Church paid to the Virgin Mary as holier than any other created being. &lt;br&gt;&lt;b&gt;Hypnosis&lt;/b&gt; From the Greek &lt;i&gt;Hypnos,&lt;/i&gt; mythological god of sleep (Roman god Somnus) -- a sleeplike condition, physically induced, in which the subject is in a state of altered consciousness and responds to the suggestions of the hypnotist. Hypnogenesis is the inducing of hypnosis. Hypnology is the scientific study of sleep and hypnosis. Hypnoanalysis is the use of hypnosis or hypnotic drugs in combination with psychoanalytic techniques. Hypnotherapy is the treatment of disease by hypnotism. &lt;br&gt;&lt;b&gt;Hypocracy&lt;/b&gt; Latin &lt;i&gt;hypocrisis,&lt;/i&gt; &amp;quot;mimicry&amp;quot; and Greek &lt;i&gt;hypokrisis,&lt;/i&gt; &amp;quot;acting a part&amp;quot; -- pretending to be what one is not, or to feel what one does not feel; pretense of virtue or piety; pretended sanctity. Hypocrite is someone who pretends to be what they are actually not, particularly one who acts more pious than they really are (from the Latin &lt;i&gt;hypocrita,&lt;/i&gt; &amp;quot;stage actor&amp;quot; and Greek &lt;i&gt;hypokrites,&lt;/i&gt; &amp;quot;actor&amp;quot;). &lt;br&gt;&lt;b&gt;Hypostasis&lt;/b&gt; Aside from its medical and genetic terms, a theological study of the unique essence or nature of the Godhead and the three persons of the Trinity; the personality of Christ as distinguished from his two natures, human and divine. Philosophically, the underlying principle of nature (essence or substance). &lt;br&gt;&lt;b&gt;Hypothesis&lt;/b&gt; Unproved theory, proposition, or supposition, tentatively accepted to explain certaifacts. A working hypothesis is a theory that provides a basis for further argument and/or investigation. To hypothesize is basically to assume or suppose. &lt;br&gt;&lt;b&gt;Hyssop&lt;/b&gt; Hebrew &lt;i&gt;ezobh,&lt;/i&gt; a fragrant, blue-flowered plant (&lt;i&gt;Hyssopus officinalis&lt;/i&gt;) of the mint family, used in folk medicine as a tonic or stimulant. Its branches were used for the sprinkling of blood in certain ancient Jewish rites.&lt;br&gt;&lt;b&gt;Icon&lt;/b&gt; (Ikon) Greek &lt;i&gt;eikon,&lt;/i&gt; image - in the Eastern Orthodox Church an image of Jesus or a venerated saint held as sacred. Iconography is the art of producing such images. Iconolatry is the worship of icons. Iconology is the study of icons. An iconostasis is a screen or partition decorated with icons separating the sanctuary from the rest of an Eastern Orthodox Church. &lt;br&gt;&lt;b&gt;Iconoclast&lt;/b&gt; Greek - &lt;i&gt;eikon&lt;/i&gt; (icon) + &lt;i&gt;klaein&lt;/i&gt; (to break) - Anyone opposed to the religious use of images or advocating the destruction of such images, specefically a member of the Eastern Orthodox Church during the eighth and ninth centuries who denounced the use of icons. Iconoclasm is the actions or beliefs of an iconoclast. &lt;br&gt;&lt;b&gt;Idol&lt;/b&gt; Ecclesiastic Late Greek &lt;i&gt;eidos,&lt;/i&gt; &amp;quot;form&amp;quot; -- an image of a god; heathen diety; spiritual impostor. Idolater: Ecclesiastic Late Greek &lt;i&gt;eidololatres&lt;/i&gt;: &lt;i&gt;eidolon&lt;/i&gt; (idol) + &lt;i&gt;latris&lt;/i&gt; (hired servant) -- a worshiper of idols; devoted admirer. &lt;br&gt;&lt;b&gt;Ignatius&lt;/b&gt; Christian martyr and bishop of Antioch (c. A.D. 50-110), observed on February 1. &lt;br&gt;&lt;b&gt;Ignatius of Loyola&lt;/b&gt; I&amp;ntilde;igo L&amp;oacute;pez de Recalde (1491-1556), Spanish priest and founder of the Society of Jesus (Jesuits), observed July 31. &lt;br&gt;&lt;b&gt;IHS&lt;/b&gt; Abbreviation for one of the following three Latin terms: &lt;i&gt;Iesus Hominum Salvator,&lt;/i&gt; Jesus, Savior of Men; &lt;i&gt;In Hoc Signo (Vinces),&lt;/i&gt; in this sign (thou shalt conquer); &lt;i&gt;In Hoc (Cruce) Salus,&lt;/i&gt; in this (cross) salvation. Originally &amp;Iota;&amp;Eta;&amp;Sigma;, a contraction derived from the Greek word for Jesus (&amp;Iota;&amp;Eta;&amp;Sigma;&amp;Omicron;&amp;Tau;&amp;Sigma;), used as a symbol or monogram. IHS is considerd a Latin misspelling of the Greek &amp;Iota;&amp;Eta;&amp;Sigma;, of which the proper Latin form would be IES. &lt;br&gt;&lt;b&gt;Illuminati&lt;/b&gt; People who have or profess to have intellectual or spiritual enlightenment; any of various societies, usually secret, composed of such people. Illuminism is the doctrines or claims of any of the illuminati. &lt;br&gt;&lt;b&gt;Immaculate Conception&lt;/b&gt; Doctrine of the Roman Catholic Church that Mary conceived of Jesus by the Holy Spirit, but remained free of original sin. &lt;br&gt;&lt;b&gt;Immanent&lt;/b&gt; Theological term for God&amp;#39;s pervasive presence throughout the universe. &lt;br&gt;&lt;b&gt;Immanuel&lt;/b&gt; (Emmanuel) Hebrew, &amp;quot;God with us&amp;quot; (&lt;i&gt;&amp;#39;im,&lt;/i&gt; with + &lt;i&gt;anu,&lt;/i&gt; us + &lt;i&gt;el,&lt;/i&gt; God); the name given by Isaiah to the coming Messiah (Isaiah 7:14), attributed to Jesus in Matthew 1:23. &lt;br&gt;&lt;b&gt;Impanation&lt;/b&gt; Latin &lt;i&gt;impanare&lt;/i&gt; (&lt;i&gt;in,&lt;/i&gt; in + &lt;i&gt;panis,&lt;/i&gt; bread), to embody in bread. Roman Catholic doctrine that the body and blood of Christ are present in the bread and wine of the Eucharist after consecration by the priest, with no actual change in their substance (transubstantiation). &lt;br&gt;&lt;b&gt;Imprimatur&lt;/b&gt; Modern Latin, &amp;quot;let it be printed&amp;quot; -- license or permission, particularly by an ecclesiastical censor, to publish or print a book, article, etc. &lt;br&gt;&lt;b&gt;Impute&lt;/b&gt; Theological term, to ascribe a condition (such as goodness or guilt) from one person to another. &lt;br&gt;&lt;b&gt;Incarnate&lt;/b&gt; Latin (&lt;i&gt;in,&lt;/i&gt; in + &lt;i&gt;carnis,&lt;/i&gt; flesh -- past participle of &lt;i&gt;incarnari,&lt;/i&gt; to be made flesh), in human form, ascribed to God becoming man in the form of Jesus Christ. &lt;br&gt;&lt;b&gt;Incorporeal&lt;/b&gt; Without material body or substance, as spirits or angels. &lt;br&gt;&lt;b&gt;Index Expurgatorius&lt;/b&gt; A list of books that the Roman Catholic Church forbade its members to read unless certain passages condemned as dangerous to the faith were deleted or changed. &lt;br&gt;&lt;b&gt;Index Librorum Prohibitorum&lt;/b&gt; A list of books that the Roman Catholic Church forbade its members to read, except by special permission, which were condemned as dangerous to the faith. &lt;br&gt;&lt;b&gt;Indulgence&lt;/b&gt; In the Roman Catholic Church, a remission of temporal or purgatorial punishment still due for a sin after the guilt has been forgiven in the sacrament of penance. &lt;br&gt;&lt;b&gt;Indult&lt;/b&gt; Variant of indulgence (favor), a privilege or special permission granted by the Pope to bishops and others to do something otherwise prohibited by the general law of the Roman Catholic Church. &lt;br&gt;&lt;b&gt;Ineffable&lt;/b&gt; Too awesome or sacred to be spoken, inexpressible, or too overwhelming to be described in words -- said of God&amp;#39;s name, &amp;quot;I AM&amp;quot; (YHWH, the Tetragrammaton), as expressed to Moses in Exodus 3:14. &lt;br&gt;&lt;b&gt;Inerrant&lt;/b&gt; Latin &lt;i&gt;inerrans,&lt;/i&gt; not wandering, fixed -- infallible, making no mistakes, not erring. &lt;br&gt;&lt;b&gt;Infallible&lt;/b&gt; Never wrong; incapable of error; always reliable. &lt;br&gt;&lt;b&gt;Infralapsarian&lt;/b&gt; Group of Calvinists who believed that God&amp;#39;s plan of salvation for some people was a consequence of the fall of man from grace. &lt;br&gt;&lt;b&gt;Iniquity&lt;/b&gt; Latin &lt;i&gt;iniquitas,&lt;/i&gt; unequal -- lack or righteousness or justice. &lt;br&gt;&lt;b&gt;Inner Light&lt;/b&gt; Quaker belief of a guiding influence resulting from the presence of God in the soul. &lt;br&gt;&lt;b&gt;Innocent&lt;/b&gt; Any of thirteen popes, including Innocent I (c. A.D. 417), Innocent II (&lt;i&gt;Gregorio Papareschi,&lt;/i&gt; c. 1143), Innocent III (&lt;i&gt;Lotario de&amp;#39; Conti de&amp;#39; Segni,&lt;/i&gt; c. 1161-1216, Innocent IV (&lt;i&gt;Sinibaldo de&amp;#39; FFieschi,&lt;/i&gt; c. A.D. 1254), and Innocent XI (&lt;i&gt;Benedetto Odescalchi,&lt;/i&gt; 1611-89). &lt;br&gt;&lt;b&gt;Inpetto&lt;/b&gt; Italian, &amp;quot;in the breast&amp;quot; -- secretly, not revealed, said of cardinals appointed by the Pope but not named in consistory. &lt;br&gt;&lt;b&gt;Inquisition&lt;/b&gt; The general tribunal of the Roman Catholic Church established in the thirteenth century for the discovery and suppression of heresy and the punishment of heretics; the activities of this tribunal; an intensive inquest. &lt;br&gt;&lt;b&gt;I.N.R.I.&lt;/b&gt; Latin &lt;i&gt;Iesus Nazarenus, Rex Iudaeorum,&lt;/i&gt; Jesus of Nazareth, King of the Jews. &lt;br&gt;&lt;b&gt;Insufflate&lt;/b&gt; Latin &lt;i&gt;insufflatus,&lt;/i&gt; to blow or breathe into from below -- to breathe on baptismal water or a person being baptized as a rite of exorcism. &lt;br&gt;&lt;b&gt;Intercede&lt;/b&gt; Latin &lt;i&gt;intercedere,&lt;/i&gt; to go between -- to plead or make a request in behalf of another; intervene or mediate. Intercession is prayer in behalf of others. According to Romans 8:34 and Hebrews 7:25, Christ comes before God to intercede in behalf of those who come to him. According to Romans 8:26-27, the Spirit intercedes to express to God what is in our hearts. According to 1 Timothy 2:1-2, intercession is to be made for everyone, including those in authority. &lt;br&gt;&lt;b&gt;Intercommunion&lt;/b&gt; Mutual communion among religious groups. &lt;br&gt;&lt;b&gt;Interdenominational&lt;/b&gt; Between, among, shared by, or involving different religious denominations. &lt;br&gt;&lt;b&gt;Interfaith&lt;/b&gt; Between or involving persons adhering to different religions. &lt;br&gt;&lt;b&gt;Interlinear&lt;/b&gt; Having the same text in different languages printed in alternate lines. &lt;br&gt;&lt;b&gt;Introit&lt;/b&gt; Latin &lt;i&gt;introitus,&lt;/i&gt; entrance -- a song or hymn sung or played at the opening of a Christian worship service; the first variable part of Roman Catholic Mass consisting of a few psalm verses followed by the &lt;i&gt;Gloria Patri&lt;/i&gt; and then repeated. &lt;br&gt;&lt;b&gt;Invocation&lt;/b&gt; The act of calling on God or spiritual forces for blessing, assistance, support, etc.; a formal prayer said at the beginning of a church service. &lt;br&gt;&lt;b&gt;Isagogics&lt;/b&gt; From the Greek &lt;i&gt;eisagein,&lt;/i&gt; to introduce -- the study of the literary history of the Bible, considerd as introductory to the study of Bible interpretation. &lt;br&gt;&lt;b&gt;Ishmaelite&lt;/b&gt; A descendant of Ishmael, the son of Abraham and Hagar, the original progenitor of Arab peoples. &lt;br&gt;&lt;b&gt;Ishtar&lt;/b&gt; The Babylonian and Assyrian goddess of love and fertility. &lt;br&gt;&lt;b&gt;Islam&lt;/b&gt; Arabic, &amp;quot;submission&amp;quot; (to the will of Allah) -- Muslim religion founded by Muhammed. &lt;br&gt;&lt;b&gt;Israel&lt;/b&gt; Hebrew &lt;i&gt;yisra&amp;#39;el,&lt;/i&gt; &amp;quot;contender with God&amp;quot; (&lt;i&gt;sarah,&lt;/i&gt; to wrestle + &lt;i&gt;el,&lt;/i&gt; God) -- the name given to Jacob by the angel of the Lord after wrestling with him throughout the night (Genesis 32:28); ancient land of the Hebrews located at the SE end of the Mediterranean Sea; the Jewish people, as descendants of Jacob; northern kingdom of the Hebrews established in the tenth century B.C. by the ten tribes of Israel that broke from Judah and Benjamin (1 Kings 12:1-24, 2 Chronicles 10); Jewish state established in 1948 by the United Nations. &lt;br&gt;&lt;b&gt;Issachar&lt;/b&gt; Ninth son of Jacob (Genesis 30:18) and the tribe of Israel descended from him. &lt;br&gt;&lt;b&gt;Iyar&lt;/b&gt; Eighth month of the Jewish year.&lt;br&gt;&lt;br&gt;&lt;b&gt;J&lt;/b&gt; (Book of J) Unknown source. &lt;br&gt;&lt;b&gt;Jacob&lt;/b&gt; Son of Isaac, father of the twelve tribes of Israel (Genesis 25-50). &lt;br&gt;&lt;b&gt;Jacob&amp;#39;s Ladder&lt;/b&gt; The ladder from earth to heaven that Jacob saw in a dream (Genesis 28:12). &lt;br&gt;&lt;b&gt;James&lt;/b&gt; One of three Christians of the New Testament: James son of Zebedee was one of the original twelve apostles of Jesus, later known as Saint James the Greater (July 25); James son of Alphaeus was another of the original twelve apostles, later known as Saint James the Less (May 1); James the brother of Jesus, although not one of the apostles, was a disciple and leader in the church at Jerusalem and is considered by many to have written the letter in the New Testament which bears his name. &lt;br&gt;&lt;b&gt;Jansenism&lt;/b&gt; The doctrines of Cornelis Jansen (1585-1638), a Dutch Roman Catholic theologian who believed in predestination, denied free will, and held that man, though depraved in nature, is unable to resist God&amp;#39;s grace. &lt;br&gt;&lt;b&gt;J.C.D.&lt;/b&gt; Latin &lt;i&gt;Juris Canonici Doctor,&lt;/i&gt; Doctor of Canon Law. &lt;br&gt;&lt;b&gt;Jehovah&lt;/b&gt; Pronounced spelling of JHVH (also Jahveh, Jahve, Jahweh, and Jahwe), another variation of the Tetragrammaton - the four consonants for the Hebrew name for God (YHWH, or Yahweh), transliterated instead as JHVH or JHWH (although J is absent from the Hebrew language). Jehovah is ascribed to the Greek transliteration of the Hebrew, popularly used during the Middle Ages by Latin Bible translators and throughout the sixteenth and seventeenth centuries in non-Catholic Bibles, such as the King James Version. The vowels used in its pronunciation come from the vowels in the Hebrew &lt;i&gt;Adonai,&lt;/i&gt; meaning &amp;quot;Lord.&amp;quot; Jehovah represents the ineffable name of God uttered by God himself in Exodus 3:14 as &amp;quot;I AM.&amp;quot; &lt;br&gt;&lt;b&gt;Jehovah&amp;#39;s Witnesses&lt;/b&gt; A proselytizing Christian sect founded in the late 19th century by Charles Taze Russell (1852-1916) and corporately known as the Watch Tower Bible and Tract Society. The name Jehovah&amp;#39;s Witnesses was adopted in 1931 and is based on Isaiah 43:10, &amp;quot;Ye are my witnesses, saith the LORD, and my servant whom I have chosen; that ye may know and believe me, and understand that I am he: before me there was no God formed, neither shall there be after me.&amp;quot; Jehovah&amp;#39;s Members are taught how to teach and preach from the Witness&amp;#39;s own translation of the Bible, the &lt;i&gt;New World Translation of the Holy Scriptures&lt;/i&gt;. They are lead locally by unpaid spiritual elders, all under the oversight of international zone, circuit, and district servants from branch offices, with headquarters in Brooklyn, New York. The Watchtower Society boasts over one million publications distributed worldwide every day, including &lt;i&gt;Awake!&lt;/i&gt; and &lt;i&gt;The Watchtower - Announcing Jehovah&amp;#39;s Kingdom&lt;/i&gt;. Witnesses do not consider Jesus to be the incarnation of God, rather, he was Jehovah God&amp;#39;s first created being who died on a stake as a ransom for all obedient humans by his perfect life and was raised not physically, but spiritually as an example for those who remain faithful to spreading God&amp;#39;s word. &lt;br&gt;&lt;b&gt;Jerome&lt;/b&gt; &lt;i&gt;Eusebius Hieronymos Sophronius&lt;/i&gt; (c. A.D. 340-420), a monk and early Christian scholar who wrote the Latin Vulgate version of the Bible. A saint whose observed day is September 30. &lt;br&gt;&lt;b&gt;Jesuit&lt;/b&gt; A member of the Society of Jesus, a Roman Catholic religious order for men founded by Ignatius Loyola in 1534. The name basically means a follower of Jesus (Modern Latin &lt;i&gt;Jesuita&lt;/i&gt;). &lt;br&gt;&lt;b&gt;Jesus&lt;/b&gt; Hebrew &lt;i&gt;Yeshu&amp;#39;a&lt;/i&gt;, a variant of Joshua (&amp;quot;help of Jehovah&amp;quot;). &lt;br&gt;&lt;b&gt;Jew&lt;/b&gt; Hebrew &lt;i&gt;Yehudi,&lt;/i&gt; a member of the tribe or kingdom of Judah; someone descended from the ancient Hebrews; a person whose religion is Judaism. &lt;br&gt;&lt;b&gt;Jewish Calendar&lt;/b&gt; Historical Jewish calendar established in 3761 B.C. and based on the cycles of the moon (lunar), with 354 days in a year. A full day is from sunset to sunset. The start of the calendar begins in late September or early October, the months of which are: 1. Tishri (30 days); 2. Heshvan (29-30 days); 3. Kislev (29-30 days); 4. Tebet (29 days); 5. Shebat (30 days); 6. Adar (29-30 days); 7. Nisan (30 days); 8. Iyar (29 days); 9. Sivan (30 days); 10. Tammuz (29 days); 11. Ab (30 days); 12. Elul (29 days). About once every three years (seven times in each nineteen years) an extra month, Veadar or Adar Sheni (29 days), falls between Adar and Nisan. &lt;br&gt;&lt;b&gt;Joan of Arc&lt;/b&gt; &lt;i&gt;Jeanne d&amp;#39; Arc&lt;/i&gt; (1412-31), French heroine who defeated the English at Orl&amp;eacute;ans in 1429, later burned at the stake for witchcraft. Also known as the Maid of Orl&amp;eacute;ans. &lt;br&gt;&lt;b&gt;Job&lt;/b&gt; Job&amp;#39;s Comforter is a person who aggravates one&amp;#39;s misery while attempting or pretending to comfort (Job 16:1-5). &lt;br&gt;&lt;b&gt;John the Baptist&lt;/b&gt; Forerunner and baptizer of Jesus who was killed by Herod (Matthew 3). &lt;br&gt;&lt;b&gt;Josephus&lt;/b&gt; &lt;i&gt;Josephus Flavius&lt;/i&gt; (A.D. 37-101), a Jewish court historian for Emperor Vespasian who, in A.D. 93 in Rome, published an account of the history of the Jews. This included a brief account of Jesus, describing him as a wise man and doer of wonders, and who was condemned to the cross by Pilate. Josephus also wrote of John the Baptist and his death by Herod and the death of James, the brother of Jesus. &lt;br&gt;&lt;b&gt;Jot&lt;/b&gt; Hebrew &lt;i&gt;yodh,&lt;/i&gt; the smallest bit, Latin and Greek &lt;i&gt;iota,&lt;/i&gt; &amp;quot;i&amp;quot; -- the smallest letter or a very small thing. Jesus said, &amp;quot;I tell you the truth, until heaven and earth disappear, not the smallest letter, not the least stroke of a pen, will by any means disappear from the Law until everything is accomplished&amp;quot; (Matthew 5:18 NIV). The KJV renders this verse as &amp;quot;one jot or one tittle shall in no wise pass from the law.&amp;quot; A tittle is a small mark, such as the dot over an i. &lt;br&gt;&lt;b&gt;Judah&lt;/b&gt; The fourth son of Jacob and the tribe which descended from him; the southern kingdom of the Hebrews consisting of the tribes of Judah and Benjamin, from which Israel broke in the tenth century B.C. (1 Kings 12:1-24, 2 Chronicles 10). The Israelites rebelled against the harsh rule of Rehoboam, successor to Solomon, splitting the Jewish country into two kingdoms - Judah and Israel. King Rehoboam remained in Jerusalem, retaining the lineage of David, while Jeroboam son of Nebat became king of the ten tribes of Israel to the north. &lt;br&gt;&lt;b&gt;Judaica&lt;/b&gt; A collection of books, papers, objects, data, etc. having to do with Jews or Judaism. Many of the newer Old Testament translations were based on the &lt;i&gt;Biblia Hebraica,&lt;/i&gt; or Hebrew Bible composed by Rudolph Kittel in 1906 and revised in 1912, which itself was based on one of the most reliable Hebrew translations known as the Ben Chayyim Masoretic Text by Rabbi Abraham Ben Chayyim in 1524. There have been further revisions and releases of the Biblia Hebraica under various names, including the popular 1966 &lt;i&gt;Biblia Hebraica Stuttgartensia&lt;/i&gt; by German rationalists. &lt;br&gt;&lt;b&gt;Judaism&lt;/b&gt; The Jewish, monotheistic religion based on the laws and teachings of the Talmud; the observance of Jewish laws, traditions, customs, and ceremonies. &lt;br&gt;&lt;b&gt;Judas&lt;/b&gt; Judas Iscariot (man of Kerioth), one of the twelve apostles of Jesus and the one who betrayed him (Matthew 26:14, 48); Judas son of James (Matthew 13:55, Mark 6:3, Luke 6:13-16, John 14:22), of whom some consider the author of Jude (a variant of Judas) in the New Testament, and the brother of Jesus and James; Judas Maccabaeus (Aramaic, &amp;quot;the hammer&amp;quot;), led a Jewish revolt against the Syrians between 175-164 B.C. and ruled Palestine until 37 B.C. (recorded in the Old Testament Apocryphal books of I and II Maccabees). &lt;br&gt;&lt;b&gt;Judea&lt;/b&gt; Ancient region of southern Palestine under Persian, Greek, and Roman rule between the Mediterranean Sea and the Dead Sea, corresponding roughly to the biblical Judah. &lt;br&gt;&lt;b&gt;Judges&lt;/b&gt; A book of the Bible recounting the rule of the tribes of Israel by individual judges beginning in 1375 B.C., and believed to have been written between the twelfth and eleventh centuries B.C. Although the author is unknown, some identify it as the work of Samuel, Israel&amp;#39;s last judge. It is primarily about Israel&amp;#39;s disobedience against the Lord during the following several hundred years after the conquest of Canaan, between the death of Joshua and the birth of Samuel (a period of over 325 years), during which time Israel was without central leadership and &amp;quot;everyone did as he saw fit&amp;quot; (Judges 17:6). God punishes Israel&amp;#39;s rebellion with foreign invaders, then sends judges (saviors) to save them when they repent. There were thirteen judges in all, including Othniel, Ehud, Shamgar, Deborah, Gideon, Tola, Jair, Jephthah, Ibzan, Elon, Abdon, Samson, and Samuel. The oldest extant Hebrew document of any size is the Song of Deborah in the fifth chapter, dated from the twelfth century B.C. &lt;br&gt;&lt;b&gt;Judgment&lt;/b&gt; Justice from God, particularly a misfortune considered a punishment from God. &lt;br&gt;&lt;b&gt;Judgment Day&lt;/b&gt; The time of God&amp;#39;s final judgment of all people; end of the world; doomsday. &lt;br&gt;&lt;b&gt;Judith&lt;/b&gt; Hebrew &lt;i&gt;Yehudhith&lt;/i&gt; (feminine of Judah, &lt;i&gt;Yehudhah&lt;/i&gt;), a book of the Apocrypha and the Douay Bible about a woman who saved her people by killing Herlofernes. &lt;br&gt;&lt;b&gt;Justification by Faith&lt;/b&gt; The act by which a sinner is freed through faith from the penalty of sin and is accepted by God as righteous. &lt;br&gt;&lt;b&gt;Justin&lt;/b&gt; Latin &lt;i&gt;Justinus&lt;/i&gt; (c. A.D. 100-165), Christian apologist and martyr from Samaria, often known as Justin Martyr, observed April 14.&lt;br&gt;&lt;b&gt;Masorah&lt;/b&gt; &lt;br&gt;&lt;b&gt;Metropolitan&lt;/b&gt; &lt;br&gt;&lt;b&gt;Midrashim&lt;/b&gt; Collections of legends compiled around biblical legends. &lt;br&gt;&lt;b&gt;Mishnah&lt;/b&gt; Compiled between A.D. 70 and 200, first great post-Biblical Hebrew book. &lt;br&gt;&lt;b&gt;Monotheism&lt;/b&gt; Belief and worship of one god. &lt;br&gt;&lt;b&gt;Moral&lt;/b&gt; (Amoral is a lack of ability to distinguish between right and wrong.)&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;b&gt;Polytheism&lt;/b&gt; Belief and worship of many gods. &lt;br&gt;&lt;b&gt;Pope&lt;/b&gt; His Holiness or Holy Father. Holy See is the position, authority, or court of the Pope. &lt;br&gt;&lt;b&gt;Pseudepigrapha&lt;/b&gt; false scripture&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;b&gt;Q&lt;/b&gt; An unknown source from which many Protestant scholars believe the Gospels of Matthew and Luke derived much of their material. Those of this belief include the Gospel of Mark as the second influence on the latter two gospels, with the unknown &amp;quot;Book of Q&amp;quot; providing a source for the collected sayings of Jesus&lt;br&gt;&lt;br&gt;&lt;b&gt;Schism&lt;/b&gt; A split or division in a church, primarily due to difference of opinion over doctrine. The Great Schism, or Schism of the West, was when there was conflict and division in the Roman Catholic Church between 1378 to 1417, during which time there were rival popes at Avignon and Rome. The Schism of the East took place when the Orthodox Eastern Church officially split from the Roman Catholic Church in 1472. &lt;br&gt;&lt;b&gt;Scripture&lt;/b&gt; The text of the Bible or the Bible itself; numbered passages of most Old and New Testament translations; Jewish Old Testament consisting of the Pentateuch, Prophets, and Hagiographa. &lt;br&gt;&lt;b&gt;Sun Gods&lt;/b&gt; Greek Mythology: Helios, son of the Titan Hyperion, who was the son of Uranus and Gaea.&lt;br&gt;&lt;br&gt;&lt;b&gt;Ugaritic&lt;/b&gt; A narrative style of Hebrew poetry from 1400 BCE, believed to have become extinct sometime in 800 BCE, attributed to the poetic style of the Psalms. Based on Sumerian cuneiform and used by the Canaanites, it was a Semitic alphabet of thirty distinct abstract pictographic representations written on clay tablets (somewhat like heiroglyphics, but more similar to Assyrian or Akkadian in appearance). The name is derived from the lost, Bronze Age city of Ugarit, Syria (6,000 BCE-1200 BCE, located near Ras Shamrah on the Mediterranean), where several libraries of Canaanite text (including myhtological accounts about the cults of El, Baal, Asherah, and Dagon) and some Hebrew texts were discovered in 1928, many having been written in the same Ugaritic language. Until this discovery, nothing was known of the language, but now some scholars believe that Ugaritic may have later developed into the Hebrew alphabet. Of major importance regarding these texts is the description of Canaanite life and religion before the Israelite occupation, the possibility that the Israelites assimilated Canaanite beliefs, as well as the use of the ancient language to assist in the translation of difficult Hebrew passages of the Old Testament.&lt;br&gt;&lt;br&gt;&lt;b&gt;Valentine&amp;#39;s Day&lt;/b&gt; Valentine&amp;#39;s Day is the Catholic feast day of St. Valentine, bishop of Interamna, martyred in A.D. 271, and celebrated on February 14. Traditionally, it predates St. Valentine as an ancient Roman festival of love. One such Roman festival was the drawing of partners by lot by young men and women for the February feast of Lupercalia and as sexual partners throughout the year. It is said that St. Valentine secretly married such young lovers in matrimony, for which he was imprisoned by the Roman emperor Claudius II, who had made marriages illegal for the sake of a better soldier. Legend holds that while in prison awaiting execution, Valentine signed a farewell message to the jailer&amp;#39;s daughter, &amp;quot;From Your Valentine.&amp;quot; In A.D. 496, Pope Galasius changed the Lupercalian lottery to the drawing of the names of saints, of which young participants were to imitate the lives of their chosen saints throughout the remainder of the year. Cupid was the son of Venus, the Roman god of love and fertility, and a derivation of Eros, the Greek god of lust. Often depicted as a winged child with a bow and arrow, he is the origin of many modern images of the cherub (known as putti), a popular depiction in Italian Renassiance and Rococo art. Valentine cards come from the Roman custom during mid-February of giving women hand-written letters of admiration and affection. The earliest known Valentine card dates from 1415 and is on display in the British Museum. Although original, hand-made cards were preferential, by the nineteenth century publishers were printing &amp;quot;mechanical valentines&amp;quot; with sentimental verses. Another association of this festival with love is that it is the mating season of most birds. &lt;br&gt;&lt;b&gt;Vatican&lt;/b&gt; From the Latin &lt;i&gt;Vaticanus Mons,&lt;/i&gt; &amp;quot;Vatican Hill&amp;quot; or &lt;i&gt;Hill of Prophecy&lt;/i&gt;, derived from the root word Vatic, meaning prophetic (plural &lt;i&gt;vaticinia,&lt;/i&gt; prophecies): the governmental capital of the Catholic Church in west central Rome, consisting of the Roman Curia and its buildings, including St. Peter&amp;#39;s Basilica, the Sistine Chapel, and the Apostolic Palace. Vatican City is a 108-acre, independent city-state constituted in 1929 by the Lateran Council as a Roman enclave (population cerca 1,000) endowed with extraterritorial rights. The State of the Vatican City, as it&amp;#39;s officially known, provides a temporal jurisdiction for the Diocese of Rome (Holy See). The Curia, or Vatican, is a royal court representing the international government of the Catholic Church overseen by the Bishop of Rome (Pope) and includes various offices, such as the Governor, Apostolic Chancery, Apostolic Dataria, Secretariate of Briefs, Roman Conrgregations, Cardinals, Tribunals, and Pontificul Councils. It is also associated with either of the Roman Catholic Ecumenical Councils held in St. Peter&amp;#39;s Basilica in 1869-70 (Vatican I) or 1962-65 (Vatican II). &lt;br&gt;&lt;b&gt;Veda&lt;/b&gt; Sanskrit, &amp;quot;knowledge&amp;quot; -- a collection of four ancient, sacred books of Hinduism, or Samhitas, consisting of psalms, chants, sacred formulas, rituals, incantations, and scripture, which includes the Rig-Veda (Veda of Verses), Yajur-Vida (Veda of Sacrificial Prayers), Sama-Veda (Veda of Chants), and Atharva-Veda (Veda of the Fire Priests). Hindu tradition holds that the Vedas are eternal, revealed from time to time to sages (rishis) by the divine principle (one true god) through Paramatma (a super spirit) and transferred orally from generation to generation. The rishi Krishna Dwaipayana, or Veda Vyasa (&amp;quot;editor&amp;quot;), compiled these oral traditions into the four Vedas. The age of these texts have yet to be determined, but are considerd by many to be some of the oldest scriptures in the world. The oldest veda, the Rig-Vida, is dated at approximately 1500 B.C. (codified around 600 B.C. and written about 300 B.C.). Along with the four Vedas, Hindu scripture also includes the Brahmanas (rituals and sacrifice), Aranyakas (philosophy and sacrifice), Upanishads (philosophy and meditation), Upavedas (vedic applications), and Mahabharata (history), which expound on the original Vedas. Although the Hindu religion (Sanatana Dharma) originally recognized one god, millions of prophets, angels, and minor dieties have been elevated in status throughout the centuries and worshipped as gods, or devas. Vedanta is a system of Hindu monistic or pantheistic philosophy based on the Vedas. Vedic is the Old Indic language of the Vedas, an early form of Sanskrit. &lt;br&gt;&lt;b&gt;Veil&lt;/b&gt; The temple curtain which separated the altar of God&amp;#39;s presence (Most Holy Place) from the outer sanctuary of the Levitical priests (Holy Place) in the Temple of the Lord in Jerusalem (2 Chronicles 3:14 -- adapted from the Tent of Meeting, Exodus 26:31-33). Only the high priest was allowed beyond the veil once a year (Leveticus 16). The Temple veil was torn open at the time of Jesus&amp;#39; death (Matthew 27:51, Mark 15:38, Luke 23:45), allowing for believers to enter into the presence of God (Hebrews 10:19-20). Also part of a nun&amp;#39;s headdress, a piece of cloth draped along the sides of the face and over the shoulders, thus the term &amp;quot;take the veil&amp;quot; -- to become a nun; the state or life of a nun or novice. &lt;br&gt;&lt;b&gt;Vellum&lt;/b&gt; Parchment prepared from calfskin, lambskin, or kidskin, used for writing manuscripts or binding books. &lt;br&gt;&lt;b&gt;Venerable&lt;/b&gt; Latin &lt;i&gt;venerabilis,&lt;/i&gt; to be reverenced -- the lowest title of the three degrees of sanctity in the Roman Catholic Church (among beatification and canonization); a title given to an archdeacon in the Anglican Church. &lt;br&gt;&lt;b&gt;Venial&lt;/b&gt; Theological term for sin that does not cause death to the soul because it is committed either without awareness of its seriousness or without full consent (distinguished from mortal sin). &lt;br&gt;&lt;b&gt;Venite&lt;/b&gt; A canticle sung at matins or morning prayer in the Roman Catholic Church, consisting of parts of Psalms 95 and 96, so named from the opening word of the 94th Psalm in the Vulgate and the 95th in the King James Version (Latin &lt;i&gt;venire,&lt;/i&gt; to come). &lt;br&gt;&lt;b&gt;Veronica&lt;/b&gt; A woman who, according to legend, wiped the bleeding face of Jesus on the way to Calvary (saint celebrated on July 12); the bloody image of Jesus&amp;#39; face on the cloth used to wipe his face; any cloth or garment with a representation of the face of Jesus. &lt;br&gt;&lt;b&gt;Verse&lt;/b&gt; Biblically, the numbered divisions of a chapter, usually one or two sentences. &lt;br&gt;&lt;b&gt;Versicle&lt;/b&gt; A short verse, particularly one of the short sentences said or sung by a church minister which is followed by the response of the congregation. &lt;br&gt;&lt;b&gt;Version&lt;/b&gt; A particular translation of the Bible, such as the King James Version or the Revised Standard American Version. &lt;br&gt;&lt;b&gt;Vespers&lt;/b&gt; (Evensong) Latin &lt;i&gt;vesper,&lt;/i&gt; &amp;quot;evening&amp;quot; -- an evening prayer or service; the sixth of the seven canonical hours in the Roman Catholic Church, recited or sung in the late afternoon; Evensong in the Anglican Church. A vesperal is a book containing the chants and psalms used at vespers (also a cloth cover for protecting the altar cloth between services). &lt;br&gt;&lt;b&gt;Vessel&lt;/b&gt; A person who is the repository of a spirit. &lt;br&gt;&lt;b&gt;Vestment&lt;/b&gt; Garments (robes and gowns) worn by Ecclesiastic officials and their assistants. A vestry is a room in a church where sacred vessels are kept and where clergy put on their vestments (sacristy); in the Anglican and Episcopal Churches, a vestry is a group of members who manage the temoral affairs of the church. A vestiary is a supply room for clothing in a monastery. &lt;br&gt;&lt;b&gt;Vicar&lt;/b&gt; A church deputy: in the Anglican Church, a parish priest who is not a rector and receives a stipend instead of tithes; in the Episcopal Church, a minister in charge of one parish chapel as deputy of another minister; in the Roman Catholic Church, a church officer acting as deputy of a bishop. Because the Pope is regarded as the earthly vicar of Christ, he is known as the Vicar of Christ. Vicarage is the position, residence, salary, and duties of a vicar. Vicariate is the office, authority, or district administered by a vicar. Vicar apostolic (V.A.) was formerly a bishop or archbishop to whom the Pope delegated part of his jurisdiction; titular bishop administering a vacant diocese; missionary bishop acting as a delegate of the Holy See in a region where no regular see has yet been organized. Vicar-general in the Anglican Church is a layman serving as a deputy to a bishop or archbishop; in the Roman Catholic Church, it&amp;#39;s a priest acting as administrative deputy to a bishop or a general superior; title given to Thomas Cromwell as vicegerent of Henry VIII. Vicar forane is a dean in the Roman Catholic Church; in general, the rural part of the episcopal city. &lt;br&gt;&lt;b&gt;Vigil&lt;/b&gt; A watch kept during sleeping hours; the devotional services held on the evening before a religious festival. Vigil light is a candle burned as an act of devotion or petition. &lt;br&gt;&lt;b&gt;Viminal&lt;/b&gt; Seven Hills of Rome &lt;br&gt;&lt;b&gt;Vincent de Paul&lt;/b&gt; (1580-1616) French priest who founded charitable orders, celebrated July 19. &lt;br&gt;&lt;b&gt;Virgin Birth&lt;/b&gt; Birth of Jesus to Mary, who conceived by the Holy Spirit while betrothed to Joseph. &lt;br&gt;&lt;b&gt;Virgin Mary&lt;/b&gt; Holy Mother of the Roman Catholic Church; doctrine that since Mary was the mother of Christ and Christ was God, then she was the mother of God. &lt;br&gt;&lt;b&gt;Vishnu&lt;/b&gt; Sanskript &lt;i&gt;Visnu,&lt;/i&gt; &amp;quot;all-pervader&amp;quot; -- second member of the Hindu trinity (Brahma, Vishnu, and Siva), called the &amp;quot;Preserver&amp;quot; and supposed to have had several human incarnations, including Krishna. Vaishnava is a devotee of Vishnu. &lt;br&gt;&lt;b&gt;Vision&lt;/b&gt; Something seen beyond normal sight, such as in a dream, a trance, or supernaturally revealed. &lt;br&gt;&lt;b&gt;Visitant&lt;/b&gt; A supernatural being perceived by a person, such as a ghost, phantom, or spirit. Visitation is a personal reward or infliction of punishment by God; an official visit of a bishop to a church in his diocese. &lt;br&gt;&lt;b&gt;Vis Major&lt;/b&gt; Latin, &amp;quot;greater force&amp;quot; -- an act of God. &lt;br&gt;&lt;b&gt;Vitalism&lt;/b&gt; Doctrine that life in living organisms is caused and sustained by a vital force distinct from physical and mental forces and is self-determining and self-evolving. &lt;br&gt;&lt;b&gt;Vocation&lt;/b&gt; A call or impulsion to a certain career, particularly a religious one &lt;br&gt;&lt;b&gt;Volition&lt;/b&gt; Exercise of the will; conscious or deliberate decision. &lt;br&gt;&lt;b&gt;Voltaire&lt;/b&gt; French writer and philosopher, born Fran&amp;ccedil;ois Marie Arouet (1694-1778). &lt;br&gt;&lt;b&gt;Voodoo&lt;/b&gt; (Hoodoo) French Creole &lt;i&gt;vodu,&lt;/i&gt; &amp;quot;fetish&amp;quot; or &amp;quot;demon&amp;quot; -- primitive religion that originated in West Africa and is practiced primarily in the West Indies, based on a belief in sorcery and the power of charms, fetishes, spells, and black magic. &lt;br&gt;&lt;b&gt;Votary&lt;/b&gt; Latin &lt;i&gt;votus,&lt;/i&gt; &amp;quot;to vow&amp;quot; -- a person bound to religious vows, such as a monk or nun; a person devoted to a particular religion or object of worship (devout); concecrated by a vow. &lt;br&gt;&lt;b&gt;Votive&lt;/b&gt; An offering concecrated in fulfillment of a vow; a special Mass in the Roman Catholic Church said at the priest&amp;#39;s option. &lt;br&gt;&lt;b&gt;Vulgate&lt;/b&gt; Medieval Latin &lt;i&gt;volgata,&lt;/i&gt; &amp;quot;popular&amp;quot; (Latin &lt;i&gt;volgatus,&lt;/i&gt; common or ordinary) -- a Latin version of the Bible commissioned by Pope Damasus and prepared by St. Jerome in the fourth century A.D., which served as an authorized version for the Roman Catholic Church. The Old Testament was translated from Hebrew and Aramaic and the Gospels from the best available Greek manuscripts. Among the canonized scriptures of the Old Testament, it also includes the apocryphal books of Tobias, Judith, Wisdom, Ecclesiasticus, Baruch, and I and II Maccabees. In 1546, the Council of Trent declared it the authentic Latin Bible. The current, official edition of the Vulgate was issued in 1592 by Pope Clement VIII.&lt;br&gt;&lt;b&gt;Wahhabi&lt;/b&gt; Strict Islamic sect in Saudi Arabia founded by Abdul-Wahhab (1703-92), which adheres closely to the Quran. &lt;br&gt;&lt;b&gt;Wake&lt;/b&gt; All-night vigil over a corpse before burial, often with festivities. &lt;br&gt;&lt;b&gt;Waldenses&lt;/b&gt; Sect of Roman Catholic dissenters founded by Peter Waldo around 1170 in the South of France, which now survive in the Alps of France and Italy. &lt;br&gt;&lt;b&gt;Wandering Jew&lt;/b&gt; In medieval folklore, a Jew condemned to wander the earth restlessly until the second coming of Christ because of their scornful attitude prior to the Crucifixion; trailing plants of the spiderwort family having white, red, blue, or purple flowers. &lt;br&gt;&lt;b&gt;Warlock&lt;/b&gt; Old English for liar or traitor; sorcerer, wizard, or magician; one who practices black magic (male equivalent of a witch). &lt;br&gt;&lt;b&gt;Wartburg&lt;/b&gt; Medieval castle in Thuringia, Germany, where Martin Luther completed his translation of the New Testament (1521-22). &lt;br&gt;&lt;b&gt;WASP&lt;/b&gt; White Anglo-Saxon Protestant &lt;br&gt;&lt;b&gt;Way&lt;/b&gt; fjkghkh &lt;br&gt;&lt;b&gt;W.C.T.U.&lt;/b&gt; Woman&amp;#39;s Christian Temperance Union &lt;br&gt;&lt;b&gt;Weltanschauung&lt;/b&gt; German, &amp;quot;world view&amp;quot; -- a personal, comprehensive philosophy or conception of life or the universe, generally non-religious and based on rationale, proven science, or experience. &lt;br&gt;&lt;b&gt;Wesley, John&lt;/b&gt; (1703-91) English clergyman and evangelist, founder of Methodism, brother of Charles Wesley (1707-88, English clergymand and hymn writer). Wesleyan is a follower of John Wesley; Wesleyan Church is generally a Methodist Church. &lt;br&gt;&lt;b&gt;Western Church&lt;/b&gt; Primarily the Roman Catholic Church; generally any part of the Catholic Church that recognizes the Pope and follows the Latin Rite; broadly, all Christian churches of Western Europe and America. &lt;br&gt;&lt;b&gt;Western Wall&lt;/b&gt; (Wailing Wall) Hebrew &lt;i&gt;ha-kotel ha-ma&amp;#39;aravi,&lt;/i&gt; &amp;quot;the Western Wall,&amp;quot; or simply &lt;i&gt;ha-kotel,&lt;/i&gt; &amp;quot;the Wall&amp;quot; -- a high wall in Jerusalem on the Temple Mount believed to be part of the western section of the wall surrounding Solomon&amp;#39;s Temple (some believe it to be Herod&amp;#39;s Temple), where Jews have traditionally gathered for prayer. Jerome described Jews on the Mount of Olives in the fourth century A.D. wailing and lamenting as they looked upon the ruins of the Temple on the ninth day of the Hebrew month Av, a day of mourning for the Temple. The traditional Arabic term for the wall is El-Mabka, &amp;quot;the Place of Weeping.&amp;quot; The name &amp;quot;Wailing Wall&amp;quot; is predominantly a European term introduced by the British after their conquest of Jerusalem from the Turks in 1917. Jews traditionally gathered here on Fridays to mourn, however, after the Six-Day War in 1967 and the reunification of Jerusalem under Israeli sovereignty, many have considered this to be a place of celebration. &lt;br&gt;&lt;b&gt;Westminster Abbey&lt;/b&gt; Originally a Benedictine abbey in Westminster (metropolitan borough of London), a Gothic church where English monarchs are crowned and/or buried. &lt;br&gt;&lt;b&gt;Whitewashed Tomb&lt;/b&gt; Hypocrite (Matthew 23:27-28), also called a whited sepulcher; traditionally a burial vault whitened with a mixture of water, lime, chaulk, and glaze; to give a falsely virtuous appearance; gloss over. &lt;br&gt;&lt;b&gt;Whitefield, George&lt;/b&gt; English Methodist evangelist (1714-70). &lt;br&gt;&lt;b&gt;Whitsunday&lt;/b&gt; White Sunday, day of baptism, so called because of the white garments traditionally worn by baptismal candidates. &lt;br&gt;&lt;b&gt;Wimple&lt;/b&gt; Head covering worn by certain orders of nuns consisting of cloth wrapped around parts of the head, revealing only the face. &lt;br&gt;&lt;b&gt;Winter Solstice&lt;/b&gt; Time in the Northern Hemisphere when the sun is farthest south of the equator, December 21-22. &lt;br&gt;&lt;b&gt;Wisdom of Solomon&lt;/b&gt; One of the books of the Apocrypha. &lt;br&gt;&lt;b&gt;Witch&lt;/b&gt; From the Old English &lt;i&gt;wicca,&lt;/i&gt; a sorceress &lt;br&gt;&lt;b&gt;Witch Doctor&lt;/b&gt; Medicine man of some African tribes who practices primitive forms of healing involving magic or witchcraft. &lt;br&gt;&lt;b&gt;Wizard&lt;/b&gt; Sage; magician; sorcerer; conjurerer. &lt;br&gt;&lt;b&gt;Word of God&lt;/b&gt; The Bible. &lt;br&gt;&lt;b&gt;Wormwood&lt;/b&gt; Bitter; unpleasant; bitter, green oil used in making a liqueur called absinthe. &lt;br&gt;&lt;b&gt;Worship&lt;/b&gt; Reverent devotion; veneration; religious devotion. &lt;br&gt;&lt;b&gt;Wraith&lt;/b&gt; From Scottish &lt;i&gt;warth,&lt;/i&gt; a guardian angel; a ghost or the spectral figure of a person supposedly seen as a premonition just before death. &lt;br&gt;&lt;b&gt;Wreath&lt;/b&gt; A twisted band or ring of leaves, branches, flowers, foliage, etc.; garland. &lt;br&gt;&lt;b&gt;Wycliffe, John&lt;/b&gt; (1324-84) English religious reformer who was the first to make a complete English translation of the Bible (from the Latin Vulgate).&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;b&gt;Xavier, Francis&lt;/b&gt; (1506-52) Spanish Jesuit missionary whose day is celebrated on December 3rd. &lt;br&gt;&lt;b&gt;Xmas&lt;/b&gt; Abbreviation for Christmas, derived from the Greek name for Christ (XPIETOE), first used in Europe in the 1500&amp;#39;s. &lt;br&gt;&lt;b&gt;Xn&lt;/b&gt; (Xnty) Abbreviation for Christian or Christianity. &lt;br&gt;&lt;b&gt;XP&lt;/b&gt; (Chi Rho) First two letters of the Greek word for Christ, &amp;Chi;&amp;Rho;&amp;Iota;&amp;Sigma;&amp;Tau;&amp;Omicron;&amp;Sigma; (&lt;i&gt;Kristos&lt;/i&gt;), &lt;i&gt;chi&lt;/i&gt; and &lt;i&gt;rho,&lt;/i&gt; used as an early symbol or emblem for Christ, often represented as a P in the middle of an X.&lt;br&gt;&lt;b&gt;Yahrzeit&lt;/b&gt; Anniversary according to the Jewish calendar of the death of an immediate family member commemorated by the lighting of yahrzeit candle for 24 hours and the saying of the kaddish (Judaism). &lt;br&gt;&lt;b&gt;YAHWEH&lt;/b&gt; (YHWH) Hebrew, &amp;quot;I AM&amp;quot; (Exodus 3:14), the ineffable (unspeakable) name of God, comprised of the four Hebrew characters &lt;i&gt;Yod, Heh, Waw,&lt;/i&gt; and &lt;i&gt;Heh,&lt;/i&gt; which has come to be known among Bible scholars as the Tetragrammaton (four letters) with vowels added for better pronunciation. Variations include YHWH, YHVH, IHVH, JHVH, YAHVEH, YAHUAH, IAHUAH, YEHOWAH, and JEHOVAH. Any of these are arguable since Y, W, and V are not Hebrew consonants. Hebrew is a different dialect than English and difficult to translate, so the Hebrew characters are often transliterated as sounds similar to English characters. Most modern English Bibles have adopted the lower caps version of Lord (LORD) to represent the formal name of YHWH. It was believed that the Jews held the name of YHWH in such high regard that they didn&amp;#39;t even say this name, which stems from the third Commandment, &amp;quot;Thou shalt not take the name of the LORD thy God in vain&amp;quot; (Exodus 20:7). Only once a year, on the Day of Atonement, the high priest pronounced the &lt;i&gt;shem ha-meforash&lt;/i&gt;, or ineffable name. Yahwism is a term for worship of Yahweh. Yahwist is an unidentified writer or writers of certain Old Testament passages in which Yahweh is used for the name of God, instead of Elohim. &lt;br&gt;&lt;b&gt;Yarmulke&lt;/b&gt; (Yamulka) A skullcap worn by Jewish males. &lt;br&gt;&lt;b&gt;Ye&lt;/b&gt; Old English for &amp;quot;you&amp;quot; -- archaic term originally used only as a nominative plural, later as a nominative singular. &lt;br&gt;&lt;b&gt;Yea&lt;/b&gt; Old English for &amp;quot;yes&amp;quot; -- archaic term meaning moreover (not only that, but more); indeed, truly, or verily. &lt;br&gt;&lt;b&gt;Yeshiva&lt;/b&gt; Hebrew, &amp;quot;a sitting&amp;quot; -- seminary for the training of Orthodox rabbis; school or college for Talmudic studies; Jewish school combining religious and secular studies. &lt;br&gt;&lt;b&gt;Yiddish&lt;/b&gt; Jewish-German -- language derived from medieval High German, spoken by East European Jews and their descendants in other countries, written in the Hebrew alphabet and borrowing vocabulary primarily from from Hebrew, Russian, Polish, and English. &lt;br&gt;&lt;b&gt;Y.M.C.A.&lt;/b&gt; Young Men&amp;#39;s Christian Association, founded in London in 1844 by George Williams as an organization for providing recreational activities for young men working in poor labor conditions in England. The first American YMCA was founded in Boston in 1851 by Baptist sea captain T. V. Sullivan. The World Alliance for YMCA&amp;#39;s is headquartered in Geneva, Switzerland. &lt;br&gt;&lt;b&gt;Yoga&lt;/b&gt; Hinduism: a mystic and ascetic discipline by which one seeks to achieve liberation of the self and union with the supreme spirit or universal soul through intense concentration, deep meditation, and practices involving prescribed postures and controlled breathing. A yogi is one who practices yoga. &lt;br&gt;&lt;b&gt;Yom Kippur&lt;/b&gt; Day of Atonement, Jewish day of fast and rest observed on the tenth day of the seventh month of the Hebrew calendar (Tishri), from Leviticus 16:29-34 and 23:26-32. &amp;quot;This is to be a lasting ordinance for you: Atonement is to be made once a year for all the sins of the Israelites&amp;quot; (Leviticus 16:34). &lt;br&gt;&lt;b&gt;Yuletide&lt;/b&gt; Christmas time, from the Old English word &lt;i&gt;yule,&lt;/i&gt; the name of a heathen festival at the winter solstice celebrated by the Teutonic tribes of northern Europe (Scandanavians, Germans, and Celts) and integrated into the annual feast of Christmas when they were converted to Christianity in the 10th and 11th centuries, one of the activities of which was to burn a yule log. (Santa&amp;#39;s elves also evolved from Scandanavian paganism.) &lt;br&gt;&lt;b&gt;Y.W.C.A.&lt;/b&gt; Young Women&amp;#39;s Christian Association, organized in London in 1855 and in New York City in 1858 (under the name of Ladies&amp;#39; Christian Association) as an evangelical Protestant movement to provide spiritual development, as well as recreational and educational opportunities, for women adversely affected by the industrial revolution. The World YWCA was formed in 1894.&lt;br&gt;&lt;b&gt;Zaddick&lt;/b&gt; A righteous and just man (Judaism); spiritual leader of a Hasidic community. &lt;br&gt;&lt;b&gt;Zealot&lt;/b&gt; One who is extremely or excessively devoted to a cause and vehemently active in supporting it; religious fanatic; member of a radically political and religious Jewish sect who openly resisted Roman rule in Palestine. &lt;br&gt;&lt;b&gt;Zebulun&lt;/b&gt; Tenth tribe of Israel descended from the tenth son of Jacob. &lt;br&gt;&lt;b&gt;Zen&lt;/b&gt; Anti-rational Buddhist sect which seeks enlightenment through introspection and intuition, developed in India and now widespread in Japan; to see a sign as a result of meditation. &lt;br&gt;&lt;b&gt;Zend-Avesta&lt;/b&gt; Sacred text of the Zoroastrians. &lt;br&gt;&lt;b&gt;Zeno&lt;/b&gt; Greek Eleatic philosopher, 5th century B.C., founder of Stoicism &lt;br&gt;&lt;b&gt;Ziggurat&lt;/b&gt; A temple tower of the ancient Assyrians and Babylonians in the form of a terraced pyramid. &lt;br&gt;&lt;b&gt;Zion&lt;/b&gt; Hebrew &lt;i&gt;tsiyon,&lt;/i&gt; &amp;quot;hill&amp;quot; -- originally the City of David, a Canaanite fortress in Jerusalem captured by David; the hill in Jerusalem where the Temple was built; Jerusalem; Israel; a symbol of the center of Jewish national life. The heavenly city. The theocracy of God. Zionism was formerly a movement for reestablishing the Jewish national state of Israel, now in support of it. &lt;br&gt;&lt;b&gt;Zizit&lt;/b&gt; (Zizith) Fringes or tassels worn by orthodox Jewish men, formerly on the corners of the outer garment, now on the four corners of the tallit, intended to remind them of God&amp;#39;s commandments (Numbers 15:37-41, Deuteronomy 22:12, Matthew 23:5). &lt;br&gt;&lt;b&gt;Zodiac&lt;/b&gt; Greek &lt;i&gt;zodiakos,&lt;/i&gt; &amp;quot;of living things,&amp;quot; derived from ancient Babylonian astrology. Zodiac means &amp;quot;circle of animals&amp;quot; and its current design was arranged by the Greek astronomer Hipparchus cerca 150 B.C. It is an imaginary, circular belt in the heavens extending for about eight degrees on either side of the apparent path of the sun, including the paths of the moon and principal planets (except Pluto), divided into twelve equal zones of 30 degrees, or &amp;quot;houses,&amp;quot; each represented symbolically by the different constellations that reside in them -- most of which are in the shape of animals -- and assigned to certain parts of the year when the sun appears in each house. The signs of the zodiac include: Aquarius (Water Bearer, January 20 - February 18); Pisces (Fishes, February 19 -March 20); Aries (Ram, March 21 - April 19); Taurus (Bull, April 20 - May 20); Gemini (Twins, May 21 - June 21); Cancer (Crab, June 22 - July 22); Leo (Lion, July 23 - August 22); Virgo (Virgin, August 23 - September 22); Libra (Balance, September 23 - October 23); Scorpio (Scorpion, October 24 - November 21); Sagittarius (Archer, November 22 - December 21); Capricorn (Goat, December 22 - January 19). (See Astrology) &lt;br&gt;&lt;b&gt;Zohar&lt;/b&gt; Hebrew, &amp;quot;brightness,&amp;quot; a mystical commentary on the Pentateuch written from the second to the thirteenth century and a principal source of the cabala. &lt;br&gt;&lt;b&gt;Zoroaster&lt;/b&gt; (Zarathustra) Founder of Zorastrianism (cerca 590 B.C., although some scholars believe as early as 750 B.C.), also known as Mazdaism, the religious system of the Iranians before their conversion to Islam, which includes belief in an afterlife and in the continuous struggle of the universal spirit of good (Ormazd) with the spirit of evil (Ahriman), with good ultimately to prevail. Zoroaster reformed the polytheistic cults of the Iranians into a religious system that worshiped one Wise Lord (Ahura Mazda) and introduced concepts of heaven and hell, along with an ultimate savior and final judgment of mankind. Zoroastrianism later became the primary religion of the Medes and the Persians (the Persian name for Zoroaster is Zarathustra), the official religion of the Sassanians (who compiled the Zend-Avesta, the sacred writings of the Zoroastrians), and had profound effects on the Babylonians and the Greeks, all of which altered its doctrines somewhat. Many scholars believe that it also had direct effects on Judaism from the time of the Exodus and indirect effects on Christianity. Zoroastrianism survived the spread of Islam for several centuries before finally being suppressed. &lt;br&gt;&lt;b&gt;Zucchetto&lt;/b&gt; Skullcap worn by Roman Catholic ecclesiastics -- a priest&amp;#39;s is black, a bishop&amp;#39;s purple, a cardinal&amp;#39;s red, and the Pope&amp;#39;s white. &lt;br&gt;&lt;b&gt;Zwingli, Huldreich&lt;/b&gt; Swiss Protestant reformer (1484-1531), formerly a Catholic priest, who advocated the doctrine that the body of Christ is not actually present in the Eucharist but that the ceremony is merely a commemorative one. He also translated the Bible into Swiss German, wrote a book entitled &lt;i&gt;On the True and False Religion,&lt;/i&gt; and died a martyr as a chaplain in the army of Z&amp;uuml;rich in the second war of Kappel. His last words were, &amp;quot;What does it matter? They can kill the body, but not the soul.&amp;quot;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;b&gt;Aeromancy &lt;/b&gt;Divination by concentrating on cloud shapes and other natural phenomena. &lt;br&gt;&lt;b&gt;Alchemy &lt;/b&gt;The science of changing the base elements into gold or silver with the aid of a mysterious psychic substance. &lt;br&gt;&lt;b&gt;All Hallows Eve &lt;/b&gt;October 31 witch festival. &lt;br&gt;&lt;b&gt;Alomancy &lt;/b&gt;The divination by salt. &lt;br&gt;&lt;b&gt;Amulet &lt;/b&gt;An ornament inscribed with a magic spell or sign, usually worn around the neck or wrist. &lt;br&gt;&lt;b&gt;Animism &lt;/b&gt;Belief that inanimate objects are alive and have souls. &lt;br&gt;&lt;b&gt;Apantomancy &lt;/b&gt;A method which makes forecasts from chance meetings with animals, birds, and other creatures. Practiced in various types of Mexican voodoo. &lt;br&gt;&lt;b&gt;Astral Projection &lt;/b&gt;The soul leaves the body and travels on a different plane of consciousness. &lt;br&gt;&lt;b&gt;Astrology &lt;/b&gt;Fortune telling by stars or the Zodiac. &lt;br&gt;&lt;b&gt;Augury &lt;/b&gt;Divination from omens and signs. &lt;br&gt;&lt;b&gt;Automatic Writing &lt;/b&gt;Writing under a trance induced by spirit or demon powers in which the demonic spirit writes. &lt;br&gt;&lt;b&gt;Bewitch &lt;/b&gt;To influence by witchcraft. &lt;br&gt;&lt;b&gt;Black Magic &lt;/b&gt;A form of witchcraft often called the black arts which uses demon power for occult force. &lt;br&gt;&lt;b&gt;Botonomancy &lt;/b&gt;Divination by burning tree branches and leaves. &lt;br&gt;&lt;b&gt;Cartomancy &lt;/b&gt;Fortune telling with cards. &lt;br&gt;&lt;b&gt;Causimonancy &lt;/b&gt;Divination from objects burning in a fire. &lt;br&gt;&lt;b&gt;Cephalomancy &lt;/b&gt;Divination using the skull or head of a donkey or goat. &lt;br&gt;&lt;b&gt;Ceraunoscopyl &lt;/b&gt;Divination from the study of thunder and lightening. &lt;br&gt;&lt;b&gt;Ceroscopy &lt;/b&gt;Divination in which melted wax is poured into cold water. &lt;br&gt;&lt;b&gt;Charm &lt;/b&gt;An ornament believed to contain magical powers.&lt;br&gt;&lt;b&gt;Chiromancy &lt;/b&gt;Divination by lines of a person=s hand. &lt;br&gt;&lt;b&gt;Clairvoyance &lt;/b&gt;A medium who forecasts distant happenings through visions. &lt;br&gt;&lt;b&gt;Cleromancy &lt;/b&gt;Akin to divination with dice, but using pebbles or other odd objects. &lt;br&gt;&lt;b&gt;Clidomancy &lt;/b&gt;Divination using a dangling key which answers questions. &lt;br&gt;&lt;b&gt;Coven &lt;/b&gt;An assembly of 13 witches. &lt;br&gt;&lt;b&gt;Conjure &lt;/b&gt;To summon a departed demon spirit often by incantation. &lt;br&gt;&lt;b&gt;Cosmic Consciousness &lt;/b&gt;To be in tune with the Universe. An expression used by people spaced out by drugs or meditation. &lt;br&gt;&lt;b&gt;Crystal Gazer &lt;/b&gt;Person who uses a crystal ball for divination. &lt;br&gt;&lt;b&gt;Cult &lt;/b&gt;Religious group with beliefs or practices considered to be false based on Biblical principles according to Scripture. &lt;br&gt;&lt;b&gt;Curse &lt;/b&gt;Incantation made to bring harm to some one.&lt;br&gt;&lt;b&gt;Demon &lt;/b&gt;An evil power or spirit subservient to Satan (see Fallen Angel). &lt;br&gt;&lt;b&gt;Demonomancy &lt;/b&gt;Divination using demons. &lt;br&gt;&lt;b&gt;Divination &lt;/b&gt;The ability to foretell future events or to discover hidden information. &lt;br&gt;&lt;b&gt;Esbat &lt;/b&gt;Witchcraft meeting held for transacting business or to accomplish an act of Satanic mischief. &lt;br&gt;&lt;b&gt;ESP &lt;/b&gt;Abbreviation for extra-sensory perception. &lt;br&gt;&lt;b&gt;Exorcism &lt;/b&gt;Ritual used to drive away a spirit contrary to exorcists will. &lt;br&gt;&lt;b&gt;Extra-Sensory Perception &lt;/b&gt;Ability to gain insights without the use of ordinary senses. &lt;br&gt;&lt;b&gt;Familiar Spirit &lt;/b&gt;Spirit embodied in an animal which attends, serves, and guards a person. The spirit can also be in form of person. &lt;br&gt;&lt;b&gt;Fetish &lt;/b&gt;An object regarded as magical or sacred. &lt;br&gt;&lt;b&gt;Fortune-Teller &lt;/b&gt;One who tells future events for individuals. &lt;br&gt;&lt;b&gt;Gastromancy &lt;/b&gt;Divination with the voice lowered as though issuing from the ground. &lt;br&gt;&lt;b&gt;Genethlialogy &lt;/b&gt;Divination by use of stars at birth. &lt;br&gt;&lt;b&gt;Graphology &lt;/b&gt;Analysis of character through one&amp;#39;s handwriting. &lt;br&gt;&lt;b&gt;Grey Magic &lt;/b&gt;Use of spirit or demon power for occult force.&lt;br&gt;&lt;b&gt;Halomancy &lt;/b&gt;Divination by salt. Otherwise known as Alomancy. &lt;br&gt;&lt;b&gt;Hex &lt;/b&gt;To effect by an evil spell. &lt;br&gt;&lt;b&gt;Horoschopy &lt;/b&gt;Pertains to the casting of an astrological horoscope. &lt;br&gt;&lt;b&gt;Horoscope &lt;/b&gt;Diagram showing position of planets and stars with their signs or the zodiac. Used by astrologers for divination. &lt;br&gt;&lt;b&gt;Incense &lt;/b&gt;Perfumes, herbs, and charcoals burned in rituals. &lt;br&gt;&lt;br&gt;&lt;b&gt;Libranomancy &lt;/b&gt;Requires incense as a means of interpreting omens. &lt;br&gt;&lt;b&gt;&lt;/b&gt;&lt;br&gt;&lt;b&gt;Magic &lt;/b&gt;Supernatural power over natural forces. &lt;br&gt;&lt;b&gt;Meditation &lt;/b&gt;Fixing your mind on one object for enlightenment by spirits. &lt;br&gt;&lt;b&gt;Medium &lt;/b&gt;Person acting as the communications between this world and the spirit world with the ability to talk to demons or evil spirits representing the voices of the dead. &lt;br&gt;&lt;b&gt;Metaphysics &lt;/b&gt;Pertaining to the cosmos, cosmic energy, and the metaphysical world. &lt;br&gt;&lt;b&gt;Mystic &lt;/b&gt;One who is into mysticism or the occult. &lt;br&gt;&lt;b&gt;Mystic Christianity &lt;/b&gt;Mixing God and Satan. &lt;br&gt;&lt;b&gt;Necromancy &lt;/b&gt;Conjuring spirits of the dead to reveal future events, or to influence them. &lt;br&gt;&lt;b&gt;Numerology &lt;/b&gt;Divination using vital numbers. &lt;br&gt;&lt;b&gt;Occult &lt;/b&gt;Secret, mysterious, relating to supernatural forces. &lt;br&gt;&lt;b&gt;Omen &lt;/b&gt;An occurrence or phenomenon believed to portend the future. &lt;br&gt;&lt;b&gt;Oneiromancy &lt;/b&gt;The interpretation of dreams. &lt;br&gt;&lt;b&gt;Ooscopy &lt;/b&gt;Divination by eggs used frequently in the Mexican type of voodoo. &lt;br&gt;&lt;b&gt;Ouija Board &lt;/b&gt;Game board used to obtain spiritualistic or telepathic messages about the future or other hidden knowledge. &lt;br&gt;&lt;b&gt;Palmistry &lt;/b&gt;Divination by lines and formation of the hands. &lt;br&gt;&lt;b&gt;Phrenology &lt;/b&gt;Divination by head formations. &lt;br&gt;&lt;b&gt;Physiognomy &lt;/b&gt;Character analysis through physical appearance of the features. &lt;br&gt;&lt;b&gt;Poltergeist &lt;/b&gt;Mischievous ghost said to be responsible for strange noises or movement of inanimate objects. &lt;br&gt;&lt;b&gt;Potions &lt;/b&gt;Herb mixes or drugs with magical or hallucinogenic powers. &lt;br&gt;&lt;b&gt;Precognition &lt;/b&gt;Discernment about an event not yet experienced. &lt;br&gt;&lt;b&gt;Premonition &lt;/b&gt;Uneasy anticipation of an event.&lt;br&gt;&lt;b&gt;Prognostication &lt;/b&gt;Foretelling the future. &lt;br&gt;&lt;b&gt;Psychic &lt;/b&gt;Person sensitive to non-physical forces and their possible significance. &lt;br&gt;&lt;b&gt;Psychic Phenomena &lt;/b&gt;Events that cannot be explained by physical reference and are attributed to spiritual forces. &lt;br&gt;&lt;b&gt;Recognition &lt;/b&gt;An inner knowledge of things to come. &lt;br&gt;&lt;b&gt;Reincarnation &lt;/b&gt;Rebirth of a soul into a new human body or other form of life. &lt;br&gt;&lt;b&gt;Rhabdomancy &lt;/b&gt;Divination by means of a wand or stick. &lt;br&gt;&lt;b&gt;Sabbat &lt;/b&gt;Main meeting of witches to bring in new members. &lt;br&gt;&lt;b&gt;Satan &lt;/b&gt;Fallen archangel of God set upon various types of destruction on earth. &lt;br&gt;&lt;b&gt;Satanic Bible &lt;/b&gt;The official Bible of the Church of Satan&lt;br&gt;&lt;b&gt;Satanic Church &lt;/b&gt;Refers to any group practicing Satanism. &lt;br&gt;&lt;b&gt;Satanism &lt;/b&gt;Satan worship or idol worship usually involving travesty of Christian rites. &lt;br&gt;&lt;b&gt;Seance &lt;/b&gt;Group meeting to receive communication from spirits through a medium. &lt;br&gt;&lt;b&gt;Seer &lt;/b&gt;One who predicts future events or developments. &lt;br&gt;&lt;b&gt;Soothsaying &lt;/b&gt;Act of foretelling future events. &lt;br&gt;&lt;b&gt;Sorcerer &lt;/b&gt;Wizard or witch. &lt;br&gt;&lt;b&gt;Sorcery &lt;/b&gt;Use of power obtained from control of evil spirits. &lt;br&gt;&lt;b&gt;Soul Transmigration &lt;/b&gt;Astral projection or transferring of souls. &lt;br&gt;&lt;b&gt;Spell &lt;/b&gt;Spoken word or pattern of words with magical power using evil spirits. &lt;br&gt;&lt;b&gt;Spiritism &lt;/b&gt;Belief that departed spirits commune with living people usually through a medium.&lt;br&gt;&lt;b&gt;Spiritualism &lt;/b&gt;Type of church organization noted for communicating with the dead. &lt;br&gt;&lt;b&gt;Spiritualist &lt;/b&gt;One who believes in Spiritism. &lt;br&gt;&lt;b&gt;Spook &lt;/b&gt;A spirit, demon, or fallen angel.&lt;br&gt;&lt;b&gt;Tarot Cards &lt;/b&gt;Fortune telling cards. &lt;br&gt;&lt;b&gt;Tea Leaf Reader &lt;/b&gt;Fortune telling by reading omens in tea leaves. &lt;br&gt;&lt;b&gt;Telepathy &lt;/b&gt;Communication from one mind to another without using physical channels. &lt;br&gt;&lt;b&gt;Trance &lt;/b&gt;State of partially suspended animation. &lt;br&gt;&lt;b&gt;Vibes &lt;/b&gt;Vibrations believed to be set off by body energy. &lt;br&gt;&lt;b&gt;Voodoo &lt;/b&gt;Old form of ritual witchcraft usually similar to black magic rituals. &lt;br&gt;&lt;b&gt;Warlock &lt;/b&gt;A male witch. &lt;br&gt;&lt;b&gt;White Magic &lt;/b&gt;Use of spirit or demon power for occult force. &lt;br&gt;&lt;b&gt;Witch &lt;/b&gt;Woman or man who practices black arts and other type of occult. &lt;br&gt;&lt;b&gt;Witchcraft &lt;/b&gt;A type of occult practice. A word is often used to denote all of the occult collectively. &lt;br&gt;&lt;b&gt;Witch Doctor &lt;/b&gt;One who uses herbs or machines to cure in non-medical ways. &lt;br&gt;&lt;b&gt;Wizard &lt;/b&gt;One who uses spirit power to bring about certain reactions. A Sorcerer. &lt;br&gt;&lt;b&gt;Xylomancy &lt;/b&gt;Divination from pieces of wood. &lt;br&gt;&lt;b&gt;&lt;/b&gt;&lt;br&gt;&lt;b&gt;Yoga &lt;/b&gt;Exercise and meditation opening mind to dark powers. &lt;br&gt;&lt;b&gt;&lt;/b&gt;&lt;br&gt;&lt;b&gt;Zodiac &lt;/b&gt;Imaginary belt of planets and constellations forming the astrological signs. &lt;br&gt;&lt;b&gt;Pagan&lt;/b&gt; A follower of one of the nature or fertility orientated religions of the world. (The Christians and Jews often incorrectly use the term to mean everybody else but themselves). This word comes from the Latin word paganus, meaning country dweller. There are many different types or denominations of Pagans.&lt;br&gt; &lt;br&gt; &lt;b&gt;Heathen&lt;/b&gt; This word is roughly synonymous with &amp;quot;Pagan&amp;quot; and literally means a dweller on the heath.&lt;br&gt; &lt;br&gt; &lt;b&gt;Wicca&lt;/b&gt; One of the Pagan religions with roots in ancient expressions of the reverence of Nature. We believe that The Great Spirit is presented in all beings and things. The ultimate creative force represents itself in both masculine and feminine aspects, so is often symbolised as God and Goddess. The aspects most popular in Wicca are the Triple Goddess of the Moon (Maiden, Mother, and Crone), and the Horned God of the animals and of Death and Rebirth. We practice magick for positive purposes: spiritual development, healing, guidance and safety. Our rituals are practiced outdoors whenever practical. We have no Holy Book, or any equivalent of the Christian Bible. Ours is an ancient tradition, from the days before writing. Individuals have access to the Divine and do not require an intermediary. EVERY initiate of the Craft, whether self-dedicated, or dedicated by a High Priest or High Priestess, is considered to be a Priest or Priestess in their own right. We strive to live in harmony with nature and the Earth, we shall not exploit them. Wicca is a valid religion but it is not the only one. We do not try to convert people to our religion claiming that it is for everyone. We believe that people should be FREE to choose the religion that right for them. We say that &amp;quot;all paths lead to the centre&amp;quot;. We are all different and it is our difference that make us special.&lt;br&gt; &lt;br&gt; &lt;b&gt;Satanism&lt;/b&gt; Is a perverted form of Christianity. It is necessary to believe in the Christian pantheon, including Satan, in order to practice Satanism. Satanists worship the Devil, recite the Lord&amp;#39;s prayer backwards and perform a rite they call the Black Mass, a parody of the Christian mass. Satanism is usually an excuse for indulging in vices such as perverted sexual acts, drug and alcohol abuse, and even murder in extreme cases. A famous example of a Satanic cult was the prestigious Hellfire Club, to which such people as Benjamin Franklin, Oscar Wilde&amp;#39;s wife, and Aleister Crowley (among others) belonged to. It is important to realise that Wicca and Satanism are not the same thing. They are not even close! Wicca is an ancient, pre-Christian religion dedicated to fertility and nature, love and balance. The Wiccan Rede: &amp;quot;An&amp;#39; it harm none, do what ye will&amp;quot;, prohibits a Witch from taking part in anything that may harm any thing, living or non-living, including themselves. The confusion arises, at least in part, because many Satanists like to call themselves &amp;quot;witches&amp;quot;, a title to which they have no right.&lt;br&gt;&lt;b&gt;All Hallows Eve&lt;/b&gt; The night of October 31st. Originally a Pagan festival of darkness, and death. Halloween was belived to be the one time of year when the souls of the dead revisited their former homes. The modern use of wearing costumes originated from the use of scary masks used to scare the roaming souls away. &lt;br&gt; &lt;br&gt; &lt;b&gt;Amulet&lt;/b&gt; A charm worn around the neck in order to bring luck, or ward off evil. &lt;br&gt; &lt;br&gt; &lt;b&gt;Anti-Christ -- Satan&lt;/b&gt; The enemy of man and God who, according to many religious cultures, will establish a reign of evil on earth which will last fifty years, before being overthrown by the second coming of Christ &lt;br&gt; &lt;br&gt; &lt;b&gt;Apparition&lt;/b&gt; A supernatural appearance or image recognizeable ( being familiar ) to the viewer. &lt;br&gt; &lt;br&gt; &lt;b&gt;Apport&lt;/b&gt; An object transported through supernatural means. &lt;br&gt; &lt;br&gt; &lt;b&gt;Astral Body&lt;/b&gt; The invisible spirit of a person ( or more likely an animal ). &lt;i&gt;See Astral Projection&lt;/i&gt; &lt;br&gt; &lt;br&gt; &lt;b&gt;Astral Plane&lt;/b&gt; The level of existence through which spirits of the dead first pass. The level in which an astrally projected spirit travels. &lt;br&gt; &lt;br&gt; &lt;b&gt;Astral Projection&lt;/b&gt; The seperation of the astral body ( or spirit ) from the physical body. The astral body travels in the astral plane, to places near and far. &lt;br&gt; &lt;br&gt; &lt;b&gt;Automatic Writing&lt;/b&gt; The production of written material, by a spirit, through a person, but without conscious control of that person. Often, a person may write pages and pages of words that, upon &amp;quot;awakening&amp;quot;, they do not remember writing. &lt;br&gt; &lt;br&gt; &lt;b&gt;Beelzebub&lt;/b&gt; One of Satan&amp;#39;s cheif lieutenants, considered Satan&amp;#39;s &amp;quot;left hand man&amp;quot;. &lt;br&gt; &lt;br&gt; &lt;b&gt;Black Magic&lt;/b&gt; The practice of conjuring preternatural forces for a specific evil purpose. &lt;br&gt; &lt;br&gt; &lt;b&gt;Black Mass&lt;/b&gt; The mass said in honor of Satan at the black witches sabbath, and by Satanists. &lt;br&gt; &lt;br&gt; &lt;b&gt;Circumambulism&lt;/b&gt; Ceremonial walking around an object or person to secure protection. &lt;br&gt; &lt;br&gt; &lt;b&gt;Clairaudience&lt;/b&gt; The psychic ability to hear sounds and voices, normally not heard by most people. &lt;br&gt; &lt;br&gt; &lt;b&gt;Clairvoyance&lt;/b&gt; The psychic ability to see objects, persons, places or events regardless of time or distance. &lt;br&gt; &lt;br&gt; &lt;b&gt;Conjuring&lt;/b&gt; The process of calling preternatural forces into aid or action through the use of sorcery or ceremonial black magic. &lt;br&gt; &lt;br&gt; &lt;b&gt;Curse&lt;/b&gt; To invoke preternatural forces to cause harm or injury to a person, place or object. &lt;br&gt; &lt;br&gt; &lt;b&gt;Demon&lt;/b&gt; An evil entity hostile to humans. A lower level evil spirit working for Lucifer. &lt;br&gt; &lt;br&gt; &lt;b&gt;Demonic&lt;/b&gt; Pertaining to or caused by demons. &lt;br&gt; &lt;br&gt; &lt;b&gt;Demonologist&lt;/b&gt; Involved in the study of Demonology. &lt;br&gt; &lt;br&gt; &lt;b&gt;Demonology&lt;/b&gt; The study of demons, including their characteristics, classification, and effect on mankind. &lt;br&gt; &lt;br&gt; &lt;b&gt;Devil&lt;/b&gt; An upper level evil spirit working for Lucifer. ( Beezelbub, among many ) &lt;br&gt; &lt;br&gt; &lt;b&gt;Diabolical&lt;/b&gt; Pertaining to or caused by a devil. &lt;br&gt; &lt;br&gt; &lt;b&gt;Discarnate&lt;/b&gt; Existing outside a physical body. &lt;br&gt; &lt;br&gt; &lt;b&gt;Disembodied&lt;/b&gt; A spirit functioning without a body. &lt;br&gt; &lt;br&gt; &lt;b&gt;Doppleganger or ( Doubleganger )&lt;/b&gt; A spirit of a living person, outside the physical body. &lt;br&gt; &lt;br&gt; &lt;b&gt;Earthbound&lt;/b&gt; A spirit being trapped to or remain on the earthly plain. &lt;br&gt; &lt;br&gt; &lt;b&gt;Ectoplasm&lt;/b&gt; An unknown substance which eminates from the bodies of mediums, correlating to supernatural phenomena. &lt;br&gt; &lt;br&gt; &lt;b&gt;Elemental&lt;/b&gt; A lesser spirit bound to the fundamentals of nature ( earth, wind, water, and fire ). &lt;br&gt; &lt;br&gt; &lt;b&gt;Entity&lt;/b&gt; A disembodied or preternatural spirit. &lt;br&gt; &lt;br&gt; &lt;b&gt;Exorcism&lt;/b&gt; The process of expelling or removing an evil spirit by religious ceremony. &lt;br&gt; &lt;br&gt; &lt;b&gt;Exorcist&lt;/b&gt; One who conducts the rights of exorcism. &lt;br&gt; &lt;br&gt; &lt;b&gt;Fairy&lt;/b&gt; an elemental spirit considered benign but inclined to mischief. &lt;br&gt; &lt;br&gt; &lt;b&gt;Ghost&lt;/b&gt; A supernatural appearance or image not recognizeable to the viewer. &lt;br&gt; &lt;br&gt; &lt;b&gt;Human Sacrifice&lt;/b&gt; The ceremonial killing of a person as an offering to an offering to an evil spirit for magical purposes. &lt;br&gt; &lt;br&gt; &lt;b&gt;Human Spirit&lt;/b&gt; The ( earthbound ) spirit of a deceased person. &lt;br&gt; &lt;br&gt; &lt;b&gt;Incarnate&lt;/b&gt; Living in a physical body. &lt;br&gt; &lt;br&gt; &lt;b&gt;Incubus&lt;/b&gt; A demon which seeks sexual intercourse with a living woman. &lt;br&gt; &lt;br&gt; &lt;b&gt;Inhuman Spirit&lt;/b&gt; An entity or spirit of a being that has never lived in the earthly realm. &lt;br&gt; &lt;br&gt; &lt;b&gt;Levitation&lt;/b&gt; The raising of a body or object without any physical or visible means. &lt;br&gt; &lt;br&gt; &lt;b&gt;Lucifer&lt;/b&gt; Satan, leader of the rebellious angels. &lt;br&gt; &lt;br&gt; &lt;b&gt;Magic&lt;/b&gt; The art of producing illusions. &lt;i&gt;See Conjuring, Black Magic &lt;/i&gt;&lt;br&gt; &lt;br&gt; &lt;b&gt;Materialization&lt;/b&gt; The appearence of spirits in material form. &lt;br&gt; &lt;br&gt; &lt;b&gt;Medium&lt;/b&gt; A person who makes contact with discarnate or inhuman spirits on the astral plane. &lt;br&gt; &lt;br&gt; &lt;b&gt;Necromancy&lt;/b&gt; The practice of conjuring evil spirits. &lt;br&gt; &lt;br&gt; &lt;b&gt;Necronomicon&lt;/b&gt; The book of the dead &lt;br&gt; &lt;br&gt; &lt;b&gt;Occult&lt;/b&gt; Pertaining to the supernatural, that which is beyond the range of natural knowledge. &lt;br&gt; &lt;br&gt; &lt;b&gt;Ouija Board&lt;/b&gt; A board consisting of the letters of the alphabet, numbers 1-0, and the words &amp;quot;yes&amp;quot;, &amp;quot;no&amp;quot;, and &amp;quot;goodbye&amp;quot; which is used as a tool for communicating with spirits. &lt;br&gt; &lt;br&gt; &lt;b&gt;Out of Body Experience&lt;/b&gt; Can be done purposefully or unconsciously by a person. &lt;i&gt;See Astral Projection &lt;/i&gt;&lt;br&gt; &lt;br&gt; &lt;b&gt;Parapsychology&lt;/b&gt; The scientific study of phenomena that natural laws can not explain. &lt;br&gt; &lt;br&gt; &lt;b&gt;Pentagram&lt;/b&gt; The magical diagram consisting of a five pointed star which is a representation of man. Considered by occultists to be the most potent means of conjuring spirits. &lt;br&gt; &lt;br&gt; &lt;b&gt;Phantomania&lt;/b&gt; An occurence in which the victim is held paralyzed while being subjected to preternatural attack. &lt;br&gt; &lt;br&gt; &lt;b&gt;Planchette&lt;/b&gt; The indicator, or pointer used in association with a Ouija Board. &lt;br&gt; &lt;br&gt; &lt;b&gt;Poltergeist&lt;/b&gt; From the German meaning, &amp;quot;noisy ghost&amp;quot;. Term for a spirit which is associated with the movement of objects and general mishchevous haunting activity. &lt;br&gt; &lt;br&gt; &lt;b&gt;Possesion&lt;/b&gt; The state in which a living person is controlled by a foreign, malignant energy. &lt;br&gt; &lt;br&gt; &lt;b&gt;Precognition&lt;/b&gt; Knowledge of future events. &lt;br&gt; &lt;br&gt; &lt;b&gt;Premonition&lt;/b&gt; A vision of warning of future events. &lt;br&gt; &lt;br&gt; &lt;b&gt;Preternatural&lt;/b&gt; Associated with inhuman, demonic, or diabolical spirits or forces. &lt;br&gt; &lt;br&gt; &lt;b&gt;Psychic&lt;/b&gt; Dealing with the ability to see, hear, feel and sense beyond the average human ability. A medium. &lt;br&gt; &lt;br&gt; &lt;b&gt;Psychic Cold&lt;/b&gt; The cold sensation recieved when a spirit is present, usually having defined boundaries. &lt;br&gt; &lt;br&gt; &lt;b&gt;Psychic Photograph&lt;/b&gt; Supernatural or preternatural images appearing on a photograph. &lt;br&gt; &lt;br&gt; &lt;b&gt;Psychic Research&lt;/b&gt; The study of psychic phenomena. &lt;br&gt; &lt;br&gt; &lt;b&gt;Psychokenesis ( PK )&lt;/b&gt; The movement of objects without the use of physical means, such as using the mind. &lt;br&gt; &lt;br&gt; &lt;b&gt;Psychometry&lt;/b&gt; The ability to acquire knowledge of people, places or objects by touching an object associated with it. &lt;br&gt; &lt;br&gt; &lt;b&gt;Reincarnation&lt;/b&gt; The belief that each person possesses a soul which is independant of the body and can be reborn into another body. &lt;br&gt; &lt;br&gt; &lt;b&gt;Relic&lt;/b&gt; An item closely associated with a holy persons body or clothing. &lt;br&gt; &lt;br&gt; &lt;b&gt;Satan&lt;/b&gt; God&amp;#39;s adversary, expelled from heaven for rebelling against God. &lt;br&gt; &lt;br&gt; &lt;b&gt;Satanic&lt;/b&gt; Pertaining to Satan. &lt;br&gt; &lt;br&gt; &lt;b&gt;Satanism&lt;/b&gt; The worship of Satan. &lt;br&gt; &lt;br&gt; &lt;b&gt;Sensitive&lt;/b&gt; A person who possesses psychic powers. &lt;br&gt; &lt;br&gt; &lt;b&gt;Sorcerer&lt;/b&gt; A male who has made a pact with the devil in exchange for magical powers. &lt;br&gt; &lt;br&gt; &lt;b&gt;Sorceress&lt;/b&gt; A female who has made a pact with the devil in exchange for magical powers. &lt;br&gt; &lt;br&gt; &lt;b&gt;Sorcery&lt;/b&gt; The practice of black magic. &lt;br&gt; &lt;br&gt; &lt;b&gt;Spectre&lt;/b&gt; A ghost ( unrecognizeable to the viewer ). &lt;br&gt; &lt;br&gt; &lt;b&gt;Succubus&lt;/b&gt; A demon which seeks sexual intercourse with living men. &lt;br&gt; &lt;br&gt; &lt;b&gt;Supernatural&lt;/b&gt; Activity caused by God or his angels, commonly referred to as to anything outside the bounds of natural laws. &lt;br&gt; &lt;br&gt; &lt;b&gt;Talisman&lt;/b&gt; Drawings of various shapes and sizes which have specified purposes of good luck. &lt;br&gt; &lt;br&gt; &lt;b&gt;Telekinesis&lt;/b&gt; Telepathic sounds and voices projected to people. &lt;br&gt; &lt;br&gt; &lt;b&gt;Telepathy&lt;/b&gt; Psychic communications between individuals. &lt;br&gt; &lt;br&gt; &lt;b&gt;Teleportation&lt;/b&gt; Objects moved by supernatural forces. &lt;br&gt; &lt;br&gt; &lt;b&gt;Voodoo&lt;/b&gt; Magical practice considered to be a form of black magic but also is considered a religion to some. &lt;br&gt; &lt;br&gt; &lt;b&gt;Warlock&lt;/b&gt; A male witch &lt;br&gt; &lt;br&gt; &lt;b&gt;Werewolf&lt;/b&gt; A person who has been transformed into or has gained wolflike characteristics. &lt;br&gt; &lt;br&gt; &lt;b&gt;White Witch&lt;/b&gt; A witch whose practice in withcraft in solely for the purpose of good. &lt;br&gt; &lt;br&gt; &lt;b&gt;Wicca&lt;/b&gt; An ancien witchcraft religion which honor the gods of nature. Wicca means &amp;quot;wise one&amp;quot;. &lt;br&gt; &lt;br&gt; &lt;b&gt;Witch&lt;/b&gt; A woman who practices withcraft. &lt;br&gt; &lt;br&gt; &lt;b&gt;Withcraft&lt;/b&gt; The practice of performing acts with the aid of a spirit.&lt;br&gt;&lt;b&gt;Angels, Fallen&lt;/b&gt;. Another term for demons which refers to the most logical origin of demons, as described in &lt;b&gt;&lt;a class=&quot;external&quot; href=&quot;http://maldini.wetpaint.comhttp://diskbooks.org/rev.html&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Revelation&lt;/a&gt;&lt;/b&gt; 12:7-9. They are known as fallen because they rebelled against God and were hurled out of Heaven to earth as a result.&lt;br&gt;&lt;b&gt;Angels, Holy&lt;/b&gt; The supernatural beings who did not rebel against God, and become fallen angels or demons.&lt;br&gt;&lt;b&gt;Astrology&lt;/b&gt; The study of the heavenly constellations for the purpose of predicting the future for persons born under a specific sign of the zodiac.&lt;br&gt;&lt;b&gt;Astronomy&lt;/b&gt; The legitimate science of studying the heavenly bodies.&lt;br&gt;&lt;b&gt;Channel&lt;/b&gt; The alleged ability of a psychic to communicate with the dead; usually associated with belief in reincarnation; crystals may be used to enhance the process.&lt;br&gt;&lt;b&gt;Deliverance&lt;/b&gt; The process of helping a person become free of demon possession through prayer for the cleaning power of the Holy Spirit. The on-site helper during deliverance is only a catalyst. The Holy Spirit is the active agent and does all the real work. &lt;b&gt;&lt;a class=&quot;external&quot; href=&quot;http://maldini.wetpaint.comhttp://diskbooks.org/part3.html&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Evangelical deliverance&lt;/a&gt;&lt;/b&gt; should not be confused with exorcism, which is a precise liturgical ritual practiced with the sanction of the Roman Catholic Church.&lt;br&gt;&lt;b&gt;Demon oppression&lt;/b&gt; Sometimes used as another term for severe temptation by Satan. Some evangelicals use this term interchangeably with demon &amp;quot;possession.&amp;quot; [The author advises against this confusion. JFC]&lt;br&gt;&lt;b&gt;Demon possession&lt;/b&gt; The action of a demon taking over the mind and soul of a human who is not being protected by the Holy Spirit. Possession may be intermittent through a demonic time-sharing process which allows a single demon to contaminate many people almost simultaneously. A single instance of demon possession may last no longer than a few seconds, but with devastating results, as in the case of a mass murderer with an automatic weapon. See &amp;quot;Time-sharing.&amp;quot;&lt;br&gt;&lt;b&gt;Demons&lt;/b&gt; Evil supernatural beings who serve Satan and work against humans. The word probably comes from the ancient word &amp;quot;da&amp;quot; which means &amp;quot;the knowing ones.&amp;quot;&lt;br&gt;&lt;b&gt;Devil&lt;/b&gt; A word used in the King James Version to represent either Satan, the primary agent of evil, or an individual demon. See &amp;quot;demon.&amp;quot;&lt;br&gt;&lt;b&gt;Discernment&lt;/b&gt; The ability of persons who are filled with the Holy Spirit to detect the activity of demons based on the presence in victims of the known symptoms of violence, lust, greed, and an unnatural power of persuasion.&lt;br&gt;&lt;b&gt;Evil spirit&lt;/b&gt; A word used in the King James Version of the Bible to represent an individual demon. See &amp;quot;demon.&amp;quot;&lt;br&gt;&lt;b&gt;God, the Father&lt;/b&gt; The first Person of the Trinity; the chief executive officer of the entire universe. All power, holy and evil, originates with Him.&lt;br&gt;&lt;b&gt;God, the Holy Spirit&lt;/b&gt; The third Person of the Trinity; when Jesus died and went to Heaven, He sent back His Holy Spirit to serve humans in three ways: (1) help us understand the Bible and what it teaches about God and Jesus Christ; (2) help us do the will of God in our lives; and (3) help us resist the evil power of Satan and his demons.&lt;br&gt;&lt;b&gt;God, the Son&lt;/b&gt; The second Person of the Trinity, Jesus Christ. He came to earth so He could die as the supreme sin sacrifice for all humans. He is the Lamb of God.&lt;br&gt;&lt;b&gt;Gospels&lt;/b&gt; The first four books of the New Testament. The word &amp;quot;gospel&amp;quot; means &amp;quot;good news.&amp;quot;&lt;br&gt;&lt;b&gt;Greed&lt;/b&gt; One of the primary symptoms of demon possession, along with violence, lust, and an unnatural power of persuasion.&lt;br&gt;&lt;b&gt;Guardian angels&lt;/b&gt; Holy angels in their capacity as the protectors of humans who believe in prayer and pray to God for physical and spiritual protection.&lt;br&gt;&lt;b&gt;King James Version&lt;/b&gt; The most popular Protestant translation of the Bible; commissioned by King James of England and completed in 1611.&lt;br&gt;&lt;b&gt;Living Bible&lt;/b&gt; A paraphrase of the King James Version of the Bible by Dr. Kenneth N. Taylor, Tyndale House, Wheaton, IL, Copyright 1971; useful for people who are studying the Bible for the first time.&lt;br&gt;&lt;a class=&quot;external&quot; href=&quot;http://maldini.wetpaint.comhttp://diskbooks.org/luke.html&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;b&gt;Luke, the Physician.&lt;/b&gt;&lt;/a&gt; The author of the third gospel; a recognized authority on Biblical demon possession.&lt;br&gt;&lt;b&gt;Lust&lt;/b&gt; One of the primary symptoms of demon possession, along with violence, greed, and an unnatural power of persuasion.&lt;br&gt;&lt;b&gt;NAMBLA&lt;/b&gt; the North American Man/Boy Love Association. NAMBLA (pronounced &amp;quot;NAM-bluh&amp;quot;) is an organized group of pedophiles which is dedicated to promoting the normalization and legalization of men having sex with boys. NAMBLA members may be respected members of the community with stature in such fields as education and medicine.&lt;br&gt;&lt;b&gt;New International Version&lt;/b&gt;&lt;b&gt; (NIV)&lt;/b&gt; Zondervan Bible Publishers, Grand Rapids, MI, Copyright 1978. This is a scholarly modern language translation from Hebrew and Greek manuscripts and is equally suitable for first-time readers and advanced Bible students.&lt;br&gt;&lt;b&gt;New Testament&lt;/b&gt; The second major division of the Bible; the first is the Old Testament. In this context, &amp;quot;testament&amp;quot; means covenant or contract. See &amp;quot;sacrifice&amp;quot;.&lt;br&gt;&lt;b&gt;Pedophile&lt;/b&gt; A person who makes sexual involvement with children a compulsive way of life. Photography plays a large role; pictures are taken of children in sexual situations whom they have molested; these pictures are treasured, exchanged with other pedophiles, and often find their way into super-slick child pornography publications. Computer electronic mail bulletin boards are used to facilitate activities. The North American Man/Boy Love Association (NAMBLA) is a major organization of pedophiles.&lt;br&gt;&lt;b&gt;Psychic&lt;/b&gt; A person who claims to have supernatural powers do such things as predict the future, solve mysteries, communicate with the dead, or heal the sick. If a person really has this kind of power, it comes from Satan and his demons. This is true even though the intent of such an individual is benign.&lt;br&gt;&lt;b&gt;Reincarnation&lt;/b&gt; The theory that a soul occupies successive bodies down through the centuries. Psychics use a process called channeling to communicate with persons from other eras.&lt;br&gt;&lt;b&gt;Resurrection&lt;/b&gt; The Biblical doctrine that we will be raised from the dead with a glorified body when Jesus returns to earth.&lt;br&gt;&lt;b&gt;Sacrifice&lt;/b&gt; The central theme of God&amp;#39;s plan for allowing humans to escape the death penalty for our sins. In the Old Testament, animals died so we wouldn&amp;#39;t have to die for our sins. In the New Testament, Jesus Christ died as the Lamb of God and became the ultimate sacrifice for our sins.&lt;br&gt;&lt;b&gt;Satan&lt;/b&gt; The major source of evil power in the universe. Satan derives his power from God, who grants it to him on a temporary basis. Ultimately, God will destroy Satan and bring an end to all evil power. See Revelation 20:10.&lt;br&gt;&lt;b&gt;Spirit guide&lt;/b&gt; A euphemism for demon used by psychics and persons who are involved with such activities as mind control. Persons who use &amp;quot;spirit&amp;quot; guide may not know it&amp;#39;s true meaning.&lt;br&gt;&lt;a class=&quot;external&quot; href=&quot;http://maldini.wetpaint.comhttp://diskbooks.org/eph.html&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;&lt;b&gt;Spiritual Warfare&lt;/b&gt;&lt;/a&gt; The constant spiritual battle that rages between God, Jesus Christ, the Holy Spirit, and the Holy Angels, on the side of good, and between Satan and his demons on the side of evil. Human beings are in the crossfire and are in danger unless they are shielded by being filled with the power of the Holy Spirit.&lt;br&gt;&lt;b&gt;Supernatural&lt;/b&gt; Anything which is above the laws of nature. There are only two sources of supernatural power: God and Satan. If a phenomenon is not of God, it is of Satan. There is no &amp;quot;neutral&amp;quot; supernatural power.&lt;br&gt;&lt;b&gt;Synoptic&lt;/b&gt; The literal meaning is &amp;quot;seeing together&amp;quot;. The Gospels of Matthew, Mark, and Luke are considered to the synoptic Gospels because they report many of the same incidents in the life of Jesus.&lt;br&gt;&lt;b&gt;Time-sharing &lt;/b&gt;The process whereby a main-frame computer works with many users simultaneously. This book uses the analogy of time-sharing to explain how a fixed number of demons may be able to trouble millions of humans around the world.&lt;br&gt;&lt;b&gt;Trinity&lt;/b&gt; The three-fold nature of God: Father, Son, and Holy Spirit.&lt;br&gt;&lt;b&gt;Unnatural power of persuasion&lt;/b&gt; One of the primary symptoms of demon possession, along with violence, lust, and greed.&lt;br&gt;&lt;b&gt;Violence&lt;/b&gt; One of the primary symptoms of demon possession, along with lust, greed, and an unnatural power of persuasion.&lt;br&gt;&lt;b&gt;Wicca &lt;i&gt;&amp;quot;Modern witchcraft&lt;/i&gt;.&lt;/b&gt; In the second half of the 20th century, a self-conscious revival of pre-Christian paganism occurred in the United States and Europe. The foundation of this revival was witchcraft, or wicca (said to be an early Anglo-Saxon word for witchcraft). Wicca is interpreted simply as the nature and fertility religion of pre-Christian Europe, which has been explored in books such as Charles Leland&amp;#39;s Aradia: The Gospel of the Witches (1899), Margaret Murray&amp;#39;s The Witch-Cult in Western Europe (1921), and Robert Graves&amp;#39;s The White Goddess (1948). Although they are now considered unreliable by scholars, such books gave inspiration to some people seeking spiritual alternatives. The writings of Englishman Gerald Gardner, who in his book Witchcraft Today (1954) claimed that he was a witch initiated by a surviving coven, imparted much of the alleged lore and rituals of English witches. Although his claims have been questioned, covens of modern witches sprang up under Gardner&amp;#39;s inspiration and spread to the United States in the 1960s&amp;quot;.&lt;br&gt;&lt;b&gt;Accepting Christ; Born Again; Conversion; New Birth; Salvation; Saved&lt;/b&gt; A conscious and climactic act of believing that Jesus is the Son of God and that His sacrificial death for our sin holds the power to free us from the guilt, domination, and punishment of sin.&lt;br&gt;&lt;b&gt;Addiction&lt;/b&gt; A chemical and/or psychological need to use tobacco, alcohol, or illegal drugs.&lt;br&gt;&lt;b&gt;Adoption&lt;/b&gt; The process of reinstating us in the favor of God as a brother of Jesus Christ and the son of God.&lt;br&gt;&lt;b&gt;Age of accountability&lt;/b&gt; The age beyond which a child will be held responsible for his/her relationship with Christ.&lt;br&gt;&lt;b&gt;Altar&lt;/b&gt; A railing at the front of the church, between the platform and the pews, which is used as a place of prayer.&lt;br&gt;&lt;b&gt;Altar Call; Altar Invitation&lt;/b&gt; The part of the service when worshippers are invited to come forward and kneel or stand at the altar for prayer.&lt;br&gt;&lt;b&gt;Anoint&lt;/b&gt; The prayer of healing by a minister, usually accompanied by touching oil (a symbol of the Holy Spirit) on the brow amid a chorus of audible prayer.&lt;br&gt;&lt;b&gt;Baby Christian&lt;/b&gt; The term used for a person who has recently accepted Jesus Christ as a personal savior.&lt;br&gt;&lt;b&gt;Backslide&lt;/b&gt; According to Wesleyan doctrine, the ability to fall from the born-again state because of sinning, as illustrated in Ezekiel 18:21-24.&lt;br&gt;&lt;b&gt;Baptized in the Spirit&lt;/b&gt; According to Pentecostal doctrine, a special filling of the Holy Spirit usually associated with the gift of speaking in unlearned languages.&lt;br&gt;&lt;b&gt;Baptism, adult&lt;/b&gt; Complete immersion as a testimony of the fact that Christ has washed away all sin.&lt;br&gt;&lt;b&gt;Baptism, infant&lt;/b&gt; Bringing a baby or young child before the altar for sprinkling with water; replaced by &amp;quot;infant dedication&amp;quot; in many evangelical churches.&lt;br&gt;&lt;b&gt;Benediction&lt;/b&gt; The concluding prayer in a worship service.&lt;br&gt;&lt;b&gt;Book store&lt;/b&gt; A retail outlet which specializes in Bibles and Christian music, literature, and gifts.&lt;br&gt;&lt;b&gt;Bulletin&lt;/b&gt; A folder which includes the order of service and a listing of activities.&lt;br&gt;&lt;b&gt;Camp meeting&lt;/b&gt; A series of outdoor revival services held in a rustic setting.&lt;br&gt;&lt;b&gt;Calvinist&lt;/b&gt; The school of evangelical thought developed by John Calvin which is characterized by the following concepts: (a) God has already decided (predestined) who will be saved and who will be lost and there is nothing we can do to change that; (b) a Christian is filled by the Holy Spirit when born again instead of in a separate act of sanctification; (c) all Christians sin daily in word, thought, and deed, and must ask for daily forgiveness; (d) if a born-again believer returns to a life of sin, that person will not go to Hell if death or the rapture comes before repentance; and (e) he/she is eternally secure. Major denominations: the various branches of the Baptist Church.&lt;br&gt;&lt;b&gt;Canon&lt;/b&gt; The sacred writings which have been accepted as the official books of the Bible.&lt;br&gt;&lt;b&gt;Charismatic&lt;/b&gt; See &amp;quot;Pentecostal&amp;quot;.&lt;br&gt;&lt;b&gt;Christian&lt;/b&gt; A person who has been born again and who is living according to the teachings of Jesus Christ.&lt;br&gt;&lt;b&gt;Comforter&lt;/b&gt; A term for the Holy Spirit found in the King James version of the Bible.&lt;br&gt;&lt;b&gt;Communion&lt;/b&gt; A symbolic re-enactment of the Last Passover Supper when Jesus shared bread and wine with His disciples the evening before He was crucified. The Last Supper was simultaneously the last celebration of Passover and the first celebration of Communion.&lt;br&gt;&lt;b&gt;Concordance&lt;/b&gt; A word index of Bible verses.&lt;br&gt;&lt;b&gt;Conference, district&lt;/b&gt; All the churches of one denomination within a given geographic area.&lt;br&gt;&lt;b&gt;Congregational singing&lt;/b&gt; The part of a worship service when everyone sings together.&lt;br&gt;&lt;b&gt;Consecration&lt;/b&gt; Consciously turning your life over to Christ.&lt;br&gt;&lt;b&gt;Conviction&lt;/b&gt; A state of anxiety brought on by the Holy Spirit, associated with the knowledge that there is a need to accept Christ and achieve forgiveness for sins.&lt;br&gt;&lt;b&gt;Dedication, church&lt;/b&gt; A special service for consecrating facilities to the service of God.&lt;br&gt;&lt;b&gt;Dedication, infant&lt;/b&gt; A special service when parents bring a baby to the altar and promise they will train him/her in the teachings of Jesus Christ.&lt;br&gt;&lt;b&gt;Demons&lt;/b&gt; The fallen angels who were thrown out of Heaven with Satan for rebellion against God; from the ancient word da, meaning the &amp;quot;knowing ones&amp;quot; .&lt;br&gt;&lt;b&gt;Demon possession&lt;/b&gt; The presence of one or more Satanic demons within the body and mind of a human being.&lt;br&gt;&lt;b&gt;Denomination&lt;/b&gt; A group of churches held together with a form of central government.&lt;br&gt;&lt;b&gt;Devotions&lt;/b&gt; Personal daily prayer and Bible reading.&lt;br&gt;&lt;b&gt;Doctrine&lt;/b&gt; A statement of what the Bible teaches and the church believes.&lt;br&gt;&lt;b&gt;Eternal security&lt;/b&gt; According to Calvinist doctrine, the inability of a born-again believer to miss Heaven because of sinning.&lt;br&gt;&lt;b&gt;Evangelical&lt;/b&gt; Any religious activity with an emphasis on encouraging others to accept Jesus Christ.&lt;br&gt;&lt;b&gt;Evangelism&lt;/b&gt; The act or process of encouraging persons to accept Christ.&lt;br&gt;&lt;b&gt;Evangelist&lt;/b&gt; A minister who makes a career of preaching in revivals and camp meetings.&lt;br&gt;&lt;b&gt;Faith&lt;/b&gt; Accepting the teaching of the Bible as fact even without &amp;quot;proof&amp;quot;.&lt;br&gt;&lt;b&gt;Family altar&lt;/b&gt; A time when the family has devotions together, including Bible reading and prayer.&lt;br&gt;&lt;b&gt;Free moral agency; will&lt;/b&gt; The ability to choose good or evil without direct intervention by God or Satan.&lt;br&gt;&lt;b&gt;Full-gospel&lt;/b&gt; To be associated with Pentecostal activities, as in &amp;quot;Full-Gospel Business Men&amp;#39;s Association&amp;quot;.&lt;br&gt;&lt;b&gt;Fundamentalist&lt;/b&gt; A media term for any person or group with a strong commitment to a religious belief; evangelical.&lt;br&gt;&lt;b&gt;God, the Father&lt;/b&gt; The Chief of the Godhead who is holy, all powerful [omnipotent], all knowing [omniscient], and present everywhere [omnipresent].&lt;br&gt;&lt;b&gt;God, the Holy Spirit&lt;/b&gt; The third person of the Godhead revealed to us on the day of Pentecost.&lt;br&gt;&lt;b&gt;God, the Son&lt;/b&gt; The second person of the Godhead who came to earth to die as a sin sacrifice for us.&lt;br&gt;&lt;b&gt;Gospel music&lt;/b&gt; Christian songs with an evangelical emphasis.&lt;br&gt;&lt;b&gt;Gospels&lt;/b&gt; The first four books of the New Testament: Matthew, Mark, Luke, John.&lt;br&gt;&lt;b&gt;Greek&lt;/b&gt; The language in which most of the original New Testament was written.&lt;br&gt;&lt;b&gt;Healing&lt;/b&gt; The power of God to alleviate physical problems.&lt;br&gt;&lt;b&gt;Heaven&lt;/b&gt; The literal place reserved for the eternal joy of all persons saved by the blood of The Lamb, Jesus Christ.&lt;br&gt;&lt;b&gt;Hebrew&lt;/b&gt; The language in which the original Old Testament was written.&lt;br&gt;&lt;b&gt;Hell&lt;/b&gt; The literal place reserved for the eternal punishment of Satan, demons, and sinners.&lt;br&gt;&lt;b&gt;Hypocrite&lt;/b&gt; A person who appears to talk better than he or she lives.&lt;br&gt;&lt;b&gt;Inspiration&lt;/b&gt; God&amp;#39;s blessing on the Bible&amp;#39;s authors which enabled them to write what they wrote.&lt;br&gt;&lt;b&gt;Intercessory prayer&lt;/b&gt; Praying for someone else.&lt;br&gt;&lt;b&gt;Invocation&lt;/b&gt; The opening prayer of a service, calling in the Holy Spirit.&lt;br&gt;&lt;b&gt;Justification&lt;/b&gt; Total forgiveness by God.&lt;br&gt;&lt;b&gt;King James Version&lt;/b&gt; A popular translation of the Bible completed in 1611.&lt;br&gt;&lt;b&gt;Lamb of God&lt;/b&gt; The title Jesus carries in heaven because He died for our sins.&lt;br&gt;&lt;b&gt;Liturgy&lt;/b&gt; Any form of worship.&lt;br&gt;&lt;b&gt;Living Bible&lt;/b&gt; A modern language paraphrase of the Bible published by Tyndale House.&lt;br&gt;&lt;b&gt;Manual&lt;/b&gt; A book of denominational doctrine and regulations.&lt;br&gt;&lt;b&gt;Membership&lt;/b&gt; Vowing to accept a denomination&amp;#39;s doctrine and live by its regulations.&lt;br&gt;&lt;b&gt;Message&lt;/b&gt; The presentation of the sermon by the pastor or evangelist.&lt;br&gt;&lt;b&gt;Minister&lt;/b&gt; The spiritual and administrative leader of a local church.&lt;br&gt;&lt;b&gt;Missionary&lt;/b&gt; A person who serves the Lord in another country as minister, doctor, nurse, teacher.&lt;br&gt;&lt;b&gt;New Testament&lt;/b&gt; The second section of the Bible which contains the new contract we have with God: if we will accept Jesus Christ as God&amp;#39;s Son, we will live in Heaven forever when we die.&lt;br&gt;&lt;b&gt;NIV. New International Version&lt;/b&gt;, a popular modern language translation of the Bible published by Zondervan.&lt;br&gt;&lt;b&gt;Offering&lt;/b&gt; Putting money in the plate when it is passed.&lt;br&gt;&lt;b&gt;Offertory &lt;/b&gt;Music which is played during the offering.&lt;br&gt;&lt;b&gt;Old Testament&lt;/b&gt; The first section of the Bible which contains the old contract with God: if the Children of Israel [Isarelites] would obey the laws of God handed down to Moses, God would help them win all their battles and give them all the land they walked on. Unfortunately, the Israelites did not hold up their end of the contract. &lt;br&gt;&lt;b&gt;Pauline Epistles&lt;/b&gt; Letters which the Apostle Paul wrote to his new churches.&lt;br&gt;&lt;b&gt;Pentecostal&lt;/b&gt; The school of evangelical thought developed around the fact that on the first day of Pentecost when the Holy Spirit was given, the observers were able to hear Peter preach in their native languages. Pentecostal, or charismatic, doctrine is characterized by the following concepts: (a) the Christian should be baptized in the Holy Spirit after being born again, and (b) a Christian who is baptized in the Holy Spirit will receive special gifts such as the ability to speak in unlearned languages (tongues), interpret a message given in tongues, and/or pray for the sick with the &amp;quot;laying on of hands&amp;quot;. The modern Pentecostal movement grew out of the three-year Azusa Street (Los Angeles) revival which began in 1906. Major denominations: Assemblies of God, United Pentecostal Church, Foursquare Church. Many non-Pentecostal churches have pockets of charismatic worshippers, including denominations not usually associated with Evangelicals.&lt;br&gt;&lt;b&gt;Plan of Salvation&lt;/b&gt; God&amp;#39;s accepting animal deaths and then Christ&amp;#39;s death as payment for man&amp;#39;s sin.&lt;br&gt;&lt;b&gt;Platform&lt;/b&gt; The raised area at the front of the church.&lt;br&gt;&lt;b&gt;Prayer&lt;/b&gt; Talking to God.&lt;br&gt;&lt;b&gt;Prayer Service&lt;/b&gt; A mid-week service devoted to prayer and Bible study.&lt;br&gt;&lt;b&gt;Predestination&lt;/b&gt; According to Calvinist doctrine, the fact that God has already decided who will go to Heaven and who will go to Hell.&lt;br&gt;&lt;b&gt;Protestant&lt;/b&gt; A Christian who is not a Catholic. Martin Luther was the orignal protestant because he protested against the evils of the organized religion of his day.&lt;br&gt;&lt;b&gt;Pulpit&lt;/b&gt; The lectern at which the minister stands.&lt;br&gt;&lt;b&gt;Quarterly&lt;/b&gt; A study guide for Sunday school classes which is issued every three months.&lt;br&gt;&lt;b&gt;Rally&lt;/b&gt; A special service for promoting a specific aspect of the church&amp;#39;s program.&lt;br&gt;&lt;b&gt;Rapture; Second Coming&lt;/b&gt; The unannounced return of Jesus to take all Christians to heaven to be with Him forever. [Read the novel &lt;i&gt;Gone&lt;/i&gt;]&lt;br&gt;&lt;b&gt;Regeneration&lt;/b&gt; Being born again.&lt;br&gt;&lt;b&gt;Responsive reading&lt;/b&gt; A leader and a group taking turns reading verses of scripture.&lt;br&gt;&lt;b&gt;Restitution&lt;/b&gt; After salvation, paying back what is owed and asking forgiveness where needed.&lt;br&gt;&lt;b&gt;Revival&lt;/b&gt; A series of services with an emphasis on spiritual growth and evangelism.&lt;br&gt;&lt;b&gt;Sacrifice&lt;/b&gt; The death of animals in the Old Testament and Jesus Christ in the New Testament because God requires the death penalty for sin.&lt;br&gt;&lt;b&gt;Sanctification&lt;/b&gt; According to Wesleyan doctrine, a second (after being born again), definite, instantaneous work of grace which removes the inbred carnal nature through an act of the Holy Spirit, thereby making it less likely for the believer to sin again.&lt;br&gt;&lt;b&gt;Sanctuary&lt;/b&gt; The portion of a church building used for worship services.&lt;br&gt;&lt;b&gt;Satan; Devil&lt;/b&gt; The primary evil supernatural being who wants everyone to sin and go to hell forever where he will be.&lt;br&gt;&lt;b&gt;Scripture&lt;/b&gt; The writings in the Bible.&lt;br&gt;&lt;b&gt;Seekers&lt;/b&gt; Persons who come forward for prayer during an altar invitation.&lt;br&gt;&lt;b&gt;Sin&lt;/b&gt; A willful violation of God&amp;#39;s laws as set forth in the Bible.&lt;br&gt;&lt;b&gt;Standards&lt;/b&gt; Bible based guidelines developed by a denomination regarding behavior and interaction.&lt;br&gt;&lt;b&gt;Sunday School&lt;/b&gt; A Christian education program which meets for an hour each Sunday morning.&lt;br&gt;&lt;b&gt;Temptation&lt;/b&gt; An urge to do something wrong as brought on by Satan and his demons.&lt;br&gt;&lt;b&gt;Testimony&lt;/b&gt; A public statement of having accepted Jesus Christ as a personal savior.&lt;br&gt;&lt;b&gt;Text&lt;/b&gt; A portion of scripture used by a minister as the basis for a sermon.&lt;br&gt;&lt;b&gt;Tithing&lt;/b&gt; Paying ten percent of personal income to the work of the Lord.&lt;br&gt;&lt;b&gt;Tongues&lt;/b&gt; Speaking in unlearned languages. See &amp;quot;Pentecostal&amp;quot;.&lt;br&gt;&lt;b&gt;Trinity&lt;/b&gt; The Godhead made of Father, Son, and Holy Spirit.&lt;br&gt;&lt;b&gt;Tureen dinner&lt;/b&gt; A fellowship meal comprised of casseroles brought by the participants. Also known as &amp;quot;potluck supper.&amp;quot;&lt;br&gt;&lt;b&gt;Vacation Bible School&lt;/b&gt; A summer Christian education program lasting one or two weeks.&lt;br&gt;&lt;b&gt;Vestibule&lt;/b&gt; The foyer or entryway of a church building.&lt;br&gt;&lt;b&gt;Wesleyan&lt;/b&gt; The school of evangelical thought developed by John Wesley which is characterized by the following concepts: (a) the Christian should be sanctified by a filling of the Holy Spirit after being born again; (b) a Christian who is sanctified is better equipped to resist Satan&amp;#39;s temptations to sin, and (c) if a born-again believer returns to a life of sin (backslides), that person will go to Hell if death or the rapture comes before repentance. Major denominations: Church of the Nazarene, Wesleyan Church. Persons who follow the Wesleyan doctrine are also known as Arminians.&lt;br&gt;&lt;b&gt;Witness&lt;/b&gt; Telling another person about how to accept Jesus Christ as a personal savior.&lt;br&gt;&lt;b&gt;Youth for Christ&lt;/b&gt; A Christ centered youth organization for high school students.&lt;br&gt;&lt;b&gt;Youth Society or youth group&lt;/b&gt; A church&amp;#39;s program for young people.&lt;br&gt;&lt;b&gt;Antichrist &lt;/b&gt;The figure who acts as Satan&amp;#39;s lead agent on earth during the end times. Most Christian scenarios predict the Antichrist -- a sort of evil twin of Jesus in many ways -- will forge a one-world government through promises of peace. When Jesus returns, he will expose the Antichrist as an impostor, defeat him in the battle of Armageddon, and reign with the Christian martyrs for a thousand years on earth.&lt;br&gt;&lt;b&gt;Apocalyptic &lt;/b&gt;Referring to the belief that the end of the world as we know it is approaching, usually through a sudden, catataclysmic transformation. Comes from the Greek word apokalypsis meaning &amp;quot;the lifting of a veil,&amp;quot; or a revelation. Also the name given to a specific genre of prophetic literature, of which the book of Revelation is best known. Western apocalyptic traditions tend to be dualistic, in that they view this end as the final outcome of an ongoing battle between good and evil forces, usually represented by God and Satan.&lt;br&gt;&lt;b&gt;&lt;/b&gt;&lt;br&gt;&lt;b&gt;Armageddon &lt;/b&gt;The geographic location given in the book of Revelation (16:16) for the climactic battle between Christ and Antichrist, with Christ&amp;#39;s victory ushering in his thousand-year reign on earth. Named after the hill near the town of Megiddo in Palestine, which due to its strategic location overlooking major military and trade routes was the site of many ancient battles.&lt;br&gt;&lt;b&gt;&lt;/b&gt;&lt;br&gt;&lt;b&gt;Chiliasm &lt;/b&gt;The belief that the righteous will enjoy their rewards here on earth. In Christianity, this has meant belief in the millennium, Christ&amp;#39;s thousand-year reign on earth. From the Greek chilioi meaning &amp;quot;thousand.&amp;quot;&lt;br&gt;&lt;b&gt;&lt;/b&gt;&lt;br&gt;&lt;b&gt;Daniel &lt;/b&gt;The book of Daniel, the most famous of the Jewish apocalypses, and the source of many of the ideas and symbols in Revelation. Likely written in the 2nd century B.C. as a response to the desecration of the Temple by Antiochus IV of Syria, although the author is cast back to the time of the Exile and &amp;quot;predicts&amp;quot; events back to the present. In Daniel, one sees many of the elements of the apocalyptic world view coming together for the first time in a single work. In it, God&amp;#39;s chosen rise up and overthrow their oppressors, thus inheriting &amp;quot;the greatness of the kingdom under the whole heaven.&amp;quot; &lt;br&gt;&lt;b&gt;&lt;/b&gt;&lt;br&gt;&lt;b&gt;Dispensationalism &lt;/b&gt;A theological system which breaks history down into discrete epochs, called dispensations, in each of which God has offered humans a different means of salvation. First developed in the mid-19th century by English theologian John Nelson Darby, dispensationalism found its most popular expression in the &amp;quot;Scofield Reference Bible&amp;quot; of the early 20th century. See premillennialism, below.&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;b&gt;Eschatology &lt;/b&gt;The study of &amp;quot;last things,&amp;quot; or the end of human history. Although specific interpretations vary widely, most Christian eschatologies center on the belief that the just will be rewarded when God triumphs over Satan in the last days.&lt;br&gt;&lt;b&gt;&lt;/b&gt;&lt;br&gt;&lt;b&gt;Messianism &lt;/b&gt;The belief that a chosen individual holds the key to a higher truth which will lead to salvation for his followers. Extreme forms of apocalyptic belief have tended to manifest themselves through messianic figures, from Montanus in the 2nd century to David Koresh in 1993. Messiahs tend to be highly charismatic individuals prone to megalomania and violence.&lt;br&gt;&lt;b&gt;&lt;/b&gt;&lt;br&gt;&lt;b&gt;Millennial &lt;/b&gt;Referring to a period of 1000 years, such as the end of the second Christian millennium in the year 2000. In religious terms, anything referring to the expected thousand-year reign of Christ on earth after the events of the last days have brought an end to this world. Such a radical transformation could come at any time, although expectations tend to increase at round markers such as the year 2000. Related to chiliasm, above.&lt;br&gt;&lt;b&gt;&lt;/b&gt;&lt;br&gt;&lt;b&gt;Millenarian &lt;/b&gt;Referring to more extreme millennial expectations, in which belief in an imminent apocalyptic transformation tends to spur the faithful into action, often of a violent nature.&lt;br&gt;&lt;b&gt;&lt;/b&gt;&lt;br&gt;&lt;b&gt;Postmillennialism &lt;/b&gt;The belief that Christ will return only after humans have established a millennial kingdom on earth through their own efforts. In extreme forms, postmillennial beliefs have given rise to violent theocracies, such as that of Thomas Muntzer in 16th century Germany. But a more typical example is the milder postmillennialism of most New England Puritans, who believed they were building just such a righteous society, a &amp;quot;city on a hill.&amp;quot; This type of apocalyptic expectation has gone hand-in-hand with social reform movements, and has contributed to the notion of divinely ordained progress which has played an important role in American history.&lt;br&gt;&lt;b&gt;&lt;/b&gt;&lt;br&gt;&lt;b&gt;Premillennialism &lt;/b&gt;The belief that God&amp;#39;s millennial kingdom will not come until Christ returns to save a sinful humanity and defeat the forces of Satan. Specific interpretations vary as to the exact timing of the Second Coming -- at the beginning, middle, or end of the Tribulation period. But in general, premillennialists tend to be highly pessimistic about the present state of the world, yet anxiously await a perfect world in the near future. By placing the fate of mankind squarely in God&amp;#39;s hands, premillennialism has tended to discourage social action, concentrating instead on conversion and preparation for final judgment.&lt;br&gt;&lt;b&gt;&lt;/b&gt;&lt;br&gt;&lt;b&gt;Rapture &lt;/b&gt;The belief that true believers in Christ will be taken bodily into heaven just prior to or during the Tribulation period, and thus be spared the horrible fate awaiting those left behind on earth. The rapture is an integral part of the premillennial dispensationalist systems which have dominated Christian prophecy belief in the second half of the 20th century, as it proposes faith in Christ as the only route to salvation.&lt;br&gt;&lt;b&gt;&lt;/b&gt;&lt;br&gt;&lt;b&gt;Revelation &lt;/b&gt;The book of Revelation, also known as &amp;quot;The Revelation to John&amp;quot; and &amp;quot;St. John&amp;#39;s Apocalypse,&amp;quot; is the primary source of inspiration for Christian prophecy believers. The last book and only apocalypse in the New Testament, it was likely written in the last decade of the first century, during a period of great turmoil after the destruction of the second Jewish Temple by the Romans in 70 A.D. Biblical scholars are skeptical of the historical claim that the Apostle John was its author. Millions of Christians have taken the events so vividly described in Revelation as a blueprint for what will happen in the last days as God brings an end to this world. But beyond that, many ideas and symbols from Revelation have found a place in the wider culture, including: the Mark of the Beast, represented by the number &amp;quot;666;&amp;quot; the seven seals; the four horsemen of the Apocalypse; the Whore of Babylon; and the battle of Armageddon.&lt;br&gt;&lt;b&gt;&lt;/b&gt;&lt;br&gt;&lt;b&gt;Tribulation &lt;/b&gt;A period of upheaval, usually seven years in length, during which Satan will exert control over the earth through the antichrist. All but a small remnant of Christian faithful -- perhaps numbering 144,000 -- will die as a result of wars, plagues, and famine. The Tribulation will end with Christ&amp;#39;s defeat of the antichrist at Armageddon, ushering God&amp;#39;s millennial kingdom on earth.&lt;br&gt;&lt;b&gt;Abrahamic&lt;/b&gt; adjective used to describe either of the three primary cults of Yahweh (i.e., Christianity, Judaism and Islam).&lt;br&gt;&lt;b&gt;Ahriman&lt;/b&gt; the chief Devil of Persian Zoroastrianism. Depicted as a dragon, he supposedly created ninety-nine thousand, nine hundred and ninety-nine diseases to plague the Earth. He is blamed for all the maladies and physical ailments of life.&lt;br&gt;&lt;b&gt;Amam&lt;/b&gt; another name for Apep, which means &amp;quot;Devourer&amp;quot; in Egyptian.&lt;br&gt;&lt;b&gt;Ambivalent design&lt;/b&gt; a belief that the universe may indeed have a teleological purpose, but that said purpose does not revolve around mortals in any humanly benevolent way.&lt;br&gt;&lt;b&gt;Angel&lt;/b&gt; an attendant spirit that serves as a messenger for a deity or deities.&lt;br&gt;&lt;b&gt;Anpu&lt;/b&gt; a psychopomp who is associated with jackals in ancient Egyptian religion and Neopagan reconstructions thereof; was worshiped as a god of healing and protection.&lt;br&gt;&lt;b&gt;Antichrist&lt;/b&gt; a person who teaches that Jesus Christ is not the Messiah or the &amp;quot;Son of God,&amp;quot; and that Christianity is not the one true religion.&lt;br&gt;&lt;b&gt;Anubis&lt;/b&gt; the Greek spelling of Anpu.&lt;br&gt;&lt;b&gt;Apep&lt;/b&gt; the Egyptian name for the Devil. Viewed as a giant snake demon who lived in the underworld and attempted to swallow the sun each night. A personification of nighttime, darkness, and chaos.&lt;br&gt;&lt;b&gt;Apocalypticism&lt;/b&gt; a branch of eschatology in which it is believed that endtime prophecies are somehow imminent.&lt;br&gt;&lt;b&gt;Apophis&lt;/b&gt; the Greek spelling of Apep.&lt;br&gt;&lt;b&gt;Apostate&lt;/b&gt; a person who once worshiped Yahweh, but who later rejects him and turns against him. Many Satanists and Neopagans, for instance, are apostates.&lt;br&gt;&lt;b&gt;Ashtoreth&lt;/b&gt; the Phoenician name for the goddess worshiped as Inanna in ancient Sumer and Ishtar in Babylon.&lt;br&gt;&lt;b&gt;Astaroth&lt;/b&gt; a Hebrew bastardization of the name Ashtoreth, which is given to her in Christian demonology. This name is used to refer to the goddess in her demonic aspect.&lt;br&gt;&lt;b&gt;Atheistic Satanist&lt;/b&gt; a Satanist who does not believe in any gods, and who interprets Satan as either an impersonal force of nature or as a symbol. The term is often used synonymously with symbolic or LaVeyan Satanists.&lt;br&gt;&lt;b&gt;Azazel&lt;/b&gt; a name used to identify the Prince of Darkness in both Second Temple era Jewish literature and in Islam. I use it to refer to Him in His form as an &amp;quot;angel of light&amp;quot; who brings forth civilization. Can also be called Lucifer in this aspect&lt;br&gt;&lt;b&gt;Baal&lt;/b&gt; a pre-Christian Canaanite deity who became demonized in Jewish scriptures as Beelzebub, the Lord of the Flies.&lt;br&gt;&lt;b&gt;Back-masking&lt;/b&gt; a term used for when heavy metal musicians supposedly record subliminal backwards messages into their music. The subliminal messages supposedly drive teenagers to Devil worship and suicide. Bands like Ozzy Osbourne and Judas Priest were put on trial for supposedly murdering children through back-masking, but the cases were both dismissed, and the idea of murder through back-masking is largely discredited today as an urban myth.&lt;br&gt;&lt;b&gt;Baphomet&lt;/b&gt; an idol that the Knights Templar were accused of worshiping. Eliphas Levi drew a famous picture of it, as a goat-headed hermaphrodite creature. Later adopted as a term for the goat&amp;#39;s head pentagram by Anton Szandor LaVey.&lt;br&gt;&lt;b&gt;Beelzebub&lt;/b&gt; &amp;quot;Lord of the Flies,&amp;quot; a demonized title of the Semitic storm god Baal.&lt;br&gt;&lt;b&gt;Belial&lt;/b&gt; a name used to identify the Prince of Darkness in the apocryphal Dead Sea Scrolls. It means either &amp;quot;without a yoke&amp;quot; or &amp;quot;without worth.&amp;quot; I use it to refer to the Prince in His aspect as the God of the Earth.&lt;br&gt;&lt;b&gt;Black&lt;/b&gt; the color which is most associated with the Powers of Darkness in occult tradition.&lt;br&gt;&lt;b&gt;Black mass&lt;/b&gt; a ritual communion with the Powers of Darkness, usually performed in honor of the Prince of Darkness specifically. Numerous forms of the black mass exist. It is often thought to be a strict inversion of the Catholic mass, but for my purposes, a black mass is literally any sort of ritual communion with Devils or demonic spirits.&lt;br&gt;&lt;b&gt;Black metal&lt;/b&gt; a variety of heavy metal music developed in the 1970&amp;#39;s and early 1980&amp;#39;s, the lyrical content of which centers around an often serious enthusiasm for Devils, demons, and the occult. Originated in Great Britain.&lt;br&gt;&lt;b&gt;Black sabbath&lt;/b&gt; an alternate term for the black mass. Later became the name for one of the first and most influential heavy metal bands, Black Sabbath.&lt;br&gt;&lt;b&gt;Church of Azazel&lt;/b&gt; a denomination of Satanism founded in 2003 by Diane Vera, which stresses the importance of philosophy and intellectual-thinking among theistic Satanists. Teaches polytheistic Devil worship that adheres to both the Post-Copernican and here-and-now principles of theology.&lt;br&gt;&lt;b&gt;Church of Satan&lt;/b&gt; the very first above-ground public Satanic organization ever. Founded in 1966 by Anton Szandor LaVey. Teaches that Satan is not a being, but just a symbol, and stresses the importance of Self worship over any kind of deity worship. Teachings are based upon LaVey&amp;#39;s &lt;i&gt;Satanic Bible.&lt;/i&gt;&lt;br&gt;&lt;b&gt;Conductor of Souls&lt;/b&gt; a cult title for the Egyptian spirit Anpu, who guides the souls of the deceased to their appropriate places in the Netherworld.&lt;br&gt;&lt;b&gt;Coven&lt;/b&gt; an assembly of dark mystics, Devil worshipers, Demonolators and/or Satanists. Corresponds to the church congregations of other spiritual paths.&lt;br&gt;&lt;b&gt;Cult&lt;/b&gt; a controversial term that has a number of meanings. It is sociologically used to describe a system or community of religious worship and ritual, and/or the formal means of expressing religious reverence, ceremony and ritual. By this definition, all religions, including Christianity, are cults. The more popular definition used by the media today is &amp;quot;an extremist religious sect, the followers of which live in an unconventional manner under the guidance of an authoritarian, charismatic leader.&amp;quot;&lt;br&gt;&lt;b&gt;Czernobog&lt;/b&gt; a Slavic name that means &amp;quot;Black God,&amp;quot; and which is sometimes used as an alternate name for the Prince of Darkness.&lt;br&gt;&lt;b&gt;Dark creationism&lt;/b&gt; a belief that the universe was or is indeed created by a powerful spiritual being or beings, but that said being or beings are not in any way personal or benevolent toward human beings.&lt;br&gt;&lt;b&gt;Dark Doctrines, the&lt;/b&gt; a denomination of atheistic Satanism founded in the 1990&amp;#39;s, which teaches that Satan is an impersonal &amp;quot;dark force in nature&amp;quot; that works through entropy and the Second Law of Thermodynamics to create and destroy all things.&lt;br&gt;&lt;b&gt;Dark mystic&lt;/b&gt; a person who interprets mystical realities in terms of dark imagery, and whose experiences literally &amp;quot;feel&amp;quot; dark. Often misunderstood as a &amp;quot;black magician.&amp;quot;&lt;br&gt;&lt;b&gt;Death metal&lt;/b&gt; a form of heavy metal music that started in the 1980&amp;#39;s, and which features a fascination with horror films and images of violence and death.&lt;br&gt;&lt;b&gt;Deity&lt;/b&gt; a spirit that is given god-status by mortals.&lt;br&gt;&lt;b&gt;Demon&lt;/b&gt; a genius spirit that is replete with wisdom, and that roams the dark bowers of the Earth.&lt;br&gt;&lt;b&gt;Demoniac&lt;/b&gt; a person who is possessed or indwelt by a demonic spirit.&lt;br&gt;&lt;b&gt;Demonolator&lt;/b&gt; a person who worships a demon or demons.&lt;br&gt;&lt;b&gt;Demonolatry&lt;/b&gt; the worship of a demon or demons.&lt;br&gt;&lt;b&gt;Demonology&lt;/b&gt; the study of demons. Not to be confused with Demonolatry. Just because a person is a demonologist does not mean that they worship demons; many demonologists are actually Christian, for instance.&lt;br&gt;&lt;b&gt;Devil&lt;/b&gt; a spirit that is maligned and feared as a cultural scapegoat figure by mortals. Devils are often given god-status indirectly. The term is most often used to describe one deity in particular, i.e. the Satan of the New Testament.&lt;br&gt;&lt;b&gt;Devil worship&lt;/b&gt; the expression of ardent love, devotion, and reverence toward a cultural scapegoat figure, and the reclamation of said figure as a wrongfully slandered deity.&lt;br&gt;&lt;b&gt;Diabolator&lt;/b&gt; a person who worships a Devil or Devils.&lt;br&gt;&lt;b&gt;Diabolatry&lt;/b&gt; from the Greek &lt;i&gt;diabolus&lt;/i&gt; (&amp;quot;Devil&amp;quot;) and &lt;i&gt;latreia&lt;/i&gt; (&amp;quot;worship&amp;quot;); a synonym for Devil worship.&lt;br&gt;&lt;b&gt;Djinn&lt;/b&gt; desert-dwelling fire spirits in Islamic mythology that serve Iblis, the Prince of Darkness. I consider the djinn to be the same thing as demons.&lt;br&gt;&lt;b&gt;Dragon&lt;/b&gt; a giant serpent or lizard, often depicted with wings, but not always. When I speak of &amp;quot;the Dragon,&amp;quot; I am referring specifically to the Prince of Darkness, who is described as a dragon in the New Testament and in Egyptian mythology.&lt;br&gt;&lt;b&gt;Eschatology&lt;/b&gt; the teachings within a religion concerning events that will supposedly come to pass at the end of the world.&lt;br&gt;&lt;b&gt;Esoteric&lt;/b&gt; something which is intended to be confined and understandable to only a particular inner circle of people, as in an &amp;quot;esoteric cult&amp;quot; or an &amp;quot;esoteric doctrine.&amp;quot;&lt;br&gt;&lt;b&gt;Exoteric&lt;/b&gt; something which is comprehensible or suited to the general public.&lt;br&gt;&lt;b&gt;Futurist&lt;/b&gt; a term usually used for Christians who believe that the events of the apocalypse, as described in the book of Revelation, have yet to occur.&lt;br&gt;&lt;b&gt;Genius&lt;/b&gt; a spirit that is particular to a specific person or geographical area; a guardian spirit.&lt;br&gt;&lt;b&gt;Goat&amp;#39;s head pentagram&lt;/b&gt; a five-pointed star drawn with one point down, and with a picture of a goat&amp;#39;s head inside. Also popularly called a Baphomet.&lt;br&gt;&lt;b&gt;God&lt;/b&gt; a spirit that is worshiped by mortals.&lt;br&gt;&lt;b&gt;Hades&lt;/b&gt; a Greek synonym for Hell, which means &amp;quot;that which is out of sight.&amp;quot;&lt;br&gt;&lt;b&gt;Heavy metal&lt;/b&gt; a variety of rock and roll music that was born in the late 1960&amp;#39;s, and which is often more extreme than regular rock. Lyrical content usually focuses on sex and youthful rebellion. There are also quite a few heavy metal bands that flirt with the occult; those that are serious are termed &amp;quot;black metal.&amp;quot;&lt;br&gt;&lt;b&gt;Hell&lt;/b&gt; &amp;quot;the Concealed Place,&amp;quot; the hidden spirit realm that exists as an unseen dimension of the carnal world in which we live. Also called the Netherworld and the Abyss.&lt;br&gt;&lt;b&gt;Hemhemti&lt;/b&gt; another name for Apep, which means &amp;quot;Roarer&amp;quot; in Egyptian.&lt;br&gt;&lt;b&gt;Here-and-now principle of theology&lt;/b&gt; a principle of theology taught by the Church of Azazel, which maintains that personal spirits (&amp;quot;gods&amp;quot;) are best understood in terms of their immediate influences upon humankind in the present, rather than in terms of their alleged histories or futures (e.g., &amp;quot;creation myths&amp;quot; or eschatology).&lt;br&gt;&lt;b&gt;Heretic&lt;/b&gt; a member of an Abrahamic faith who differentiates from the traditional doctrines of that particular faith.&lt;br&gt;&lt;b&gt;Iblis&lt;/b&gt; an Islamic name for Azazel which is sometimes translated to mean &amp;quot;Doubt&amp;quot; and sometimes translated to mean &amp;quot;Despair.&amp;quot; As Iblis, the Prince of Darkness is regarded as the Lord of the Djinn in Islamic mythology. Also spelled Eblis.&lt;br&gt;&lt;b&gt;Immortal&lt;/b&gt; a spirit that does not have a body, and which is not born and does not die as a carnal being.&lt;br&gt;&lt;b&gt;Inanna&lt;/b&gt; an ancient Sumerian lion goddess of love and war, who was associated with the morning star, Venus, and who was believed to have power over the heavens, the Earth, and the dead. She is also called Ishtar, Astarte, Ashtoreth and Astaroth.&lt;br&gt;&lt;b&gt;Incubus&lt;/b&gt; a male demon that enjoys exchanging sexual energy with mortals.&lt;br&gt;&lt;b&gt;Initiation&lt;/b&gt; a ceremony, ritual, test, or period of instruction through which a new member is admitted into a coven, cult, or level of esoteric knowledge. &lt;br&gt;&lt;b&gt;Invocation&lt;/b&gt; a prayer or formula that is recited in order to gain the attention of a particular spirit or spirits. Often recited at the opening of a religious ritual.&lt;br&gt;&lt;b&gt;Ishtar&lt;/b&gt; the Babylonian name for the goddess Inanna, who would later be demonized in Christian demonology as Astaroth. &lt;br&gt;&lt;b&gt;Jehovah&lt;/b&gt; another name for Yahweh, the god of Abraham.&lt;br&gt;&lt;b&gt;Joy of Satan ministry&lt;/b&gt; a denomination of theistic Satanism founded by Maxine Dietrich which teaches that Satan and Jehovah are aliens on a distant planet who are engaged in a telepathic mind-war over the souls of human beings. Combines the archaeological &amp;quot;theories&amp;quot; of Zachariah Sitchin with a dose of David Icke-style conspiracy mongering and a dose of Neo-Nazism.&lt;br&gt;&lt;b&gt;LaVeyan&lt;/b&gt; a Satanist who adheres strictly to the teachings and principles of Anton Szandor LaVey&amp;#39;s &lt;i&gt;Satanic Bible&lt;/i&gt;. Often used to mean Church of Satan members, but not all LaVeyans are actually members of LaVey&amp;#39;s church.&lt;br&gt;&lt;b&gt;Left hand path&lt;/b&gt; a confusing term that is often used to mean different things. It is sometimes used to mean either dark mysticism, &amp;quot;black magic,&amp;quot; Self worship, Devil worship, Satan worship, or demon worship. Not a particularly useful term in the contemporary occult scene.&lt;br&gt;&lt;b&gt;Leviathan&lt;/b&gt; a name given to the ancient Serpent in Old Testament scriptures such as Job, Isaiah, and the Psalms. &lt;br&gt;&lt;b&gt;Light mystic:&lt;/b&gt; a person who interprets mystical realities in terms of bright imagery, and whose experiences literally &amp;quot;feel&amp;quot; bright. Often misunderstood as a &amp;quot;white magician.&amp;quot;&lt;br&gt;&lt;b&gt;Lilith&lt;/b&gt; the Queen of the succubi and goddess of this age. The spirit of a mortal woman who was made into a demoness by the Prince of Darkness, and who is now His bride and consort.&lt;br&gt;&lt;b&gt;Lucifer&lt;/b&gt; a Latin title meaning &amp;quot;Light-bearer,&amp;quot; which can be used to describe virtually anyone or anything that acts as a bringer of light. Usually used by Christians in reference to the Prince of Darkness, but it is sometimes used in reference to other spirits as well.&lt;br&gt;&lt;b&gt;Luciferian&lt;/b&gt; either a variety of Satanist who chooses to identify their Satan by the name of Lucifer, or a type of Neopagan who worships a pre-Christian deity of light.&lt;br&gt;&lt;b&gt;Melek Ta&amp;#39;us&lt;/b&gt; a Kurdish name for Azazel, which is correctly translated to mean &amp;quot;Angel King&amp;quot; or &amp;quot;King of the Lesser Spirits.&amp;quot; It is incorrectly translated &amp;quot;Peacock Angel.&amp;quot; Used by the Yezidi to refer to Azazel in His role as God and custodian of the Earth.&lt;br&gt;&lt;b&gt;Mortal&lt;/b&gt; a spirit that has a body, and which is born and dies as a carnal being.&lt;br&gt;&lt;b&gt;Mysticism&lt;/b&gt; a belief in the existence of realities beyond perceptual or intellectual apprehension that are central to being and that are directly accessible by subjective experience. Often misunderstood as &amp;quot;magic.&amp;quot;&lt;br&gt;&lt;b&gt;Neopagan&lt;/b&gt; a person who practices a modern reconstruction of a pre-Christian religion. Not all Neopagans are &amp;quot;pagan&amp;quot; by the original definition of that term, for many Neopagans are actually apostates (i.e., former Abrahamics).&lt;br&gt;&lt;b&gt;Occult&lt;/b&gt; a term that literally means &amp;quot;hidden.&amp;quot; Anything that pertains to the supernatural or spiritual is really occult in nature.&lt;br&gt;&lt;b&gt;Occultism&lt;/b&gt; a system of belief and/or practices that involve personal investigation of the occult.&lt;br&gt;&lt;b&gt;Opener of the Ways&lt;/b&gt; a cult title for the Egyptian spirit Anpu.&lt;br&gt;&lt;b&gt;Order of the Nine Angles&lt;/b&gt; a mysterious and highly controversial sect of Satanists in Great Britain who believe in Satan as a literal entity, but who believe in Self worship and working to aid the &amp;quot;Sinister dialectic.&amp;quot; Perhaps the only Satanist group that has been known to publically endorse human sacrifice, although it is unknown if any members have ever actually practiced it. They were the first Satanists to call themselves &amp;quot;Traditional Satanists.&amp;quot;&lt;br&gt;&lt;b&gt;Pagan&lt;/b&gt; a scapegoat term used for people who have never worshiped Yahweh and who have never been members of either of his cults. Used to describe various non-Abrahamic persons, such as polytheists, atheists and agnostics.&lt;br&gt;&lt;b&gt;Paganism&lt;/b&gt; the practice of being anything other than a member of one of the three Abrahamic religions (i.e., Christianity, Judaism or Islam).&lt;br&gt;&lt;b&gt;Pentagram&lt;/b&gt; a five-pointed star drawn within a circle. When it is drawn with one point up, it is often used as a sign for Wicca; with one point down, it is most often a symbol of Satanism or Devil worship.&lt;br&gt;&lt;b&gt;Post-Copernican natural theology&lt;/b&gt; a principle of theology taught by the Church of Azazel, which maintains that the Creator(s) and/or other cosmic gods are evidently devoid of any personal interest in human affairs, and that all and any spiritual beings that demonstrate such a personal interest must necessarily be smaller-than-cosmic entities.&lt;br&gt;&lt;b&gt;Powers of Darkness&lt;/b&gt; a general catch-all term for all Devils and demons.&lt;br&gt;&lt;b&gt;Preterist&lt;/b&gt; a term usually used to describe Christians who believe that the events of the apocalypse, as described in the book of Revelation, already occured within the first century C.E.&lt;br&gt;&lt;b&gt;Prince of Darkness&lt;/b&gt; a title for the chief of all Devils and demons, developed during the Middle Ages.&lt;br&gt;&lt;b&gt;Psychopomp&lt;/b&gt; a spirit that guides the souls of the dead to their appropriate places in Hell. The Egyptian god Anpu and the Greek god Hermes are both psychopomps.&lt;br&gt;&lt;b&gt;Qadishtu&lt;/b&gt; the holy women of Sumer and Babylon; priestesses of the goddess Inanna/Ishtar, who worshiped the goddess by making love with multiple partners. Sometimes called &amp;quot;sacred prostitutes.&amp;quot;&lt;br&gt;&lt;b&gt;Rahab&lt;/b&gt; another name given to Leviathan in Old Testament scripture.&lt;br&gt;&lt;b&gt;Reincarnation&lt;/b&gt; the belief that, when a living entity dies, the spirit of that entity will eventually be reborn in a new body.&lt;br&gt;&lt;b&gt;Right hand path&lt;/b&gt; a confusing term that is often used to mean many different things. It can be used to mean either light mysticism, &amp;quot;white magic,&amp;quot; god worship, or virtually any kind of conventional religion. Not a particularly useful term in the contemporary occult scene.&lt;br&gt;&lt;b&gt;Ritual&lt;/b&gt; a sequence of events and/or practices that an individual repeats regularly. In a religious context, rituals are often used to commune with a spirit or spirits for a particular purpose.&lt;br&gt;&lt;b&gt;Rock and Roll&lt;/b&gt; a variety of modern popular music that was born in the 1950&amp;#39;s from African American blues music. Old school rock music usually focuses on chasing women; the term &amp;quot;rock and roll&amp;quot; itself is an old African American term for the act of lovemaking.&lt;br&gt;&lt;b&gt;Saatet-ta&lt;/b&gt; another name for Apep, which means &amp;quot;Darkener of the Earth&amp;quot; in Egyptian.&lt;br&gt;&lt;b&gt;Sacrifice&lt;/b&gt; &amp;quot;to make sacred&amp;quot;; the offering of a gift to a spirit or spirits. &lt;br&gt;&lt;b&gt;Satan&lt;/b&gt; a word that is commonly used as a name for the Prince of Darkness, but which can be used for virtually anyone or anything that takes an adversarial role toward something else. There are many spiritual beings that can be described as satans, and not all Satanists and/or Satan worshipers follow the same satan. The word means &amp;quot;adversary&amp;quot; in Hebrew.&lt;br&gt;&lt;b&gt;Satan worship&lt;/b&gt; the expression of ardent love, devotion, and reverence for a spirit or spirits called Satan.&lt;br&gt;&lt;b&gt;Satanic&lt;/b&gt; an adjective that is generally used to mean anything that pertains to or is of the Prince of Darkness; in a more general sense, it can mean anything that is adversarial or subversive to authority.&lt;br&gt;&lt;b&gt;&amp;quot;Satanic Panic,&amp;quot; the&lt;/b&gt; an era of paranoia which occured mostly during the 1980&amp;#39;s. This panic was marked by a popular belief among the media and law enforcement that an international conspiracy of Satanists was responsible for abducting large numbers of children and sexually abusing them as part of their rituals. The panic died down in the late 1980&amp;#39;s and early 1990&amp;#39;s after an investigation by the Federal Bureau of Investigation discredited the entire theory. There are still many people involved in law enforcement and the media, as well as conservative Christian leaders, who believe that this &amp;quot;Satanist conspiracy&amp;quot; really exists.&lt;br&gt;&lt;b&gt;&amp;quot;Satanic Ritual Abuse&amp;quot;&lt;/b&gt; a term used to describe the alleged sexual abuse of children as a part of Satanic religious ritual. The FBI has determined such terminology to be problematic; child abuse can occur within any religious ritual trappings, including those of Christianity. But despite the FBI&amp;#39;s assessment, as well as the fact that no Satanist or Devil worshiper church even tolerates child abuse, there are many religious fanatics who still believe that &amp;quot;SRA&amp;quot; is a commonly occuring problem that is being &amp;quot;covered up&amp;quot; by a conspiracy. &lt;br&gt;&lt;b&gt;Satanic Bible, the&lt;/b&gt; A book written in 1969 by Anton Szandor LaVey and published by Avon Books. Basically explains the worldview and ritual practices of Self worshiping Satanists, as formulated and practiced by LaVey&amp;#39;s Church of Satan. Was the very first &amp;quot;pro-Satanism&amp;quot; instruction manual ever published.&lt;br&gt;&lt;b&gt;Satanism&lt;/b&gt; a belief system that is structured around a positive interpretation of a Satan or satans. Can mean either Satan worship or Self worship with Satanic symbolism.&lt;br&gt;&lt;b&gt;Self worshiper&lt;/b&gt; a person who deifies him or herself.&lt;br&gt;&lt;b&gt;Set&lt;/b&gt; an ancient Egyptian deity associated with thunderstorms, deserts, war, and the nighttime sky. Originally worshiped as a positive deity who represented part of the Egyptian theocracy, but later became demonized as a partner of and/or replacement for Apep.&lt;br&gt;&lt;b&gt;Setekh&lt;/b&gt; an alternate version of the name Set.&lt;br&gt;&lt;b&gt;Setian&lt;/b&gt; a Satanist, Devil worshiper or Temple of Set member who identifies the Prince of Darkness with the Egyptian deity Set. Usually used exclusively for Temple of Set members.&lt;br&gt;&lt;b&gt;Sinister Dialectic&lt;/b&gt; a term coined by members of the Order of the Nine Angles. Refers to an esoteric strategy of observing the ways that individuals and their groupings are shaped within societies and civilizations, and of influencing the future patterns thereof in accordance with Satanic philosophy.&lt;br&gt;&lt;b&gt;Slaytanist&lt;/b&gt; a derogatory term I use for so-called &amp;quot;Satanists&amp;quot; who are really Satanic dabblers, and who base their interpretations of Satanism strictly on pop cultural views of Devil worship, such as those presented in the media by heavy metal bands like Slayer.&lt;br&gt;&lt;b&gt;Spirit&lt;/b&gt; a bodiless intelligence that exists apart from the realm of matter, yet which can intervene in said realm.&lt;br&gt;&lt;b&gt;Spiritual Satanist&lt;/b&gt; a synonym for theistic Satanist. Often used to identify adherents of the theistic Satanist denomination developed by the Joy of Satan ministry.&lt;br&gt;&lt;b&gt;Succubus&lt;/b&gt; a female demon that enjoys exchanging sexual energy with mortals.&lt;br&gt;&lt;b&gt;Supernatural&lt;/b&gt; someone or something which seems to violate or go beyond natural forces.&lt;br&gt;&lt;b&gt;Suti&lt;/b&gt; an alternate spelling of the name Set.&lt;br&gt;&lt;b&gt;Symbolic Satanist&lt;/b&gt; a Satanist who only believes in Satan as a symbol, and not as a real force or being. Those who worship themselves may also be termed Self worshipers.&lt;br&gt;&lt;b&gt;Temple of Set&lt;/b&gt; a denomination of Satanism founded in 1975 by Dr. Michael A. Aquino, formerly of the Church of Satan. Teaches that the Prince of Darkness was originally worshiped in Egypt as the god Set before becoming demonized as &amp;quot;Satan&amp;quot; in Christianity. Also teaches Self worship and the idea of Xeper.&lt;br&gt;&lt;b&gt;Theistic Satanist&lt;/b&gt; a Satanist who actually believes in the literal existence of a Satan or satans. Those who worship said Satan or satans can also be called Devil worshipers or Satan worshipers.&lt;br&gt;&lt;b&gt;Tiamat&lt;/b&gt; a cosmic dragon of primordial chaos who gave birth to all of the gods in ancient Sumerian mythology. However, her children began to annoy her with all of their noise, so she attempted to eat them. The storm god Marduk killed her in battle, and created the universe from her remains. It is from the symbolism of Tiamat that later Middle Eastern cultures would inherit the theme of the chaos dragon.&lt;br&gt;&lt;b&gt;Traditional Satanist&lt;/b&gt; a synonym for theistic Satanist, which is used to refer to the &amp;quot;traditional&amp;quot; definition of a Satanist (i.e., a Satan worshiper). Often used by theistic Satanists who wish to claim that their form of Satanism pre-dates the formation of the Church of Satan in 1966; most who make such claims are lying. The term was first used by members of the Order of the Nine Angles, who strangely enough are Self worshipers and not Satan worshipers.&lt;br&gt;&lt;b&gt;Typhon&lt;/b&gt; an ancient Greek titan, usually depicted as a reptilian giant with multiple serpentine heads. Associated with water and primordial chaos, Typhon battled the god Zeus in order to overthrow the gods of Olympus. Typhon would later be identified by the Greeks with the Egyptian Set, in his demonized role as a partner of/replacement for Apep. In reality, Typhon is probably much more similar to Apep than to Set. It is from the name Typhon that we get our modern day word &amp;quot;typhoon.&amp;quot;&lt;br&gt;&lt;b&gt;Whore of Babylon&lt;/b&gt; a cult title for the goddess Ishtar, signifying her role as a patroness of prostitutes and unbridled sexuality.&lt;br&gt;&lt;b&gt;Witches&amp;#39; Sabbath&lt;/b&gt; an annual festival celebrated by witches and Devil worshipers, according to medieval mythology. Usually celebrated on April 30, which is Walpurgisnacht. Supposedly marked by the practice of black masses, &amp;quot;backward dancing,&amp;quot; and ritual orgies. &lt;br&gt;&lt;b&gt;Worship&lt;/b&gt; the expression of ardent love, devotion, and reverence toward someone or something.&lt;br&gt;&lt;b&gt;Xeper&lt;/b&gt; an ancient Egyptian word which means &amp;quot;to come into being.&amp;quot; Used by members of the Temple of Set as a term for their philosophy of self-transformation and consciousness-worship. &lt;br&gt;&lt;b&gt;Yahweh&lt;/b&gt; the god of the Jews, Christians and Muslims, who falsely claims to be &amp;quot;God&amp;quot; (i.e., the one and only true god). The sworn enemy of the Dragon.&lt;br&gt;&lt;b&gt;Yezidi&lt;/b&gt; an ancient Kurdish sect that originated from the Near East, which centers around religious worship of Azazel. They refer to Him as Melek Ta&amp;#39;us. However, they are not correctly termed Satanists or Devil worshipers, because they do not accept that Azazel is a Devil or a satan, or that He is the Prince of Darkness. Instead, they view Him as an angel who serves an impersonal Creator god by managing over the Earth in his absence.&lt;br&gt;&lt;b&gt;Zoroastrianism&lt;/b&gt; an ancient Persian religion which was the first truly dualistic belief system. Teaches that the universe is divided between an ultimate spirit of good (identified as Ahura Mazda), and an ultimate spirit of evil (identified as Ahriman). It is from Zoroastrianism that Judaism, Christianity and Islam inherit some of their ideas about the Devil, angels, demonic possession, and apocalypticism. &lt;br&gt;&lt;b&gt;Abrahamic Covenant &lt;/b&gt;God made specific promises to Abraham. He promised that He would make a great Nation from Abraham, and that they would inherit a specific piece of land. He promised that the Messiah would come through his lineage, and finally He promised blessing and protection. (see Gen 12:1-3, Deut. 30:1-10, 2 Sam. 7:12-16, Jer. 31:31-34)&lt;br&gt;&lt;b&gt;Antichrist &lt;/b&gt;The false Christ led and controlled by Satan that will be the great world leader during the tribulation, before the second coming of Christ. His objective is to deceive people into following him. He imitates Christ, trying to take the position of God. Also called &amp;quot;The man of sin&amp;quot;. He is not Satan himself, but is controlled by Satan. At one point it seems that Satan actually enters him, so it is hard to separate the human man and Satan who controls him. At the beginning of the tribulation he will sign a peace agreement with Israel, and possibly with the whole world, setting himself up as the head.&lt;br&gt;&lt;b&gt;Antithesis &lt;/b&gt;Exact opposite, a contrast or opposition of thoughts&lt;br&gt;&lt;b&gt;Arianism &lt;/b&gt;(Arius) Movement in the early church that believed God the father alone was God, and that Jesus was created. Declared heretical at the Council of Nicea in A.D. 325, and again at the Council of Constantinople in A.D. 381.&lt;br&gt;&lt;b&gt;Allegorical&lt;/b&gt; A method of Bible interpretation (hermeneutic) that assumes the text has a meaning other than what the literal wording says.&lt;br&gt;&lt;b&gt;Alexandrian school&lt;/b&gt; School of Bible education in the early church age. Started by Philo who wanted to mix Greek philosophy and Judaism. The Alexandrian school influenced the early church through teachers like Clement and Origen.&lt;br&gt;&lt;b&gt;Antiochene school&lt;/b&gt; School of Bible education in the early church, founded by Lucian in opposition to the excesses of the allegorical hermeneutics of the Alexandrian school of Philo, Origen.&lt;br&gt;&lt;b&gt;Born again&lt;/b&gt; From John chapter 3:3 &amp;quot;...Unless a man is born again he cannot see the kingdom of God&amp;quot; - refers to a spiritual rebirth that a sinful man must go through to inherit the kingdom of God. John 3:16 goes on to explain that belief in Jesus as the Son of God is how one becomes born again.&lt;br&gt;&lt;b&gt;Clement &lt;/b&gt;Early Bishop of Rome, died about A.D. 100. Letters written by Clement to the church at Corinth give us some idea of church life in the first century.&lt;br&gt;&lt;b&gt;Chrysostom, John &lt;/b&gt;(AD 354-407) Student of Lucian and Diodore of the Antiochene school.&lt;br&gt;&lt;b&gt;Christocentric &lt;/b&gt;Referring to the O.T. the belief that the O.T. is centered on Christ, and that there is hidden meaning about Christ there.&lt;br&gt;&lt;b&gt;Covenant theology &lt;/b&gt;A system of theology that sees only one people of God, the true Israel, which is now the Church, since national Israel rejected Jesus as their Messiah.&lt;br&gt;&lt;b&gt;Daniel&lt;/b&gt; Jewish prophet of the Babylonian captivity, wrote the book of Daniel. Taken into captivity around 586 B.C. (after Ezekiel) by Nebuchadnezzar. Babylon took the southern kingdom of Israel in three moves, first in 605 B.C., then 597 B.C., and finally destroyed Jerusalem in 586 B.C.&lt;br&gt;&lt;b&gt;Deity&lt;/b&gt; Divinity, or the state of being God.&lt;br&gt;&lt;b&gt;Dispensationalism&lt;/b&gt; A system of theology that recognizes different stewardships of man under God. Sees God working with man differently during different periods, such as Law vs. Grace, or the garden vs. the postnoahic age, etc. Dispensationalism&amp;#39;s key teachings are 1.) a consistent literal interpretation of the Bible; 2.) a clear distinction between Israel and the Church, and 3.) the glory of God as the ultimate purpose in the plan of God. (not necessarily the salvation of man)&lt;br&gt;&lt;b&gt;Empiricism&lt;/b&gt; The view that experience, especially of the senses, is the only source of knowledge&lt;br&gt;&lt;b&gt;Eschatology&lt;/b&gt; From Gk. eschatos, &amp;lsquo;&lt;i&gt;last&lt;/i&gt;&amp;lsquo;, the term refers to the &amp;lsquo;doctrine of the last things&amp;rsquo;&lt;br&gt;&lt;b&gt;Evangelical &lt;/b&gt;A movement in church history started at the Protestant reformation. Most believe in an inerrant scripture, and a born again experience required for salvation based on John 3:3, Ephesians 2:8-9.&lt;br&gt;&lt;b&gt;Exegetical&lt;/b&gt; (Exegesis) - Critical analysis or interpretation of a word, literary passage.&lt;br&gt;&lt;b&gt;Ezekiel&lt;/b&gt; Jewish prophet during the Babylonian captivity, wrote the book of Ezekiel. Taken into captivity around 597 B.C. by Nebuchadnezzar. Babylon took the southern kingdom of Israel in three moves, first in 605 B.C., then 597 B.C., and finally destroyed Jerusalem in 586 B.C.&lt;br&gt;&lt;b&gt;Gnosticism &lt;/b&gt;Views the material creation as being evil, including flesh. Belief in secret knowledge. Tries to separate the man Jesus with the Christ, since the man Jesus was flesh.&lt;br&gt;&lt;b&gt;Gospel&lt;/b&gt; The good news, or message,  of how Jesus Christ redeemed, or paid for, the sins of man by dying on the cross. The substitutionary death of Christ. (Isaiah 53)&lt;br&gt;&lt;b&gt;Hellenism &lt;/b&gt;The thought and culture of ancient Greece.&lt;br&gt;&lt;br&gt;&lt;b&gt;Hermeneutics&lt;/b&gt; the art or science of the interpretation of literature.&lt;br&gt;&lt;b&gt;Ignatius &lt;/b&gt;Bishop of the church at Antioch early in the second century. He wrote seven letters to different churches.&lt;br&gt;&lt;b&gt;Infallibility &lt;/b&gt;perfect, incapable of error. In the case of the Roman Catholic Church, they claim that the pope is infallible on points of doctrine and faith when acting in official capacity. Protestants don&amp;#39;t believe this, but trust only in the Word of God, the Bible. This debate stems from the Roman Catholic interpretation of &lt;i&gt;Matthew 16:17-19, &lt;/i&gt;believing that Jesus created the papacy when He told Peter that he had the keys to the kingdom of heaven.&lt;br&gt;&lt;b&gt;Justin Martyr &lt;/b&gt;Converted from paganism, he became the most noted of second century apologists. Taught in Ephesus and Rome. Martyred in Rome in A.D. 165&lt;br&gt;&lt;b&gt;Jonah&lt;/b&gt; The prophet in the O.T. sent by God to preach to the Assyrians in Ninevah. Known for his trip in the belly of the sea monster.&lt;br&gt;&lt;b&gt;John Darby &lt;/b&gt;(1800-1882)&lt;b&gt; &lt;/b&gt;One of the founders of the Plymouth Brethren movement. Born in London, graduated at 18 with a Law degree from Trinity college in Dublin. He soon left law to work in the Church of Ireland. This didn&amp;#39;t last long as he disagreed with the ecclesiology (Doctrine of the Church) of the Church of England. This led him to Plymouth England, where he found some like minded believers, and helped to start what became the Brethren movement.Darby was one of the early teachers of Dispensationalism. He believed that each dispensation placed man under some condition, having a specific resonsibility before God, and that man failed during each dispensation.&lt;br&gt;&lt;b&gt;Lucian &lt;/b&gt;(AD 240-312) Founded the Antiochene school in opposition to the excesses of the allegorical hermeneutics of the Alexandrian school of Philo, Origen.&lt;br&gt;&lt;b&gt;Marcionism &lt;/b&gt;(Marcion) Gnostic born in Sinope, Pontus. Believed that the God of the O.T. was different from the God of the N.T. Taught that Jesus wasn&amp;#39;t born of a woman. Excommunicated in A.D. 144, and refuted theologically by Justin Martyr and Tertullian. This was the first great threat to the early church.&lt;br&gt;&lt;b&gt;Messiah &lt;/b&gt;The hebrew term for one called the &lt;i&gt;Anointed one, &lt;/i&gt;or&lt;i&gt; Christ in Greek. &lt;/i&gt;The Jews were waiting for their Messiah, although they expected a leader that would solve the political crisis they were in with Rome. His coming and death was foretold in Daniel 9. His suffering was foretold in Isaiah 53. Unfortunately the Jews didn&amp;#39;t evidently read the prophets much, or they just didn&amp;#39;t understand the passages that depicted a suffering Messiah. When Jesus died they didn&amp;#39;t see the lamb of God that took away the sins of the world. They didn&amp;#39;t see how Jesus fulfilled the pictures or symbolism in Jewish relighious customs, like the lambs blood in the passover, like the timing of the feasts and how they pictured the exact timing of the death of Christ and what He would accomplish on the cross. The sacrifice of Isaac by Abraham was a picture of how God would offer His Son as a sacrtifice for the sins of the world.. Isiah 53 tells us &amp;quot;But He was pierced through for our transgressions, He was crushed for our iniquities&amp;quot;... &amp;quot;But the Lord has caused the iniquity of us to fall on Him.&amp;quot;&lt;br&gt;&lt;b&gt;Millennium&lt;/b&gt; Literally means one thousand years.&lt;br&gt;&lt;b&gt;Millennial kingdom &lt;/b&gt;Literal one thousand year reign of Christ initiated after the 7 year tribulation.&lt;br&gt;&lt;b&gt;Moses &lt;/b&gt;Great prophet of God called to lead the Jews out of Egypt to the land that God promised his forefather Abraham. Moses was from the tribe of Levi. Moses was also called the lawgiver, since he was the one that received the ten commandments from God directly while in Mount Sinai. Moses led the Jews through the desert for 40 years while God purged out the unbelievers. God performed many great miracles through Moses.&lt;br&gt;&lt;b&gt;Origen &lt;/b&gt;Great scholar, most prolific author of the early church. Born in a Christian family about AD 185. He became a well known teacher/speaker. Moved to Cesarea. Died in AD 254. From the Alexandrian school, believed in a very allegorical method of interpretation.&lt;br&gt;&lt;br&gt;&lt;b&gt;Philo&lt;/b&gt; Started the Alexandrian school in Alexandria Egypt. Clement and Origen came from this school.&lt;br&gt;&lt;b&gt;Posttribulation rapture &lt;/b&gt;The view that the rapture (snatching or taking away) of the church will happen at the end of the tribulation &lt;br&gt;&lt;b&gt;Premillennial &lt;/b&gt;happening in the period before the millennium&lt;br&gt;&lt;b&gt;Pretribulation rapture&lt;/b&gt; The view that the rapture (snatching or taking away) of the church will happen before the tribulation &lt;br&gt;&lt;b&gt;Prophecy &lt;/b&gt;Prediction of the future under divine guidance.&lt;br&gt;&lt;b&gt;Rapture&lt;/b&gt; refers to the snatching away of believers at some point before, during, or at the second coming of Jesus Christ. (1 Thess 4:16-17) (1 Cor 15:51) (John 14) (Rev 3:10)&lt;br&gt;&lt;b&gt;Rationalism&lt;/b&gt; The doctrine or system of those who deduce their religious opinions from reason or the understanding, as distinct from, or opposed to, revelation. &lt;i&gt;(See &lt;a class=&quot;external&quot; href=&quot;http://maldini.wetpaint.comhttp://www.endtimes.org/glossary.html#sectE&quot; rel=&quot;nofollow&quot; target=&quot;_blank&quot;&gt;Empiricism&lt;/a&gt;)&lt;/i&gt;&lt;br&gt;&lt;b&gt;Reformation&lt;/b&gt; The Protestant reformation officially broke out in AD 1517. The printing press was an integral part of the reformation, since it allowed the writings of the reformers to travel quickly. The first printed book using metal type was the Bible in AD 1483. Other writers paved the way, including John of Wesel from Rhineland, Germany who wrote that the Bible alone is the authority in matters of faith. Wrote against indulgences. On October 31, 1517 Martin Luther (AD 1483-1546), professor of biblical studies at the Univ. of Wittenburg, Germany, announced a disputation on indulgences. He stated his argument in his 95 theses, which he nailed to the church door. The news spread quickly. Luther was excommunicated in AD 1520 by the pope. Luther wrote in German, and translated the Bible into German. In AD 1529, Emperor Charles V tried to stop Luther, but people stood up in protest, getting the name &amp;#39;Protestant&amp;#39;.&lt;br&gt;&lt;b&gt;Revelation&lt;/b&gt; The disclosure of something not previously known. In the case of Biblical revelation, the prophets of the Bible spoke under the inspiration of the Holy Spirit of God, sometimes not even understanding what they were writing. &lt;i&gt;(see 1 Peter 1:10-11, and 2 Peter 1:20-21)&lt;/i&gt;&lt;br&gt;&lt;b&gt;Revelation, book of &lt;/b&gt;The last book of the Christian Bible, written by the Apostle John while exiled on the Isle of Patmos around 96-98 A.D.&lt;br&gt;&lt;b&gt;Salvation&lt;/b&gt; The act of being saved, which in Biblical terms means the promise that God will bring a person into His presence for eternity, as opposed to those that will be banned from His presence due to sin and unbelief. The Bible is not political. God is very clear about how to be saved. &lt;i&gt;(John 3:16, Rom 10:9, John 5:24, Eph 2:8-9, Rom 3:21-23, 1 john 5:11-13, Rom 8:1, 2 Cor 5:17, Acts 4:12, Phil 2:9-10)&lt;/i&gt;&lt;br&gt;&lt;b&gt;Tertullian&lt;/b&gt; First major Christian author to write in Latin. Lived in Carthage, capital of Roman province of Africa. His work &amp;quot;Against Marcion&amp;quot; defended the use of the O.T. by the Christian church. He also helped develop the doctrine of the trinity. In his work &amp;quot;On Baptism&amp;quot; he criticized the baptism of children.&lt;br&gt;&lt;b&gt;Tribulation&lt;/b&gt; A period of seven years of judgment before the second coming of Christ, foretold by Daniel the prophet, and Jesus Christ.in Matthew 24. Also known as &amp;quot;The time of Jacobs trouble&amp;quot;, &amp;quot;The last day&amp;quot;, and &amp;quot;The day of the Lord&amp;quot;.&lt;br&gt;&lt;b&gt;Typology&lt;/b&gt; The study of types, symbols, or symbolism. In the Bible, an example of a type would be Moses. He was a type of Christ, as he was used to save his people. Jonah was a type in that he was three days in the belly of the sea monster, just as Christ&amp;#39;s body was in the grave three days.&lt;br&gt;Abyss Exoterically, the Abyss represents the region where the causal gives way to, or merges into, the acausal, and thus where the causal is &amp;ldquo;transcended&amp;rdquo;, gone beyond, or passed, and where one enters the realm of pure acausality. Hence The Abyss can be considered as an interchange, a nexus, of temporal, atemporal, and spatial and aspatial, dimensions. This region is, for example, symbolized on The Tree of Wyrd, as being between the spheres of Sun and Mars, and &amp;lsquo;Entering the Abyss&amp;rsquo; is that stage of magickal development which distinguishes the Master/ Mistress from the Adept. Esoterically, The Tree of Wyrd is itself a re-presentation of The Abyss, as are other esoteric re-presentations, such as The Star Game.&lt;br&gt;Acausal The term acausal refers to &amp;ldquo;acausal Time and acausal Space&amp;rdquo;: that is, to the acausal Universe. This acausal Universe is part of the Cosmos, which Cosmos consists of both the acausal and the causal, where &amp;ldquo;causal&amp;rdquo; refers to the Universe that is described, or re-presented, by causal Space and causal Time. This causal Universe is that of our physical, phenomenal, Universe, currently described by sciences such as Physics and Astronomy. The acausal is non-Euclidean, and &amp;ldquo;beyond causal Time&amp;rdquo;: that is, it cannot be represented by our finite causal geometry (of three spatial dimensions at right angles to each other) and by the flow, the change, of causal Time (past-present-future), or measured by a duration of causal Time. In addition - and just as causal energy exists in the causal (understood as such energy is by sciences such as Physics) - acausal energy exists in the acausal, of a nature and type which cannot be described by causal sciences such as Physics (based as these are on a causal geometry and a causal Time). According to the aural tradition of the ONA, there are a variety of acausal life-forms; a variety of acausal life, of different species, some of which have been manifest in (or intruded into) our causal Universe. For more details regarding the acausal, and acausal life, see the following ONA MSS: (1) The Mythos of the Dark Gods: Beings of Acausal Darkness; (2) Advanced Introduction to The Dark Gods: Five-Dimensional Acausal Sorcery.&lt;br&gt;Aeon An Aeon - according to the Sinister Way of the ONA - is a particular presencing of certain acausal energies on this planet, Earth, which energies affect a multitude of individuals over a certain period of causal time. One such affect is via the psyche of individuals. This particular presencing which is an Aeon is via a particular nexion, which is an Aeonic civilization, which Aeonic civilization is brought-into-being in a certain geographical area and usually associated with a particular mythos.&lt;br&gt;Archetype An archetype is a particular causal presencing of a certain acausal energy and is thus akin to a type of acausal living being in the causal (and thus &amp;ldquo;in the psyche&amp;rdquo;): it is born (or can be created, by magickal means), its lives, and then it &amp;ldquo;dies&amp;rdquo; (ceases to be present, presenced) in the causal (i.e. its energy in the causal ceases).&lt;br&gt;Baphomet&lt;b&gt; &lt;/b&gt;Baphomet is regarded as a Dark Goddess - a sinister female entity, The Mistress (or Mother) of Blood. According to tradition, she is represented as a beautiful mature woman, naked from the waist up, who holds in her hand the severed head of a man. She is regarded as one manifestation of one of The Dark Gods.&lt;br&gt;&lt;b&gt;&lt;br&gt; Black Book of Satan&lt;/b&gt; The book of that name containing the traditional ceremonial rituals of sinister/Satanic ceremonial magick, used by ONA Initiates.&lt;br&gt;Dark Gods According to the Sinister Tradition of the ONA, The Dark Gods are specific entities - living-beings of a particular acausal species - who exist in the realms of the acausal, with some of these entities having been presenced, via various nexions, on Earth in our distant past. [See, for example, the ONA MS The Mythos of the Dark Gods: Beings of Acausal Darkness. ]&lt;br&gt;Magick Magick - according to the Sinister tradition of the ONA - is defined as &amp;ldquo;the presencing of acausal energy in the causal by means of a nexion. By the nature of our consciousness, we, as human individuals, are one type of nexion - that is, we have the ability to access, and presence, certain types of acausal energy.&amp;rdquo; Furthermore, magick - as understand and practised by the ONA - is a means not only of personal development and personal understanding (a freeing from psychic, archetypal, influences and affects) but also of evolving to the next level of our human existence where we can understand, and to a certain extent control and influence, supra-personal manifestations of acausal energies, such as an Aeon, and thus cause, or bring-into-being, large-scale evolutionary change. Such understanding, such control, such a bring-into-being, is Aeonic Magick. Aeonic Magick is the magick of the Adept and those beyond: the magick of the evolved human being who has achieved a certain level of self-understanding and self-mastery and who thus is no longer at the mercy of unconscious psychic, archetypal, influences, both personal/individual, and of other living-beings, such as an Aeon. Internal Magick is the magick of personal change and evolution: of using magick to gain insight and to develope one&amp;rsquo;s personality and esoteric skills. There are seven stages involved in Internal Magick. External Magick is basic, &amp;ldquo;low-level&amp;rdquo;, sorcery - where certain acausal energies are used for bring or to fulfil the desire of an individual. Ceremonial Magick is the use (by more than two individuals gathered in a group) of a set or particular texts or sinister rituals to access and presence sinister energies. Five-dimensional magick is the New Aeon magick sans symbols, ceremonies, symbology (such as the Tree of Wyrd) and beyond all causal abstractions, and it is prefigured in the advanced form of The Star Game.&lt;br&gt;Nexion A nexion is a specific connexion between, or the intersection of, the causal and the acausal, and nexions can, exoterically, be considered to be akin to &amp;ldquo;gates&amp;rdquo; or openings or &amp;ldquo;tunnels&amp;rdquo; where there is, or can be, either a flow of acausal energy (and thus also of acausal entities) from the acausal into our causal Space and causal Time; a journeying into the acausal itself; or a willed, conscious flow or presencing (by dark sorcery) of acausal energies. Basically, there are three main types of nexion. The first is an actual physical nexion. The second type of nexion is a living causal being, such as ourselves. The third type of nexion is a magickal creation: that is, some form in-which acausal energy is presenced or &amp;ldquo;channelled into&amp;rdquo; by a sinister Adept. [For more details of these three types see the ONA MS The Mythos of the Dark Gods.]&lt;br&gt;Nine Angles The Nine Angles have several meanings - or interpretations, exoteric and esoteric - depending on context. In the esoteric sense, they re-present the nine combinations (and transformations) of the three basic &amp;ldquo;alchemical&amp;rdquo; substances, which nine and their transformations (causal and acausal) are themselves re-presented by The Star Game. In the exoteric, pre-Adept, sense, they may be said to re-present the 7 nexions of the Tree of Wyrd plus the 2 nexions which re-present the ToW as itself a nexion, with The Abyss (a connexion between the individual and the acausal) being one of these 2 &amp;ldquo;other nexions&amp;rdquo;. It should be remembered, of course, that each sphere of the ToW is not two-dimensional (or even three-dimensional) and in a simple way each sphere can be taken as a reflexion (a &amp;ldquo;shadow&amp;rdquo;) of another - for example, Mercury is the &amp;rsquo;shadow&amp;rsquo; of Mars. In another exoteric sense, the nine are the alchemical process of the 7 plus the 2, which 2 are the conjoining of opposites: and, in one sense, this conjoining can be taken to be (magickally, for instance, in a practical ritual) as the conjoining of male and female (hence what is called one of the Rites of the Nine Angles) - although there are other practical combinations, just as each magickal act involving such Angles should be undertaken for a whole and particular alchemical season: that is, such a working should occupy a space of causal-time, making it thus a type of four-dimensional magick which can access the fifth magickal dimension, the acausal itself. A somewhat more advanced understanding of the Nine - in relation to a ritual to create a Nexion - is hinted at in the recent fiction-based MS Atazoth. Beyond this, the Nine Angles are symbols of The Star Game which itself is magick - that is, one nexion which can presence the acausal. But even this is only a beginning - a re-presentation, in symbols, of what is, in essence, without symbols: a useful means for Initiates, and Adepts, to move toward the new five-dimensional magick embodied in, and beyond, the ONA.&lt;br&gt;Psyche The psyche of the individual is a term used, in the Sinister Way, to describe those aspects of an individual - those aspects of consciousness - which are hidden, or inaccessible to, or unknown to, the individual. Basically, such aspects can be considered to be those forces/energies which do or which can influence the individual in an emotional way or in a way which the individual has no direct control over or understanding of. One part of this psyche is what has been called &amp;ldquo;the unconscious&amp;rdquo;, and some of the forces/energies of this &amp;ldquo;unconscious&amp;rdquo; have been, and can be, described by the term &amp;ldquo;archetypes&amp;rdquo;&lt;br&gt;Satan Satan is regarded, by the ONA, as the exoteric &amp;ldquo;name&amp;rdquo; of a particular acausal being: that is, as a living entity dwelling in the acausal. This entity has the ability to presence, to be manifest in, our causal, phenomenal world, and the ability - being a shapeshifter - to assume various causal forms. [Regarding the &amp;quot;names&amp;quot; of such beings, see, for example, Footnote (2) of the MS The Mythos of the Dark Gods. ]&lt;br&gt;Satanism According to the ONA, Satanism is a specific Left Hand Path, one aim of which is to transform, to evolve, the individual by the use of esoteric Arts, including Dark Sorcery. Another aim is, through using the Sinister Dialectic, to transform the world, and the causal itself, by - for example - returning, presencing, in the causal, not only the entity known as Satan but also others of The Dark Gods.&lt;br&gt; &lt;b&gt;&lt;br&gt; Septenary&lt;/b&gt; A name for the basic symbology (causal magickal symbolism) of the Seven Fold Sinister Way represented exoterically by The Tree of Wyrd, and consisting of seven stages or &amp;ldquo;spheres&amp;rdquo; joined by various pathways.&lt;br&gt;Sinister Dialectic The sinister dialectic (often called the sinister dialectic of history) is the name given to Satanic strategy - which is to further our evolution in a sinister way by, for example, (a) the use of Black Magick/sinister presencings to change individuals/events on a significant scale over long periods of causal Time; (b) to gain control and influence; (c) the use of Satanic forms and magickal presencings to produce/provoke large scale changes over periods of causal Time; (d) to bring-into-being a New Aeon; (e) to cause and sow disruption and Chaos as a prelude to any or all or none of the foregoing.&lt;br&gt;Sinister Way A name given to the system of training (magickal and practical) of Initiates used by the ONA. Sometimes also called The Seven-Fold Sinister Way. It consists of seven stages, each represented by a particular magickal Grade. [See, for example, the ONA MS NAOS.] One aim of the Way is to create Satanic individuals.&lt;br&gt;Sorcery Often used as a synonym of magick. Sorcery - according to the Dark, Sinister, tradition followed by the ONA - is the use, by an individual, individuals, or a group, of acausal energy, either directly (raw/acausal/chaos) or by means of symbolism, forms, ritual, words, chant (or similar manifestations or presencing(s) of causal constructs) with this usage often involving a specific, temporal (causal), aim or aims. [See the ONA MSS An Introduction to Dark Sorcery and NAOS.]&lt;br&gt;Star Game The Star Game is a re-presentation of the nine aspects of the basic three whose changing in causal time represents a particular presencing of acausal energy. That is, the nine re-presents not only the nexion that is the presencing of the acausal evident in our psyche and consciousness, but also many other nexions as well. This particular re-presentation is an &amp;ldquo;abstract&amp;rdquo; one, as distinct from the more &amp;ldquo;causal&amp;rdquo; symbology of The Tree of Wyrd (and of the septenary system itself). The Star Game exists in two basic forms: the &amp;ldquo;simple form&amp;rdquo; and the &amp;ldquo;advanced&amp;rdquo; form, and one of its aims is to develope acausal-thinking (beyond causal abstractions) and thus skill in five-dimensional magick. It can also be played as a &amp;ldquo;game&amp;rdquo;, akin to a chess, and can be used magickally, to presence acausal energies. The basics of The Star Game are described in the ONA MS NAOS.&lt;br&gt;Tree of Wyrd The Tree of Wyrd, as conventionally described (&amp;rdquo;drawn&amp;rdquo;) and with its correspondences and associations and symbols (see the ONA MS NAOS), re-presents certain acausal energies, and the individual who becomes familiar with such correspondences and associations and symbols can access (to a greater or lesser degree depending on their ability and skill) the energies associated with the Tree of Wyrd. The Tree of Wyrd itself is one symbol, one re-presentation, of that meeting (or &amp;ldquo;intersection&amp;rdquo;) of the causal and acausal which is a human being, and can be used to represent the journey, the quest, of the individual toward the acausal - that is, toward the goal of magick, which is the creation of a new, more evolved, individual.&lt;br&gt;&lt;b&gt;Demonic Possession &lt;/b&gt;Possession by evil spirits. &lt;br&gt;&lt;b&gt;Chai&lt;/b&gt; (Chinese, &amp;quot;fast&amp;quot;) In Taoism, rites of fasting, repentance, or purification. The term refers to rites on behalf of the living and the dead, including exorcism, protection from illness, securing houses, and recitations for salvation. Unlike related folk rites involving animal sacrifice and alcohol, the Taoist rite stresses the offering of petitions and confessing of sins. &lt;br&gt;&lt;b&gt;Confucius&lt;/b&gt; &lt;i&gt;(Chinese: K&amp;#39;ung Fu-tzu, &amp;quot;Master K&amp;#39;ung&amp;quot;; 551-479 BC) &lt;/i&gt;The most famous philosopher of ancient China. According to tradition, he was born in Lu, China. Author of the &lt;i&gt;Ch&amp;#39;un Chiu &lt;/i&gt;(Spring and Autumn Annals) and possible compiler of some early poetry, Confucius denied contemporary claims of his sageliness. The most reliable historical source regarding Confucius is the &lt;i&gt;Lun Yu &lt;/i&gt;(Analects). Transmitter of the rites and culture of earlier sage-kings, Confucius aimed to counteract the militarism of his day through training prospective leaders in humane government and gentlemanly arts. Ironically, no ruler fully accepted his teachings or employed him in high office. Religious issues were generally secondary to his ethical and political lessons but were expressed through his ritual piety. Sacrifices were properly performed to ancestral spirits at appropriate times during meals and after receiving certain gifts. Confucius frequented the ancestral temple, presided in exorcism rites, and visited the Grand Temple of the great Duke of Chou. This sagely predecessor had stabilized the kingdom through unselfish service and religious mediation, securing the Mandate of Heaven (T&amp;#39;ien-ming). Confucius&amp;#39;s concern to understand the Mandate of Heaven in his day was fulfilled when he was fifty. He anguished over the early death of his best disciple, Yen Yuan, yet pursued a mission he believed was willed by Heaven. Later Chinese generations claimed Confucius to be the perfect sage, honoring him in temples erected throughout China. The &lt;i&gt;Chung Yung &lt;/i&gt;(Doctrine of the Mean) calls Confucius the &amp;quot;partner of Heaven and Earth. &amp;quot;&lt;br&gt;&lt;b&gt;Exorcism&lt;/b&gt; The severing or disruption of all unwanted psychic circuits and circuit potentials within a specific object, person or place; hence the dismissal of ghosts and spirits. The act of ritual expulsion of demons or evil spirits or negative forces from an individual or place . In the New Testament, exorcisms are a central part of the public ministry of Jesus. Christianity has utilized exorcisms in a variety of ways: as an integral part of baptismal liturgies in which prayers and rites are used to symbolize the person&amp;#39;s departure from sin and entrance into the body of Christians; as blessings to separate material things from profane use in order to dedicate them to divine use (e. g. , the exorcism of water used in baptism); and as a rite to free persons from demonic possession. In the Roman Catholic Church this rite can only be done with episcopal authorization. Fundamentalist and Pentecostal churches attempt to drive out the demonic with sessions of prayer, the laying on of hands, and the reading of scripture. In some forms of early Christianity there was a separate clerical office for the exorcist. &lt;br&gt;&lt;b&gt;Insurance &lt;/b&gt;A contract whereby an insurer promises to pay the insured a sum of money or some other benefit upon the happening of one or more uncertain events in exchange for the payment of a premium. There must be uncertainty as to whether the relevant event(s) may happen at all or, if they will occur (e.g. death) as to their timing.&lt;br&gt;&lt;b&gt;Absolute&lt;/b&gt; (from Latin &lt;i&gt;ab&lt;/i&gt; away + &lt;i&gt;solvere&lt;/i&gt; to loosen, dissolve) Freed, released, absolved; parallel to the Sanskrit &lt;i&gt;moksha&lt;/i&gt;, &lt;i&gt;mukti&lt;/i&gt; (set free, released), also to the Buddhist nirvana (blown out), all three terms signifying one who has obtained freedom from the cycle of material existence. Absolute, in European philosophy, is used somewhat loosely for the unconditional or boundless infinitude. On the other hand, Sir W. Hamilton (Disc 13n) considers the Absolute as &amp;quot;diametrically opposed to, . . . contradictory of, the Infinite,&amp;quot; which is correct from the standpoint of both etymology and abstract philosophy. Blavatsky uses the term both ways: sometimes equating it with infinity, at other times with the first cause or one divine substance-principle. Strictly speaking, absolute is a relative term. It is the philosophic One or cosmic originant, but not the mystic zero or infinitude. An absolute or a cosmic freed one is not That (infinity), for infinity has no attributes: it is neither absolute nor nonabsolute, conscious nor unconscious, because all attributes and qualities belong to manifested and therefore noninfinite beings and things (cf FSO 89-90). The boundless or infinite, in which exist innumerable absolutes, includes the cognizer, the cognized, and the cognition, and is both matter and spirit, subject and object; all egos and non-egos are included within it. From the zero emanate an infinite number of cosmic Ones or monads. Every absolute is not only the hierarch of its own hierarchy, the One from which all subsequent differentiations emanate, but is also a cosmic jivanmukta, a released monad freed from the pull of the lower planes. Every monad at the threshold of paranirvana reassumes its primeval essence and becomes at one with the absolute of its own hierarchy once more. The absolute is thus the goal of evolution as well as the source, the highest divinity or Silent Watcher of the hierarchy of compassion, which forms the light side of a universe or cosmic hierarchy.&lt;br&gt;&lt;b&gt;Anneliese Michel&lt;/b&gt; (September 21, 1952 &amp;ndash; July 1, 1976) was a German woman who was believed to have been possessed by six or more demons and subsequently underwent an exorcism. Anneliese Michel - Early life. She was born into a lower-middle class Catholic family in Leiblfing, Bavaria, a small town. Anneliese Michel - Hospitalization. In 1968, Anneliese began suffering from seizures and was diagnosed as epileptic at the Psychiatric Clinic in W&amp;uuml;rzburg. She remained hospital .&lt;br&gt;&lt;b&gt;Holy water&lt;/b&gt; is used in Orthodox rites of blessing and exorcism, and is the water normally used for baptisms. A quantity of holy water is typically kept in a small font placed near the entrance of the church where it is available for anyone who needs it. Orthodox Christians most often bless themselves with holy water by drinking it, and they normally keep some at home for this purpose. Holy water is also sometimes sprinkled on items or people when they are blessed, as part of the prayers of blessing. For instance, in Alaska, the fishing boats are sprinkled with holy water at the start of the fishing sea .&lt;br&gt;&lt;b&gt;Vampire &lt;/b&gt;During the 18th century there was a major vampire scare in Eastern Europe. Even government officials frequently got dragged into the hunting and staking of vampires. The word vampire only came into the English language in 1732 via an English translation of a German report of the much-publicized Arnold Paole vampire staking in Serbia. It all started with an outbreak of alleged vampire attacks in East Prussia in 1721 and in the Austro-Hungarian Empire from 1725 to 1734. Two famous cases involved Peter Plogojowitz and Arnol .&lt;br&gt;&lt;b&gt;Ghosts &lt;/b&gt;Ghosts are often depicted of a human size and shape (although some accounts also mention animal ghosts), but typically described as &amp;quot;silvery&amp;quot;, &amp;quot;shadowy&amp;quot;, &amp;quot;semitransparent&amp;quot;, or &amp;quot;fog-like.&amp;quot; Parapsychologists refer to the &amp;quot;substance&amp;quot; of which ghosts and other spirits are made of as &amp;quot;ectoplasm&amp;quot;. Ghosts do not have a physical body like human beings, but only a subtle astral body. Sometimes they do not manifest themselves visually but in terms of other phenomena, such as the movements of an object, spontaneous throwing of a light switch, noises, etc. A ghost is an alleged non-corporeal manifestation of a dead person (or, rarely, an animal). It is often thought to be the spirit or soul of a person who has remained on Earth after death. According to some beliefs, a ghost may be the personality of a person after his or her death, and not tied directly to the soul or spirit. Every culture in the world carries stories about ghosts.&lt;br&gt;&lt;b&gt;Necromancy&lt;/b&gt; may or may not have a relation to shamanism, which calls upon spirits (angles of the elements and such)or &amp;#39;The Great Spirit/Creator&amp;#39; (God) to heal or help ghosts reach the afterlife. The historian Strabo (Strabo, xvi. 2, 39, &amp;nu;&amp;epsilon;&amp;kappa;&amp;rho;&amp;omicron;&amp;mu;&amp;alpha;&amp;nu;&amp;tau;ί&amp;alpha;) refers to necromancy as the principal form of divination amongst the people of Persia; and it is believed to also have been widespread amongst the peoples of Chaldea (particularly amongst the Sabians or star-worshippers), Etruria and Babylonia. The Babylonian necromancers themselves were called Manzazuu or Sha&amp;#39;etemmu an.&lt;br&gt;&lt;b&gt;Stigmata&lt;/b&gt; (plural of stigma) are wounds that were, according to the Holy Bible, inflicted on Jesus during his crucifixion. There have been many reports of other individuals who display similar wounds, the causes of which have been subject to considerable debate. Some contend that stigmata are miraculous, others argue they are hoaxes or can be explained medically. The infliction of stigmata is called stigmatization. Stigmata - History.   Exorcisms A Brief History Of The concept of possession by evil spirits and the practice of exorcism are very ancient and widespread, and may originate in prehistoric Shamanistic beliefs. Shamanism refers to the traditional healing and religious practices of northern Asia (e.g. Siberia, Mongolia, etc.) By extension, the concept of shamanism has been extented in common language to a range of traditional beliefs and practices that involve the ability to diagnose, cure, and sometimes cause human suffering by traversing the axis mundi and forming a special relationship with, or gaining control over, spirits. Shamans have been credited with the ability to control the weather, divination, the interpretation of dreams astral projection, and traveling to upper and lower worlds. Shamanistic traditions have existed throughout the world since prehistoric times. Shamanism is based on the premise that the visible world is pervaded by invisible forces or spirits that affect the lives of the living. Exorcism is mainly thought of as the rite of driving out the Devil and his demons from possessed persons. Exorcism is mainly performed in incidences of demonic possession that is generally distinguished from spiritual possession. A general assumption is that the Roman Catholic singularly practices the rite of exorcism, but some Protestant denominations such as the Pentecostals, and other charismatic groups practice it as well. These groups refer to the practice as &amp;quot;deliverance ministry&amp;quot; where gifted people drive out devils and heal while they touch the persons with their hands, called laying on of hands, and pray over them. Technically, exorcism is not driving out the Devil, or a demon, but it is placing the Devil or demon on oath. And in some incidences there may be more than one demon possessing a person. &amp;quot;Exorcism&amp;quot; is derived from the Greek preposition ek with the verb horkizo which means &amp;quot;I cause [someone] to swear&amp;quot;, and refers to &amp;quot;putting the spirit, or demon on oath,&amp;quot; or invoking a higher authority to bind the entity in order to control it, and command it to act contrary to its own will. there are three types of exorcisms: one in which an object (such as your house, or car) is exorcised another performed at every baptism in which the devil formally is renounced, and finally the type in which demons are cast from the body of a victim. Daimon is the Greek derivative for the term demon. In this sense the term &amp;quot;demon&amp;quot; means &amp;quot;replete with knowledge. &amp;quot; The ancient Greeks thought there were good and bad demons called &amp;#39;eudemon&amp;#39;s, and &amp;#39;cacodemons.&amp;#39; The term &amp;#39;daimon&amp;#39; means &amp;quot;divine power,&amp;quot; &amp;quot;fate&amp;quot; or &amp;quot;god.&amp;quot; Daimons, in Greek mythology, included deified heroes. They were considered intermediary spirits between men and the gods. Good daimons were considered to be guardian spirits, giving guidance. and protection to the ones they watched over.Baddaimons led people astray. Bad demon&amp;#39;s\Diamons are nothing to mess around with If you think you are in need of an exorcism get help as soon as possible.  &lt;b&gt;Abaddon&lt;/b&gt; (Hebrew) Destroyer, Advisor. Said to be chief of demons. Sometimes regarded as the destroying angel. &lt;br&gt;&lt;b&gt;Abdiel&lt;/b&gt; (Arabic) from &amp;quot;Abd&amp;quot; meaning &lt;i&gt;slave&lt;/i&gt;. Lord of slaves/slavery. &lt;br&gt;&lt;b&gt;Abatu&lt;/b&gt; An earth bound form of destructive/negative energy in the Order of the Nine Angles. Associated with rites of sacrifice. &lt;br&gt;&lt;b&gt;Abduxuel&lt;/b&gt; (Enochian) One of the demonic rulers of the lunar mansions. &lt;br&gt;&lt;b&gt;Abigar&lt;/b&gt; Can fortell future and give military advice. &lt;br&gt;&lt;b&gt;Abigor&lt;/b&gt; (Unk) allegedly a warrior demon who commands sixty legions. Weyer names him as god of Grand Duke of Hell. Appears in a pleasant form. &lt;br&gt;&lt;b&gt;Aclahayr&lt;/b&gt; (Unk) Of the fourth hour of the Nuctemeron, the genius spirit. &lt;br&gt;&lt;b&gt;Adad, Addu&lt;/b&gt; (Babylonian, Hittite) god of the storm. &lt;br&gt;&lt;b&gt;Adramalech&lt;/b&gt; (Samarian) devil. Commander of Hell. Wierius&amp;#39; chancellor of infernal regions. In Assyria where he was worshipped, children were supposedly burned at his alters. &lt;br&gt;&lt;b&gt;Adriel&lt;/b&gt; Mansions of the moon among the Enochian demons. &lt;br&gt;&lt;b&gt;Aeshma, Aesma&lt;/b&gt; (Persian) One of seven archangels of the Persians. Adopted later into Hebrew mythology as Asmodeus. Has been recorded in history for at least three thousand years. Said to be a small hairy demon able to make men perform cruel acts. &lt;br&gt;&lt;b&gt;Ahazu-demon&lt;/b&gt; the siezer demon of the night. &lt;br&gt;&lt;b&gt;Agaliarept&lt;/b&gt; (Hebrew) commander of armies. Aussi General of hell - Grimoire of Pope Honorius.. &lt;br&gt;&lt;b&gt;Agares or Aguares&lt;/b&gt; (Unk) devil. Wierius&amp;#39; hierarchy states Agares is the demon of courage. &lt;br&gt;&lt;b&gt;Agathodemon&lt;/b&gt; (Egyptian) a good demon worshipped by the egyptians. &lt;br&gt;&lt;b&gt;Agramon&lt;/b&gt; (Unk) Demon of fear &lt;br&gt;&lt;b&gt;Agrat-bat-mahlaht&lt;/b&gt; One of Satan&amp;#39;s wives and demoness of whores. &lt;br&gt;&lt;b&gt;Ahpuch&lt;/b&gt; (Mayan) devil. &lt;br&gt;&lt;b&gt;Ahriman&lt;/b&gt; (Mazdean) devil. Ahremanes was the name given to fallen angels by the Persians. &lt;br&gt;&lt;b&gt;Alastor&lt;/b&gt; (Unk) Wierius&amp;#39; cruel demon called &amp;quot;the executioner.&amp;quot; &lt;br&gt;&lt;b&gt;Aldinach&lt;/b&gt; (Egyptian) A demon who causes natural disasters (i.e. floods, hurricanes, tornados, earthquakes). &lt;br&gt;&lt;b&gt;Allocen&lt;/b&gt; One of the 72 spirits of Solomon. &lt;br&gt;&lt;b&gt;Alocer, Allocer&lt;/b&gt; (Unk) Grand duke of hell. One of Solomon&amp;#39;s 72 spirits. &lt;br&gt;&lt;b&gt;Alu-Demon&lt;/b&gt; (Semitic) Night demon. &lt;br&gt;&lt;b&gt;Amaimon&lt;/b&gt; One of the 72 spirits of Solomon. &lt;br&gt;&lt;b&gt;Amaymon&lt;/b&gt; Evil Spirit, king of South. &lt;br&gt;&lt;b&gt;Amducious&lt;/b&gt; (Hebrew) The destroyer. &lt;br&gt;&lt;b&gt;Amducias&lt;/b&gt; Grand Duke of Hades. According to Wierius a demon of music. &lt;br&gt;&lt;b&gt;Amon, Ammon&lt;/b&gt; (Egyption) Sun God. Much like Lucifer except controls reproduction and life. See also Amaimon, Amoymon, Amaymon, and Aamon. &lt;br&gt;&lt;b&gt;Amy&lt;/b&gt; One of the 72 spirits of Solomon. Said to be supreme president of hell. He will trade knowledge for the human soul. &lt;br&gt;&lt;b&gt;Anamelech, Anomylech&lt;/b&gt; (Assyrian) bearer of bad news. An obscure demon. His name means &amp;quot;good king&amp;quot;. Some sources claim Anamelech is the moon goddess while Andramalech is the sun god. &lt;br&gt;&lt;b&gt;Andras&lt;/b&gt; (Unk) god of quarrels. Grand marquis of hell. &lt;br&gt;&lt;b&gt;Andrealphus&lt;/b&gt; One of the 72 Spirits of Solomon. &lt;br&gt;&lt;b&gt;Andromalius&lt;/b&gt; One of the 72 Spirits of Solomon. &lt;br&gt;&lt;b&gt;Anini&lt;/b&gt; One of the 72 Spirits of Solomon. &lt;br&gt;&lt;b&gt;Anneberg&lt;/b&gt; (German) demon of mines. &lt;br&gt;&lt;b&gt;Ansitif&lt;/b&gt; (unk) Possessed Sister Barbara of St. Michael in 1643 during the possessions of the nuns at Louviers. &lt;br&gt;&lt;b&gt;Apollyn&lt;/b&gt; (Greek) Another name for Satan. &lt;br&gt;&lt;b&gt;Ardat-Lile&lt;/b&gt; (Semitic) a female spirit/demon who weds human beings and wreaks havoc in the dwellings of men. &lt;br&gt;&lt;b&gt;Arioch&lt;/b&gt; (unk) Demon of vengence. He delivers vengence only when called on. &lt;br&gt;&lt;b&gt;Arphaxat&lt;/b&gt; (Unk) The demon who possessed Loise de Pinterville during the possession of the nuns at Loudun. &lt;br&gt;&lt;b&gt;Ashtaroth, Astaroth&lt;/b&gt; (Phonician)- goddess of lust, seduction. Same as Ishtar. Turned male in christian mythology - Lord Treasurer of Hell. Prince of accusers and inquisitors. Demon of vanity and sloth.One of the 72 spirits of Solomon. &lt;br&gt;&lt;b&gt;Asmodeus, Asmoday&lt;/b&gt; (Hebrew) god of lust. A demon most commonly involved in possession cases, particularily noted in the possession of the Louviers nuns. Evolved from the Persian Aeshma. See Aeshma. &lt;br&gt;&lt;b&gt;Aosoth&lt;/b&gt; Dark female force in the pantheon of the Order of the Nine Angles. Works of passion and death. The name should be vibrated. &lt;br&gt;&lt;b&gt;Asmodeus&lt;/b&gt; (Heb) devil of sensuality and luxury, originally &amp;#39;creature of judgement&amp;#39;. He was the overseer of all the gambling houses in the court of Hell, and the general spreader of dissipation. In addition, Asmodeus was the demon of lust, responsible for stirring up matrimonial trouble. &lt;br&gt;&lt;b&gt;Asmoday&lt;/b&gt; A king of hell according to the Key of Solomon. He can grant invincibility. &lt;br&gt;&lt;b&gt;Astarte&lt;/b&gt; Queen of spirits of the dead. &lt;br&gt;&lt;b&gt;Atazoth&lt;/b&gt; The most powerful of the Dark Gods in the pantheon of the Order of the Nine Angles. The name itself signifies in one sense the purpose of the cosmic cycies and the opening of the Gates since &amp;#39;Atazoth&amp;#39; as a word means &amp;#39;an increasing of azoth. &lt;br&gt;&lt;b&gt;Awar&lt;/b&gt; Son of Iblis. Arab demon of laziness. &lt;br&gt;&lt;b&gt;Aym&lt;/b&gt; (Unk) Grand duke of hell. Also Haborym. &lt;br&gt;&lt;b&gt;Ayperos&lt;/b&gt; (Unk) Prince of hell. Subordinate in Grimoire of Pope Honorius. &lt;br&gt;&lt;b&gt;Azanigin&lt;/b&gt; Mother of all demons who lie waiting in Earth in the pantheon of the Order of the Nine Angles. &lt;br&gt;&lt;b&gt;Azathoth&lt;/b&gt; Rules all time and space from a black throne at the center of Chaos. &lt;br&gt;&lt;b&gt;Azazel&lt;/b&gt; (Hebrew) god/demon of war. See also Azael. &lt;br&gt;&lt;b&gt;Baal, Bael&lt;/b&gt; (Hebrew) devil. Means &amp;quot;the lord.&amp;quot; The Canaanites worshipped Baal and held rituals at which children were burned for sacrifice. According to Wierius, this demon is the first monarch of hell and appears as a three headed beast. Bael is cited in the Grand Grimiore as commanding general of infernal armies. &lt;br&gt;&lt;b&gt;Baalberith, Balberith&lt;/b&gt; (Canaanite) Lord of covenant later made god of death. According to Wierius - a demon master of the infernal alliance. In some hierarchies he is the secretary of the archives of hell. Demon of blasphemy and murder. &lt;br&gt;&lt;b&gt;Baalzephon&lt;/b&gt; (Canaanite) Captain of guard and sentinels of Hell according to Wierius. &lt;br&gt;&lt;b&gt;Babael&lt;/b&gt; (Unk) Keeper of graves. &lt;br&gt;&lt;b&gt;Balaam&lt;/b&gt; (Hebrew) avarice and greed. &lt;br&gt;&lt;b&gt;Balan&lt;/b&gt; (Unk) A demon in Wierius&amp;#39; hierarchy said to be high in the monarchy. The demon of finesse and ruses. Also a prince of hell. &lt;br&gt;&lt;b&gt;Balban&lt;/b&gt; (Unk) a demon of delusion. &lt;br&gt;&lt;b&gt;Baltazo&lt;/b&gt; (Unk)The Demon who possessed Nicole Aubry of Laon in 1566. &lt;br&gt;&lt;b&gt;Baphomet&lt;/b&gt; God of the Templars. Worshiped as Satan. The Templar&amp;#39;s are thought, by some, to be one of the earliest sects of Demonolatry. &lt;br&gt;&lt;b&gt;Barbas&lt;/b&gt; (Unk) a demon of mechanics according to some hierarchies. &lt;br&gt;&lt;b&gt;Barbetos&lt;/b&gt; (Unk) Duke of Hades. &lt;br&gt;&lt;b&gt;Bar-Lgura&lt;/b&gt; (Semitic) A gargoyle type demon who is said to sit atop houses and pounce on the inhabitants. &lt;br&gt;&lt;b&gt;Barqu&lt;/b&gt; (Unk) The demon who keeps the secrets of the philosophers stone. &lt;br&gt;&lt;b&gt;Barzabel&lt;/b&gt; Associated with Machidael and Barchiel. &lt;br&gt;&lt;b&gt;Bast&lt;/b&gt; (Egyption) goddess of pleasure. Represented by a cat. &lt;br&gt;&lt;b&gt;Bathym, Bathim, Bathin&lt;/b&gt; (Unk) See also Marthim. Demon of herbs and precious stones according to Wierius. One of the 72 spirits of Solomon. &lt;br&gt;&lt;b&gt;Bayemon&lt;/b&gt; (Unk) According to the Grimiore of Pope Honorius a reigning monarch demon presiding over western infernal region. &lt;br&gt;&lt;b&gt;Bechard, Bechaud&lt;/b&gt; (Unk) A demon mentioned in Key Of Solomon as demon of tempests. Demon of the natural forces. &lt;br&gt;&lt;b&gt;Beelzebub, Beelzebuth, Belzebath&lt;/b&gt; (Hebrew) Lord of Flies. Among the demons blamed for the demonic possessions of the nuns at Loudun. Chief of false gods. &lt;br&gt;&lt;b&gt;Behemoth&lt;/b&gt; (Hebrew) Another name for Satan. &lt;br&gt;Beherit - (Syriac) Another name for Satan. &lt;br&gt;&lt;b&gt;Belial, Beliar&lt;/b&gt; (Hebrew) The earth elemental. Speculation has suggested the name Belial comes from the Hebrew phrase &lt;i&gt;beli ya &amp;#39;al&lt;/i&gt; meaning &amp;quot;without worth.&amp;quot; Prince of trickery. One of the 72 princes of Solomon. &lt;br&gt;&lt;b&gt;Belphegor, Belphegore, Baalphegor&lt;/b&gt; (Moabites?) Demon of discovery, invention, and riches. &lt;br&gt;&lt;b&gt;Beng&lt;/b&gt; A romany name for the devil. &lt;br&gt;&lt;b&gt;Berith&lt;/b&gt; One of the 72 Spirits of Solomon. &lt;br&gt;&lt;b&gt;Biffant&lt;/b&gt; (Unk) The demon who allegedly possessed Denise de la Caille. &lt;br&gt;&lt;b&gt;Bifrons&lt;/b&gt; (Unk) Wierius&amp;#39; demon of astronomy, geometry, and other such sciences. A demon who lights strange lights above tombs of the dead. &lt;br&gt;&lt;b&gt;Bile&lt;/b&gt; (Celtic) god of Hell. &lt;br&gt;&lt;b&gt;Bileth&lt;/b&gt; One of the 72 Spirits of Solomon. &lt;br&gt;&lt;b&gt;Blisargon&lt;/b&gt; (Unk) Grand enticer of theives until he brings his followers to destruction. &lt;br&gt;&lt;b&gt;Botis&lt;/b&gt; One of the 72 spirits of Solomon. &lt;br&gt;&lt;b&gt;Budsturga&lt;/b&gt; A blue, aetherial entity related to Order of the Nine Angles&amp;#39; l3th path. Tradition relates it as a Dark God, of female aspect, trapped in the vortex between the causal and acausal spaces, In one sense represents hidden wisdom - but generally dangerous to sanity. &lt;br&gt;&lt;b&gt;Buer&lt;/b&gt; (Unk) a demon of the second order who commands fifty legions. One of the 72 Spirits of Solomon. &lt;br&gt;&lt;b&gt;Bune&lt;/b&gt; (Unk) One of Wierius&amp;#39; demons of death. &lt;br&gt;&lt;b&gt;Caacrinolaas&lt;/b&gt; (Unk) Wierius&amp;#39; demon of knowledge of liberal arts. Appears as a Griffon. Also Grand President of Hell. Also Caasimolar or Glasya. &lt;br&gt;&lt;b&gt;Cambions&lt;/b&gt; (Unk) Offspring of Incubi and Succubi. &lt;br&gt;&lt;b&gt;Carreau&lt;/b&gt; Mercilessness. &lt;br&gt;&lt;b&gt;Cassiel, Caspiel&lt;/b&gt; (Unk) Ruler of Saturn. &lt;br&gt;&lt;b&gt;Caym, Caim&lt;/b&gt; (Unk) Grand President of Hell. One of the 72 Spirits of Solomon. &lt;br&gt;&lt;b&gt;Charon&lt;/b&gt; Boatman of hell. Ferries souls across styx and/or archeron. &lt;br&gt;&lt;b&gt;Chax&lt;/b&gt; (Unk) Grand duke of hell. Also Scox. &lt;br&gt;&lt;b&gt;Chemosh&lt;/b&gt; (Moabite) devil. &lt;br&gt;&lt;b&gt;Chomie&lt;/b&gt; (Enochian) no description. &lt;br&gt;&lt;b&gt;Choronzon&lt;/b&gt; demon of dispersion, guardian of the Abyss. &lt;br&gt;&lt;b&gt;Cimeries&lt;/b&gt; (African) devil. &lt;br&gt;&lt;b&gt;Clauneck&lt;/b&gt; Demon over treasures and riches. &lt;br&gt;&lt;b&gt;Clisthert&lt;/b&gt; (Unk) a demon who can change day to night and night to day. &lt;br&gt;&lt;b&gt;Colopatiron&lt;/b&gt; Of the 9th hour of the Nuctemeron, genius. Sets prisons open. &lt;br&gt;&lt;b&gt;Cresil&lt;/b&gt; (Unk) Demon of impurity and slovenliness. Also Gressil. &lt;br&gt;&lt;b&gt;Cunali&lt;/b&gt; One of the demons of the 8th hour of the Nuctemeron. &lt;br&gt;&lt;b&gt;Dagon&lt;/b&gt; (Philistine) another serpent god and god of ocean. &lt;br&gt;&lt;b&gt;Dantalian&lt;/b&gt; One of the 72 Spirits of Solomon. &lt;br&gt;&lt;b&gt;Decarabia&lt;/b&gt; One of the 72 Spirits of Solomon. &lt;br&gt;&lt;b&gt;Delepitorae, Delepitore&lt;/b&gt; (Unk) demoness of sorcery enlightenment. &lt;br&gt;&lt;b&gt;Demogorgon, Gorgo&lt;/b&gt; (Greek) devil. &lt;br&gt;&lt;b&gt;Demoriel&lt;/b&gt; no description &lt;br&gt;&lt;b&gt;Diriel&lt;/b&gt; no description &lt;br&gt;&lt;b&gt;Dracula&lt;/b&gt; (Romanian) devil. &lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;b&gt;Eblis&lt;/b&gt; (Mohammedan) Also called the &amp;quot;Satan&amp;quot; of the Mohammedans. It is claimed that once he was an inhabitant of Azazil, the heaven nearest God; and when the angels were commanded to bow down to the first man, Eblis was the leader of those who rebelled. Also Haris. &lt;br&gt;&lt;b&g